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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F7BC it is the complementary color #660843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F7BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F7BC shade: #9EF7B7, #AFFFCA, #C0FFDD, #D1FFF0 and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F7BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F7BC shade: #99F7BC, #88E5A9, #77D396, #66C183 and #55AF70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F7BC shade: #97F7BB, #97F7A1, #A7F797, #C1F797 and #DBF797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F7BC shade: #97F7BB, #97F7D4, #97F7EE, #97E5F7 and #97CCF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F7BC shade matches the following richer shades: #97F7BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F7BC shade: #97F7BB, #A0EEBD, #A9E4BF, #B2DBC2 and #BCD2C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F7BC shade: #A7F797, #97F7A1, #97F7BA, #97F7D4 and #97F7ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F7BC shade: #4BF089, #71F3A2, #97F7BB, #BDFAD4 and #E4FDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F7BC shade: #99F7BC, #97C1F7 and #F7979A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F7BC shade: #99F7BC, #BA97F7 and #F7BA97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F7BC shade: #99F7BC, #97C1F7, #F797D4 and #F7CD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F7BC shade: #99F7BC, #97A4F7, #F797D4 and #F7EA97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 24 / 3

HEX #99F7BC

RGB 153 247 188

HSL 142.34, 0.85%, 0.78%

LAB 90.29, -40.28, 19.74

 

Complementary color

CMYK 0 / 92 / 34 / 60

HEX #660843

RGB 102 8 67

HSL 322.34, 0.85%, 0.22%

LAB 21.59, 43.26, -9.65

 

CMYK 36 / 0 / 26 / 3

HEX #9EF7B7

RGB 158 247 183

HSL 136.85, 0.85%, 0.79%

LAB 90.42, -39.76, 22.52

 

CMYK 31 / 0 / 21 / 0

HEX #AFFFCA

RGB 175 255 202

HSL 140.25, 1%, 0.84%

LAB 93.84, -34.97, 17.68

 

CMYK 25 / 0 / 13 / 0

HEX #C0FFDD

RGB 192 255 221

HSL 147.62, 1%, 0.88%

LAB 95.14, -26.33, 9.91

 

CMYK 18 / 0 / 6 / 0

HEX #D1FFF0

RGB 209 255 240

HSL 160.43, 1%, 0.91%

LAB 96.56, -17.49, 2.31

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 38 / 0 / 24 / 3

HEX #99F7BC

RGB 153 247 188

HSL 142.34, 0.85%, 0.78%

LAB 90.29, -40.28, 19.74

 

CMYK 41 / 0 / 26 / 10

HEX #88E5A9

RGB 136 229 169

HSL 141.29, 0.64%, 0.72%

LAB 84.04, -40.54, 20.77

 

CMYK 44 / 0 / 29 / 17

HEX #77D396

RGB 119 211 150

HSL 140.22, 0.51%, 0.65%

LAB 77.7, -40.78, 21.86

 

CMYK 47 / 0 / 32 / 24

HEX #66C183

RGB 102 193 131

HSL 139.12, 0.42%, 0.58%

LAB 71.28, -41, 23.03

 

CMYK 51 / 0 / 36 / 31

HEX #55AF70

RGB 85 175 112

HSL 138, 0.36%, 0.51%

LAB 64.77, -41.16, 24.29

 

CMYK 39 / 0 / 24 / 3

HEX #97F7BB

RGB 151 247 187

HSL 142.5, 0.86%, 0.78%

LAB 90.18, -41.03, 20.09

 

CMYK 39 / 0 / 35 / 3

HEX #97F7A1

RGB 151 247 161

HSL 126.25, 0.86%, 0.78%

LAB 89.71, -45.51, 32.66

 

CMYK 32 / 0 / 39 / 3

HEX #A7F797

RGB 167 247 151

HSL 110, 0.86%, 0.78%

LAB 90.31, -42.12, 38.58

 

CMYK 22 / 0 / 39 / 3

HEX #C1F797

RGB 193 247 151

HSL 93.75, 0.86%, 0.78%

LAB 91.73, -33.43, 40.69

 

CMYK 11 / 0 / 39 / 3

HEX #DBF797

RGB 219 247 151

HSL 77.5, 0.86%, 0.78%

LAB 93.37, -24.1, 43.13

 

CMYK 39 / 0 / 24 / 3

HEX #97F7BB

RGB 151 247 187

HSL 142.5, 0.86%, 0.78%

LAB 90.18, -41.03, 20.09

 

CMYK 39 / 0 / 14 / 3

HEX #97F7D4

RGB 151 247 212

HSL 158.13, 0.86%, 0.78%

LAB 90.71, -36.1, 7.94

 

CMYK 39 / 0 / 4 / 3

HEX #97F7EE

RGB 151 247 238

HSL 174.38, 0.86%, 0.78%

LAB 91.36, -30.39, -4.63

 

CMYK 39 / 7 / 0 / 3

HEX #97E5F7

RGB 151 229 247

HSL 191.25, 0.86%, 0.78%

LAB 86.67, -19.49, -16.31

 

CMYK 39 / 17 / 0 / 3

HEX #97CCF7

RGB 151 204 247

HSL 206.88, 0.86%, 0.78%

LAB 79.89, -6.62, -26.59

 

CMYK 39 / 0 / 24 / 3

HEX #97F7BB

RGB 151 247 187

HSL 142.5, 0.86%, 0.78%

LAB 90.18, -41.03, 20.09

 

CMYK 39 / 0 / 24 / 3

HEX #97F7BB

RGB 151 247 187

HSL 142.5, 0.86%, 0.78%

LAB 90.18, -41.03, 20.09

 

CMYK 33 / 0 / 21 / 7

HEX #A0EEBD

RGB 160 238 189

HSL 142.31, 0.7%, 0.78%

LAB 88.11, -33.98, 16.23

 

CMYK 26 / 0 / 16 / 11

HEX #A9E4BF

RGB 169 228 191

HSL 142.37, 0.52%, 0.78%

LAB 85.85, -26.14, 12.06

 

CMYK 19 / 0 / 11 / 14

HEX #B2DBC2

RGB 178 219 194

HSL 143.41, 0.36%, 0.78%

LAB 83.98, -18.29, 7.88

 

CMYK 10 / 0 / 7 / 18

HEX #BCD2C4

RGB 188 210 196

HSL 141.82, 0.2%, 0.78%

LAB 82.25, -10.04, 4.42

 

CMYK 32 / 0 / 39 / 3

HEX #A7F797

RGB 167 247 151

HSL 110, 0.86%, 0.78%

LAB 90.31, -42.12, 38.58

 

CMYK 39 / 0 / 35 / 3

HEX #97F7A1

RGB 151 247 161

HSL 126.25, 0.86%, 0.78%

LAB 89.71, -45.51, 32.66

 

CMYK 39 / 0 / 25 / 3

HEX #97F7BA

RGB 151 247 186

HSL 141.88, 0.86%, 0.78%

LAB 90.16, -41.21, 20.58

 

CMYK 39 / 0 / 14 / 3

HEX #97F7D4

RGB 151 247 212

HSL 158.13, 0.86%, 0.78%

LAB 90.71, -36.1, 7.94

 

CMYK 39 / 0 / 4 / 3

HEX #97F7ED

RGB 151 247 237

HSL 173.75, 0.86%, 0.78%

LAB 91.33, -30.62, -4.15

 

CMYK 69 / 0 / 43 / 6

HEX #4BF089

RGB 75 240 137

HSL 142.55, 0.85%, 0.62%

LAB 84.8, -64.3, 37.71

 

CMYK 53 / 0 / 33 / 5

HEX #71F3A2

RGB 113 243 162

HSL 142.62, 0.84%, 0.7%

LAB 87.1, -53.62, 28.41

 

CMYK 39 / 0 / 24 / 3

HEX #97F7BB

RGB 151 247 187

HSL 142.5, 0.86%, 0.78%

LAB 90.18, -41.03, 20.09

 

CMYK 24 / 0 / 15 / 2

HEX #BDFAD4

RGB 189 250 212

HSL 142.62, 0.86%, 0.86%

LAB 93.43, -26.55, 12.07

 

CMYK 10 / 0 / 6 / 1

HEX #E4FDED

RGB 228 253 237

HSL 141.6, 0.86%, 0.94%

LAB 97.17, -11.03, 4.89

 

CMYK 38 / 0 / 24 / 3

HEX #99F7BC

RGB 153 247 188

HSL 142.34, 0.85%, 0.78%

LAB 90.29, -40.28, 19.74

 

CMYK 39 / 22 / 0 / 3

HEX #97C1F7

RGB 151 193 247

HSL 213.75, 0.86%, 0.78%

LAB 76.94, -0.73, -31.11

 

CMYK 0 / 39 / 38 / 3

HEX #F7979A

RGB 247 151 154

HSL 358.13, 0.86%, 0.78%

LAB 72.39, 36.32, 13.84

 

CMYK 38 / 0 / 24 / 3

HEX #99F7BC

RGB 153 247 188

HSL 142.34, 0.85%, 0.78%

LAB 90.29, -40.28, 19.74

 

CMYK 25 / 39 / 0 / 3

HEX #BA97F7

RGB 186 151 247

HSL 261.88, 0.86%, 0.78%

LAB 68.96, 32.26, -43.31

 

CMYK 0 / 25 / 39 / 3

HEX #F7BA97

RGB 247 186 151

HSL 21.88, 0.86%, 0.78%

LAB 80.25, 17.6, 26.3

 

CMYK 38 / 0 / 24 / 3

HEX #99F7BC

RGB 153 247 188

HSL 142.34, 0.85%, 0.78%

LAB 90.29, -40.28, 19.74

 

CMYK 39 / 22 / 0 / 3

HEX #97C1F7

RGB 151 193 247

HSL 213.75, 0.86%, 0.78%

LAB 76.94, -0.73, -31.11

 

CMYK 0 / 39 / 14 / 3

HEX #F797D4

RGB 247 151 212

HSL 321.88, 0.86%, 0.78%

LAB 73.97, 44.2, -15.88

 

CMYK 0 / 17 / 39 / 3

HEX #F7CD97

RGB 247 205 151

HSL 33.75, 0.86%, 0.78%

LAB 84.83, 7.65, 32.43

 

CMYK 38 / 0 / 24 / 3

HEX #99F7BC

RGB 153 247 188

HSL 142.34, 0.85%, 0.78%

LAB 90.29, -40.28, 19.74

 

CMYK 39 / 34 / 0 / 3

HEX #97A4F7

RGB 151 164 247

HSL 231.88, 0.86%, 0.78%

LAB 69.36, 15.39, -42.88

 

CMYK 0 / 39 / 14 / 3

HEX #F797D4

RGB 247 151 212

HSL 321.88, 0.86%, 0.78%

LAB 73.97, 44.2, -15.88

 

CMYK 0 / 5 / 39 / 3

HEX #F7EA97

RGB 247 234 151

HSL 51.88, 0.86%, 0.78%

LAB 92.07, -7.15, 41.88

 

Description

Color code: HEX #99F7BC | qconv.com Color code: HEX #99F7BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 247 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 247 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 24% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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