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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A0093 it is the complementary color #65FF6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A0093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9A0093 shade: #9F008E, #B012A1, #C124B4, #D236C7 and #E348DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A0093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9A0093 shade: #9A0093, #890080, #78006D, #67005A and #560047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9A0093 shade: #990092, #990069, #990040, #990016 and #990000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9A0093 shade: #990092, #770099, #4D0099, #240099 and #000099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9A0093 shade matches the following richer shades: #990092

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9A0093 shade: #990092, #8D0C87, #80197C, #742570 and #673265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9A0093 shade: #4D0099, #750099, #990094, #99006B and #990042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9A0093 shade: #460043, #70006B, #990092, #C200B9 and #EC00E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9A0093 shade: #9A0093, #992400 and #009961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9A0093 shade: #9A0093, #949900 and #009499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9A0093 shade: #9A0093, #992400, #009905 and #007599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9A0093 shade: #9A0093, #995200, #009905 and #004799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 5 / 40

HEX #9A0093

RGB 154 0 147

HSL 302.73, 1%, 0.3%

LAB 35.94, 66.37, -38.17

 

Complementary color

CMYK 60 / 0 / 58 / 0

HEX #65FF6C

RGB 101 255 108

HSL 122.73, 1%, 0.7%

LAB 89.57, -68.72, 57.26

 

CMYK 0 / 100 / 11 / 38

HEX #9F008E

RGB 159 0 142

HSL 306.42, 1%, 0.31%

LAB 36.6, 66.55, -33.99

 

CMYK 0 / 90 / 9 / 31

HEX #B012A1

RGB 176 18 161

HSL 305.7, 0.81%, 0.38%

LAB 41.59, 70.21, -37.43

 

CMYK 0 / 81 / 7 / 24

HEX #C124B4

RGB 193 36 180

HSL 304.97, 0.69%, 0.45%

LAB 46.84, 72.82, -40.22

 

CMYK 0 / 74 / 5 / 18

HEX #D236C7

RGB 210 54 199

HSL 304.23, 0.63%, 0.52%

LAB 52.36, 74.36, -42.35

 

CMYK 0 / 68 / 4 / 11

HEX #E348DA

RGB 227 72 218

HSL 303.48, 0.73%, 0.59%

LAB 58.06, 75.17, -44.01

 

CMYK 0 / 100 / 5 / 40

HEX #9A0093

RGB 154 0 147

HSL 302.73, 1%, 0.3%

LAB 35.94, 66.37, -38.17

 

CMYK 0 / 100 / 7 / 46

HEX #890080

RGB 137 0 128

HSL 303.94, 1%, 0.27%

LAB 31.52, 60.54, -33.61

 

CMYK 0 / 100 / 9 / 53

HEX #78006D

RGB 120 0 109

HSL 305.5, 1%, 0.24%

LAB 27.01, 54.57, -28.9

 

CMYK 0 / 100 / 13 / 60

HEX #67005A

RGB 103 0 90

HSL 307.57, 1%, 0.2%

LAB 22.38, 48.45, -24

 

CMYK 0 / 100 / 17 / 66

HEX #560047

RGB 86 0 71

HSL 310.47, 1%, 0.17%

LAB 17.61, 42.15, -18.86

 

CMYK 0 / 100 / 5 / 40

HEX #990092

RGB 153 0 146

HSL 302.75, 1%, 0.3%

LAB 35.69, 66.05, -37.97

 

CMYK 0 / 100 / 31 / 40

HEX #990069

RGB 153 0 105

HSL 318.82, 1%, 0.3%

LAB 33.55, 60.7, -15.62

 

CMYK 0 / 100 / 58 / 40

HEX #990040

RGB 153 0 64

HSL 334.9, 1%, 0.3%

LAB 32.13, 57, 9.1

 

CMYK 0 / 100 / 86 / 40

HEX #990016

RGB 153 0 22

HSL 351.37, 1%, 0.3%

LAB 31.42, 55.08, 35.15

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 100 / 5 / 40

HEX #990092

RGB 153 0 146

HSL 302.75, 1%, 0.3%

LAB 35.69, 66.05, -37.97

 

CMYK 22 / 100 / 0 / 40

HEX #770099

RGB 119 0 153

HSL 286.67, 1%, 0.3%

LAB 29.97, 61.83, -51.8

 

CMYK 50 / 100 / 0 / 40

HEX #4D0099

RGB 77 0 153

HSL 270.2, 1%, 0.3%

LAB 23.26, 57.05, -63.05

 

CMYK 76 / 100 / 0 / 40

HEX #240099

RGB 36 0 153

HSL 254.12, 1%, 0.3%

LAB 18.69, 54.7, -70.78

 

CMYK 100 / 100 / 0 / 40

HEX #000099

RGB 0 0 153

HSL 240, 1%, 0.3%

LAB 16.99, 54.09, -73.67

 

CMYK 0 / 100 / 5 / 40

HEX #990092

RGB 153 0 146

HSL 302.75, 1%, 0.3%

LAB 35.69, 66.05, -37.97

 

CMYK 0 / 100 / 5 / 40

HEX #990092

RGB 153 0 146

HSL 302.75, 1%, 0.3%

LAB 35.69, 66.05, -37.97

 

CMYK 0 / 91 / 4 / 45

HEX #8D0C87

RGB 141 12 135

HSL 302.79, 0.84%, 0.3%

LAB 33.3, 60.62, -35.12

 

CMYK 0 / 80 / 3 / 50

HEX #80197C

RGB 128 25 124

HSL 302.33, 0.67%, 0.3%

LAB 31.21, 53.39, -31.71

 

CMYK 0 / 68 / 3 / 55

HEX #742570

RGB 116 37 112

HSL 303.04, 0.52%, 0.3%

LAB 29.93, 44.13, -26.27

 

CMYK 0 / 51 / 2 / 60

HEX #673265

RGB 103 50 101

HSL 302.26, 0.35%, 0.3%

LAB 29.67, 31.72, -19.76

 

CMYK 50 / 100 / 0 / 40

HEX #4D0099

RGB 77 0 153

HSL 270.2, 1%, 0.3%

LAB 23.26, 57.05, -63.05

 

CMYK 24 / 100 / 0 / 40

HEX #750099

RGB 117 0 153

HSL 285.88, 1%, 0.3%

LAB 29.62, 61.55, -52.38

 

CMYK 0 / 100 / 3 / 40

HEX #990094

RGB 153 0 148

HSL 301.96, 1%, 0.3%

LAB 35.81, 66.35, -39

 

CMYK 0 / 100 / 30 / 40

HEX #99006B

RGB 153 0 107

HSL 318.04, 1%, 0.3%

LAB 33.63, 60.93, -16.77

 

CMYK 0 / 100 / 57 / 40

HEX #990042

RGB 153 0 66

HSL 334.12, 1%, 0.3%

LAB 32.18, 57.14, 7.85

 

CMYK 0 / 100 / 4 / 73

HEX #460043

RGB 70 0 67

HSL 302.57, 1%, 0.14%

LAB 13.87, 38.21, -22.22

 

CMYK 0 / 100 / 4 / 56

HEX #70006B

RGB 112 0 107

HSL 302.68, 1%, 0.22%

LAB 25.28, 52.77, -30.46

 

CMYK 0 / 100 / 5 / 40

HEX #990092

RGB 153 0 146

HSL 302.75, 1%, 0.3%

LAB 35.69, 66.05, -37.97

 

CMYK 0 / 100 / 5 / 24

HEX #C200B9

RGB 194 0 185

HSL 302.78, 1%, 0.38%

LAB 45.6, 78.69, -45.12

 

CMYK 0 / 100 / 5 / 7

HEX #EC00E1

RGB 236 0 225

HSL 302.8, 1%, 0.46%

LAB 55.35, 91.14, -52.18

 

CMYK 0 / 100 / 5 / 40

HEX #9A0093

RGB 154 0 147

HSL 302.73, 1%, 0.3%

LAB 35.94, 66.37, -38.17

 

CMYK 0 / 76 / 100 / 40

HEX #992400

RGB 153 36 0

HSL 14.12, 1%, 0.3%

LAB 34.05, 46.84, 46.91

 

CMYK 100 / 0 / 37 / 40

HEX #009961

RGB 0 153 97

HSL 158.04, 1%, 0.3%

LAB 55.73, -47.99, 20.02

 

CMYK 0 / 100 / 5 / 40

HEX #9A0093

RGB 154 0 147

HSL 302.73, 1%, 0.3%

LAB 35.94, 66.37, -38.17

 

CMYK 3 / 0 / 100 / 40

HEX #949900

RGB 148 153 0

HSL 61.96, 1%, 0.3%

LAB 60.85, -16.97, 64.03

 

CMYK 100 / 3 / 0 / 40

HEX #009499

RGB 0 148 153

HSL 181.96, 1%, 0.3%

LAB 55.56, -30.44, -12.05

 

CMYK 0 / 100 / 5 / 40

HEX #9A0093

RGB 154 0 147

HSL 302.73, 1%, 0.3%

LAB 35.94, 66.37, -38.17

 

CMYK 0 / 76 / 100 / 40

HEX #992400

RGB 153 36 0

HSL 14.12, 1%, 0.3%

LAB 34.05, 46.84, 46.91

 

CMYK 100 / 0 / 97 / 40

HEX #009905

RGB 0 153 5

HSL 121.96, 1%, 0.3%

LAB 54.86, -58.71, 56.01

 

CMYK 100 / 24 / 0 / 40

HEX #007599

RGB 0 117 153

HSL 194.12, 1%, 0.3%

LAB 45.66, -14.19, -27.2

 

CMYK 0 / 100 / 5 / 40

HEX #9A0093

RGB 154 0 147

HSL 302.73, 1%, 0.3%

LAB 35.94, 66.37, -38.17

 

CMYK 0 / 46 / 100 / 40

HEX #995200

RGB 153 82 0

HSL 32.16, 1%, 0.3%

LAB 42.47, 24.93, 51.62

 

CMYK 100 / 0 / 97 / 40

HEX #009905

RGB 0 153 5

HSL 121.96, 1%, 0.3%

LAB 54.86, -58.71, 56.01

 

CMYK 100 / 54 / 0 / 40

HEX #004799

RGB 0 71 153

HSL 212.16, 1%, 0.3%

LAB 31.36, 15, -49.95

 

Description

Color code: HEX #9A0093 | qconv.com Color code: HEX #9A0093 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, none green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 0 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 5 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 5% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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