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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99FA62 it is the complementary color #66059D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99FA62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99FA62 shade: #9EFA5D, #AFFF70, #C0FF83, #D1FF96 and #E2FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99FA62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99FA62 shade: #99FA62, #88E84F, #77D63C, #66C429 and #55B216

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99FA62 shade: #98FA61, #C2FA61, #EBFA61, #FAE061 and #FAB761

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99FA62 shade: #98FA61, #6FFA61, #61FA7C, #61FAA5 and #61FACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99FA62 shade matches the following richer shades: #98FA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99FA62 shade: #98FA61, #9CED6E, #A0E07B, #A3D288 and #A7C596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99FA62 shade: #EBFA61, #C2FA61, #99FA61, #70FA61 and #61FA7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99FA62 shade: #64F811, #7EF939, #98FA61, #B2FB89 and #CCFDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99FA62 shade: #99FA62, #61FAE1 and #FA61D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99FA62 shade: #99FA62, #6199FA and #FA6199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99FA62 shade: #99FA62, #61FAE1, #C261FA and #FA617A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99FA62 shade: #99FA62, #61E6FA, #C261FA and #FA7561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 61 / 2

HEX #99FA62

RGB 153 250 98

HSL 98.29, 0.94%, 0.68%

LAB 89.87, -53.99, 62.37

 

Complementary color

CMYK 35 / 97 / 0 / 38

HEX #66059D

RGB 102 5 157

HSL 278.29, 0.94%, 0.32%

LAB 27.76, 59.54, -57.97

 

CMYK 37 / 0 / 63 / 2

HEX #9EFA5D

RGB 158 250 93

HSL 95.16, 0.94%, 0.67%

LAB 90.06, -52.82, 64.69

 

CMYK 31 / 0 / 56 / 0

HEX #AFFF70

RGB 175 255 112

HSL 93.57, 1%, 0.72%

LAB 92.49, -47.55, 59.64

 

CMYK 25 / 0 / 49 / 0

HEX #C0FF83

RGB 192 255 131

HSL 90.48, 1%, 0.76%

LAB 93.61, -39.77, 52.62

 

CMYK 18 / 0 / 41 / 0

HEX #D1FF96

RGB 209 255 150

HSL 86.29, 1%, 0.79%

LAB 94.86, -31.6, 45.38

 

CMYK 11 / 0 / 34 / 0

HEX #E2FFA9

RGB 226 255 169

HSL 80.23, 1%, 0.83%

LAB 96.23, -23.17, 38.07

 

CMYK 39 / 0 / 61 / 2

HEX #99FA62

RGB 153 250 98

HSL 98.29, 0.94%, 0.68%

LAB 89.87, -53.99, 62.37

 

CMYK 41 / 0 / 66 / 9

HEX #88E84F

RGB 136 232 79

HSL 97.65, 0.77%, 0.61%

LAB 83.71, -53.78, 63.12

 

CMYK 44 / 0 / 72 / 16

HEX #77D63C

RGB 119 214 60

HSL 97.01, 0.65%, 0.54%

LAB 77.48, -53.42, 63.55

 

CMYK 48 / 0 / 79 / 23

HEX #66C429

RGB 102 196 41

HSL 96.39, 0.65%, 0.46%

LAB 71.19, -52.84, 63.39

 

CMYK 52 / 0 / 88 / 30

HEX #55B216

RGB 85 178 22

HSL 95.77, 0.78%, 0.39%

LAB 64.83, -51.94, 62.23

 

CMYK 39 / 0 / 61 / 2

HEX #98FA61

RGB 152 250 97

HSL 98.43, 0.94%, 0.68%

LAB 89.82, -54.4, 62.71

 

CMYK 22 / 0 / 61 / 2

HEX #C2FA61

RGB 194 250 97

HSL 81.96, 0.94%, 0.68%

LAB 92, -39.98, 65.73

 

CMYK 6 / 0 / 61 / 2

HEX #EBFA61

RGB 235 250 97

HSL 65.88, 0.94%, 0.68%

LAB 94.69, -24.3, 69.44

 

CMYK 0 / 10 / 61 / 2

HEX #FAE061

RGB 250 224 97

HSL 49.8, 0.94%, 0.68%

LAB 89.16, -5.55, 63.78

 

CMYK 0 / 27 / 61 / 2

HEX #FAB761

RGB 250 183 97

HSL 33.73, 0.94%, 0.68%

LAB 79.07, 15.56, 52.45

 

CMYK 39 / 0 / 61 / 2

HEX #98FA61

RGB 152 250 97

HSL 98.43, 0.94%, 0.68%

LAB 89.82, -54.4, 62.71

 

CMYK 56 / 0 / 61 / 2

HEX #6FFA61

RGB 111 250 97

HSL 114.51, 0.94%, 0.68%

LAB 88.26, -65.87, 60.54

 

CMYK 61 / 0 / 50 / 2

HEX #61FA7C

RGB 97 250 124

HSL 130.59, 0.94%, 0.68%

LAB 88.15, -65.8, 48.3

 

CMYK 61 / 0 / 34 / 2

HEX #61FAA5

RGB 97 250 165

HSL 146.67, 0.94%, 0.68%

LAB 88.75, -59.2, 29.03

 

CMYK 61 / 0 / 17 / 2

HEX #61FACF

RGB 97 250 207

HSL 163.14, 0.94%, 0.68%

LAB 89.59, -50.48, 8.67

 

CMYK 39 / 0 / 61 / 2

HEX #98FA61

RGB 152 250 97

HSL 98.43, 0.94%, 0.68%

LAB 89.82, -54.4, 62.71

 

CMYK 39 / 0 / 61 / 2

HEX #98FA61

RGB 152 250 97

HSL 98.43, 0.94%, 0.68%

LAB 89.82, -54.4, 62.71

 

CMYK 34 / 0 / 54 / 7

HEX #9CED6E

RGB 156 237 110

HSL 98.27, 0.78%, 0.68%

LAB 86.39, -46.47, 53.16

 

CMYK 29 / 0 / 45 / 12

HEX #A0E07B

RGB 160 224 123

HSL 98.02, 0.62%, 0.68%

LAB 83.03, -37.93, 42.97

 

CMYK 22 / 0 / 35 / 18

HEX #A3D288

RGB 163 210 136

HSL 98.11, 0.45%, 0.68%

LAB 79.42, -28.66, 31.83

 

CMYK 15 / 0 / 24 / 23

HEX #A7C596

RGB 167 197 150

HSL 98.3, 0.29%, 0.68%

LAB 76.28, -18.74, 20.32

 

CMYK 6 / 0 / 61 / 2

HEX #EBFA61

RGB 235 250 97

HSL 65.88, 0.94%, 0.68%

LAB 94.69, -24.3, 69.44

 

CMYK 22 / 0 / 61 / 2

HEX #C2FA61

RGB 194 250 97

HSL 81.96, 0.94%, 0.68%

LAB 92, -39.98, 65.73

 

CMYK 39 / 0 / 61 / 2

HEX #99FA61

RGB 153 250 97

HSL 98.04, 0.94%, 0.68%

LAB 89.86, -54.08, 62.77

 

CMYK 55 / 0 / 61 / 2

HEX #70FA61

RGB 112 250 97

HSL 114.12, 0.94%, 0.68%

LAB 88.29, -65.63, 60.59

 

CMYK 61 / 0 / 51 / 2

HEX #61FA7A

RGB 97 250 122

HSL 129.8, 0.94%, 0.68%

LAB 88.12, -66.07, 49.2

 

CMYK 60 / 0 / 93 / 3

HEX #64F811

RGB 100 248 17

HSL 98.44, 0.94%, 0.52%

LAB 86.94, -72.4, 81.68

 

CMYK 49 / 0 / 77 / 2

HEX #7EF939

RGB 126 249 57

HSL 98.44, 0.94%, 0.6%

LAB 88.2, -64.65, 75.04

 

CMYK 39 / 0 / 61 / 2

HEX #98FA61

RGB 152 250 97

HSL 98.43, 0.94%, 0.68%

LAB 89.82, -54.4, 62.71

 

CMYK 29 / 0 / 45 / 2

HEX #B2FB89

RGB 178 251 137

HSL 98.42, 0.93%, 0.76%

LAB 91.8, -42.11, 47.4

 

CMYK 19 / 0 / 30 / 1

HEX #CCFDB1

RGB 204 253 177

HSL 98.68, 0.95%, 0.84%

LAB 94.42, -28.86, 31.43

 

CMYK 39 / 0 / 61 / 2

HEX #99FA62

RGB 153 250 98

HSL 98.29, 0.94%, 0.68%

LAB 89.87, -53.99, 62.37

 

CMYK 61 / 0 / 10 / 2

HEX #61FAE1

RGB 97 250 225

HSL 170.2, 0.94%, 0.68%

LAB 90.02, -46.21, -0.05

 

CMYK 0 / 61 / 14 / 2

HEX #FA61D6

RGB 250 97 214

HSL 314.12, 0.94%, 0.68%

LAB 64.75, 70.71, -31.05

 

CMYK 39 / 0 / 61 / 2

HEX #99FA62

RGB 153 250 98

HSL 98.29, 0.94%, 0.68%

LAB 89.87, -53.99, 62.37

 

CMYK 61 / 39 / 0 / 2

HEX #6199FA

RGB 97 153 250

HSL 218.04, 0.94%, 0.68%

LAB 63.53, 10.66, -53.92

 

CMYK 0 / 61 / 39 / 2

HEX #FA6199

RGB 250 97 153

HSL 338.04, 0.94%, 0.68%

LAB 62.65, 63.11, 0.53

 

CMYK 39 / 0 / 61 / 2

HEX #99FA62

RGB 153 250 98

HSL 98.29, 0.94%, 0.68%

LAB 89.87, -53.99, 62.37

 

CMYK 61 / 0 / 10 / 2

HEX #61FAE1

RGB 97 250 225

HSL 170.2, 0.94%, 0.68%

LAB 90.02, -46.21, -0.05

 

CMYK 22 / 61 / 0 / 2

HEX #C261FA

RGB 194 97 250

HSL 278.04, 0.94%, 0.68%

LAB 58.9, 63.29, -60.85

 

CMYK 0 / 61 / 51 / 2

HEX #FA617A

RGB 250 97 122

HSL 350.2, 0.94%, 0.68%

LAB 61.89, 60.23, 17.35

 

CMYK 39 / 0 / 61 / 2

HEX #99FA62

RGB 153 250 98

HSL 98.29, 0.94%, 0.68%

LAB 89.87, -53.99, 62.37

 

CMYK 61 / 8 / 0 / 2

HEX #61E6FA

RGB 97 230 250

HSL 187.84, 0.94%, 0.68%

LAB 85.02, -30.49, -20.58

 

CMYK 22 / 61 / 0 / 2

HEX #C261FA

RGB 194 97 250

HSL 278.04, 0.94%, 0.68%

LAB 58.9, 63.29, -60.85

 

CMYK 0 / 53 / 61 / 2

HEX #FA7561

RGB 250 117 97

HSL 7.84, 0.94%, 0.68%

LAB 64.89, 49.35, 35.43

 

Description

Color code: HEX #99FA62 | qconv.com Color code: HEX #99FA62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 250 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 250 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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