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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99DD42 it is the complementary color #6622BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99DD42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99DD42 shade: #9EDD3D, #AFEF50, #C0FF63, #D1FF76 and #E2FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99DD42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99DD42 shade: #99DD42, #88CB2F, #77B91C, #66A709 and #559500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99DD42 shade: #98DD40, #C3DD40, #DDCE40, #DDA340 and #DD7940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99DD42 shade: #98DD40, #6EDD40, #44DD40, #40DD67 and #40DD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99DD42 shade matches the following richer shades: #98DD40 and #9BEF2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99DD42 shade: #98DD40, #96CB52, #94B965, #92A777 and #909589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99DD42 shade: #DDCE40, #C3DD40, #99DD40, #6FDD40 and #45DD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99DD42 shade: #6EAD1E, #85D025, #98DD40, #ABE463 and #BEEA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99DD42 shade: #99DD42, #40DDA4 and #DD40D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99DD42 shade: #99DD42, #4099DD and #DD4099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99DD42 shade: #99DD42, #40DDA4, #8440DD and #DD407A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99DD42 shade: #99DD42, #40DDD3, #8440DD and #DD404B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 70 / 13

HEX #99DD42

RGB 153 221 66

HSL 86.32, 0.7%, 0.56%

LAB 81.22, -44.45, 65.7

 

Complementary color

CMYK 46 / 82 / 0 / 26

HEX #6622BD

RGB 102 34 189

HSL 266.32, 0.7%, 0.44%

LAB 33.23, 59.43, -68.2

 

CMYK 29 / 0 / 72 / 13

HEX #9EDD3D

RGB 158 221 61

HSL 83.63, 0.7%, 0.55%

LAB 81.47, -42.94, 67.79

 

CMYK 27 / 0 / 67 / 6

HEX #AFEF50

RGB 175 239 80

HSL 84.15, 0.83%, 0.63%

LAB 87.69, -43.34, 67.53

 

CMYK 25 / 0 / 61 / 0

HEX #C0FF63

RGB 192 255 99

HSL 84.23, 1%, 0.69%

LAB 93.29, -42.75, 66.29

 

CMYK 18 / 0 / 54 / 0

HEX #D1FF76

RGB 209 255 118

HSL 80.15, 1%, 0.73%

LAB 94.48, -34.94, 59.8

 

CMYK 11 / 0 / 46 / 0

HEX #E2FF89

RGB 226 255 137

HSL 74.75, 1%, 0.77%

LAB 95.79, -26.81, 52.96

 

CMYK 31 / 0 / 70 / 13

HEX #99DD42

RGB 153 221 66

HSL 86.32, 0.7%, 0.56%

LAB 81.22, -44.45, 65.7

 

CMYK 33 / 0 / 77 / 20

HEX #88CB2F

RGB 136 203 47

HSL 85.77, 0.62%, 0.49%

LAB 74.92, -43.98, 65.64

 

CMYK 36 / 0 / 85 / 27

HEX #77B91C

RGB 119 185 28

HSL 85.22, 0.74%, 0.42%

LAB 68.54, -43.31, 64.72

 

CMYK 39 / 0 / 95 / 35

HEX #66A709

RGB 102 167 9

HSL 84.68, 0.9%, 0.35%

LAB 62.07, -42.37, 62.4

 

CMYK 43 / 0 / 100 / 42

HEX #559500

RGB 85 149 0

HSL 85.77, 1%, 0.29%

LAB 55.51, -41.1, 58.17

 

CMYK 31 / 0 / 71 / 13

HEX #98DD40

RGB 152 221 64

HSL 86.37, 0.7%, 0.56%

LAB 81.16, -44.94, 66.33

 

CMYK 12 / 0 / 71 / 13

HEX #C3DD40

RGB 195 221 64

HSL 69.94, 0.7%, 0.56%

LAB 83.8, -28.48, 69.83

 

CMYK 0 / 7 / 71 / 13

HEX #DDCE40

RGB 221 206 64

HSL 54.27, 0.7%, 0.56%

LAB 81.78, -10.38, 68.54

 

CMYK 0 / 26 / 71 / 13

HEX #DDA340

RGB 221 163 64

HSL 37.83, 0.7%, 0.56%

LAB 70.83, 12.07, 57.6

 

CMYK 0 / 45 / 71 / 13

HEX #DD7940

RGB 221 121 64

HSL 21.78, 0.7%, 0.56%

LAB 61.15, 34.45, 47.38

 

CMYK 31 / 0 / 71 / 13

HEX #98DD40

RGB 152 221 64

HSL 86.37, 0.7%, 0.56%

LAB 81.16, -44.94, 66.33

 

CMYK 50 / 0 / 71 / 13

HEX #6EDD40

RGB 110 221 64

HSL 102.42, 0.7%, 0.56%

LAB 79.27, -58.47, 63.81

 

CMYK 69 / 0 / 71 / 13

HEX #44DD40

RGB 68 221 64

HSL 118.47, 0.7%, 0.56%

LAB 78.06, -68.18, 62.19

 

CMYK 71 / 0 / 53 / 13

HEX #40DD67

RGB 64 221 103

HSL 134.9, 0.7%, 0.56%

LAB 78.33, -64.6, 45.98

 

CMYK 71 / 0 / 34 / 13

HEX #40DD92

RGB 64 221 146

HSL 151.34, 0.7%, 0.56%

LAB 78.97, -57.37, 25.4

 

CMYK 31 / 0 / 71 / 13

HEX #98DD40

RGB 152 221 64

HSL 86.37, 0.7%, 0.56%

LAB 81.16, -44.94, 66.33

 

CMYK 35 / 0 / 81 / 6

HEX #9BEF2E

RGB 155 239 46

HSL 86.11, 0.86%, 0.56%

LAB 86.45, -52.27, 76.87

 

CMYK 31 / 0 / 71 / 13

HEX #98DD40

RGB 152 221 64

HSL 86.37, 0.7%, 0.56%

LAB 81.16, -44.94, 66.33

 

CMYK 26 / 0 / 60 / 20

HEX #96CB52

RGB 150 203 82

HSL 86.28, 0.54%, 0.56%

LAB 75.95, -36.4, 53.6

 

CMYK 20 / 0 / 45 / 27

HEX #94B965

RGB 148 185 101

HSL 86.43, 0.38%, 0.56%

LAB 70.82, -26.73, 38.48

 

CMYK 13 / 0 / 29 / 35

HEX #92A777

RGB 146 167 119

HSL 86.25, 0.21%, 0.56%

LAB 65.81, -16.02, 22.47

 

CMYK 3 / 0 / 8 / 42

HEX #909589

RGB 144 149 137

HSL 85, 0.05%, 0.56%

LAB 60.98, -4.1, 5.7

 

CMYK 0 / 7 / 71 / 13

HEX #DDCE40

RGB 221 206 64

HSL 54.27, 0.7%, 0.56%

LAB 81.78, -10.38, 68.54

 

CMYK 12 / 0 / 71 / 13

HEX #C3DD40

RGB 195 221 64

HSL 69.94, 0.7%, 0.56%

LAB 83.8, -28.48, 69.83

 

CMYK 31 / 0 / 71 / 13

HEX #99DD40

RGB 153 221 64

HSL 85.99, 0.7%, 0.56%

LAB 81.21, -44.58, 66.41

 

CMYK 50 / 0 / 71 / 13

HEX #6FDD40

RGB 111 221 64

HSL 102.04, 0.7%, 0.56%

LAB 79.31, -58.19, 63.86

 

CMYK 69 / 0 / 71 / 13

HEX #45DD40

RGB 69 221 64

HSL 118.09, 0.7%, 0.56%

LAB 78.08, -68, 62.22

 

CMYK 36 / 0 / 83 / 32

HEX #6EAD1E

RGB 110 173 30

HSL 86.43, 0.7%, 0.4%

LAB 64.4, -41.39, 60.39

 

CMYK 36 / 0 / 82 / 18

HEX #85D025

RGB 133 208 37

HSL 86.32, 0.7%, 0.48%

LAB 76.21, -47.6, 69.57

 

CMYK 31 / 0 / 71 / 13

HEX #98DD40

RGB 152 221 64

HSL 86.37, 0.7%, 0.56%

LAB 81.16, -44.94, 66.33

 

CMYK 25 / 0 / 57 / 11

HEX #ABE463

RGB 171 228 99

HSL 86.51, 0.7%, 0.64%

LAB 84.51, -38.42, 56.12

 

CMYK 19 / 0 / 43 / 8

HEX #BEEA86

RGB 190 234 134

HSL 86.4, 0.7%, 0.72%

LAB 87.73, -30.57, 43.89

 

CMYK 31 / 0 / 70 / 13

HEX #99DD42

RGB 153 221 66

HSL 86.32, 0.7%, 0.56%

LAB 81.22, -44.45, 65.7

 

CMYK 71 / 0 / 26 / 13

HEX #40DDA4

RGB 64 221 164

HSL 158.22, 0.7%, 0.56%

LAB 79.32, -53.6, 16.47

 

CMYK 0 / 71 / 2 / 13

HEX #DD40D8

RGB 221 64 216

HSL 301.91, 0.7%, 0.56%

LAB 56.08, 76.22, -46.06

 

CMYK 31 / 0 / 70 / 13

HEX #99DD42

RGB 153 221 66

HSL 86.32, 0.7%, 0.56%

LAB 81.22, -44.45, 65.7

 

CMYK 71 / 31 / 0 / 13

HEX #4099DD

RGB 64 153 221

HSL 205.99, 0.7%, 0.56%

LAB 60.86, -4.43, -42.22

 

CMYK 0 / 71 / 31 / 13

HEX #DD4099

RGB 221 64 153

HSL 325.99, 0.7%, 0.56%

LAB 53.32, 67.61, -13.85

 

CMYK 31 / 0 / 70 / 13

HEX #99DD42

RGB 153 221 66

HSL 86.32, 0.7%, 0.56%

LAB 81.22, -44.45, 65.7

 

CMYK 71 / 0 / 26 / 13

HEX #40DDA4

RGB 64 221 164

HSL 158.22, 0.7%, 0.56%

LAB 79.32, -53.6, 16.47

 

CMYK 40 / 71 / 0 / 13

HEX #8440DD

RGB 132 64 221

HSL 265.99, 0.7%, 0.56%

LAB 43.93, 59.44, -69.1

 

CMYK 0 / 71 / 45 / 13

HEX #DD407A

RGB 221 64 122

HSL 337.83, 0.7%, 0.56%

LAB 52.34, 64.39, 3.18

 

CMYK 31 / 0 / 70 / 13

HEX #99DD42

RGB 153 221 66

HSL 86.32, 0.7%, 0.56%

LAB 81.22, -44.45, 65.7

 

CMYK 71 / 0 / 5 / 13

HEX #40DDD3

RGB 64 221 211

HSL 176.18, 0.7%, 0.56%

LAB 80.46, -41.95, -6.82

 

CMYK 40 / 71 / 0 / 13

HEX #8440DD

RGB 132 64 221

HSL 265.99, 0.7%, 0.56%

LAB 43.93, 59.44, -69.1

 

CMYK 0 / 71 / 66 / 13

HEX #DD404B

RGB 221 64 75

HSL 355.8, 0.7%, 0.56%

LAB 51.32, 60.97, 29.95

 

Description

Color code: HEX #99DD42 | qconv.com Color code: HEX #99DD42 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 221 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 221 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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