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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A00F0 it is the complementary color #65FF0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A00F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A00F0 shade: #9F00EB, #B012FE, #C124FF, #D236FF and #E348FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A00F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A00F0 shade: #9A00F0, #8900DD, #7800CA, #6700B7 and #5600A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A00F0 shade: #9A00F0, #DA00F0, #F000C4, #F00084 and #F00043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A00F0 shade: #9A00F0, #5900F0, #1900F0 and #0000F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A00F0 shade matches the following richer shades: #9A00F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A00F0 shade: #9A00F0, #9413DC, #8F27C9, #893AB6 and #844EA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A00F0 shade: #1800F0, #5800F0, #9800F0, #D800F0 and #F000C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A00F0 shade: #65009D, #7F00C6, #9A00F0, #AD1AFF and #BC43FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A00F0 shade: #9A00F0, #F00028 and #00F038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A00F0 shade: #9A00F0, #F09800 and #00F098

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A00F0 shade: #9A00F0, #F00028, #58F000 and #00F0C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A00F0 shade: #9A00F0, #F02000, #58F000 and #00D0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

Complementary color

CMYK 60 / 0 / 94 / 0

HEX #65FF0F

RGB 101 255 15

HSL 98.5, 1%, 0.53%

LAB 89.07, -74.46, 83.64

 

CMYK 32 / 100 / 0 / 8

HEX #9F00EB

RGB 159 0 235

HSL 280.6, 1%, 0.46%

LAB 43.31, 82.07, -77.93

 

CMYK 31 / 93 / 0 / 0

HEX #B012FE

RGB 176 18 254

HSL 280.17, 0.99%, 0.53%

LAB 48.03, 85.8, -80.79

 

CMYK 24 / 86 / 0 / 0

HEX #C124FF

RGB 193 36 255

HSL 283.01, 1%, 0.57%

LAB 51.63, 85.27, -75.36

 

CMYK 18 / 79 / 0 / 0

HEX #D236FF

RGB 210 54 255

HSL 286.57, 1%, 0.61%

LAB 55.64, 83.6, -68.74

 

CMYK 11 / 72 / 0 / 0

HEX #E348FF

RGB 227 72 255

HSL 290.82, 1%, 0.64%

LAB 60.06, 81.23, -61.51

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 38 / 100 / 0 / 13

HEX #8900DD

RGB 137 0 221

HSL 277.19, 1%, 0.43%

LAB 38.79, 77.05, -77.49

 

CMYK 41 / 100 / 0 / 21

HEX #7800CA

RGB 120 0 202

HSL 275.64, 1%, 0.4%

LAB 34.51, 71.55, -73.63

 

CMYK 44 / 100 / 0 / 28

HEX #6700B7

RGB 103 0 183

HSL 273.77, 1%, 0.36%

LAB 30.16, 65.96, -69.68

 

CMYK 48 / 100 / 0 / 36

HEX #5600A4

RGB 86 0 164

HSL 271.46, 1%, 0.32%

LAB 25.74, 60.29, -65.64

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 9 / 100 / 0 / 6

HEX #DA00F0

RGB 218 0 240

HSL 294.5, 1%, 0.47%

LAB 53.16, 90.54, -64.31

 

CMYK 0 / 100 / 18 / 6

HEX #F000C4

RGB 240 0 196

HSL 311, 1%, 0.47%

LAB 54.56, 88.12, -36.79

 

CMYK 0 / 100 / 45 / 6

HEX #F00084

RGB 240 0 132

HSL 327, 1%, 0.47%

LAB 52.05, 81.68, -2.83

 

CMYK 0 / 100 / 72 / 6

HEX #F00043

RGB 240 0 67

HSL 343.25, 1%, 0.47%

LAB 50.61, 77.82, 34.65

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 63 / 100 / 0 / 6

HEX #5900F0

RGB 89 0 240

HSL 262.25, 1%, 0.47%

LAB 34.83, 77.53, -95.07

 

CMYK 90 / 100 / 0 / 6

HEX #1900F0

RGB 25 0 240

HSL 246.25, 1%, 0.47%

LAB 30.64, 75.8, -102.18

 

CMYK 100 / 100 / 0 / 6

HEX #0000F0

RGB 0 0 240

HSL 240, 1%, 0.47%

LAB 30.14, 75.64, -103.02

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 33 / 91 / 0 / 14

HEX #9413DC

RGB 148 19 220

HSL 278.51, 0.84%, 0.47%

LAB 41.1, 75.77, -73.07

 

CMYK 29 / 81 / 0 / 21

HEX #8F27C9

RGB 143 39 201

HSL 278.52, 0.68%, 0.47%

LAB 40.42, 66.54, -63.23

 

CMYK 25 / 68 / 0 / 29

HEX #893AB6

RGB 137 58 182

HSL 278.23, 0.52%, 0.47%

LAB 40.77, 54.04, -51.59

 

CMYK 19 / 52 / 0 / 36

HEX #844EA2

RGB 132 78 162

HSL 278.57, 0.35%, 0.47%

LAB 42.71, 38.08, -36.69

 

CMYK 90 / 100 / 0 / 6

HEX #1800F0

RGB 24 0 240

HSL 246, 1%, 0.47%

LAB 30.61, 75.79, -102.23

 

CMYK 63 / 100 / 0 / 6

HEX #5800F0

RGB 88 0 240

HSL 262, 1%, 0.47%

LAB 34.73, 77.48, -95.24

 

CMYK 37 / 100 / 0 / 6

HEX #9800F0

RGB 152 0 240

HSL 278, 1%, 0.47%

LAB 42.71, 82.28, -81.78

 

CMYK 10 / 100 / 0 / 6

HEX #D800F0

RGB 216 0 240

HSL 294, 1%, 0.47%

LAB 52.83, 90.25, -64.87

 

CMYK 0 / 100 / 17 / 6

HEX #F000C8

RGB 240 0 200

HSL 310, 1%, 0.47%

LAB 54.76, 88.6, -38.8

 

CMYK 36 / 100 / 0 / 38

HEX #65009D

RGB 101 0 157

HSL 278.6, 1%, 0.31%

LAB 27.3, 60.32, -58.73

 

CMYK 36 / 100 / 0 / 22

HEX #7F00C6

RGB 127 0 198

HSL 278.48, 1%, 0.39%

LAB 35.18, 71.47, -70.15

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 32 / 90 / 0 / 0

HEX #AD1AFF

RGB 173 26 255

HSL 278.52, 1%, 0.55%

LAB 48.06, 84.47, -81.31

 

CMYK 26 / 74 / 0 / 0

HEX #BC43FF

RGB 188 67 255

HSL 278.62, 1%, 0.63%

LAB 53.95, 75.66, -71.64

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 0 / 100 / 83 / 6

HEX #F00028

RGB 240 0 40

HSL 350, 1%, 0.47%

LAB 50.31, 77.01, 49.55

 

CMYK 100 / 0 / 77 / 6

HEX #00F038

RGB 0 240 56

HSL 134, 1%, 0.47%

LAB 83.23, -80.36, 69.8

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 0 / 37 / 100 / 6

HEX #F09800

RGB 240 152 0

HSL 38, 1%, 0.47%

LAB 70.16, 24.45, 74.97

 

CMYK 100 / 0 / 37 / 6

HEX #00F098

RGB 0 240 152

HSL 158, 1%, 0.47%

LAB 84.27, -67.69, 29.37

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 0 / 100 / 83 / 6

HEX #F00028

RGB 240 0 40

HSL 350, 1%, 0.47%

LAB 50.31, 77.01, 49.55

 

CMYK 63 / 0 / 100 / 6

HEX #58F000

RGB 88 240 0

HSL 98, 1%, 0.47%

LAB 84.17, -72.76, 80.78

 

CMYK 100 / 0 / 17 / 6

HEX #00F0C8

RGB 0 240 200

HSL 170, 1%, 0.47%

LAB 85.25, -56.82, 5.91

 

CMYK 36 / 100 / 0 / 6

HEX #9A00F0

RGB 154 0 240

HSL 278.5, 1%, 0.47%

LAB 43.01, 82.49, -81.29

 

CMYK 0 / 87 / 100 / 6

HEX #F02000

RGB 240 32 0

HSL 8, 1%, 0.47%

LAB 51.33, 73.04, 64.64

 

CMYK 63 / 0 / 100 / 6

HEX #58F000

RGB 88 240 0

HSL 98, 1%, 0.47%

LAB 84.17, -72.76, 80.78

 

CMYK 100 / 13 / 0 / 6

HEX #00D0F0

RGB 0 208 240

HSL 188, 1%, 0.47%

LAB 76.92, -31.27, -27.72

 

Description

Color code: HEX #9A00F0 | qconv.com Color code: HEX #9A00F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, none green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 0 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 100 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 100% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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