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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99E151 it is the complementary color #661EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99E151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99E151 shade: #9EE14C, #AFF35F, #C0FF72, #D1FF85 and #E2FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99E151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99E151 shade: #99E151, #88CF3E, #77BD2B, #66AB18 and #559905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99E151 shade: #99E151, #C0E151, #E1DC51, #E1B551 and #E18E51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99E151 shade: #99E151, #72E151, #51E156, #51E17D and #51E1A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99E151 shade matches the following richer shades: #99E151 and #99F240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99E151 shade: #99E151, #99D161, #99C072, #99B082 and #999F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99E151 shade: #E1DD51, #C0E151, #99E151, #72E151 and #51E155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99E151 shade: #70BF20, #84DB2D, #99E151, #AEE774 and #C2ED97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99E151 shade: #99E151, #51E1B6 and #E151D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99E151 shade: #99E151, #5199E1 and #E15199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99E151 shade: #99E151, #51E1B6, #9951E1 and #E1517C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99E151 shade: #99E151, #51E1E1, #9951E1 and #E15151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

Complementary color

CMYK 41 / 83 / 0 / 32

HEX #661EAE

RGB 102 30 174

HSL 270, 0.71%, 0.4%

LAB 31.37, 57.24, -62.33

 

CMYK 30 / 0 / 66 / 12

HEX #9EE14C

RGB 158 225 76

HSL 86.98, 0.71%, 0.59%

LAB 82.72, -43.69, 63.57

 

CMYK 28 / 0 / 61 / 5

HEX #AFF35F

RGB 175 243 95

HSL 87.57, 0.86%, 0.66%

LAB 88.94, -43.93, 62.89

 

CMYK 25 / 0 / 55 / 0

HEX #C0FF72

RGB 192 255 114

HSL 86.81, 1%, 0.72%

LAB 93.43, -41.47, 60.09

 

CMYK 18 / 0 / 48 / 0

HEX #D1FF85

RGB 209 255 133

HSL 82.62, 1%, 0.76%

LAB 94.64, -33.49, 53.18

 

CMYK 11 / 0 / 40 / 0

HEX #E2FF98

RGB 226 255 152

HSL 76.89, 1%, 0.8%

LAB 95.98, -25.21, 46.07

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 34 / 0 / 70 / 19

HEX #88CF3E

RGB 136 207 62

HSL 89.38, 0.6%, 0.53%

LAB 76.2, -44.79, 61.78

 

CMYK 37 / 0 / 77 / 26

HEX #77BD2B

RGB 119 189 43

HSL 88.77, 0.63%, 0.45%

LAB 69.82, -44.33, 61.76

 

CMYK 40 / 0 / 86 / 33

HEX #66AB18

RGB 102 171 24

HSL 88.16, 0.75%, 0.38%

LAB 63.36, -43.64, 60.8

 

CMYK 44 / 0 / 97 / 40

HEX #559905

RGB 85 153 5

HSL 87.57, 0.94%, 0.31%

LAB 56.81, -42.63, 58.4

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 15 / 0 / 64 / 12

HEX #C0E151

RGB 192 225 81

HSL 73.75, 0.71%, 0.6%

LAB 84.82, -30.53, 64.44

 

CMYK 0 / 2 / 64 / 12

HEX #E1DC51

RGB 225 220 81

HSL 57.92, 0.71%, 0.6%

LAB 85.9, -14.81, 66.32

 

CMYK 0 / 20 / 64 / 12

HEX #E1B551

RGB 225 181 81

HSL 41.67, 0.71%, 0.6%

LAB 75.85, 5.16, 55.58

 

CMYK 0 / 37 / 64 / 12

HEX #E18E51

RGB 225 142 81

HSL 25.42, 0.71%, 0.6%

LAB 66.48, 25.95, 45.01

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 49 / 0 / 64 / 12

HEX #72E151

RGB 114 225 81

HSL 106.25, 0.71%, 0.6%

LAB 80.75, -57.46, 58.86

 

CMYK 64 / 0 / 62 / 12

HEX #51E156

RGB 81 225 86

HSL 122.08, 0.71%, 0.6%

LAB 79.77, -64.96, 55.39

 

CMYK 64 / 0 / 44 / 12

HEX #51E17D

RGB 81 225 125

HSL 138.33, 0.71%, 0.6%

LAB 80.22, -59.76, 37.78

 

CMYK 64 / 0 / 27 / 12

HEX #51E1A4

RGB 81 225 164

HSL 154.58, 0.71%, 0.6%

LAB 80.89, -52.5, 18.73

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 37 / 0 / 74 / 5

HEX #99F240

RGB 153 242 64

HSL 90, 0.87%, 0.6%

LAB 87.31, -53.28, 72.43

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 27 / 0 / 54 / 18

HEX #99D161

RGB 153 209 97

HSL 90, 0.55%, 0.6%

LAB 78.01, -36.58, 49.21

 

CMYK 20 / 0 / 41 / 25

HEX #99C072

RGB 153 192 114

HSL 90, 0.38%, 0.6%

LAB 73.34, -26.63, 35.11

 

CMYK 13 / 0 / 26 / 31

HEX #99B082

RGB 153 176 130

HSL 90, 0.23%, 0.6%

LAB 69.06, -16.34, 21

 

CMYK 4 / 0 / 8 / 38

HEX #999F93

RGB 153 159 147

HSL 90, 0.06%, 0.6%

LAB 64.7, -4.42, 5.51

 

CMYK 0 / 2 / 64 / 12

HEX #E1DD51

RGB 225 221 81

HSL 58.33, 0.71%, 0.6%

LAB 86.16, -15.31, 66.6

 

CMYK 15 / 0 / 64 / 12

HEX #C0E151

RGB 192 225 81

HSL 73.75, 0.71%, 0.6%

LAB 84.82, -30.53, 64.44

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 49 / 0 / 64 / 12

HEX #72E151

RGB 114 225 81

HSL 106.25, 0.71%, 0.6%

LAB 80.75, -57.46, 58.86

 

CMYK 64 / 0 / 62 / 12

HEX #51E155

RGB 81 225 85

HSL 121.67, 0.71%, 0.6%

LAB 79.76, -65.07, 55.81

 

CMYK 41 / 0 / 83 / 25

HEX #70BF20

RGB 112 191 32

HSL 89.81, 0.71%, 0.44%

LAB 70.04, -48.08, 64.95

 

CMYK 40 / 0 / 79 / 14

HEX #84DB2D

RGB 132 219 45

HSL 90, 0.71%, 0.52%

LAB 79.48, -52.06, 70.4

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 25 / 0 / 50 / 9

HEX #AEE774

RGB 174 231 116

HSL 89.74, 0.71%, 0.68%

LAB 85.71, -36.99, 49.8

 

CMYK 18 / 0 / 36 / 7

HEX #C2ED97

RGB 194 237 151

HSL 90, 0.7%, 0.76%

LAB 89.05, -28.42, 37.23

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 64 / 0 / 19 / 12

HEX #51E1B6

RGB 81 225 182

HSL 162.08, 0.71%, 0.6%

LAB 81.28, -48.52, 9.81

 

CMYK 0 / 64 / 6 / 12

HEX #E151D3

RGB 225 81 211

HSL 305.83, 0.71%, 0.6%

LAB 58.6, 70.31, -39.22

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 64 / 32 / 0 / 12

HEX #5199E1

RGB 81 153 225

HSL 210, 0.71%, 0.6%

LAB 61.63, -0.43, -43.2

 

CMYK 0 / 64 / 32 / 12

HEX #E15199

RGB 225 81 153

HSL 330, 0.71%, 0.6%

LAB 56.28, 62.34, -9.33

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 64 / 0 / 19 / 12

HEX #51E1B6

RGB 81 225 182

HSL 162.08, 0.71%, 0.6%

LAB 81.28, -48.52, 9.81

 

CMYK 32 / 64 / 0 / 12

HEX #9951E1

RGB 153 81 225

HSL 270, 0.71%, 0.6%

LAB 49.61, 56.38, -62.06

 

CMYK 0 / 64 / 45 / 12

HEX #E1517C

RGB 225 81 124

HSL 342.08, 0.71%, 0.6%

LAB 55.43, 59.27, 6.52

 

CMYK 32 / 0 / 64 / 12

HEX #99E151

RGB 153 225 81

HSL 90, 0.71%, 0.6%

LAB 82.5, -45.08, 61.26

 

CMYK 64 / 0 / 0 / 12

HEX #51E1E1

RGB 81 225 225

HSL 180, 0.71%, 0.6%

LAB 82.4, -37.61, -11.34

 

CMYK 32 / 64 / 0 / 12

HEX #9951E1

RGB 153 81 225

HSL 270, 0.71%, 0.6%

LAB 49.61, 56.38, -62.06

 

CMYK 0 / 64 / 64 / 12

HEX #E15151

RGB 225 81 81

HSL 0, 0.71%, 0.6%

LAB 54.54, 55.96, 30.62

 

Description

Color code: HEX #99E151 | qconv.com Color code: HEX #99E151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 225 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 225 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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