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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A0F72 it is the complementary color #65F08D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A0F72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A0F72 shade: #9F0F6D, #B02180, #C13393, #D245A6 and #E357B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A0F72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A0F72 shade: #9A0F72, #89005F, #78004C, #670039 and #560026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A0F72 shade: #990F71, #990F4C, #990F27 and #990F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A0F72 shade: #990F71, #990F97, #760F99, #510F99 and #2C0F99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A0F72 shade matches the following richer shades: #990F71 and #A70277

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A0F72 shade: #990F71, #8C1D6C, #7E2A66, #703860 and #63465A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A0F72 shade: #770F99, #990F97, #990F72, #990F4D and #990F28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A0F72 shade: #4E083A, #740B56, #990F71, #BF138D and #E417A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A0F72 shade: #9A0F72, #99520F and #0F9989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A0F72 shade: #9A0F72, #72990F and #0F7299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A0F72 shade: #9A0F72, #99520F, #0F9936 and #0F5699

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A0F72 shade: #9A0F72, #997B0F, #0F9936 and #0F2D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 26 / 40

HEX #9A0F72

RGB 154 15 114

HSL 317.27, 0.82%, 0.33%

LAB 34.86, 59.91, -19.32

 

Complementary color

CMYK 58 / 0 / 41 / 6

HEX #65F08D

RGB 101 240 141

HSL 137.27, 0.82%, 0.67%

LAB 85.51, -58.72, 36.78

 

CMYK 0 / 91 / 31 / 38

HEX #9F0F6D

RGB 159 15 109

HSL 320.83, 0.83%, 0.34%

LAB 35.63, 60.43, -14.88

 

CMYK 0 / 81 / 27 / 31

HEX #B02180

RGB 176 33 128

HSL 320.14, 0.68%, 0.41%

LAB 41.02, 62.82, -18.22

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 67 / 21 / 18

HEX #D245A6

RGB 210 69 166

HSL 318.72, 0.61%, 0.55%

LAB 52.63, 64.56, -22.73

 

CMYK 0 / 62 / 19 / 11

HEX #E357B9

RGB 227 87 185

HSL 318, 0.71%, 0.62%

LAB 58.65, 64.57, -24.28

 

CMYK 0 / 90 / 26 / 40

HEX #9A0F72

RGB 154 15 114

HSL 317.27, 0.82%, 0.33%

LAB 34.86, 59.91, -19.32

 

CMYK 0 / 100 / 31 / 46

HEX #89005F

RGB 137 0 95

HSL 318.39, 1%, 0.27%

LAB 29.77, 56.16, -15.23

 

CMYK 0 / 100 / 37 / 53

HEX #78004C

RGB 120 0 76

HSL 322, 1%, 0.24%

LAB 25.31, 50.28, -9.78

 

CMYK 0 / 100 / 45 / 60

HEX #670039

RGB 103 0 57

HSL 326.8, 1%, 0.2%

LAB 20.75, 44.3, -3.95

 

CMYK 0 / 100 / 56 / 66

HEX #560026

RGB 86 0 38

HSL 333.49, 1%, 0.17%

LAB 16.1, 38.25, 2.38

 

CMYK 0 / 90 / 26 / 40

HEX #990F71

RGB 153 15 113

HSL 317.39, 0.82%, 0.33%

LAB 34.61, 59.57, -19.08

 

CMYK 0 / 90 / 50 / 40

HEX #990F4C

RGB 153 15 76

HSL 333.48, 0.82%, 0.33%

LAB 33.21, 55.73, 2.72

 

CMYK 0 / 90 / 75 / 40

HEX #990F27

RGB 153 15 39

HSL 349.57, 0.82%, 0.33%

LAB 32.39, 53.4, 25.84

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 90 / 26 / 40

HEX #990F71

RGB 153 15 113

HSL 317.39, 0.82%, 0.33%

LAB 34.61, 59.57, -19.08

 

CMYK 0 / 90 / 1 / 40

HEX #990F97

RGB 153 15 151

HSL 300.87, 0.82%, 0.33%

LAB 36.65, 64.88, -39.5

 

CMYK 23 / 90 / 0 / 40

HEX #760F99

RGB 118 15 153

HSL 284.78, 0.82%, 0.33%

LAB 30.62, 59.21, -50.74

 

CMYK 47 / 90 / 0 / 40

HEX #510F99

RGB 81 15 153

HSL 268.7, 0.82%, 0.33%

LAB 24.92, 54.12, -60.29

 

CMYK 71 / 90 / 0 / 40

HEX #2C0F99

RGB 44 15 153

HSL 252.61, 0.82%, 0.33%

LAB 20.74, 50.82, -67.35

 

CMYK 0 / 90 / 26 / 40

HEX #990F71

RGB 153 15 113

HSL 317.39, 0.82%, 0.33%

LAB 34.61, 59.57, -19.08

 

CMYK 0 / 99 / 29 / 35

HEX #A70277

RGB 167 2 119

HSL 317.45, 0.98%, 0.33%

LAB 37.1, 64.95, -18.8

 

CMYK 0 / 90 / 26 / 40

HEX #990F71

RGB 153 15 113

HSL 317.39, 0.82%, 0.33%

LAB 34.61, 59.57, -19.08

 

CMYK 0 / 79 / 23 / 45

HEX #8C1D6C

RGB 140 29 108

HSL 317.3, 0.66%, 0.33%

LAB 33, 52.61, -18.6

 

CMYK 0 / 67 / 19 / 51

HEX #7E2A66

RGB 126 42 102

HSL 317.14, 0.5%, 0.33%

LAB 31.92, 43.08, -16.63

 

CMYK 0 / 50 / 14 / 56

HEX #703860

RGB 112 56 96

HSL 317.14, 0.33%, 0.33%

LAB 32.07, 30.45, -12.74

 

CMYK 0 / 29 / 9 / 61

HEX #63465A

RGB 99 70 90

HSL 318.62, 0.17%, 0.33%

LAB 33.5, 16.05, -6.91

 

CMYK 22 / 90 / 0 / 40

HEX #770F99

RGB 119 15 153

HSL 285.22, 0.82%, 0.33%

LAB 30.79, 59.37, -50.46

 

CMYK 0 / 90 / 1 / 40

HEX #990F97

RGB 153 15 151

HSL 300.87, 0.82%, 0.33%

LAB 36.65, 64.88, -39.5

 

CMYK 0 / 90 / 25 / 40

HEX #990F72

RGB 153 15 114

HSL 316.96, 0.82%, 0.33%

LAB 34.66, 59.69, -19.64

 

CMYK 0 / 90 / 50 / 40

HEX #990F4D

RGB 153 15 77

HSL 333.04, 0.82%, 0.33%

LAB 33.24, 55.81, 2.1

 

CMYK 0 / 90 / 74 / 40

HEX #990F28

RGB 153 15 40

HSL 349.13, 0.82%, 0.33%

LAB 32.41, 53.45, 25.22

 

CMYK 0 / 90 / 26 / 69

HEX #4E083A

RGB 78 8 58

HSL 317.14, 0.81%, 0.17%

LAB 16, 35.89, -12.4

 

CMYK 0 / 91 / 26 / 55

HEX #740B56

RGB 116 11 86

HSL 317.14, 0.83%, 0.25%

LAB 25.64, 48.45, -16.05

 

CMYK 0 / 90 / 26 / 40

HEX #990F71

RGB 153 15 113

HSL 317.39, 0.82%, 0.33%

LAB 34.61, 59.57, -19.08

 

CMYK 0 / 90 / 26 / 25

HEX #BF138D

RGB 191 19 141

HSL 317.44, 0.82%, 0.41%

LAB 43.46, 70.48, -22.2

 

CMYK 0 / 90 / 26 / 11

HEX #E417A9

RGB 228 23 169

HSL 317.27, 0.82%, 0.49%

LAB 51.8, 80.75, -25.51

 

CMYK 0 / 90 / 26 / 40

HEX #9A0F72

RGB 154 15 114

HSL 317.27, 0.82%, 0.33%

LAB 34.86, 59.91, -19.32

 

CMYK 0 / 46 / 90 / 40

HEX #99520F

RGB 153 82 15

HSL 29.13, 0.82%, 0.33%

LAB 42.52, 25.2, 47.48

 

CMYK 90 / 0 / 10 / 40

HEX #0F9989

RGB 15 153 137

HSL 173.04, 0.82%, 0.33%

LAB 56.77, -37, -1.08

 

CMYK 0 / 90 / 26 / 40

HEX #9A0F72

RGB 154 15 114

HSL 317.27, 0.82%, 0.33%

LAB 34.86, 59.91, -19.32

 

CMYK 25 / 0 / 90 / 40

HEX #72990F

RGB 114 153 15

HSL 76.96, 0.82%, 0.33%

LAB 58.41, -31.4, 58.76

 

CMYK 90 / 25 / 0 / 40

HEX #0F7299

RGB 15 114 153

HSL 196.96, 0.82%, 0.33%

LAB 44.85, -11.71, -28.46

 

CMYK 0 / 90 / 26 / 40

HEX #9A0F72

RGB 154 15 114

HSL 317.27, 0.82%, 0.33%

LAB 34.86, 59.91, -19.32

 

CMYK 0 / 46 / 90 / 40

HEX #99520F

RGB 153 82 15

HSL 29.13, 0.82%, 0.33%

LAB 42.52, 25.2, 47.48

 

CMYK 90 / 0 / 65 / 40

HEX #0F9936

RGB 15 153 54

HSL 136.96, 0.82%, 0.33%

LAB 55.23, -54.42, 41.51

 

CMYK 90 / 44 / 0 / 40

HEX #0F5699

RGB 15 86 153

HSL 209.13, 0.82%, 0.33%

LAB 36.09, 5.65, -42.31

 

CMYK 0 / 90 / 26 / 40

HEX #9A0F72

RGB 154 15 114

HSL 317.27, 0.82%, 0.33%

LAB 34.86, 59.91, -19.32

 

CMYK 0 / 20 / 90 / 40

HEX #997B0F

RGB 153 123 15

HSL 46.96, 0.82%, 0.33%

LAB 52.92, 1.84, 55.66

 

CMYK 90 / 0 / 65 / 40

HEX #0F9936

RGB 15 153 54

HSL 136.96, 0.82%, 0.33%

LAB 55.23, -54.42, 41.51

 

CMYK 90 / 71 / 0 / 40

HEX #0F2D99

RGB 15 45 153

HSL 226.96, 0.82%, 0.33%

LAB 24.57, 33.56, -61.05

 

Description

Color code: HEX #9A0F72 | qconv.com Color code: HEX #9A0F72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 15 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 15 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 26 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 26% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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