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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99ECA9 it is the complementary color #661356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99ECA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99ECA9 shade: #9EECA4, #AFFEB7, #C0FFCA, #D1FFDD and #E2FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99ECA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99ECA9 shade: #99ECA9, #88DA96, #77C883, #66B670 and #55A45D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99ECA9 shade: #98ECA8, #9EEC98, #B5EC98, #CCEC98 and #E2EC98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99ECA9 shade: #98ECA8, #98ECBF, #98ECD5, #98ECEC and #98D5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99ECA9 shade matches the following richer shades: #98ECA8 and #8EF6A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99ECA9 shade: #98ECA8, #A1E2AE, #ABD8B4, #B5CEBA and #BFC4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99ECA9 shade: #B5EC98, #9FEC98, #98ECA7, #98ECBE and #98ECD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99ECA9 shade: #52DF6D, #75E68A, #98ECA8, #BAF2C5 and #DDF9E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99ECA9 shade: #99ECA9, #98CCEC and #EC98AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99ECA9 shade: #99ECA9, #A798EC and #ECA798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99ECA9 shade: #99ECA9, #98CCEC, #EC98DD and #ECB898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99ECA9 shade: #99ECA9, #98B2EC, #EC98DD and #ECD198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 28 / 7

HEX #99ECA9

RGB 153 236 169

HSL 131.57, 0.69%, 0.76%

LAB 86.81, -38.75, 24.71

 

Complementary color

CMYK 0 / 81 / 16 / 60

HEX #661356

RGB 102 19 86

HSL 311.57, 0.69%, 0.24%

LAB 23.55, 42.97, -19.51

 

CMYK 33 / 0 / 31 / 7

HEX #9EECA4

RGB 158 236 164

HSL 124.62, 0.67%, 0.77%

LAB 86.97, -38.07, 27.52

 

CMYK 31 / 0 / 28 / 0

HEX #AFFEB7

RGB 175 254 183

HSL 126.08, 0.98%, 0.84%

LAB 93.2, -37.82, 26.47

 

CMYK 25 / 0 / 21 / 0

HEX #C0FFCA

RGB 192 255 202

HSL 129.52, 1%, 0.88%

LAB 94.73, -29.76, 19.07

 

CMYK 18 / 0 / 13 / 0

HEX #D1FFDD

RGB 209 255 221

HSL 135.65, 1%, 0.91%

LAB 96.12, -21.02, 11.44

 

CMYK 11 / 0 / 6 / 0

HEX #E2FFF0

RGB 226 255 240

HSL 148.97, 1%, 0.94%

LAB 97.62, -12.13, 3.98

 

CMYK 35 / 0 / 28 / 7

HEX #99ECA9

RGB 153 236 169

HSL 131.57, 0.69%, 0.76%

LAB 86.81, -38.75, 24.71

 

CMYK 38 / 0 / 31 / 15

HEX #88DA96

RGB 136 218 150

HSL 130.24, 0.53%, 0.69%

LAB 80.5, -39.01, 25.8

 

CMYK 41 / 0 / 35 / 22

HEX #77C883

RGB 119 200 131

HSL 128.89, 0.42%, 0.63%

LAB 74.11, -39.26, 26.95

 

CMYK 44 / 0 / 38 / 29

HEX #66B670

RGB 102 182 112

HSL 127.5, 0.35%, 0.56%

LAB 67.61, -39.48, 28.18

 

CMYK 48 / 0 / 43 / 36

HEX #55A45D

RGB 85 164 93

HSL 126.08, 0.32%, 0.49%

LAB 61.02, -39.65, 29.49

 

CMYK 36 / 0 / 29 / 7

HEX #98ECA8

RGB 152 236 168

HSL 131.43, 0.69%, 0.76%

LAB 86.75, -39.22, 25.12

 

CMYK 33 / 0 / 36 / 7

HEX #9EEC98

RGB 158 236 152

HSL 115.71, 0.69%, 0.76%

LAB 86.76, -39.96, 33.34

 

CMYK 23 / 0 / 36 / 7

HEX #B5EC98

RGB 181 236 152

HSL 99.29, 0.69%, 0.76%

LAB 88.01, -32.36, 35.21

 

CMYK 14 / 0 / 36 / 7

HEX #CCEC98

RGB 204 236 152

HSL 82.86, 0.69%, 0.76%

LAB 89.44, -24.21, 37.36

 

CMYK 4 / 0 / 36 / 7

HEX #E2EC98

RGB 226 236 152

HSL 67.14, 0.69%, 0.76%

LAB 90.97, -16.05, 39.65

 

CMYK 36 / 0 / 29 / 7

HEX #98ECA8

RGB 152 236 168

HSL 131.43, 0.69%, 0.76%

LAB 86.75, -39.22, 25.12

 

CMYK 36 / 0 / 19 / 7

HEX #98ECBF

RGB 152 236 191

HSL 147.86, 0.69%, 0.76%

LAB 87.21, -35, 13.86

 

CMYK 36 / 0 / 10 / 7

HEX #98ECD5

RGB 152 236 213

HSL 163.57, 0.69%, 0.76%

LAB 87.71, -30.5, 3.09

 

CMYK 36 / 0 / 0 / 7

HEX #98ECEC

RGB 152 236 236

HSL 180, 0.69%, 0.76%

LAB 88.32, -25.33, -8.07

 

CMYK 36 / 10 / 0 / 7

HEX #98D5EC

RGB 152 213 236

HSL 196.43, 0.69%, 0.76%

LAB 82.01, -13.83, -17.5

 

CMYK 36 / 0 / 29 / 7

HEX #98ECA8

RGB 152 236 168

HSL 131.43, 0.69%, 0.76%

LAB 86.75, -39.22, 25.12

 

CMYK 42 / 0 / 34 / 4

HEX #8EF6A2

RGB 142 246 162

HSL 131.54, 0.85%, 0.76%

LAB 89.05, -47.48, 31.21

 

CMYK 36 / 0 / 29 / 7

HEX #98ECA8

RGB 152 236 168

HSL 131.43, 0.69%, 0.76%

LAB 86.75, -39.22, 25.12

 

CMYK 29 / 0 / 23 / 11

HEX #A1E2AE

RGB 161 226 174

HSL 132, 0.53%, 0.76%

LAB 84.5, -30.81, 18.99

 

CMYK 21 / 0 / 17 / 15

HEX #ABD8B4

RGB 171 216 180

HSL 132, 0.37%, 0.76%

LAB 82.41, -21.68, 12.99

 

CMYK 12 / 0 / 10 / 19

HEX #B5CEBA

RGB 181 206 186

HSL 132, 0.2%, 0.76%

LAB 80.47, -12.2, 7.12

 

CMYK 3 / 0 / 2 / 23

HEX #BFC4C0

RGB 191 196 192

HSL 132, 0.04%, 0.76%

LAB 78.67, -2.46, 1.39

 

CMYK 23 / 0 / 36 / 7

HEX #B5EC98

RGB 181 236 152

HSL 99.29, 0.69%, 0.76%

LAB 88.01, -32.36, 35.21

 

CMYK 33 / 0 / 36 / 7

HEX #9FEC98

RGB 159 236 152

HSL 115, 0.69%, 0.76%

LAB 86.81, -39.64, 33.42

 

CMYK 36 / 0 / 29 / 7

HEX #98ECA7

RGB 152 236 167

HSL 130.71, 0.69%, 0.76%

LAB 86.73, -39.39, 25.61

 

CMYK 36 / 0 / 19 / 7

HEX #98ECBE

RGB 152 236 190

HSL 147.14, 0.69%, 0.76%

LAB 87.18, -35.2, 14.35

 

CMYK 36 / 0 / 10 / 7

HEX #98ECD4

RGB 152 236 212

HSL 162.86, 0.69%, 0.76%

LAB 87.69, -30.71, 3.58

 

CMYK 63 / 0 / 51 / 13

HEX #52DF6D

RGB 82 223 109

HSL 131.49, 0.69%, 0.6%

LAB 79.43, -61.23, 44.57

 

CMYK 49 / 0 / 40 / 10

HEX #75E68A

RGB 117 230 138

HSL 131.15, 0.69%, 0.68%

LAB 83.03, -51.45, 35.14

 

CMYK 36 / 0 / 29 / 7

HEX #98ECA8

RGB 152 236 168

HSL 131.43, 0.69%, 0.76%

LAB 86.75, -39.22, 25.12

 

CMYK 23 / 0 / 19 / 5

HEX #BAF2C5

RGB 186 242 197

HSL 131.79, 0.68%, 0.84%

LAB 90.77, -26.39, 16.03

 

CMYK 11 / 0 / 9 / 2

HEX #DDF9E3

RGB 221 249 227

HSL 132.86, 0.7%, 0.92%

LAB 95.44, -13.12, 7.48

 

CMYK 35 / 0 / 28 / 7

HEX #99ECA9

RGB 153 236 169

HSL 131.57, 0.69%, 0.76%

LAB 86.81, -38.75, 24.71

 

CMYK 36 / 14 / 0 / 7

HEX #98CCEC

RGB 152 204 236

HSL 202.86, 0.69%, 0.76%

LAB 79.57, -9.16, -21.19

 

CMYK 0 / 36 / 28 / 7

HEX #EC98AA

RGB 236 152 170

HSL 347.14, 0.69%, 0.76%

LAB 71.68, 33.79, 3.8

 

CMYK 35 / 0 / 28 / 7

HEX #99ECA9

RGB 153 236 169

HSL 131.57, 0.69%, 0.76%

LAB 86.81, -38.75, 24.71

 

CMYK 29 / 36 / 0 / 7

HEX #A798EC

RGB 167 152 236

HSL 250.71, 0.69%, 0.76%

LAB 67.07, 23.69, -40.36

 

CMYK 0 / 29 / 36 / 7

HEX #ECA798

RGB 236 167 152

HSL 10.71, 0.69%, 0.76%

LAB 74.66, 23.54, 17.92

 

CMYK 35 / 0 / 28 / 7

HEX #99ECA9

RGB 153 236 169

HSL 131.57, 0.69%, 0.76%

LAB 86.81, -38.75, 24.71

 

CMYK 36 / 14 / 0 / 7

HEX #98CCEC

RGB 152 204 236

HSL 202.86, 0.69%, 0.76%

LAB 79.57, -9.16, -21.19

 

CMYK 0 / 36 / 6 / 7

HEX #EC98DD

RGB 236 152 221

HSL 310.71, 0.69%, 0.76%

LAB 73.23, 41.62, -22.07

 

CMYK 0 / 22 / 36 / 7

HEX #ECB898

RGB 236 184 152

HSL 22.86, 0.69%, 0.76%

LAB 78.68, 14.51, 23.46

 

CMYK 35 / 0 / 28 / 7

HEX #99ECA9

RGB 153 236 169

HSL 131.57, 0.69%, 0.76%

LAB 86.81, -38.75, 24.71

 

CMYK 36 / 25 / 0 / 7

HEX #98B2EC

RGB 152 178 236

HSL 221.43, 0.69%, 0.76%

LAB 72.61, 4.88, -31.84

 

CMYK 0 / 36 / 6 / 7

HEX #EC98DD

RGB 236 152 221

HSL 310.71, 0.69%, 0.76%

LAB 73.23, 41.62, -22.07

 

CMYK 0 / 11 / 36 / 7

HEX #ECD198

RGB 236 209 152

HSL 40.71, 0.69%, 0.76%

LAB 84.84, 1.42, 31.76

 

Description

Color code: HEX #99ECA9 | qconv.com Color code: HEX #99ECA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 236 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 236 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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