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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A3728 it is the complementary color #65C8D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A3728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A3728 shade: #9F3723, #B04936, #C15B49, #D26D5C and #E37F6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A3728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A3728 shade: #9A3728, #892515, #781302, #670100 and #560000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A3728 shade: #9A3728 and #9A2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A3728 shade: #9A3728, #9A5628, #9A7428, #9A9328 and #829A28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A3728 shade matches the following richer shades: #9A3728, #AA2B18 and #B92008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A3728 shade: #9A3728, #8A4237, #7B4E47, #6B5957 and #5B6566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A3728 shade: #9A2857, #9A2839, #9A3528, #9A5428 and #9A7228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A3728 shade: #581F17, #792B1F, #9A3728, #BB4230 and #CF5745

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A3728 shade: #9A3728, #769A28 and #28489A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A3728 shade: #9A3728, #289A35 and #35289A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A3728 shade: #9A3728, #769A28, #288D9A and #4C289A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A3728 shade: #9A3728, #549A28, #288D9A and #6E289A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

Complementary color

CMYK 53 / 7 / 0 / 16

HEX #65C8D7

RGB 101 200 215

HSL 187.89, 0.59%, 0.62%

LAB 75.44, -24.87, -16.37

 

CMYK 0 / 65 / 78 / 38

HEX #9F3723

RGB 159 55 35

HSL 9.68, 0.64%, 0.38%

LAB 38.24, 42.09, 35.04

 

CMYK 0 / 59 / 69 / 31

HEX #B04936

RGB 176 73 54

HSL 9.34, 0.53%, 0.45%

LAB 44.61, 40.81, 32.22

 

CMYK 0 / 53 / 62 / 24

HEX #C15B49

RGB 193 91 73

HSL 9, 0.49%, 0.52%

LAB 51.04, 39.47, 29.74

 

CMYK 0 / 48 / 56 / 18

HEX #D26D5C

RGB 210 109 92

HSL 8.64, 0.57%, 0.59%

LAB 57.47, 38.16, 27.6

 

CMYK 0 / 44 / 51 / 11

HEX #E37F6F

RGB 227 127 111

HSL 8.28, 0.67%, 0.66%

LAB 63.88, 36.93, 25.73

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 0 / 73 / 85 / 46

HEX #892515

RGB 137 37 21

HSL 8.28, 0.73%, 0.31%

LAB 31.1, 41.46, 34.18

 

CMYK 0 / 84 / 98 / 53

HEX #781302

RGB 120 19 2

HSL 8.64, 0.97%, 0.24%

LAB 25.15, 41.67, 36.24

 

CMYK 0 / 99 / 100 / 60

HEX #670100

RGB 103 1 0

HSL 0.58, 1%, 0.2%

LAB 19.66, 40.9, 30.1

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 0 / 74 / 74 / 40

HEX #9A2828

RGB 154 40 40

HSL 0, 0.59%, 0.38%

LAB 35.08, 46.78, 28.39

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 0 / 44 / 74 / 40

HEX #9A5628

RGB 154 86 40

HSL 24.21, 0.59%, 0.38%

LAB 43.77, 24.29, 37.98

 

CMYK 0 / 25 / 74 / 40

HEX #9A7428

RGB 154 116 40

HSL 40, 0.59%, 0.38%

LAB 51.28, 7.16, 45.74

 

CMYK 0 / 5 / 74 / 40

HEX #9A9328

RGB 154 147 40

HSL 56.32, 0.59%, 0.38%

LAB 59.79, -10.02, 54.07

 

CMYK 16 / 0 / 74 / 40

HEX #829A28

RGB 130 154 40

HSL 72.63, 0.59%, 0.38%

LAB 59.9, -24.18, 53.51

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 0 / 75 / 86 / 33

HEX #AA2B18

RGB 170 43 24

HSL 7.81, 0.75%, 0.38%

LAB 38.45, 50.34, 41.71

 

CMYK 0 / 83 / 96 / 27

HEX #B92008

RGB 185 32 8

HSL 8.14, 0.92%, 0.38%

LAB 40.19, 57.99, 50.71

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 0 / 52 / 60 / 46

HEX #8A4237

RGB 138 66 55

HSL 7.95, 0.43%, 0.38%

LAB 37.07, 29.65, 20.99

 

CMYK 0 / 37 / 42 / 52

HEX #7B4E47

RGB 123 78 71

HSL 8.08, 0.27%, 0.38%

LAB 38.05, 18.08, 12.01

 

CMYK 0 / 17 / 19 / 58

HEX #6B5957

RGB 107 89 87

HSL 6, 0.1%, 0.38%

LAB 39.51, 6.99, 3.9

 

CMYK 11 / 1 / 0 / 60

HEX #5B6566

RGB 91 101 102

HSL 185.45, 0.06%, 0.38%

LAB 41.99, -3.6, -1.88

 

CMYK 0 / 74 / 44 / 40

HEX #9A2857

RGB 154 40 87

HSL 335.26, 0.59%, 0.38%

LAB 36.13, 50.26, -0.16

 

CMYK 0 / 74 / 63 / 40

HEX #9A2839

RGB 154 40 57

HSL 351.05, 0.59%, 0.38%

LAB 35.37, 47.73, 18.08

 

CMYK 0 / 66 / 74 / 40

HEX #9A3528

RGB 154 53 40

HSL 6.84, 0.59%, 0.38%

LAB 37.06, 41.4, 30.64

 

CMYK 0 / 45 / 74 / 40

HEX #9A5428

RGB 154 84 40

HSL 23.16, 0.59%, 0.38%

LAB 43.31, 25.42, 37.49

 

CMYK 0 / 26 / 74 / 40

HEX #9A7228

RGB 154 114 40

HSL 38.95, 0.59%, 0.38%

LAB 50.75, 8.3, 45.2

 

CMYK 0 / 65 / 74 / 65

HEX #581F17

RGB 88 31 23

HSL 7.38, 0.59%, 0.22%

LAB 20.5, 25.77, 18.85

 

CMYK 0 / 64 / 74 / 53

HEX #792B1F

RGB 121 43 31

HSL 8, 0.59%, 0.3%

LAB 29.14, 33.31, 25.41

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 0 / 65 / 74 / 27

HEX #BB4230

RGB 187 66 48

HSL 7.77, 0.59%, 0.46%

LAB 45.19, 47.74, 36.77

 

CMYK 0 / 58 / 67 / 19

HEX #CF5745

RGB 207 87 69

HSL 7.83, 0.59%, 0.54%

LAB 52.41, 46.37, 34.19

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 23 / 0 / 74 / 40

HEX #769A28

RGB 118 154 40

HSL 78.95, 0.59%, 0.38%

LAB 59.08, -29.19, 52.43

 

CMYK 74 / 53 / 0 / 40

HEX #28489A

RGB 40 72 154

HSL 223.16, 0.59%, 0.38%

LAB 32.74, 18.01, -48.28

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 74 / 0 / 66 / 40

HEX #289A35

RGB 40 154 53

HSL 126.84, 0.59%, 0.38%

LAB 55.91, -51.84, 42.81

 

CMYK 66 / 74 / 0 / 40

HEX #35289A

RGB 53 40 154

HSL 246.84, 0.59%, 0.38%

LAB 25.59, 40.42, -59.92

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 23 / 0 / 74 / 40

HEX #769A28

RGB 118 154 40

HSL 78.95, 0.59%, 0.38%

LAB 59.08, -29.19, 52.43

 

CMYK 74 / 8 / 0 / 40

HEX #288D9A

RGB 40 141 154

HSL 186.84, 0.59%, 0.38%

LAB 53.85, -23.67, -15.16

 

CMYK 51 / 74 / 0 / 40

HEX #4C289A

RGB 76 40 154

HSL 258.95, 0.59%, 0.38%

LAB 27.81, 43.79, -56.19

 

CMYK 0 / 64 / 74 / 40

HEX #9A3728

RGB 154 55 40

HSL 7.89, 0.59%, 0.38%

LAB 37.4, 40.48, 31.03

 

CMYK 45 / 0 / 74 / 40

HEX #549A28

RGB 84 154 40

HSL 96.84, 0.59%, 0.38%

LAB 57.22, -41.88, 49.97

 

CMYK 74 / 8 / 0 / 40

HEX #288D9A

RGB 40 141 154

HSL 186.84, 0.59%, 0.38%

LAB 53.85, -23.67, -15.16

 

CMYK 29 / 74 / 0 / 40

HEX #6E289A

RGB 110 40 154

HSL 276.84, 0.59%, 0.38%

LAB 32.18, 50.08, -48.88

 

Description

Color code: HEX #9A3728 | qconv.com Color code: HEX #9A3728 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 55 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 55 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 74 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 74% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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