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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E736 it is the complementary color #6618C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E736. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E736 shade: #9EE731, #AFF944, #C0FF57, #D1FF6A and #E2FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E736. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E736 shade: #99E736, #88D523, #77C310, #66B100 and #559F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E736 shade: #99E736, #C9E736, #E7D636, #E7A636 and #E77636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E736 shade: #99E736, #6AE736, #3AE736, #36E762 and #36E792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E736 shade matches the following richer shades: #99E736 and #9BFA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E736 shade: #99E736, #97D548, #95C35A, #93B16D and #919F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E736 shade: #E7D636, #CAE736, #9BE736, #6BE736 and #3CE736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E736 shade: #6FB615, #86DB1A, #99E736, #ACEC5B and #BFF080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E736 shade: #99E736, #36E7A6 and #E736E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E736 shade: #99E736, #369BE7 and #E7369B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E736 shade: #99E736, #36E7A6, #8336E7 and #E73677

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E736 shade: #99E736, #36E7DC, #8336E7 and #E73642

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

Complementary color

CMYK 49 / 88 / 0 / 21

HEX #6618C9

RGB 102 24 201

HSL 266.44, 0.79%, 0.44%

LAB 33.34, 65.4, -75.06

 

CMYK 32 / 0 / 79 / 9

HEX #9EE731

RGB 158 231 49

HSL 84.07, 0.79%, 0.55%

LAB 84.3, -47.8, 74.18

 

CMYK 30 / 0 / 73 / 2

HEX #AFF944

RGB 175 249 68

HSL 84.53, 0.94%, 0.62%

LAB 90.45, -48.34, 74.56

 

CMYK 25 / 0 / 66 / 0

HEX #C0FF57

RGB 192 255 87

HSL 82.5, 1%, 0.67%

LAB 93.2, -43.62, 70.92

 

CMYK 18 / 0 / 58 / 0

HEX #D1FF6A

RGB 209 255 106

HSL 78.52, 1%, 0.71%

LAB 94.36, -35.96, 64.86

 

CMYK 11 / 0 / 51 / 0

HEX #E2FF7D

RGB 226 255 125

HSL 73.38, 1%, 0.75%

LAB 95.65, -27.95, 58.32

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 36 / 0 / 84 / 16

HEX #88D523

RGB 136 213 35

HSL 85.96, 0.72%, 0.49%

LAB 77.84, -48.68, 71.55

 

CMYK 39 / 0 / 92 / 24

HEX #77C310

RGB 119 195 16

HSL 85.47, 0.85%, 0.41%

LAB 71.55, -47.8, 69.5

 

CMYK 42 / 0 / 100 / 31

HEX #66B100

RGB 102 177 0

HSL 85.42, 1%, 0.35%

LAB 65.18, -46.66, 66.04

 

CMYK 47 / 0 / 100 / 38

HEX #559F00

RGB 85 159 0

HSL 87.92, 1%, 0.31%

LAB 58.72, -45.17, 60.68

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 13 / 0 / 77 / 9

HEX #C9E736

RGB 201 231 54

HSL 70.17, 0.79%, 0.56%

LAB 86.92, -31.21, 76.12

 

CMYK 0 / 7 / 77 / 9

HEX #E7D636

RGB 231 214 54

HSL 54.24, 0.79%, 0.56%

LAB 84.66, -10.61, 74.91

 

CMYK 0 / 28 / 77 / 9

HEX #E7A636

RGB 231 166 54

HSL 37.97, 0.79%, 0.56%

LAB 72.58, 14.3, 63.73

 

CMYK 0 / 49 / 77 / 9

HEX #E77636

RGB 231 118 54

HSL 21.69, 0.79%, 0.56%

LAB 61.84, 39.5, 53.29

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 54 / 0 / 77 / 9

HEX #6AE736

RGB 106 231 54

HSL 102.37, 0.79%, 0.56%

LAB 82.1, -63.83, 69.88

 

CMYK 75 / 0 / 77 / 9

HEX #3AE736

RGB 58 231 54

HSL 118.64, 0.79%, 0.56%

LAB 80.92, -73.61, 68.33

 

CMYK 77 / 0 / 58 / 9

HEX #36E762

RGB 54 231 98

HSL 134.92, 0.79%, 0.56%

LAB 81.19, -70, 51.64

 

CMYK 77 / 0 / 37 / 9

HEX #36E792

RGB 54 231 146

HSL 151.19, 0.79%, 0.56%

LAB 81.84, -62.39, 29.24

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 38 / 0 / 86 / 2

HEX #9BFA24

RGB 155 250 36

HSL 86.64, 0.96%, 0.56%

LAB 89.61, -56.99, 81.86

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 29 / 0 / 66 / 16

HEX #97D548

RGB 151 213 72

HSL 86.38, 0.63%, 0.56%

LAB 78.83, -41.3, 60.93

 

CMYK 24 / 0 / 54 / 24

HEX #95C35A

RGB 149 195 90

HSL 86.29, 0.47%, 0.56%

LAB 73.65, -32.33, 47.29

 

CMYK 17 / 0 / 38 / 31

HEX #93B16D

RGB 147 177 109

HSL 86.47, 0.3%, 0.56%

LAB 68.57, -22.16, 31.48

 

CMYK 9 / 0 / 20 / 38

HEX #919F7F

RGB 145 159 127

HSL 86.25, 0.14%, 0.56%

LAB 63.63, -10.91, 15.07

 

CMYK 0 / 7 / 77 / 9

HEX #E7D636

RGB 231 214 54

HSL 54.24, 0.79%, 0.56%

LAB 84.66, -10.61, 74.91

 

CMYK 13 / 0 / 77 / 9

HEX #CAE736

RGB 202 231 54

HSL 69.83, 0.79%, 0.56%

LAB 86.98, -30.81, 76.2

 

CMYK 33 / 0 / 77 / 9

HEX #9BE736

RGB 155 231 54

HSL 85.76, 0.79%, 0.56%

LAB 84.17, -48.63, 72.57

 

CMYK 54 / 0 / 77 / 9

HEX #6BE736

RGB 107 231 54

HSL 102.03, 0.79%, 0.56%

LAB 82.13, -63.57, 69.92

 

CMYK 74 / 0 / 77 / 9

HEX #3CE736

RGB 60 231 54

HSL 117.97, 0.79%, 0.56%

LAB 80.95, -73.32, 68.37

 

CMYK 39 / 0 / 88 / 29

HEX #6FB615

RGB 111 182 21

HSL 86.46, 0.79%, 0.4%

LAB 67.19, -45.14, 64.89

 

CMYK 39 / 0 / 88 / 14

HEX #86DB1A

RGB 134 219 26

HSL 86.42, 0.79%, 0.48%

LAB 79.5, -52.08, 74.77

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 27 / 0 / 61 / 7

HEX #ACEC5B

RGB 172 236 91

HSL 86.48, 0.79%, 0.64%

LAB 86.76, -42.29, 62.1

 

CMYK 20 / 0 / 47 / 6

HEX #BFF080

RGB 191 240 128

HSL 86.25, 0.79%, 0.72%

LAB 89.37, -33.67, 48.83

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 77 / 0 / 28 / 9

HEX #36E7A6

RGB 54 231 166

HSL 157.97, 0.79%, 0.56%

LAB 82.21, -58.31, 19.43

 

CMYK 0 / 77 / 2 / 9

HEX #E736E2

RGB 231 54 226

HSL 301.69, 0.79%, 0.56%

LAB 57.19, 82.7, -49.86

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 77 / 33 / 0 / 9

HEX #369BE7

RGB 54 155 231

HSL 205.76, 0.79%, 0.56%

LAB 61.65, -3.34, -46.54

 

CMYK 0 / 77 / 33 / 9

HEX #E7369B

RGB 231 54 155

HSL 325.76, 0.79%, 0.56%

LAB 54.02, 73.48, -13.8

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 77 / 0 / 28 / 9

HEX #36E7A6

RGB 54 231 166

HSL 157.97, 0.79%, 0.56%

LAB 82.21, -58.31, 19.43

 

CMYK 43 / 77 / 0 / 9

HEX #8336E7

RGB 131 54 231

HSL 266.1, 0.79%, 0.56%

LAB 43.11, 66, -76.14

 

CMYK 0 / 77 / 48 / 9

HEX #E73677

RGB 231 54 119

HSL 337.97, 0.79%, 0.56%

LAB 52.9, 70.05, 6.04

 

CMYK 34 / 0 / 77 / 9

HEX #99E736

RGB 153 231 54

HSL 86.44, 0.79%, 0.56%

LAB 84.06, -49.33, 72.44

 

CMYK 77 / 0 / 5 / 9

HEX #36E7DC

RGB 54 231 220

HSL 176.27, 0.79%, 0.56%

LAB 83.5, -44.98, -7.12

 

CMYK 43 / 77 / 0 / 9

HEX #8336E7

RGB 131 54 231

HSL 266.1, 0.79%, 0.56%

LAB 43.11, 66, -76.14

 

CMYK 0 / 77 / 71 / 9

HEX #E73642

RGB 231 54 66

HSL 355.93, 0.79%, 0.56%

LAB 51.86, 66.76, 36.27

 

Description

Color code: HEX #99E736 | qconv.com Color code: HEX #99E736 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 231 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 231 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 77% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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