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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A31C4 it is the complementary color #65CE3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A31C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A31C4 shade: #9F31BF, #B043D2, #C155E5, #D267F8 and #E379FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A31C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A31C4 shade: #9A31C4, #891FB1, #780D9E, #67008B and #560078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A31C4 shade: #9A31C4, #C131C4, #C4319F, #C43177 and #C4314F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A31C4 shade: #9A31C4, #7231C4, #4B31C4 and #3131C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A31C4 shade matches the following richer shades: #9A31C4, #A21DD8 and #AB09EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A31C4 shade: #9A31C4, #9145B0, #89599C, #806C88 and #788075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A31C4 shade: #4931C4, #7131C4, #9831C4, #BF31C4 and #C431A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A31C4 shade: #662082, #8029A3, #9A31C4, #AC4CD2 and #BB6DDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A31C4 shade: #9A31C4, #C43140 and #31C45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A31C4 shade: #9A31C4, #C49831 and #31C498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A31C4 shade: #9A31C4, #C43140, #5DC431 and #31C4B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A31C4 shade: #9A31C4, #C44E31, #5DC431 and #31A6C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

Complementary color

CMYK 51 / 0 / 71 / 19

HEX #65CE3B

RGB 101 206 59

HSL 102.86, 0.6%, 0.52%

LAB 74.33, -55.78, 60.49

 

CMYK 17 / 74 / 0 / 25

HEX #9F31BF

RGB 159 49 191

HSL 286.48, 0.59%, 0.47%

LAB 43.26, 64.09, -52.71

 

CMYK 16 / 68 / 0 / 18

HEX #B043D2

RGB 176 67 210

HSL 285.73, 0.61%, 0.54%

LAB 49.37, 64.4, -53.74

 

CMYK 16 / 63 / 0 / 10

HEX #C155E5

RGB 193 85 229

HSL 285, 0.73%, 0.62%

LAB 55.58, 64.25, -54.46

 

CMYK 15 / 58 / 0 / 3

HEX #D267F8

RGB 210 103 248

HSL 284.28, 0.91%, 0.69%

LAB 61.81, 63.82, -54.98

 

CMYK 11 / 53 / 0 / 0

HEX #E379FF

RGB 227 121 255

HSL 287.46, 1%, 0.74%

LAB 67.45, 60.89, -49.76

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 23 / 82 / 0 / 31

HEX #891FB1

RGB 137 31 177

HSL 283.56, 0.7%, 0.41%

LAB 36.88, 63.1, -54.92

 

CMYK 24 / 92 / 0 / 38

HEX #780D9E

RGB 120 13 158

HSL 284.28, 0.85%, 0.34%

LAB 31.23, 60.87, -52.79

 

CMYK 26 / 100 / 0 / 45

HEX #67008B

RGB 103 0 139

HSL 284.46, 1%, 0.27%

LAB 26, 56.97, -49.72

 

CMYK 28 / 100 / 0 / 53

HEX #560078

RGB 86 0 120

HSL 283, 1%, 0.24%

LAB 21.34, 50.9, -45.46

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 2 / 75 / 0 / 23

HEX #C131C4

RGB 193 49 196

HSL 298.78, 0.6%, 0.48%

LAB 48.91, 71.84, -46.27

 

CMYK 0 / 75 / 19 / 23

HEX #C4319F

RGB 196 49 159

HSL 315.1, 0.6%, 0.48%

LAB 47.54, 67.01, -26.64

 

CMYK 0 / 75 / 39 / 23

HEX #C43177

RGB 196 49 119

HSL 331.43, 0.6%, 0.48%

LAB 45.99, 62.25, -4.81

 

CMYK 0 / 75 / 60 / 23

HEX #C4314F

RGB 196 49 79

HSL 347.76, 0.6%, 0.48%

LAB 44.94, 58.87, 18.39

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 42 / 75 / 0 / 23

HEX #7231C4

RGB 114 49 196

HSL 266.53, 0.6%, 0.48%

LAB 37.41, 56.94, -65.4

 

CMYK 62 / 75 / 0 / 23

HEX #4B31C4

RGB 75 49 196

HSL 250.61, 0.6%, 0.48%

LAB 33.3, 51.32, -72.29

 

CMYK 75 / 75 / 0 / 23

HEX #3131C4

RGB 49 49 196

HSL 240, 0.6%, 0.48%

LAB 31.43, 48.67, -75.45

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 25 / 87 / 0 / 15

HEX #A21DD8

RGB 162 29 216

HSL 282.67, 0.76%, 0.48%

LAB 43.53, 75.03, -66.71

 

CMYK 27 / 96 / 0 / 8

HEX #AB09EB

RGB 171 9 235

HSL 283.01, 0.93%, 0.48%

LAB 45.43, 82.64, -74.39

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 18 / 61 / 0 / 31

HEX #9145B0

RGB 145 69 176

HSL 282.62, 0.44%, 0.48%

LAB 43.38, 49.39, -43.82

 

CMYK 12 / 43 / 0 / 39

HEX #89599C

RGB 137 89 156

HSL 282.99, 0.27%, 0.48%

LAB 45.45, 31.99, -28.77

 

CMYK 6 / 21 / 0 / 47

HEX #806C88

RGB 128 108 136

HSL 282.86, 0.11%, 0.48%

LAB 48.38, 13.37, -12.46

 

CMYK 6 / 0 / 9 / 50

HEX #788075

RGB 120 128 117

HSL 103.64, 0.04%, 0.48%

LAB 52.64, -5.17, 4.95

 

CMYK 63 / 75 / 0 / 23

HEX #4931C4

RGB 73 49 196

HSL 249.8, 0.6%, 0.48%

LAB 33.13, 51.08, -72.58

 

CMYK 42 / 75 / 0 / 23

HEX #7131C4

RGB 113 49 196

HSL 266.12, 0.6%, 0.48%

LAB 37.29, 56.77, -65.61

 

CMYK 22 / 75 / 0 / 23

HEX #9831C4

RGB 152 49 196

HSL 282.04, 0.6%, 0.48%

LAB 42.55, 63.72, -56.82

 

CMYK 3 / 75 / 0 / 23

HEX #BF31C4

RGB 191 49 196

HSL 297.96, 0.6%, 0.48%

LAB 48.58, 71.43, -46.8

 

CMYK 0 / 75 / 17 / 23

HEX #C431A2

RGB 196 49 162

HSL 313.88, 0.6%, 0.48%

LAB 47.68, 67.41, -28.22

 

CMYK 22 / 75 / 0 / 49

HEX #662082

RGB 102 32 130

HSL 282.86, 0.6%, 0.32%

LAB 28.03, 46.45, -40.81

 

CMYK 21 / 75 / 0 / 36

HEX #8029A3

RGB 128 41 163

HSL 282.79, 0.6%, 0.4%

LAB 35.63, 55.26, -48.62

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 18 / 64 / 0 / 18

HEX #AC4CD2

RGB 172 76 210

HSL 282.99, 0.6%, 0.56%

LAB 50.21, 59.65, -52.43

 

CMYK 14 / 50 / 0 / 15

HEX #BB6DDA

RGB 187 109 218

HSL 282.94, 0.6%, 0.64%

LAB 58.57, 48.91, -43.57

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 0 / 75 / 67 / 23

HEX #C43140

RGB 196 49 64

HSL 353.88, 0.6%, 0.48%

LAB 44.66, 57.97, 27.22

 

CMYK 75 / 0 / 53 / 23

HEX #31C45D

RGB 49 196 93

HSL 137.96, 0.6%, 0.48%

LAB 70.12, -59.72, 40.7

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 0 / 22 / 75 / 23

HEX #C49831

RGB 196 152 49

HSL 42.04, 0.6%, 0.48%

LAB 65.29, 6.44, 57.35

 

CMYK 75 / 0 / 22 / 23

HEX #31C498

RGB 49 196 152

HSL 162.04, 0.6%, 0.48%

LAB 71.15, -48.27, 11.34

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 0 / 75 / 67 / 23

HEX #C43140

RGB 196 49 64

HSL 353.88, 0.6%, 0.48%

LAB 44.66, 57.97, 27.22

 

CMYK 53 / 0 / 75 / 23

HEX #5DC431

RGB 93 196 49

HSL 102.04, 0.6%, 0.48%

LAB 70.89, -54.99, 60.46

 

CMYK 75 / 0 / 8 / 23

HEX #31C4B5

RGB 49 196 181

HSL 173.88, 0.6%, 0.48%

LAB 71.87, -40.81, -3.37

 

CMYK 21 / 75 / 0 / 23

HEX #9A31C4

RGB 154 49 196

HSL 282.86, 0.6%, 0.48%

LAB 42.84, 64.1, -56.33

 

CMYK 0 / 60 / 75 / 23

HEX #C44E31

RGB 196 78 49

HSL 11.84, 0.6%, 0.48%

LAB 48.77, 45.58, 40.56

 

CMYK 53 / 0 / 75 / 23

HEX #5DC431

RGB 93 196 49

HSL 102.04, 0.6%, 0.48%

LAB 70.89, -54.99, 60.46

 

CMYK 75 / 15 / 0 / 23

HEX #31A6C4

RGB 49 166 196

HSL 192.24, 0.6%, 0.48%

LAB 63.27, -21.89, -24.59

 

Description

Color code: HEX #9A31C4 | qconv.com Color code: HEX #9A31C4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 49 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 49 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 75 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 75% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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