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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A1E97 it is the complementary color #65E168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A1E97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A1E97 shade: #9F1E92, #B030A5, #C142B8, #D254CB and #E366DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A1E97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A1E97 shade: #9A1E97, #890C84, #780071, #67005E and #56004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A1E97 shade: #991E96, #991E75, #991E54, #991E33 and #991E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A1E97 shade: #991E96, #7B1E99, #5A1E99, #391E99 and #1E1E99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A1E97 shade matches the following richer shades: #991E96, #A80FA4 and #B701B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A1E97 shade: #991E96, #8A2D88, #7C3C7A, #6D4B6C and #5E5A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A1E97 shade: #5A1E99, #7B1E99, #991E97, #991E76 and #991E56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A1E97 shade: #541153, #771775, #991E96, #BC25B8 and #D733D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A1E97 shade: #9A1E97, #99391E and #1E996A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A1E97 shade: #9A1E97, #97991E and #1E9799

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A1E97 shade: #9A1E97, #99391E, #1E9920 and #1E7F99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A1E97 shade: #9A1E97, #995E1E, #1E9920 and #1E5A99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 2 / 40

HEX #9A1E97

RGB 154 30 151

HSL 301.45, 0.67%, 0.36%

LAB 37.9, 61.94, -37.49

 

Complementary color

CMYK 55 / 0 / 54 / 12

HEX #65E168

RGB 101 225 104

HSL 121.45, 0.67%, 0.64%

LAB 80.53, -58.39, 48.38

 

CMYK 0 / 81 / 8 / 38

HEX #9F1E92

RGB 159 30 146

HSL 306.05, 0.68%, 0.37%

LAB 38.51, 62.21, -33.43

 

CMYK 0 / 73 / 6 / 31

HEX #B030A5

RGB 176 48 165

HSL 305.16, 0.57%, 0.44%

LAB 44.32, 63.54, -35.51

 

CMYK 0 / 66 / 5 / 24

HEX #C142B8

RGB 193 66 184

HSL 304.25, 0.51%, 0.51%

LAB 50.33, 64.07, -37.05

 

CMYK 0 / 60 / 3 / 18

HEX #D254CB

RGB 210 84 203

HSL 303.33, 0.58%, 0.58%

LAB 56.44, 64.09, -38.21

 

CMYK 0 / 55 / 2 / 11

HEX #E366DE

RGB 227 102 222

HSL 302.4, 0.69%, 0.65%

LAB 62.6, 63.8, -39.13

 

CMYK 0 / 81 / 2 / 40

HEX #9A1E97

RGB 154 30 151

HSL 301.45, 0.67%, 0.36%

LAB 37.9, 61.94, -37.49

 

CMYK 0 / 91 / 4 / 46

HEX #890C84

RGB 137 12 132

HSL 302.4, 0.84%, 0.29%

LAB 32.36, 59.39, -34.78

 

CMYK 0 / 100 / 6 / 53

HEX #780071

RGB 120 0 113

HSL 303.5, 1%, 0.24%

LAB 27.26, 55.17, -31.09

 

CMYK 0 / 100 / 9 / 60

HEX #67005E

RGB 103 0 94

HSL 305.24, 1%, 0.2%

LAB 22.62, 49.05, -26.27

 

CMYK 0 / 100 / 13 / 66

HEX #56004B

RGB 86 0 75

HSL 307.67, 1%, 0.17%

LAB 17.86, 42.75, -21.24

 

CMYK 0 / 80 / 2 / 40

HEX #991E96

RGB 153 30 150

HSL 301.46, 0.67%, 0.36%

LAB 37.67, 61.57, -37.26

 

CMYK 0 / 80 / 24 / 40

HEX #991E75

RGB 153 30 117

HSL 317.56, 0.67%, 0.36%

LAB 35.96, 56.72, -19.53

 

CMYK 0 / 80 / 45 / 40

HEX #991E54

RGB 153 30 84

HSL 333.66, 0.67%, 0.36%

LAB 34.68, 52.94, -0.37

 

CMYK 0 / 80 / 67 / 40

HEX #991E33

RGB 153 30 51

HSL 349.76, 0.67%, 0.36%

LAB 33.86, 50.4, 19.94

 

CMYK 0 / 80 / 80 / 40

HEX #991E1E

RGB 153 30 30

HSL 0, 0.67%, 0.36%

LAB 33.55, 49.44, 32.63

 

CMYK 0 / 80 / 2 / 40

HEX #991E96

RGB 153 30 150

HSL 301.46, 0.67%, 0.36%

LAB 37.67, 61.57, -37.26

 

CMYK 20 / 80 / 0 / 40

HEX #7B1E99

RGB 123 30 153

HSL 285.37, 0.67%, 0.36%

LAB 32.79, 56.15, -47.19

 

CMYK 41 / 80 / 0 / 40

HEX #5A1E99

RGB 90 30 153

HSL 269.27, 0.67%, 0.36%

LAB 27.85, 50.37, -55.44

 

CMYK 63 / 80 / 0 / 40

HEX #391E99

RGB 57 30 153

HSL 253.17, 0.67%, 0.36%

LAB 23.99, 45.83, -61.92

 

CMYK 80 / 80 / 0 / 40

HEX #1E1E99

RGB 30 30 153

HSL 240, 0.67%, 0.36%

LAB 21.96, 43.43, -65.35

 

CMYK 0 / 80 / 2 / 40

HEX #991E96

RGB 153 30 150

HSL 301.46, 0.67%, 0.36%

LAB 37.67, 61.57, -37.26

 

CMYK 0 / 91 / 2 / 34

HEX #A80FA4

RGB 168 15 164

HSL 301.57, 0.84%, 0.36%

LAB 40.16, 69.61, -41.6

 

CMYK 0 / 99 / 2 / 28

HEX #B701B3

RGB 183 1 179

HSL 301.32, 0.99%, 0.36%

LAB 43.28, 75.9, -45.4

 

CMYK 0 / 80 / 2 / 40

HEX #991E96

RGB 153 30 150

HSL 301.46, 0.67%, 0.36%

LAB 37.67, 61.57, -37.26

 

CMYK 0 / 67 / 1 / 46

HEX #8A2D88

RGB 138 45 136

HSL 301.29, 0.51%, 0.36%

LAB 36.09, 50.74, -31.34

 

CMYK 0 / 52 / 2 / 51

HEX #7C3C7A

RGB 124 60 122

HSL 301.88, 0.35%, 0.36%

LAB 35.83, 37.07, -23.22

 

CMYK 0 / 31 / 1 / 57

HEX #6D4B6C

RGB 109 75 108

HSL 301.76, 0.18%, 0.36%

LAB 36.68, 20.44, -13.35

 

CMYK 0 / 4 / 0 / 63

HEX #5E5A5E

RGB 94 90 94

HSL 300, 0.02%, 0.36%

LAB 38.73, 2.44, -1.73

 

CMYK 41 / 80 / 0 / 40

HEX #5A1E99

RGB 90 30 153

HSL 269.27, 0.67%, 0.36%

LAB 27.85, 50.37, -55.44

 

CMYK 20 / 80 / 0 / 40

HEX #7B1E99

RGB 123 30 153

HSL 285.37, 0.67%, 0.36%

LAB 32.79, 56.15, -47.19

 

CMYK 0 / 80 / 1 / 40

HEX #991E97

RGB 153 30 151

HSL 300.98, 0.67%, 0.36%

LAB 37.73, 61.73, -37.78

 

CMYK 0 / 80 / 23 / 40

HEX #991E76

RGB 153 30 118

HSL 317.07, 0.67%, 0.36%

LAB 36, 56.86, -20.09

 

CMYK 0 / 80 / 44 / 40

HEX #991E56

RGB 153 30 86

HSL 332.68, 0.67%, 0.36%

LAB 34.75, 53.14, -1.57

 

CMYK 0 / 80 / 1 / 67

HEX #541153

RGB 84 17 83

HSL 300.9, 0.66%, 0.2%

LAB 19.68, 38.63, -23.82

 

CMYK 0 / 81 / 2 / 53

HEX #771775

RGB 119 23 117

HSL 301.25, 0.68%, 0.28%

LAB 28.95, 50.83, -30.96

 

CMYK 0 / 80 / 2 / 40

HEX #991E96

RGB 153 30 150

HSL 301.46, 0.67%, 0.36%

LAB 37.67, 61.57, -37.26

 

CMYK 0 / 80 / 2 / 26

HEX #BC25B8

RGB 188 37 184

HSL 301.59, 0.67%, 0.44%

LAB 46.28, 72.19, -43.51

 

CMYK 0 / 76 / 2 / 16

HEX #D733D3

RGB 215 51 211

HSL 301.46, 0.67%, 0.52%

LAB 53.51, 78.07, -47.36

 

CMYK 0 / 81 / 2 / 40

HEX #9A1E97

RGB 154 30 151

HSL 301.45, 0.67%, 0.36%

LAB 37.9, 61.94, -37.49

 

CMYK 0 / 63 / 80 / 40

HEX #99391E

RGB 153 57 30

HSL 13.17, 0.67%, 0.36%

LAB 37.47, 38.74, 36.61

 

CMYK 80 / 0 / 31 / 40

HEX #1E996A

RGB 30 153 106

HSL 157.07, 0.67%, 0.36%

LAB 56.19, -43.81, 15.68

 

CMYK 0 / 81 / 2 / 40

HEX #9A1E97

RGB 154 30 151

HSL 301.45, 0.67%, 0.36%

LAB 37.9, 61.94, -37.49

 

CMYK 1 / 0 / 80 / 40

HEX #97991E

RGB 151 153 30

HSL 60.98, 0.67%, 0.36%

LAB 61.18, -14.96, 58.57

 

CMYK 80 / 1 / 0 / 40

HEX #1E9799

RGB 30 151 153

HSL 180.98, 0.67%, 0.36%

LAB 56.79, -30.11, -10.17

 

CMYK 0 / 81 / 2 / 40

HEX #9A1E97

RGB 154 30 151

HSL 301.45, 0.67%, 0.36%

LAB 37.9, 61.94, -37.49

 

CMYK 0 / 63 / 80 / 40

HEX #99391E

RGB 153 57 30

HSL 13.17, 0.67%, 0.36%

LAB 37.47, 38.74, 36.61

 

CMYK 80 / 0 / 79 / 40

HEX #1E9920

RGB 30 153 32

HSL 120.98, 0.67%, 0.36%

LAB 55.24, -54.94, 50.29

 

CMYK 80 / 17 / 0 / 40

HEX #1E7F99

RGB 30 127 153

HSL 192.68, 0.67%, 0.36%

LAB 49.2, -17.76, -21.71

 

CMYK 0 / 81 / 2 / 40

HEX #9A1E97

RGB 154 30 151

HSL 301.45, 0.67%, 0.36%

LAB 37.9, 61.94, -37.49

 

CMYK 0 / 39 / 80 / 40

HEX #995E1E

RGB 153 94 30

HSL 31.22, 0.67%, 0.36%

LAB 45.46, 18.86, 44.35

 

CMYK 80 / 0 / 79 / 40

HEX #1E9920

RGB 30 153 32

HSL 120.98, 0.67%, 0.36%

LAB 55.24, -54.94, 50.29

 

CMYK 80 / 41 / 0 / 40

HEX #1E5A99

RGB 30 90 153

HSL 210.73, 0.67%, 0.36%

LAB 37.64, 4.37, -39.82

 

Description

Color code: HEX #9A1E97 | qconv.com Color code: HEX #9A1E97 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 30 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 30 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 2 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 2% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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