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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99EB4D it is the complementary color #6614B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99EB4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99EB4D shade: #9EEB48, #AFFD5B, #C0FF6E, #D1FF81 and #E2FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99EB4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99EB4D shade: #99EB4D, #88D93A, #77C727, #66B514 and #55A301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99EB4D shade: #99EB4C, #C3EB4C, #EBE84C, #EBBD4C and #EB924C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99EB4D shade: #99EB4C, #6EEB4C, #4CEB55, #4CEB80 and #4CEBAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99EB4D shade matches the following richer shades: #99EB4C and #98FB3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99EB4D shade: #99EB4C, #99DB5C, #9ACB6C, #9ABB7C and #9BAB8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99EB4D shade: #EBE84C, #C3EB4C, #99EB4C, #6EEB4C and #4CEB54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99EB4D shade: #6FCE17, #83E727, #99EB4C, #AEEF71 and #C3F396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99EB4D shade: #99EB4D, #4CEBBE and #EB4CD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99EB4D shade: #99EB4D, #4C99EB and #EB4C99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99EB4D shade: #99EB4D, #4CEBBE, #9E4CEB and #EB4C79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99EB4D shade: #99EB4D, #4CE8EB, #9E4CEB and #EB4F4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 67 / 8

HEX #99EB4D

RGB 153 235 77

HSL 91.14, 0.8%, 0.61%

LAB 85.36, -49.59, 65.88

 

Complementary color

CMYK 43 / 89 / 0 / 30

HEX #6614B2

RGB 102 20 178

HSL 271.14, 0.8%, 0.39%

LAB 30.73, 61.13, -65.77

 

CMYK 33 / 0 / 69 / 8

HEX #9EEB48

RGB 158 235 72

HSL 88.34, 0.8%, 0.6%

LAB 85.58, -48.22, 68.04

 

CMYK 31 / 0 / 64 / 1

HEX #AFFD5B

RGB 175 253 91

HSL 88.89, 0.98%, 0.67%

LAB 91.74, -48.51, 67.55

 

CMYK 25 / 0 / 57 / 0

HEX #C0FF6E

RGB 192 255 110

HSL 86.07, 1%, 0.72%

LAB 93.39, -41.83, 61.78

 

CMYK 18 / 0 / 49 / 0

HEX #D1FF81

RGB 209 255 129

HSL 81.9, 1%, 0.75%

LAB 94.59, -33.9, 54.97

 

CMYK 11 / 0 / 42 / 0

HEX #E2FF94

RGB 226 255 148

HSL 76.26, 1%, 0.79%

LAB 95.92, -25.65, 47.92

 

CMYK 35 / 0 / 67 / 8

HEX #99EB4D

RGB 153 235 77

HSL 91.14, 0.8%, 0.61%

LAB 85.36, -49.59, 65.88

 

CMYK 37 / 0 / 73 / 15

HEX #88D93A

RGB 136 217 58

HSL 90.57, 0.68%, 0.54%

LAB 79.14, -49.21, 66.14

 

CMYK 40 / 0 / 80 / 22

HEX #77C727

RGB 119 199 39

HSL 90, 0.67%, 0.47%

LAB 72.84, -48.65, 65.75

 

CMYK 44 / 0 / 89 / 29

HEX #66B514

RGB 102 181 20

HSL 89.44, 0.8%, 0.39%

LAB 66.46, -47.84, 64.29

 

CMYK 48 / 0 / 99 / 36

HEX #55A301

RGB 85 163 1

HSL 88.89, 0.99%, 0.32%

LAB 60, -46.73, 61.54

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 17 / 0 / 68 / 8

HEX #C3EB4C

RGB 195 235 76

HSL 75.09, 0.8%, 0.61%

LAB 87.75, -34.3, 69.46

 

CMYK 0 / 1 / 68 / 8

HEX #EBE84C

RGB 235 232 76

HSL 58.87, 0.8%, 0.61%

LAB 89.81, -16.88, 72.48

 

CMYK 0 / 20 / 68 / 8

HEX #EBBD4C

RGB 235 189 76

HSL 42.64, 0.8%, 0.61%

LAB 78.8, 4.9, 61.22

 

CMYK 0 / 38 / 68 / 8

HEX #EB924C

RGB 235 146 76

HSL 26.42, 0.8%, 0.61%

LAB 68.56, 27.62, 50.18

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 53 / 0 / 68 / 8

HEX #6EEB4C

RGB 110 235 76

HSL 107.17, 0.8%, 0.61%

LAB 83.58, -62.67, 63.83

 

CMYK 68 / 0 / 64 / 8

HEX #4CEB55

RGB 76 235 85

HSL 123.4, 0.8%, 0.61%

LAB 82.71, -69.38, 59.06

 

CMYK 68 / 0 / 46 / 8

HEX #4CEB80

RGB 76 235 128

HSL 139.62, 0.8%, 0.61%

LAB 83.18, -63.81, 40.06

 

CMYK 68 / 0 / 27 / 8

HEX #4CEBAB

RGB 76 235 171

HSL 155.85, 0.8%, 0.61%

LAB 83.91, -55.83, 19.26

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 39 / 0 / 76 / 2

HEX #98FB3C

RGB 152 251 60

HSL 91.1, 0.96%, 0.61%

LAB 89.86, -57.39, 76.1

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 30 / 0 / 58 / 14

HEX #99DB5C

RGB 153 219 92

HSL 91.18, 0.64%, 0.61%

LAB 80.85, -41.54, 54.78

 

CMYK 24 / 0 / 47 / 20

HEX #9ACB6C

RGB 154 203 108

HSL 90.95, 0.48%, 0.61%

LAB 76.48, -32.24, 42.09

 

CMYK 18 / 0 / 34 / 27

HEX #9ABB7C

RGB 154 187 124

HSL 91.43, 0.32%, 0.61%

LAB 72.14, -22.43, 28.35

 

CMYK 9 / 0 / 18 / 33

HEX #9BAB8C

RGB 155 171 140

HSL 90.97, 0.16%, 0.61%

LAB 68.01, -11.36, 14.11

 

CMYK 0 / 1 / 68 / 8

HEX #EBE84C

RGB 235 232 76

HSL 58.87, 0.8%, 0.61%

LAB 89.81, -16.88, 72.48

 

CMYK 17 / 0 / 68 / 8

HEX #C3EB4C

RGB 195 235 76

HSL 75.09, 0.8%, 0.61%

LAB 87.75, -34.3, 69.46

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 53 / 0 / 68 / 8

HEX #6EEB4C

RGB 110 235 76

HSL 107.17, 0.8%, 0.61%

LAB 83.58, -62.67, 63.83

 

CMYK 68 / 0 / 64 / 8

HEX #4CEB54

RGB 76 235 84

HSL 123.02, 0.8%, 0.61%

LAB 82.7, -69.48, 59.46

 

CMYK 46 / 0 / 89 / 19

HEX #6FCE17

RGB 111 206 23

HSL 91.15, 0.8%, 0.45%

LAB 74.56, -54.59, 70.74

 

CMYK 43 / 0 / 83 / 9

HEX #83E727

RGB 131 231 39

HSL 91.25, 0.8%, 0.53%

LAB 82.98, -57.32, 75.05

 

CMYK 35 / 0 / 68 / 8

HEX #99EB4C

RGB 153 235 76

HSL 90.94, 0.8%, 0.61%

LAB 85.36, -49.66, 66.25

 

CMYK 27 / 0 / 53 / 6

HEX #AEEF71

RGB 174 239 113

HSL 90.95, 0.8%, 0.69%

LAB 87.93, -40.88, 53.85

 

CMYK 20 / 0 / 38 / 5

HEX #C3F396

RGB 195 243 150

HSL 90.97, 0.79%, 0.77%

LAB 90.74, -31.01, 39.93

 

CMYK 35 / 0 / 67 / 8

HEX #99EB4D

RGB 153 235 77

HSL 91.14, 0.8%, 0.61%

LAB 85.36, -49.59, 65.88

 

CMYK 68 / 0 / 19 / 8

HEX #4CEBBE

RGB 76 235 190

HSL 163.02, 0.8%, 0.61%

LAB 84.31, -51.6, 9.92

 

CMYK 0 / 68 / 8 / 8

HEX #EB4CD9

RGB 235 76 217

HSL 306.79, 0.8%, 0.61%

LAB 59.74, 75.44, -40.71

 

CMYK 35 / 0 / 67 / 8

HEX #99EB4D

RGB 153 235 77

HSL 91.14, 0.8%, 0.61%

LAB 85.36, -49.59, 65.88

 

CMYK 68 / 35 / 0 / 8

HEX #4C99EB

RGB 76 153 235

HSL 210.94, 0.8%, 0.61%

LAB 61.93, 2.13, -48.27

 

CMYK 0 / 68 / 35 / 8

HEX #EB4C99

RGB 235 76 153

HSL 330.94, 0.8%, 0.61%

LAB 57.2, 67.1, -7.78

 

CMYK 35 / 0 / 67 / 8

HEX #99EB4D

RGB 153 235 77

HSL 91.14, 0.8%, 0.61%

LAB 85.36, -49.59, 65.88

 

CMYK 68 / 0 / 19 / 8

HEX #4CEBBE

RGB 76 235 190

HSL 163.02, 0.8%, 0.61%

LAB 84.31, -51.6, 9.92

 

CMYK 33 / 68 / 0 / 8

HEX #9E4CEB

RGB 158 76 235

HSL 270.94, 0.8%, 0.61%

LAB 50.02, 62.1, -67.01

 

CMYK 0 / 68 / 49 / 8

HEX #EB4C79

RGB 235 76 121

HSL 343.02, 0.8%, 0.61%

LAB 56.3, 63.98, 9.77

 

CMYK 35 / 0 / 67 / 8

HEX #99EB4D

RGB 153 235 77

HSL 91.14, 0.8%, 0.61%

LAB 85.36, -49.59, 65.88

 

CMYK 68 / 1 / 0 / 8

HEX #4CE8EB

RGB 76 232 235

HSL 181.13, 0.8%, 0.61%

LAB 84.61, -38.75, -13.34

 

CMYK 33 / 68 / 0 / 8

HEX #9E4CEB

RGB 158 76 235

HSL 270.94, 0.8%, 0.61%

LAB 50.02, 62.1, -67.01

 

CMYK 0 / 66 / 68 / 8

HEX #EB4F4C

RGB 235 79 76

HSL 1.13, 0.8%, 0.61%

LAB 55.86, 59.75, 35.49

 

Description

Color code: HEX #99EB4D | qconv.com Color code: HEX #99EB4D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 235 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 235 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 67 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 67% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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