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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99FC00 it is the complementary color #6603FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99FC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99FC00 shade: #9EFC00, #AFFF0E, #C0FF21, #D1FF34 and #E2FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99FC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99FC00 shade: #99FC00, #88EA00, #77D800, #66C600 and #55B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99FC00 shade: #98FA00, #DBFA00, #FAD500, #FA9200 and #FA4F00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99FC00 shade: #98FA00, #54FA00, #11FA00, #00FA32 and #00FA76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99FC00 shade matches the following richer shades: #98FA00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99FC00 shade: #98FA00, #93E614, #8FD128, #8BBD3D and #86A951

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99FC00 shade: #FAD400, #DDFA00, #9AFA00, #57FA00 and #15FA00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99FC00 shade: #66A700, #7FD100, #98FA00, #A9FF24 and #B9FF4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99FC00 shade: #99FC00, #00FA92 and #F600FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99FC00 shade: #99FC00, #009AFA and #FA009A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99FC00 shade: #99FC00, #00FA92, #6000FA and #FA0068

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99FC00 shade: #99FC00, #00FADD, #6000FA and #FA001D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 100 / 1

HEX #99FC00

RGB 153 252 0

HSL 83.57, 1%, 0.49%

LAB 90.04, -59.05, 86.36

 

Complementary color

CMYK 60 / 99 / 0 / 0

HEX #6603FF

RGB 102 3 255

HSL 263.57, 1%, 0.51%

LAB 38.04, 81.17, -98.15

 

CMYK 37 / 0 / 100 / 1

HEX #9EFC00

RGB 158 252 0

HSL 82.38, 1%, 0.49%

LAB 90.27, -57.39, 86.64

 

CMYK 31 / 0 / 95 / 0

HEX #AFFF0E

RGB 175 255 14

HSL 79.92, 1%, 0.53%

LAB 91.98, -52.56, 87.28

 

CMYK 25 / 0 / 87 / 0

HEX #C0FF21

RGB 192 255 33

HSL 77.03, 1%, 0.56%

LAB 92.94, -46.04, 85.97

 

CMYK 18 / 0 / 80 / 0

HEX #D1FF34

RGB 209 255 52

HSL 73.6, 1%, 0.6%

LAB 94.02, -39.04, 83.25

 

CMYK 11 / 0 / 72 / 0

HEX #E2FF47

RGB 226 255 71

HSL 69.46, 1%, 0.64%

LAB 95.22, -31.64, 79.26

 

CMYK 39 / 0 / 100 / 1

HEX #99FC00

RGB 153 252 0

HSL 83.57, 1%, 0.49%

LAB 90.04, -59.05, 86.36

 

CMYK 42 / 0 / 100 / 8

HEX #88EA00

RGB 136 234 0

HSL 85.13, 1%, 0.46%

LAB 84.01, -57.7, 81.35

 

CMYK 45 / 0 / 100 / 15

HEX #77D800

RGB 119 216 0

HSL 86.94, 1%, 0.42%

LAB 77.89, -56.29, 76.27

 

CMYK 48 / 0 / 100 / 22

HEX #66C600

RGB 102 198 0

HSL 89.09, 1%, 0.39%

LAB 71.7, -54.8, 71.13

 

CMYK 53 / 0 / 100 / 29

HEX #55B400

RGB 85 180 0

HSL 91.67, 1%, 0.35%

LAB 65.42, -53.2, 65.92

 

CMYK 39 / 0 / 100 / 2

HEX #98FA00

RGB 152 250 0

HSL 83.52, 1%, 0.49%

LAB 89.41, -58.61, 85.86

 

CMYK 12 / 0 / 100 / 2

HEX #DBFA00

RGB 219 250 0

HSL 67.44, 1%, 0.49%

LAB 93.2, -33.83, 90.4

 

CMYK 0 / 15 / 100 / 2

HEX #FAD500

RGB 250 213 0

HSL 51.12, 1%, 0.49%

LAB 85.96, -3.04, 86.24

 

CMYK 0 / 42 / 100 / 2

HEX #FA9200

RGB 250 146 0

HSL 35.04, 1%, 0.49%

LAB 70.09, 31.74, 75.54

 

CMYK 0 / 68 / 100 / 2

HEX #FA4F00

RGB 250 79 0

HSL 18.96, 1%, 0.49%

LAB 57.96, 62.72, 68.64

 

CMYK 39 / 0 / 100 / 2

HEX #98FA00

RGB 152 250 0

HSL 83.52, 1%, 0.49%

LAB 89.41, -58.61, 85.86

 

CMYK 66 / 0 / 100 / 2

HEX #54FA00

RGB 84 250 0

HSL 99.84, 1%, 0.49%

LAB 87.12, -76.66, 83.08

 

CMYK 93 / 0 / 100 / 2

HEX #11FA00

RGB 17 250 0

HSL 115.92, 1%, 0.49%

LAB 86.25, -84.36, 82.01

 

CMYK 100 / 0 / 80 / 2

HEX #00FA32

RGB 0 250 50

HSL 132, 1%, 0.49%

LAB 86.31, -83.41, 74.43

 

CMYK 100 / 0 / 53 / 2

HEX #00FA76

RGB 0 250 118

HSL 148.32, 1%, 0.49%

LAB 86.84, -76.7, 49.2

 

CMYK 39 / 0 / 100 / 2

HEX #98FA00

RGB 152 250 0

HSL 83.52, 1%, 0.49%

LAB 89.41, -58.61, 85.86

 

CMYK 39 / 0 / 100 / 2

HEX #98FA00

RGB 152 250 0

HSL 83.52, 1%, 0.49%

LAB 89.41, -58.61, 85.86

 

CMYK 36 / 0 / 91 / 10

HEX #93E614

RGB 147 230 20

HSL 83.71, 0.84%, 0.49%

LAB 83.36, -52.17, 79.13

 

CMYK 32 / 0 / 81 / 18

HEX #8FD128

RGB 143 209 40

HSL 83.43, 0.68%, 0.49%

LAB 77.04, -44.32, 69.73

 

CMYK 26 / 0 / 68 / 26

HEX #8BBD3D

RGB 139 189 61

HSL 83.44, 0.51%, 0.49%

LAB 71.02, -35.85, 56.89

 

CMYK 21 / 0 / 52 / 34

HEX #86A951

RGB 134 169 81

HSL 83.86, 0.35%, 0.49%

LAB 64.99, -26.61, 41.13

 

CMYK 0 / 15 / 100 / 2

HEX #FAD400

RGB 250 212 0

HSL 50.88, 1%, 0.49%

LAB 85.71, -2.53, 86.06

 

CMYK 12 / 0 / 100 / 2

HEX #DDFA00

RGB 221 250 0

HSL 66.96, 1%, 0.49%

LAB 93.34, -33.03, 90.56

 

CMYK 38 / 0 / 100 / 2

HEX #9AFA00

RGB 154 250 0

HSL 83.04, 1%, 0.49%

LAB 89.51, -57.95, 85.97

 

CMYK 65 / 0 / 100 / 2

HEX #57FA00

RGB 87 250 0

HSL 99.12, 1%, 0.49%

LAB 87.19, -76.07, 83.16

 

CMYK 92 / 0 / 100 / 2

HEX #15FA00

RGB 21 250 0

HSL 114.96, 1%, 0.49%

LAB 86.27, -84.17, 82.04

 

CMYK 39 / 0 / 100 / 35

HEX #66A700

RGB 102 167 0

HSL 83.35, 1%, 0.33%

LAB 62.05, -42.55, 63.61

 

CMYK 39 / 0 / 100 / 18

HEX #7FD100

RGB 127 209 0

HSL 83.54, 1%, 0.41%

LAB 76.14, -50.94, 75.06

 

CMYK 39 / 0 / 100 / 2

HEX #98FA00

RGB 152 250 0

HSL 83.52, 1%, 0.49%

LAB 89.41, -58.61, 85.86

 

CMYK 34 / 0 / 86 / 0

HEX #A9FF24

RGB 169 255 36

HSL 83.56, 1%, 0.57%

LAB 91.72, -54.23, 83.92

 

CMYK 27 / 0 / 70 / 0

HEX #B9FF4D

RGB 185 255 77

HSL 83.6, 1%, 0.65%

LAB 92.74, -46.79, 73.96

 

CMYK 39 / 0 / 100 / 1

HEX #99FC00

RGB 153 252 0

HSL 83.57, 1%, 0.49%

LAB 90.04, -59.05, 86.36

 

CMYK 100 / 0 / 42 / 2

HEX #00FA92

RGB 0 250 146

HSL 155.04, 1%, 0.49%

LAB 87.22, -72.16, 36.27

 

CMYK 2 / 100 / 0 / 2

HEX #F600FA

RGB 246 0 250

HSL 299.04, 1%, 0.49%

LAB 58.5, 96.18, -61.06

 

CMYK 39 / 0 / 100 / 1

HEX #99FC00

RGB 153 252 0

HSL 83.57, 1%, 0.49%

LAB 90.04, -59.05, 86.36

 

CMYK 100 / 38 / 0 / 2

HEX #009AFA

RGB 0 154 250

HSL 203.04, 1%, 0.49%

LAB 61.67, 1.11, -57.01

 

CMYK 0 / 100 / 38 / 2

HEX #FA009A

RGB 250 0 154

HSL 323.04, 1%, 0.49%

LAB 54.72, 85.62, -11.82

 

CMYK 39 / 0 / 100 / 1

HEX #99FC00

RGB 153 252 0

HSL 83.57, 1%, 0.49%

LAB 90.04, -59.05, 86.36

 

CMYK 100 / 0 / 42 / 2

HEX #00FA92

RGB 0 250 146

HSL 155.04, 1%, 0.49%

LAB 87.22, -72.16, 36.27

 

CMYK 62 / 100 / 0 / 2

HEX #6000FA

RGB 96 0 250

HSL 263.04, 1%, 0.49%

LAB 36.72, 80.11, -97.55

 

CMYK 0 / 100 / 58 / 2

HEX #FA0068

RGB 250 0 104

HSL 335.04, 1%, 0.49%

LAB 53.3, 81.89, 16.19

 

CMYK 39 / 0 / 100 / 1

HEX #99FC00

RGB 153 252 0

HSL 83.57, 1%, 0.49%

LAB 90.04, -59.05, 86.36

 

CMYK 100 / 0 / 12 / 2

HEX #00FADD

RGB 0 250 221

HSL 173.04, 1%, 0.49%

LAB 88.73, -55.37, 0.01

 

CMYK 62 / 100 / 0 / 2

HEX #6000FA

RGB 96 0 250

HSL 263.04, 1%, 0.49%

LAB 36.72, 80.11, -97.55

 

CMYK 0 / 100 / 88 / 2

HEX #FA001D

RGB 250 0 29

HSL 353.04, 1%, 0.49%

LAB 52.3, 79.19, 57.27

 

Description

Color code: HEX #99FC00 | qconv.com Color code: HEX #99FC00 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 252 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 252 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 100 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 100% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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