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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E846 it is the complementary color #6617B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E846. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E846 shade: #9EE841, #AFFA54, #C0FF67, #D1FF7A and #E2FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E846. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E846 shade: #99E846, #88D633, #77C420, #66B20D and #55A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E846 shade: #98E845, #C4E845, #E8E045, #E8B445 and #E88845

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E846 shade: #98E845, #6CE845, #45E849, #45E875 and #45E8A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E846 shade matches the following richer shades: #98E845 and #99F934

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E846 shade: #98E845, #98D756, #98C667, #97B578 and #97A489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E846 shade: #E8E045, #C5E845, #99E845, #6EE845 and #45E848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E846 shade: #6FC218, #84E320, #98E845, #ADED6A and #C1F18E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E846 shade: #99E846, #45E8B4 and #E845DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E846 shade: #99E846, #4599E8 and #E84599

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E846 shade: #99E846, #45E8B4, #9445E8 and #E84579

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E846 shade: #99E846, #45E8E5, #9445E8 and #E84548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 70 / 9

HEX #99E846

RGB 153 232 70

HSL 89.26, 0.78%, 0.59%

LAB 84.45, -48.83, 67.52

 

Complementary color

CMYK 45 / 88 / 0 / 27

HEX #6617B9

RGB 102 23 185

HSL 269.26, 0.78%, 0.41%

LAB 31.67, 61.95, -68.39

 

CMYK 32 / 0 / 72 / 9

HEX #9EE841

RGB 158 232 65

HSL 86.59, 0.78%, 0.58%

LAB 84.67, -47.4, 69.59

 

CMYK 30 / 0 / 66 / 2

HEX #AFFA54

RGB 175 250 84

HSL 87.11, 0.94%, 0.65%

LAB 90.84, -47.76, 69.3

 

CMYK 25 / 0 / 60 / 0

HEX #C0FF67

RGB 192 255 103

HSL 84.87, 1%, 0.7%

LAB 93.32, -42.43, 64.68

 

CMYK 18 / 0 / 52 / 0

HEX #D1FF7A

RGB 209 255 122

HSL 80.75, 1%, 0.74%

LAB 94.52, -34.57, 58.06

 

CMYK 11 / 0 / 45 / 0

HEX #E2FF8D

RGB 226 255 141

HSL 75.26, 1%, 0.78%

LAB 95.84, -26.4, 51.14

 

CMYK 34 / 0 / 70 / 9

HEX #99E846

RGB 153 232 70

HSL 89.26, 0.78%, 0.59%

LAB 84.45, -48.83, 67.52

 

CMYK 36 / 0 / 76 / 16

HEX #88D633

RGB 136 214 51

HSL 88.71, 0.67%, 0.52%

LAB 78.21, -48.38, 67.51

 

CMYK 39 / 0 / 84 / 23

HEX #77C420

RGB 119 196 32

HSL 88.17, 0.72%, 0.45%

LAB 71.9, -47.73, 66.72

 

CMYK 43 / 0 / 93 / 30

HEX #66B20D

RGB 102 178 13

HSL 87.64, 0.86%, 0.37%

LAB 65.51, -46.82, 64.66

 

CMYK 47 / 0 / 100 / 37

HEX #55A000

RGB 85 160 0

HSL 88.13, 1%, 0.31%

LAB 59.04, -45.57, 60.93

 

CMYK 34 / 0 / 70 / 9

HEX #98E845

RGB 152 232 69

HSL 89.45, 0.78%, 0.59%

LAB 84.39, -49.24, 67.81

 

CMYK 16 / 0 / 70 / 9

HEX #C4E845

RGB 196 232 69

HSL 73.25, 0.78%, 0.59%

LAB 86.94, -32.94, 71.19

 

CMYK 0 / 3 / 70 / 9

HEX #E8E045

RGB 232 224 69

HSL 57.06, 0.78%, 0.59%

LAB 87.43, -14.53, 72.58

 

CMYK 0 / 22 / 70 / 9

HEX #E8B445

RGB 232 180 69

HSL 40.86, 0.78%, 0.59%

LAB 76.21, 7.98, 61.38

 

CMYK 0 / 41 / 70 / 9

HEX #E88845

RGB 232 136 69

HSL 24.66, 0.78%, 0.59%

LAB 65.9, 31.29, 50.53

 

CMYK 34 / 0 / 70 / 9

HEX #98E845

RGB 152 232 69

HSL 89.45, 0.78%, 0.59%

LAB 84.39, -49.24, 67.81

 

CMYK 53 / 0 / 70 / 9

HEX #6CE845

RGB 108 232 69

HSL 105.64, 0.78%, 0.59%

LAB 82.56, -62.66, 65.35

 

CMYK 70 / 0 / 69 / 9

HEX #45E849

RGB 69 232 73

HSL 121.47, 0.78%, 0.59%

LAB 81.54, -70.76, 62.49

 

CMYK 70 / 0 / 50 / 9

HEX #45E875

RGB 69 232 117

HSL 137.67, 0.78%, 0.59%

LAB 81.98, -65.59, 43.84

 

CMYK 70 / 0 / 31 / 9

HEX #45E8A1

RGB 69 232 161

HSL 153.87, 0.78%, 0.59%

LAB 82.67, -57.81, 22.7

 

CMYK 34 / 0 / 70 / 9

HEX #98E845

RGB 152 232 69

HSL 89.45, 0.78%, 0.59%

LAB 84.39, -49.24, 67.81

 

CMYK 39 / 0 / 79 / 2

HEX #99F934

RGB 153 249 52

HSL 89.24, 0.94%, 0.59%

LAB 89.29, -56.67, 77.84

 

CMYK 34 / 0 / 70 / 9

HEX #98E845

RGB 152 232 69

HSL 89.45, 0.78%, 0.59%

LAB 84.39, -49.24, 67.81

 

CMYK 29 / 0 / 60 / 16

HEX #98D756

RGB 152 215 86

HSL 89.3, 0.62%, 0.59%

LAB 79.58, -40.68, 55.95

 

CMYK 23 / 0 / 48 / 22

HEX #98C667

RGB 152 198 103

HSL 89.05, 0.45%, 0.59%

LAB 74.85, -31.21, 42.52

 

CMYK 17 / 0 / 34 / 29

HEX #97B578

RGB 151 181 120

HSL 89.51, 0.29%, 0.59%

LAB 70.16, -21.13, 27.82

 

CMYK 8 / 0 / 16 / 36

HEX #97A489

RGB 151 164 137

HSL 88.89, 0.13%, 0.59%

LAB 65.7, -9.64, 12.48

 

CMYK 0 / 3 / 70 / 9

HEX #E8E045

RGB 232 224 69

HSL 57.06, 0.78%, 0.59%

LAB 87.43, -14.53, 72.58

 

CMYK 15 / 0 / 70 / 9

HEX #C5E845

RGB 197 232 69

HSL 72.88, 0.78%, 0.59%

LAB 87, -32.55, 71.28

 

CMYK 34 / 0 / 70 / 9

HEX #99E845

RGB 153 232 69

HSL 89.08, 0.78%, 0.59%

LAB 84.44, -48.89, 67.87

 

CMYK 53 / 0 / 70 / 9

HEX #6EE845

RGB 110 232 69

HSL 104.91, 0.78%, 0.59%

LAB 82.62, -62.14, 65.44

 

CMYK 70 / 0 / 69 / 9

HEX #45E848

RGB 69 232 72

HSL 121.1, 0.78%, 0.59%

LAB 81.54, -70.85, 62.86

 

CMYK 43 / 0 / 88 / 24

HEX #6FC218

RGB 111 194 24

HSL 89.29, 0.78%, 0.43%

LAB 70.89, -49.9, 67.44

 

CMYK 42 / 0 / 86 / 11

HEX #84E320

RGB 132 227 32

HSL 89.23, 0.78%, 0.51%

LAB 81.81, -55.71, 75.56

 

CMYK 34 / 0 / 70 / 9

HEX #98E845

RGB 152 232 69

HSL 89.45, 0.78%, 0.59%

LAB 84.39, -49.24, 67.81

 

CMYK 27 / 0 / 55 / 7

HEX #ADED6A

RGB 173 237 106

HSL 89.31, 0.78%, 0.67%

LAB 87.24, -41.04, 56.18

 

CMYK 20 / 0 / 41 / 5

HEX #C1F18E

RGB 193 241 142

HSL 89.09, 0.78%, 0.75%

LAB 89.95, -31.79, 42.83

 

CMYK 34 / 0 / 70 / 9

HEX #99E846

RGB 153 232 70

HSL 89.26, 0.78%, 0.59%

LAB 84.45, -48.83, 67.52

 

CMYK 70 / 0 / 22 / 9

HEX #45E8B4

RGB 69 232 180

HSL 160.86, 0.78%, 0.59%

LAB 83.06, -53.7, 13.35

 

CMYK 0 / 70 / 6 / 9

HEX #E845DA

RGB 232 69 218

HSL 305.15, 0.78%, 0.59%

LAB 58.48, 77.29, -43.29

 

CMYK 34 / 0 / 70 / 9

HEX #99E846

RGB 153 232 70

HSL 89.26, 0.78%, 0.59%

LAB 84.45, -48.83, 67.52

 

CMYK 70 / 34 / 0 / 9

HEX #4599E8

RGB 69 153 232

HSL 209.08, 0.78%, 0.59%

LAB 61.55, 0.07, -47.23

 

CMYK 0 / 70 / 34 / 9

HEX #E84599

RGB 232 69 153

HSL 329.08, 0.78%, 0.59%

LAB 55.8, 68.8, -9.93

 

CMYK 34 / 0 / 70 / 9

HEX #99E846

RGB 153 232 70

HSL 89.26, 0.78%, 0.59%

LAB 84.45, -48.83, 67.52

 

CMYK 70 / 0 / 22 / 9

HEX #45E8B4

RGB 69 232 180

HSL 160.86, 0.78%, 0.59%

LAB 83.06, -53.7, 13.35

 

CMYK 36 / 70 / 0 / 9

HEX #9445E8

RGB 148 69 232

HSL 269.08, 0.78%, 0.59%

LAB 47.47, 62.68, -69.51

 

CMYK 0 / 70 / 48 / 9

HEX #E84579

RGB 232 69 121

HSL 340.86, 0.78%, 0.59%

LAB 54.86, 65.67, 7.65

 

CMYK 34 / 0 / 70 / 9

HEX #99E846

RGB 153 232 70

HSL 89.26, 0.78%, 0.59%

LAB 84.45, -48.83, 67.52

 

CMYK 70 / 0 / 1 / 9

HEX #45E8E5

RGB 69 232 229

HSL 178.9, 0.78%, 0.59%

LAB 84.3, -41.31, -10.66

 

CMYK 36 / 70 / 0 / 9

HEX #9445E8

RGB 148 69 232

HSL 269.08, 0.78%, 0.59%

LAB 47.47, 62.68, -69.51

 

CMYK 0 / 70 / 69 / 9

HEX #E84548

RGB 232 69 72

HSL 358.9, 0.78%, 0.59%

LAB 53.9, 62.39, 35.29

 

Description

Color code: HEX #99E846 | qconv.com Color code: HEX #99E846 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 232 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 232 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 70 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 70% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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