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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A1EDB it is the complementary color #65E124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A1EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A1EDB shade: #9F1ED6, #B030E9, #C142FC, #D254FF and #E366FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A1EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A1EDB shade: #9A1EDB, #890CC8, #7800B5, #6700A2 and #56008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A1EDB shade: #9A1DDB, #CD1DDB, #DB1DB6, #DB1D83 and #DB1D50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A1EDB shade: #9A1DDB, #671DDB, #341DDB and #1D1DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A1EDB shade matches the following richer shades: #9A1DDB and #A009F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A1EDB shade: #9A1DDB, #9432C7, #8D46B3, #875A9F and #816E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A1EDB shade: #341DDB, #661DDB, #991DDB, #CC1DDB and #DB1DB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A1EDB shade: #671493, #8119B7, #9A1DDB, #AB3EE4 and #BB62E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A1EDB shade: #9A1EDB, #DB1D3A and #1DDB4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A1EDB shade: #9A1EDB, #DB991D and #1DDB99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A1EDB shade: #9A1EDB, #DB1D3A, #60DB1D and #1DDBBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A1EDB shade: #9A1EDB, #DB3A1D, #60DB1D and #1DBFDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 86 / 0 / 14

HEX #9A1EDB

RGB 154 30 219

HSL 279.37, 0.76%, 0.49%

LAB 42.63, 74.23, -69.96

 

Complementary color

CMYK 55 / 0 / 84 / 12

HEX #65E124

RGB 101 225 36

HSL 99.37, 0.76%, 0.51%

LAB 80.04, -63.91, 72.7

 

CMYK 26 / 86 / 0 / 16

HEX #9F1ED6

RGB 159 30 214

HSL 282.07, 0.75%, 0.48%

LAB 43, 73.99, -66.46

 

CMYK 24 / 79 / 0 / 9

HEX #B030E9

RGB 176 48 233

HSL 281.51, 0.81%, 0.55%

LAB 48.55, 75.57, -68.16

 

CMYK 23 / 74 / 0 / 1

HEX #C142FC

RGB 193 66 252

HSL 280.97, 0.97%, 0.62%

LAB 54.3, 76.32, -69.36

 

CMYK 18 / 67 / 0 / 0

HEX #D254FF

RGB 210 84 255

HSL 284.21, 1%, 0.66%

LAB 59.22, 73.41, -62.99

 

CMYK 11 / 60 / 0 / 0

HEX #E366FF

RGB 227 102 255

HSL 289.02, 1%, 0.7%

LAB 64.2, 69.63, -54.89

 

CMYK 30 / 86 / 0 / 14

HEX #9A1EDB

RGB 154 30 219

HSL 279.37, 0.76%, 0.49%

LAB 42.63, 74.23, -69.96

 

CMYK 32 / 94 / 0 / 22

HEX #890CC8

RGB 137 12 200

HSL 279.89, 0.89%, 0.42%

LAB 37.39, 71.52, -67.63

 

CMYK 34 / 100 / 0 / 29

HEX #7800B5

RGB 120 0 181

HSL 279.78, 1%, 0.35%

LAB 32.55, 67.33, -64.48

 

CMYK 36 / 100 / 0 / 36

HEX #6700A2

RGB 103 0 162

HSL 278.15, 1%, 0.32%

LAB 28.09, 61.57, -60.46

 

CMYK 40 / 100 / 0 / 44

HEX #56008F

RGB 86 0 143

HSL 276.08, 1%, 0.28%

LAB 23.54, 55.71, -56.36

 

CMYK 30 / 87 / 0 / 14

HEX #9A1DDB

RGB 154 29 219

HSL 279.47, 0.77%, 0.49%

LAB 42.56, 74.46, -70.08

 

CMYK 6 / 87 / 0 / 14

HEX #CD1DDB

RGB 205 29 219

HSL 295.58, 0.77%, 0.49%

LAB 50.65, 82.33, -56.58

 

CMYK 0 / 87 / 17 / 14

HEX #DB1DB6

RGB 219 29 182

HSL 311.68, 0.77%, 0.49%

LAB 51.06, 79.62, -34.43

 

CMYK 0 / 87 / 40 / 14

HEX #DB1D83

RGB 219 29 131

HSL 327.79, 0.77%, 0.49%

LAB 48.98, 73.98, -7.23

 

CMYK 0 / 87 / 63 / 14

HEX #DB1D50

RGB 219 29 80

HSL 343.89, 0.77%, 0.49%

LAB 47.65, 70.21, 22.17

 

CMYK 30 / 87 / 0 / 14

HEX #9A1DDB

RGB 154 29 219

HSL 279.47, 0.77%, 0.49%

LAB 42.56, 74.46, -70.08

 

CMYK 53 / 87 / 0 / 14

HEX #671DDB

RGB 103 29 219

HSL 263.37, 0.77%, 0.49%

LAB 35.75, 68.38, -81.52

 

CMYK 76 / 87 / 0 / 14

HEX #341DDB

RGB 52 29 219

HSL 247.26, 0.77%, 0.49%

LAB 31.17, 64.72, -89.25

 

CMYK 87 / 87 / 0 / 14

HEX #1D1DDB

RGB 29 29 219

HSL 240, 0.77%, 0.49%

LAB 30.05, 63.89, -91.15

 

CMYK 30 / 87 / 0 / 14

HEX #9A1DDB

RGB 154 29 219

HSL 279.47, 0.77%, 0.49%

LAB 42.56, 74.46, -70.08

 

CMYK 33 / 96 / 0 / 6

HEX #A009F0

RGB 160 9 240

HSL 279.22, 0.93%, 0.49%

LAB 44.18, 82.27, -79.34

 

CMYK 30 / 87 / 0 / 14

HEX #9A1DDB

RGB 154 29 219

HSL 279.47, 0.77%, 0.49%

LAB 42.56, 74.46, -70.08

 

CMYK 26 / 75 / 0 / 22

HEX #9432C7

RGB 148 50 199

HSL 279.46, 0.6%, 0.49%

LAB 42.31, 63.21, -58.98

 

CMYK 21 / 61 / 0 / 30

HEX #8D46B3

RGB 141 70 179

HSL 279.08, 0.44%, 0.49%

LAB 43.21, 48.55, -45.88

 

CMYK 15 / 43 / 0 / 38

HEX #875A9F

RGB 135 90 159

HSL 279.13, 0.28%, 0.49%

LAB 45.59, 31.46, -30.35

 

CMYK 7 / 21 / 0 / 45

HEX #816E8B

RGB 129 110 139

HSL 279.31, 0.12%, 0.49%

LAB 49.11, 13.19, -13.12

 

CMYK 76 / 87 / 0 / 14

HEX #341DDB

RGB 52 29 219

HSL 247.26, 0.77%, 0.49%

LAB 31.17, 64.72, -89.25

 

CMYK 53 / 87 / 0 / 14

HEX #661DDB

RGB 102 29 219

HSL 263.05, 0.77%, 0.49%

LAB 35.63, 68.28, -81.71

 

CMYK 30 / 87 / 0 / 14

HEX #991DDB

RGB 153 29 219

HSL 279.16, 0.77%, 0.49%

LAB 42.41, 74.32, -70.33

 

CMYK 7 / 87 / 0 / 14

HEX #CC1DDB

RGB 204 29 219

HSL 295.26, 0.77%, 0.49%

LAB 50.49, 82.17, -56.86

 

CMYK 0 / 87 / 16 / 14

HEX #DB1DB9

RGB 219 29 185

HSL 310.74, 0.77%, 0.49%

LAB 51.2, 80.01, -35.96

 

CMYK 30 / 86 / 0 / 42

HEX #671493

RGB 103 20 147

HSL 279.21, 0.76%, 0.33%

LAB 28.09, 54.44, -51.29

 

CMYK 30 / 86 / 0 / 28

HEX #8119B7

RGB 129 25 183

HSL 279.49, 0.76%, 0.41%

LAB 35.56, 64.62, -60.68

 

CMYK 30 / 87 / 0 / 14

HEX #9A1DDB

RGB 154 29 219

HSL 279.47, 0.77%, 0.49%

LAB 42.56, 74.46, -70.08

 

CMYK 25 / 73 / 0 / 11

HEX #AB3EE4

RGB 171 62 228

HSL 279.4, 0.75%, 0.57%

LAB 49.14, 68.95, -64.41

 

CMYK 20 / 58 / 0 / 9

HEX #BB62E9

RGB 187 98 233

HSL 279.56, 0.75%, 0.65%

LAB 57.25, 57.6, -54.07

 

CMYK 30 / 86 / 0 / 14

HEX #9A1EDB

RGB 154 30 219

HSL 279.37, 0.76%, 0.49%

LAB 42.63, 74.23, -69.96

 

CMYK 0 / 87 / 74 / 14

HEX #DB1D3A

RGB 219 29 58

HSL 350.84, 0.77%, 0.49%

LAB 47.29, 69.18, 35.04

 

CMYK 87 / 0 / 65 / 14

HEX #1DDB4D

RGB 29 219 77

HSL 135.16, 0.77%, 0.49%

LAB 76.96, -71.27, 55.79

 

CMYK 30 / 86 / 0 / 14

HEX #9A1EDB

RGB 154 30 219

HSL 279.37, 0.76%, 0.49%

LAB 42.63, 74.23, -69.96

 

CMYK 0 / 30 / 87 / 14

HEX #DB991D

RGB 219 153 29

HSL 39.16, 0.77%, 0.49%

LAB 67.97, 15.32, 67.29

 

CMYK 87 / 0 / 30 / 14

HEX #1DDB99

RGB 29 219 153

HSL 159.16, 0.77%, 0.49%

LAB 78.01, -58.87, 20.36

 

CMYK 30 / 86 / 0 / 14

HEX #9A1EDB

RGB 154 30 219

HSL 279.37, 0.76%, 0.49%

LAB 42.63, 74.23, -69.96

 

CMYK 0 / 87 / 74 / 14

HEX #DB1D3A

RGB 219 29 58

HSL 350.84, 0.77%, 0.49%

LAB 47.29, 69.18, 35.04

 

CMYK 56 / 0 / 87 / 14

HEX #60DB1D

RGB 96 219 29

HSL 98.84, 0.77%, 0.49%

LAB 78.02, -63.39, 72.35

 

CMYK 87 / 0 / 13 / 14

HEX #1DDBBF

RGB 29 219 191

HSL 171.16, 0.77%, 0.49%

LAB 78.86, -49.67, 1.44

 

CMYK 30 / 86 / 0 / 14

HEX #9A1EDB

RGB 154 30 219

HSL 279.37, 0.76%, 0.49%

LAB 42.63, 74.23, -69.96

 

CMYK 0 / 74 / 87 / 14

HEX #DB3A1D

RGB 219 58 29

HSL 9.16, 0.77%, 0.49%

LAB 49.71, 60.76, 52.62

 

CMYK 56 / 0 / 87 / 14

HEX #60DB1D

RGB 96 219 29

HSL 98.84, 0.77%, 0.49%

LAB 78.02, -63.39, 72.35

 

CMYK 87 / 13 / 0 / 14

HEX #1DBFDB

RGB 29 191 219

HSL 188.84, 0.77%, 0.49%

LAB 71.31, -28.77, -24.96

 

Description

Color code: HEX #9A1EDB | qconv.com Color code: HEX #9A1EDB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 30 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 30 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 86 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 86% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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