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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A30B7 it is the complementary color #65CF48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A30B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A30B7 shade: #9F30B2, #B042C5, #C154D8, #D266EB and #E378FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A30B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A30B7 shade: #9A30B7, #891EA4, #780C91, #67007E and #56006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A30B7 shade: #9930B5, #B530AE, #B5308A, #B53066 and #B53042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A30B7 shade: #9930B5, #7530B5, #5130B5 and #3030B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A30B7 shade matches the following richer shades: #9930B5, #A31EC8 and #AE0BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A30B7 shade: #9930B5, #8E43A3, #845590, #79687E and #6E7A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A30B7 shade: #5130B5, #7530B5, #9830B5, #B530AF and #B5308B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A30B7 shade: #621F74, #7D2895, #9930B5, #AF42CD and #BD63D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A30B7 shade: #9A30B7, #B53032 and #30B563

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A30B7 shade: #9A30B7, #B59830 and #30B598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A30B7 shade: #9A30B7, #B53032, #4DB530 and #30B5B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A30B7 shade: #9A30B7, #B55630, #4DB530 and #3090B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 74 / 0 / 28

HEX #9A30B7

RGB 154 48 183

HSL 287.11, 0.58%, 0.45%

LAB 41.85, 61.91, -50.31

 

Complementary color

CMYK 51 / 0 / 65 / 19

HEX #65CF48

RGB 101 207 72

HSL 107.11, 0.58%, 0.55%

LAB 74.74, -55.08, 55.86

 

CMYK 11 / 73 / 0 / 30

HEX #9F30B2

RGB 159 48 178

HSL 291.23, 0.58%, 0.44%

LAB 42.31, 62.01, -46.59

 

CMYK 11 / 66 / 0 / 23

HEX #B042C5

RGB 176 66 197

HSL 290.38, 0.53%, 0.52%

LAB 48.46, 62.33, -47.72

 

CMYK 11 / 61 / 0 / 15

HEX #C154D8

RGB 193 84 216

HSL 289.55, 0.63%, 0.59%

LAB 54.7, 62.19, -48.52

 

CMYK 11 / 57 / 0 / 8

HEX #D266EB

RGB 210 102 235

HSL 288.72, 0.77%, 0.66%

LAB 60.96, 61.76, -49.12

 

CMYK 11 / 53 / 0 / 0

HEX #E378FE

RGB 227 120 254

HSL 287.91, 0.99%, 0.73%

LAB 67.22, 61.18, -49.58

 

CMYK 16 / 74 / 0 / 28

HEX #9A30B7

RGB 154 48 183

HSL 287.11, 0.58%, 0.45%

LAB 41.85, 61.91, -50.31

 

CMYK 16 / 82 / 0 / 36

HEX #891EA4

RGB 137 30 164

HSL 287.91, 0.69%, 0.38%

LAB 35.84, 60.88, -48.81

 

CMYK 17 / 92 / 0 / 43

HEX #780C91

RGB 120 12 145

HSL 288.72, 0.85%, 0.31%

LAB 30.16, 58.58, -46.56

 

CMYK 18 / 100 / 0 / 51

HEX #67007E

RGB 103 0 126

HSL 289.05, 1%, 0.25%

LAB 24.92, 54.51, -43.31

 

CMYK 20 / 100 / 0 / 58

HEX #56006B

RGB 86 0 107

HSL 288.22, 1%, 0.21%

LAB 20.2, 48.33, -38.9

 

CMYK 15 / 73 / 0 / 29

HEX #9930B5

RGB 153 48 181

HSL 287.37, 0.58%, 0.45%

LAB 41.57, 61.33, -49.6

 

CMYK 0 / 73 / 4 / 29

HEX #B530AE

RGB 181 48 174

HSL 303.16, 0.58%, 0.45%

LAB 45.63, 66.08, -38.73

 

CMYK 0 / 73 / 24 / 29

HEX #B5308A

RGB 181 48 138

HSL 319.4, 0.58%, 0.45%

LAB 43.91, 60.86, -19.84

 

CMYK 0 / 73 / 44 / 29

HEX #B53066

RGB 181 48 102

HSL 335.64, 0.58%, 0.45%

LAB 42.61, 56.74, 0.41

 

CMYK 0 / 73 / 64 / 29

HEX #B53042

RGB 181 48 66

HSL 351.88, 0.58%, 0.45%

LAB 41.74, 53.86, 21.69

 

CMYK 15 / 73 / 0 / 29

HEX #9930B5

RGB 153 48 181

HSL 287.37, 0.58%, 0.45%

LAB 41.57, 61.33, -49.6

 

CMYK 35 / 73 / 0 / 29

HEX #7530B5

RGB 117 48 181

HSL 271.13, 0.58%, 0.45%

LAB 36.43, 54.25, -58.16

 

CMYK 55 / 73 / 0 / 29

HEX #5130B5

RGB 81 48 181

HSL 254.89, 0.58%, 0.45%

LAB 32.26, 48.22, -65.14

 

CMYK 73 / 73 / 0 / 29

HEX #3030B5

RGB 48 48 181

HSL 240, 0.58%, 0.45%

LAB 29.61, 44.2, -69.59

 

CMYK 15 / 73 / 0 / 29

HEX #9930B5

RGB 153 48 181

HSL 287.37, 0.58%, 0.45%

LAB 41.57, 61.33, -49.6

 

CMYK 19 / 85 / 0 / 22

HEX #A31EC8

RGB 163 30 200

HSL 286.94, 0.74%, 0.45%

LAB 42.59, 72.01, -59

 

CMYK 20 / 95 / 0 / 15

HEX #AE0BDA

RGB 174 11 218

HSL 287.25, 0.9%, 0.45%

LAB 44.66, 79.83, -65.94

 

CMYK 15 / 73 / 0 / 29

HEX #9930B5

RGB 153 48 181

HSL 287.37, 0.58%, 0.45%

LAB 41.57, 61.33, -49.6

 

CMYK 13 / 59 / 0 / 36

HEX #8E43A3

RGB 142 67 163

HSL 286.88, 0.42%, 0.45%

LAB 41.86, 46.87, -38.54

 

CMYK 8 / 41 / 0 / 44

HEX #845590

RGB 132 85 144

HSL 287.8, 0.26%, 0.45%

LAB 43.38, 30.09, -24.85

 

CMYK 4 / 17 / 0 / 51

HEX #79687E

RGB 121 104 126

HSL 286.36, 0.1%, 0.45%

LAB 46.27, 11.07, -9.72

 

CMYK 10 / 0 / 12 / 52

HEX #6E7A6B

RGB 110 122 107

HSL 108, 0.07%, 0.45%

LAB 49.85, -7.52, 6.71

 

CMYK 55 / 73 / 0 / 29

HEX #5130B5

RGB 81 48 181

HSL 254.89, 0.58%, 0.45%

LAB 32.26, 48.22, -65.14

 

CMYK 35 / 73 / 0 / 29

HEX #7530B5

RGB 117 48 181

HSL 271.13, 0.58%, 0.45%

LAB 36.43, 54.25, -58.16

 

CMYK 16 / 73 / 0 / 29

HEX #9830B5

RGB 152 48 181

HSL 286.92, 0.58%, 0.45%

LAB 41.41, 61.12, -49.85

 

CMYK 0 / 73 / 3 / 29

HEX #B530AF

RGB 181 48 175

HSL 302.71, 0.58%, 0.45%

LAB 45.68, 66.24, -39.23

 

CMYK 0 / 73 / 23 / 29

HEX #B5308B

RGB 181 48 139

HSL 318.95, 0.58%, 0.45%

LAB 43.95, 60.99, -20.38

 

CMYK 16 / 73 / 0 / 55

HEX #621F74

RGB 98 31 116

HSL 287.29, 0.58%, 0.29%

LAB 26.27, 42.97, -34.82

 

CMYK 16 / 73 / 0 / 42

HEX #7D2895

RGB 125 40 149

HSL 286.79, 0.58%, 0.37%

LAB 34.08, 52.16, -42.65

 

CMYK 15 / 73 / 0 / 29

HEX #9930B5

RGB 153 48 181

HSL 287.37, 0.58%, 0.45%

LAB 41.57, 61.33, -49.6

 

CMYK 15 / 68 / 0 / 20

HEX #AF42CD

RGB 175 66 205

HSL 287.05, 0.58%, 0.53%

LAB 48.78, 63.63, -51.82

 

CMYK 11 / 54 / 0 / 16

HEX #BD63D5

RGB 189 99 213

HSL 287.37, 0.58%, 0.61%

LAB 56.63, 53.52, -43.79

 

CMYK 16 / 74 / 0 / 28

HEX #9A30B7

RGB 154 48 183

HSL 287.11, 0.58%, 0.45%

LAB 41.85, 61.91, -50.31

 

CMYK 0 / 73 / 72 / 29

HEX #B53032

RGB 181 48 50

HSL 359.1, 0.58%, 0.45%

LAB 41.48, 53, 31.13

 

CMYK 73 / 0 / 45 / 29

HEX #30B563

RGB 48 181 99

HSL 143.01, 0.58%, 0.45%

LAB 65.42, -53.57, 31.79

 

CMYK 16 / 74 / 0 / 28

HEX #9A30B7

RGB 154 48 183

HSL 287.11, 0.58%, 0.45%

LAB 41.85, 61.91, -50.31

 

CMYK 0 / 16 / 73 / 29

HEX #B59830

RGB 181 152 48

HSL 46.92, 0.58%, 0.45%

LAB 63.75, -0.25, 55.72

 

CMYK 73 / 0 / 16 / 29

HEX #30B598

RGB 48 181 152

HSL 166.92, 0.58%, 0.45%

LAB 66.48, -42.08, 4.66

 

CMYK 16 / 74 / 0 / 28

HEX #9A30B7

RGB 154 48 183

HSL 287.11, 0.58%, 0.45%

LAB 41.85, 61.91, -50.31

 

CMYK 0 / 73 / 72 / 29

HEX #B53032

RGB 181 48 50

HSL 359.1, 0.58%, 0.45%

LAB 41.48, 53, 31.13

 

CMYK 57 / 0 / 73 / 29

HEX #4DB530

RGB 77 181 48

HSL 106.92, 0.58%, 0.45%

LAB 65.62, -53.84, 55.38

 

CMYK 73 / 0 / 1 / 29

HEX #30B5B3

RGB 48 181 179

HSL 179.1, 0.58%, 0.45%

LAB 67.23, -34.66, -9.16

 

CMYK 16 / 74 / 0 / 28

HEX #9A30B7

RGB 154 48 183

HSL 287.11, 0.58%, 0.45%

LAB 41.85, 61.91, -50.31

 

CMYK 0 / 52 / 73 / 29

HEX #B55630

RGB 181 86 48

HSL 17.14, 0.58%, 0.45%

LAB 47.87, 35.9, 39.42

 

CMYK 57 / 0 / 73 / 29

HEX #4DB530

RGB 77 181 48

HSL 106.92, 0.58%, 0.45%

LAB 65.62, -53.84, 55.38

 

CMYK 73 / 20 / 0 / 29

HEX #3090B5

RGB 48 144 181

HSL 196.69, 0.58%, 0.45%

LAB 56, -15.28, -27.34

 

Description

Color code: HEX #9A30B7 | qconv.com Color code: HEX #9A30B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 48 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 48 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 74 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 74% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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