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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E75C it is the complementary color #6618A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E75C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E75C shade: #9EE757, #AFF96A, #C0FF7D, #D1FF90 and #E2FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E75C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E75C shade: #99E75C, #88D549, #77C336, #66B123 and #559F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E75C shade: #98E65B, #BEE65B, #E3E65B, #E6C45B and #E69E5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E75C shade: #98E65B, #72E65B, #5BE669, #5BE68F and #5BE6B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E75C shade matches the following richer shades: #98E65B and #96F64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E75C shade: #98E65B, #9AD76A, #9CC879, #9EB989 and #A0A998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E75C shade: #E4E65B, #BFE65B, #9AE65B, #74E65B and #5BE666

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E75C shade: #6DD01F, #82E137, #98E65B, #AFEC7F and #C5F1A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E75C shade: #99E75C, #5BE6C4 and #E65BD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E75C shade: #99E75C, #5B9AE6 and #E65B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E75C shade: #99E75C, #5BE6C4, #A85BE6 and #E65B7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E75C shade: #99E75C, #5BDFE6, #A85BE6 and #E6625B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 60 / 9

HEX #99E75C

RGB 153 231 92

HSL 93.67, 0.74%, 0.63%

LAB 84.33, -46.7, 58.7

 

Complementary color

CMYK 37 / 85 / 0 / 36

HEX #6618A3

RGB 102 24 163

HSL 273.67, 0.74%, 0.37%

LAB 29.72, 56.64, -58.41

 

CMYK 32 / 0 / 62 / 9

HEX #9EE757

RGB 158 231 87

HSL 90.42, 0.75%, 0.62%

LAB 84.54, -45.41, 61.11

 

CMYK 30 / 0 / 57 / 2

HEX #AFF96A

RGB 175 249 106

HSL 91.05, 0.92%, 0.7%

LAB 90.74, -45.56, 60.24

 

CMYK 25 / 0 / 51 / 0

HEX #C0FF7D

RGB 192 255 125

HSL 89.08, 1%, 0.75%

LAB 93.54, -40.4, 55.3

 

CMYK 18 / 0 / 44 / 0

HEX #D1FF90

RGB 209 255 144

HSL 84.86, 1%, 0.78%

LAB 94.78, -32.3, 48.16

 

CMYK 11 / 0 / 36 / 0

HEX #E2FFA3

RGB 226 255 163

HSL 78.91, 1%, 0.82%

LAB 96.13, -23.91, 40.91

 

CMYK 34 / 0 / 60 / 9

HEX #99E75C

RGB 153 231 92

HSL 93.67, 0.74%, 0.63%

LAB 84.33, -46.7, 58.7

 

CMYK 36 / 0 / 66 / 16

HEX #88D549

RGB 136 213 73

HSL 93, 0.63%, 0.56%

LAB 78.05, -46.51, 59.47

 

CMYK 39 / 0 / 72 / 24

HEX #77C336

RGB 119 195 54

HSL 92.34, 0.57%, 0.49%

LAB 71.7, -46.18, 59.88

 

CMYK 42 / 0 / 80 / 31

HEX #66B123

RGB 102 177 35

HSL 91.69, 0.67%, 0.42%

LAB 65.27, -45.63, 59.64

 

CMYK 47 / 0 / 90 / 38

HEX #559F10

RGB 85 159 16

HSL 91.05, 0.82%, 0.34%

LAB 58.76, -44.79, 58.24

 

CMYK 34 / 0 / 60 / 10

HEX #98E65B

RGB 152 230 91

HSL 93.67, 0.74%, 0.63%

LAB 83.98, -46.71, 58.72

 

CMYK 17 / 0 / 60 / 10

HEX #BEE65B

RGB 190 230 91

HSL 77.27, 0.74%, 0.63%

LAB 86.15, -32.91, 61.74

 

CMYK 1 / 0 / 60 / 10

HEX #E3E65B

RGB 227 230 91

HSL 61.29, 0.74%, 0.63%

LAB 88.77, -18.29, 65.35

 

CMYK 0 / 15 / 60 / 10

HEX #E6C45B

RGB 230 196 91

HSL 45.32, 0.74%, 0.63%

LAB 80.21, 0.07, 56.01

 

CMYK 0 / 31 / 60 / 10

HEX #E69E5B

RGB 230 158 91

HSL 28.92, 0.74%, 0.63%

LAB 70.89, 20.14, 45.28

 

CMYK 34 / 0 / 60 / 10

HEX #98E65B

RGB 152 230 91

HSL 93.67, 0.74%, 0.63%

LAB 83.98, -46.71, 58.72

 

CMYK 50 / 0 / 60 / 10

HEX #72E65B

RGB 114 230 91

HSL 110.07, 0.74%, 0.63%

LAB 82.34, -58.38, 56.43

 

CMYK 60 / 0 / 54 / 10

HEX #5BE669

RGB 91 230 105

HSL 126.04, 0.74%, 0.63%

LAB 81.75, -62.4, 49.32

 

CMYK 60 / 0 / 38 / 10

HEX #5BE68F

RGB 91 230 143

HSL 142.45, 0.74%, 0.63%

LAB 82.27, -56.64, 31.47

 

CMYK 60 / 0 / 22 / 10

HEX #5BE6B4

RGB 91 230 180

HSL 158.42, 0.74%, 0.63%

LAB 82.97, -49.28, 13.3

 

CMYK 34 / 0 / 60 / 10

HEX #98E65B

RGB 152 230 91

HSL 93.67, 0.74%, 0.63%

LAB 83.98, -46.71, 58.72

 

CMYK 39 / 0 / 69 / 4

HEX #96F64C

RGB 150 246 76

HSL 93.88, 0.9%, 0.63%

LAB 88.41, -55.1, 69.35

 

CMYK 34 / 0 / 60 / 10

HEX #98E65B

RGB 152 230 91

HSL 93.67, 0.74%, 0.63%

LAB 83.98, -46.71, 58.72

 

CMYK 28 / 0 / 51 / 16

HEX #9AD76A

RGB 154 215 106

HSL 93.58, 0.58%, 0.63%

LAB 79.9, -37.97, 47.24

 

CMYK 22 / 0 / 40 / 22

HEX #9CC879

RGB 156 200 121

HSL 93.42, 0.42%, 0.63%

LAB 75.92, -28.46, 34.88

 

CMYK 15 / 0 / 26 / 27

HEX #9EB989

RGB 158 185 137

HSL 93.75, 0.26%, 0.63%

LAB 72.08, -17.99, 21.4

 

CMYK 5 / 0 / 10 / 34

HEX #A0A998

RGB 160 169 152

HSL 91.76, 0.09%, 0.63%

LAB 68.11, -6.37, 7.68

 

CMYK 1 / 0 / 60 / 10

HEX #E4E65B

RGB 228 230 91

HSL 60.86, 0.74%, 0.63%

LAB 88.85, -17.88, 65.45

 

CMYK 17 / 0 / 60 / 10

HEX #BFE65B

RGB 191 230 91

HSL 76.83, 0.74%, 0.63%

LAB 86.22, -32.52, 61.83

 

CMYK 33 / 0 / 60 / 10

HEX #9AE65B

RGB 154 230 91

HSL 92.81, 0.74%, 0.63%

LAB 84.08, -46.02, 58.86

 

CMYK 50 / 0 / 60 / 10

HEX #74E65B

RGB 116 230 91

HSL 109.21, 0.74%, 0.63%

LAB 82.41, -57.84, 56.53

 

CMYK 60 / 0 / 56 / 10

HEX #5BE666

RGB 91 230 102

HSL 124.75, 0.74%, 0.63%

LAB 81.72, -62.78, 50.65

 

CMYK 48 / 0 / 85 / 18

HEX #6DD01F

RGB 109 208 31

HSL 93.56, 0.74%, 0.47%

LAB 75.12, -55.71, 69.6

 

CMYK 42 / 0 / 76 / 12

HEX #82E137

RGB 130 225 55

HSL 93.53, 0.74%, 0.55%

LAB 81.22, -54.57, 69.05

 

CMYK 34 / 0 / 60 / 10

HEX #98E65B

RGB 152 230 91

HSL 93.67, 0.74%, 0.63%

LAB 83.98, -46.71, 58.72

 

CMYK 26 / 0 / 46 / 7

HEX #AFEC7F

RGB 175 236 127

HSL 93.58, 0.74%, 0.71%

LAB 87.31, -37.66, 46.55

 

CMYK 18 / 0 / 32 / 5

HEX #C5F1A3

RGB 197 241 163

HSL 93.85, 0.74%, 0.79%

LAB 90.52, -27.62, 33.17

 

CMYK 34 / 0 / 60 / 9

HEX #99E75C

RGB 153 231 92

HSL 93.67, 0.74%, 0.63%

LAB 84.33, -46.7, 58.7

 

CMYK 60 / 0 / 15 / 10

HEX #5BE6C4

RGB 91 230 196

HSL 165.32, 0.74%, 0.63%

LAB 83.34, -45.62, 5.41

 

CMYK 0 / 60 / 9 / 10

HEX #E65BD2

RGB 230 91 210

HSL 308.63, 0.74%, 0.63%

LAB 60.74, 67.4, -35.24

 

CMYK 34 / 0 / 60 / 9

HEX #99E75C

RGB 153 231 92

HSL 93.67, 0.74%, 0.63%

LAB 84.33, -46.7, 58.7

 

CMYK 60 / 33 / 0 / 10

HEX #5B9AE6

RGB 91 154 230

HSL 212.81, 0.74%, 0.63%

LAB 62.55, 2.44, -44.49

 

CMYK 0 / 60 / 33 / 10

HEX #E65B9A

RGB 230 91 154

HSL 332.81, 0.74%, 0.63%

LAB 58.64, 59.75, -6.32

 

CMYK 34 / 0 / 60 / 9

HEX #99E75C

RGB 153 231 92

HSL 93.67, 0.74%, 0.63%

LAB 84.33, -46.7, 58.7

 

CMYK 60 / 0 / 15 / 10

HEX #5BE6C4

RGB 91 230 196

HSL 165.32, 0.74%, 0.63%

LAB 83.34, -45.62, 5.41

 

CMYK 27 / 60 / 0 / 10

HEX #A85BE6

RGB 168 91 230

HSL 273.24, 0.74%, 0.63%

LAB 53.51, 55.91, -58.5

 

CMYK 0 / 60 / 45 / 10

HEX #E65B7E

RGB 230 91 126

HSL 344.89, 0.74%, 0.63%

LAB 57.86, 56.78, 8.92

 

CMYK 34 / 0 / 60 / 9

HEX #99E75C

RGB 153 231 92

HSL 93.67, 0.74%, 0.63%

LAB 84.33, -46.7, 58.7

 

CMYK 60 / 3 / 0 / 10

HEX #5BDFE6

RGB 91 223 230

HSL 183.02, 0.74%, 0.63%

LAB 82.22, -33.72, -14.23

 

CMYK 27 / 60 / 0 / 10

HEX #A85BE6

RGB 168 91 230

HSL 273.24, 0.74%, 0.63%

LAB 53.51, 55.91, -58.5

 

CMYK 0 / 57 / 60 / 10

HEX #E6625B

RGB 230 98 91

HSL 3.02, 0.74%, 0.63%

LAB 58.33, 50.79, 29.86

 

Description

Color code: HEX #99E75C | qconv.com Color code: HEX #99E75C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 231 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 231 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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