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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99F4AE it is the complementary color #660B51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99F4AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99F4AE shade: #9EF4A9, #AFFFBC, #C0FFCF, #D1FFE2 and #E2FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99F4AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99F4AE shade: #99F4AE, #88E29B, #77D088, #66BE75 and #55AC62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99F4AE shade: #99F4AE, #9DF499, #B5F499, #CEF499 and #E7F499

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99F4AE shade: #99F4AE, #99F4C7, #99F4DF, #99F1F4 and #99D8F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99F4AE shade matches the following richer shades: #99F4AE and #90FDAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99F4AE shade: #99F4AE, #A3EBB3, #ACE2B8, #B5D9BD and #BED0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99F4AE shade: #B6F499, #9EF499, #99F4AD, #99F4C5 and #99F4DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99F4AE shade: #4FED73, #74F091, #99F4AE, #BFF8CC and #E4FCEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99F4AE shade: #99F4AE, #99CEF4 and #F499AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99F4AE shade: #99F4AE, #AD99F4 and #F4AD99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99F4AE shade: #99F4AE, #99CEF4, #F499E1 and #F4BF99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99F4AE shade: #99F4AE, #99B3F4, #F499E1 and #F4DB99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

Complementary color

CMYK 0 / 89 / 21 / 60

HEX #660B51

RGB 102 11 81

HSL 313.85, 0.81%, 0.22%

LAB 22.51, 44.44, -17.78

 

CMYK 35 / 0 / 31 / 4

HEX #9EF4A9

RGB 158 244 169

HSL 127.67, 0.8%, 0.79%

LAB 89.32, -40.82, 28.15

 

CMYK 31 / 0 / 26 / 0

HEX #AFFFBC

RGB 175 255 188

HSL 129.75, 1%, 0.84%

LAB 93.57, -37.43, 24.44

 

CMYK 25 / 0 / 19 / 0

HEX #C0FFCF

RGB 192 255 207

HSL 134.29, 1%, 0.88%

LAB 94.84, -28.89, 16.66

 

CMYK 18 / 0 / 11 / 0

HEX #D1FFE2

RGB 209 255 226

HSL 142.17, 1%, 0.91%

LAB 96.23, -20.12, 9.03

 

CMYK 11 / 0 / 4 / 0

HEX #E2FFF5

RGB 226 255 245

HSL 159.31, 1%, 0.94%

LAB 97.75, -11.21, 1.59

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 40 / 0 / 31 / 11

HEX #88E29B

RGB 136 226 155

HSL 132.67, 0.61%, 0.71%

LAB 82.91, -41.71, 26.47

 

CMYK 43 / 0 / 35 / 18

HEX #77D088

RGB 119 208 136

HSL 131.46, 0.49%, 0.64%

LAB 76.56, -41.95, 27.63

 

CMYK 46 / 0 / 38 / 25

HEX #66BE75

RGB 102 190 117

HSL 130.23, 0.4%, 0.57%

LAB 70.13, -42.15, 28.87

 

CMYK 51 / 0 / 43 / 33

HEX #55AC62

RGB 85 172 98

HSL 128.97, 0.34%, 0.5%

LAB 63.6, -42.28, 30.19

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 36 / 0 / 37 / 4

HEX #9DF499

RGB 157 244 153

HSL 117.36, 0.81%, 0.78%

LAB 89, -43.64, 35.78

 

CMYK 26 / 0 / 37 / 4

HEX #B5F499

RGB 181 244 153

HSL 101.54, 0.81%, 0.78%

LAB 90.24, -35.9, 37.64

 

CMYK 16 / 0 / 37 / 4

HEX #CEF499

RGB 206 244 153

HSL 85.05, 0.81%, 0.78%

LAB 91.74, -27.17, 39.88

 

CMYK 5 / 0 / 37 / 4

HEX #E7F499

RGB 231 244 153

HSL 68.57, 0.81%, 0.78%

LAB 93.45, -17.96, 42.42

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 37 / 0 / 18 / 4

HEX #99F4C7

RGB 153 244 199

HSL 150.33, 0.81%, 0.78%

LAB 89.67, -36.82, 13.2

 

CMYK 37 / 0 / 9 / 4

HEX #99F4DF

RGB 153 244 223

HSL 166.15, 0.81%, 0.78%

LAB 90.23, -31.83, 1.54

 

CMYK 37 / 1 / 0 / 4

HEX #99F1F4

RGB 153 241 244

HSL 181.98, 0.81%, 0.78%

LAB 89.96, -25.62, -9.81

 

CMYK 37 / 11 / 0 / 4

HEX #99D8F4

RGB 153 216 244

HSL 198.46, 0.81%, 0.78%

LAB 83.13, -13.13, -20.05

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 43 / 0 / 33 / 1

HEX #90FDAA

RGB 144 253 170

HSL 134.31, 0.96%, 0.78%

LAB 91.27, -48.56, 30.18

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 31 / 0 / 24 / 8

HEX #A3EBB3

RGB 163 235 179

HSL 133.33, 0.64%, 0.78%

LAB 87.22, -33.51, 20.19

 

CMYK 24 / 0 / 19 / 11

HEX #ACE2B8

RGB 172 226 184

HSL 133.33, 0.48%, 0.78%

LAB 85.31, -25.51, 14.99

 

CMYK 17 / 0 / 13 / 15

HEX #B5D9BD

RGB 181 217 189

HSL 133.33, 0.32%, 0.78%

LAB 83.51, -17.23, 9.88

 

CMYK 9 / 0 / 7 / 18

HEX #BED0C2

RGB 190 208 194

HSL 133.33, 0.16%, 0.78%

LAB 81.81, -8.7, 4.87

 

CMYK 25 / 0 / 37 / 4

HEX #B6F499

RGB 182 244 153

HSL 100.88, 0.81%, 0.78%

LAB 90.3, -35.57, 37.72

 

CMYK 35 / 0 / 37 / 4

HEX #9EF499

RGB 158 244 153

HSL 116.7, 0.81%, 0.78%

LAB 89.05, -43.34, 35.86

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AD

RGB 153 244 173

HSL 133.19, 0.81%, 0.78%

LAB 89.15, -41.63, 25.86

 

CMYK 37 / 0 / 19 / 4

HEX #99F4C5

RGB 153 244 197

HSL 149.01, 0.81%, 0.78%

LAB 89.63, -37.22, 14.18

 

CMYK 37 / 0 / 9 / 4

HEX #99F4DE

RGB 153 244 222

HSL 165.49, 0.81%, 0.78%

LAB 90.21, -32.05, 2.02

 

CMYK 67 / 0 / 51 / 7

HEX #4FED73

RGB 79 237 115

HSL 133.67, 0.81%, 0.62%

LAB 83.69, -65.92, 46.94

 

CMYK 52 / 0 / 40 / 6

HEX #74F091

RGB 116 240 145

HSL 134.03, 0.81%, 0.7%

LAB 86.05, -54.61, 35.58

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 23 / 0 / 18 / 3

HEX #BFF8CC

RGB 191 248 204

HSL 133.68, 0.8%, 0.86%

LAB 92.83, -26.42, 15.36

 

CMYK 10 / 0 / 7 / 1

HEX #E4FCEA

RGB 228 252 234

HSL 135, 0.8%, 0.94%

LAB 96.84, -11.07, 5.96

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 37 / 16 / 0 / 4

HEX #99CEF4

RGB 153 206 244

HSL 205.05, 0.81%, 0.78%

LAB 80.43, -7.92, -24.15

 

CMYK 0 / 37 / 30 / 4

HEX #F499AA

RGB 244 153 170

HSL 348.79, 0.81%, 0.78%

LAB 72.84, 36.13, 5.58

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 29 / 37 / 0 / 4

HEX #AD99F4

RGB 173 153 244

HSL 253.19, 0.81%, 0.78%

LAB 68.17, 26.78, -42.99

 

CMYK 0 / 29 / 37 / 4

HEX #F4AD99

RGB 244 173 153

HSL 13.19, 0.81%, 0.78%

LAB 76.93, 23.53, 20.66

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 37 / 16 / 0 / 4

HEX #99CEF4

RGB 153 206 244

HSL 205.05, 0.81%, 0.78%

LAB 80.43, -7.92, -24.15

 

CMYK 0 / 37 / 8 / 4

HEX #F499E1

RGB 244 153 225

HSL 312.53, 0.81%, 0.78%

LAB 74.48, 44.32, -22.27

 

CMYK 0 / 22 / 37 / 4

HEX #F4BF99

RGB 244 191 153

HSL 25.05, 0.81%, 0.78%

LAB 81.18, 14.03, 26.45

 

CMYK 37 / 0 / 29 / 4

HEX #99F4AE

RGB 153 244 174

HSL 133.85, 0.81%, 0.78%

LAB 89.17, -41.46, 25.37

 

CMYK 37 / 27 / 0 / 4

HEX #99B3F4

RGB 153 179 244

HSL 222.86, 0.81%, 0.78%

LAB 73.25, 6.69, -35.18

 

CMYK 0 / 37 / 8 / 4

HEX #F499E1

RGB 244 153 225

HSL 312.53, 0.81%, 0.78%

LAB 74.48, 44.32, -22.27

 

CMYK 0 / 10 / 37 / 4

HEX #F4DB99

RGB 244 219 153

HSL 43.52, 0.81%, 0.78%

LAB 88.06, -0.5, 35.62

 

Description

Color code: HEX #99F4AE | qconv.com Color code: HEX #99F4AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 244 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 244 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 29 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 29% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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