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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99D6F74C it is the complementary color #6629084C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99D6F74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99D6F74C shade: #9ED6F24C, #AFE8FF4C, #C0FAFF4C, #D1FFFF4C and #E2FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99D6F74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99D6F74C shade: #99D6F74C, #88C4E44C, #77B2D14C, #66A0BE4C and #558EAB4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99D6F74C shade: #97D5F7, #97BBF7, #97A2F7, #A697F7 and #C097F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99D6F74C shade: #97D5F7, #97BBF7, #97A2F7 and #9797F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99D6F74C shade matches the following richer shades: #97D5F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99D6F74C shade: #97D5F7, #A0D2EE, #A9D0E4, #B2CDDB and #BCCAD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99D6F74C shade: #97F7E5, #97EFF7, #97D5F7, #97BCF7 and #97A2F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99D6F74C shade: #4BB6F0, #71C6F3, #97D5F7, #BDE5FA and #E4F4FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99D6F74C shade: #99D6F7, #CC97F7 and #F7F297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99D6F74C shade: #99D6F7, #F797D5 and #D5F797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99D6F74C shade: #99D6F7, #CC97F7, #F7B997 and #C2F797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99D6F74C shade: #99D6F7, #E897F7, #F7B997 and #A6F797

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 4 / 0 / 1

HEX #99D6F74C

RGBA 153 214 247 0.3

HSLA 201.06, 0.85%, 0.78%, 0.3

LABA 82.69, -11.34, -22.31, 0.3

 

Complementary color

CMYK 0 / 18 / 28 / 18

HEX #6629084C

RGBA 102 41 8 0.3

HSLA 21.06, 0.85%, 0.22%, 0.3

LABA 25.04, 25.63, 32.42, 0.3

 

CMYK 10 / 3 / 0 / 2

HEX #9ED6F24C

RGBA 158 214 242 0.3

HSLA 200, 0.76%, 0.78%, 0.3

LABA 82.79, -11.27, -19.48, 0.3

 

CMYK 9 / 3 / 0 / 0

HEX #AFE8FF4C

RGBA 175 232 255 0.3

HSLA 197.25, 1%, 0.84%, 0.3

LABA 88.94, -12.77, -16.97, 0.3

 

CMYK 7 / 1 / 0 / 0

HEX #C0FAFF4C

RGBA 192 250 255 0.3

HSLA 184.76, 1%, 0.88%, 0.3

LABA 94.65, -17.03, -8.35, 0.3

 

CMYK 5 / 0 / 0 / 0

HEX #D1FFFF4C

RGBA 209 255 255 0.3

HSLA 180, 1%, 0.91%, 0.3

LABA 96.94, -14.52, -4.86, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E2FFFF4C

RGBA 226 255 255 0.3

HSLA 180, 1%, 0.94%, 0.3

LABA 98, -9.32, -3.18, 0.3

 

CMYK 11 / 4 / 0 / 1

HEX #99D6F74C

RGBA 153 214 247 0.3

HSLA 201.06, 0.85%, 0.78%, 0.3

LABA 82.69, -11.34, -22.31, 0.3

 

CMYK 12 / 4 / 0 / 3

HEX #88C4E44C

RGBA 136 196 228 0.3

HSLA 200.87, 0.63%, 0.71%, 0.3

LABA 76.26, -11.2, -21.99, 0.3

 

CMYK 13 / 4 / 0 / 5

HEX #77B2D14C

RGBA 119 178 209 0.3

HSLA 200.67, 0.49%, 0.64%, 0.3

LABA 69.73, -11.02, -21.68, 0.3

 

CMYK 14 / 5 / 0 / 8

HEX #66A0BE4C

RGBA 102 160 190 0.3

HSLA 200.45, 0.4%, 0.57%, 0.3

LABA 63.08, -10.79, -21.36, 0.3

 

CMYK 15 / 5 / 0 / 10

HEX #558EAB4C

RGBA 85 142 171 0.3

HSLA 200.23, 0.34%, 0.5%, 0.3

LABA 56.3, -10.5, -21.05, 0.3

 

CMYK 39 / 14 / 0 / 3

HEX #97D5F7

RGB 151 213 247

HSL 201.25, 0.86%, 0.78%

LAB 82.32, -11.34, -22.89

 

CMYK 39 / 24 / 0 / 3

HEX #97BBF7

RGB 151 187 247

HSL 217.5, 0.86%, 0.78%

LAB 75.35, 2.54, -33.56

 

CMYK 39 / 34 / 0 / 3

HEX #97A2F7

RGB 151 162 247

HSL 233.13, 0.86%, 0.78%

LAB 68.85, 16.53, -43.68

 

CMYK 33 / 39 / 0 / 3

HEX #A697F7

RGB 166 151 247

HSL 249.38, 0.86%, 0.78%

LAB 67.24, 26.75, -46.12

 

CMYK 22 / 39 / 0 / 3

HEX #C097F7

RGB 192 151 247

HSL 265.63, 0.86%, 0.78%

LAB 69.51, 33.96, -42.41

 

CMYK 39 / 14 / 0 / 3

HEX #97D5F7

RGB 151 213 247

HSL 201.25, 0.86%, 0.78%

LAB 82.32, -11.34, -22.89

 

CMYK 39 / 24 / 0 / 3

HEX #97BBF7

RGB 151 187 247

HSL 217.5, 0.86%, 0.78%

LAB 75.35, 2.54, -33.56

 

CMYK 39 / 34 / 0 / 3

HEX #97A2F7

RGB 151 162 247

HSL 233.13, 0.86%, 0.78%

LAB 68.85, 16.53, -43.68

 

CMYK 39 / 39 / 0 / 3

HEX #9797F7

RGB 151 151 247

HSL 240, 0.86%, 0.78%

LAB 66.08, 22.82, -48.03

 

CMYK 39 / 14 / 0 / 3

HEX #97D5F7

RGB 151 213 247

HSL 201.25, 0.86%, 0.78%

LAB 82.32, -11.34, -22.89

 

CMYK 39 / 14 / 0 / 3

HEX #97D5F7

RGB 151 213 247

HSL 201.25, 0.86%, 0.78%

LAB 82.32, -11.34, -22.89

 

CMYK 33 / 12 / 0 / 7

HEX #A0D2EE

RGB 160 210 238

HSL 201.54, 0.7%, 0.78%

LAB 81.7, -9.62, -19

 

CMYK 26 / 9 / 0 / 11

HEX #A9D0E4

RGB 169 208 228

HSL 200.34, 0.52%, 0.78%

LAB 81.37, -8.37, -14.1

 

CMYK 19 / 6 / 0 / 14

HEX #B2CDDB

RGB 178 205 219

HSL 200.49, 0.36%, 0.78%

LAB 80.87, -6.07, -9.97

 

CMYK 10 / 4 / 0 / 18

HEX #BCCAD2

RGB 188 202 210

HSL 201.82, 0.2%, 0.78%

LAB 80.51, -3.17, -5.62

 

CMYK 39 / 0 / 7 / 3

HEX #97F7E5

RGB 151 247 229

HSL 168.75, 0.86%, 0.78%

LAB 91.12, -32.43, -0.29

 

CMYK 39 / 3 / 0 / 3

HEX #97EFF7

RGB 151 239 247

HSL 185, 0.86%, 0.78%

LAB 89.41, -24.43, -12.21

 

CMYK 39 / 14 / 0 / 3

HEX #97D5F7

RGB 151 213 247

HSL 201.25, 0.86%, 0.78%

LAB 82.32, -11.34, -22.89

 

CMYK 39 / 24 / 0 / 3

HEX #97BCF7

RGB 151 188 247

HSL 216.88, 0.86%, 0.78%

LAB 75.61, 1.99, -33.16

 

CMYK 39 / 34 / 0 / 3

HEX #97A2F7

RGB 151 162 247

HSL 233.13, 0.86%, 0.78%

LAB 68.85, 16.53, -43.68

 

CMYK 69 / 24 / 0 / 6

HEX #4BB6F0

RGB 75 182 240

HSL 201.09, 0.85%, 0.62%

LAB 70.35, -12.58, -37.8

 

CMYK 53 / 19 / 0 / 5

HEX #71C6F3

RGB 113 198 243

HSL 200.77, 0.84%, 0.7%

LAB 76.3, -13.45, -30.11

 

CMYK 39 / 14 / 0 / 3

HEX #97D5F7

RGB 151 213 247

HSL 201.25, 0.86%, 0.78%

LAB 82.32, -11.34, -22.89

 

CMYK 24 / 8 / 0 / 2

HEX #BDE5FA

RGB 189 229 250

HSL 200.66, 0.86%, 0.86%

LAB 88.81, -8.42, -14.47

 

CMYK 10 / 4 / 0 / 1

HEX #E4F4FD

RGB 228 244 253

HSL 201.6, 0.86%, 0.94%

LAB 95.28, -3.53, -6.13

 

CMYK 38 / 13 / 0 / 3

HEX #99D6F7

RGB 153 214 247

HSL 201.06, 0.85%, 0.78%

LAB 82.69, -11.34, -22.31

 

CMYK 17 / 39 / 0 / 3

HEX #CC97F7

RGB 204 151 247

HSL 273.13, 0.86%, 0.78%

LAB 70.65, 37.41, -40.53

 

CMYK 0 / 2 / 39 / 3

HEX #F7F297

RGB 247 242 151

HSL 56.88, 0.86%, 0.78%

LAB 94.1, -11.12, 44.48

 

CMYK 38 / 13 / 0 / 3

HEX #99D6F7

RGB 153 214 247

HSL 201.06, 0.85%, 0.78%

LAB 82.69, -11.34, -22.31

 

CMYK 0 / 39 / 14 / 3

HEX #F797D5

RGB 247 151 213

HSL 321.25, 0.86%, 0.78%

LAB 74, 44.36, -16.38

 

CMYK 14 / 0 / 39 / 3

HEX #D5F797

RGB 213 247 151

HSL 81.25, 0.86%, 0.78%

LAB 92.97, -26.3, 42.54

 

CMYK 38 / 13 / 0 / 3

HEX #99D6F7

RGB 153 214 247

HSL 201.06, 0.85%, 0.78%

LAB 82.69, -11.34, -22.31

 

CMYK 17 / 39 / 0 / 3

HEX #CC97F7

RGB 204 151 247

HSL 273.13, 0.86%, 0.78%

LAB 70.65, 37.41, -40.53

 

CMYK 0 / 25 / 39 / 3

HEX #F7B997

RGB 247 185 151

HSL 21.25, 0.86%, 0.78%

LAB 80.01, 18.12, 25.99

 

CMYK 21 / 0 / 39 / 3

HEX #C2F797

RGB 194 247 151

HSL 93.13, 0.86%, 0.78%

LAB 91.79, -33.08, 40.78

 

CMYK 38 / 13 / 0 / 3

HEX #99D6F7

RGB 153 214 247

HSL 201.06, 0.85%, 0.78%

LAB 82.69, -11.34, -22.31

 

CMYK 6 / 39 / 0 / 3

HEX #E897F7

RGB 232 151 247

HSL 290.63, 0.86%, 0.78%

LAB 73.55, 45.62, -35.81

 

CMYK 0 / 25 / 39 / 3

HEX #F7B997

RGB 247 185 151

HSL 21.25, 0.86%, 0.78%

LAB 80.01, 18.12, 25.99

 

CMYK 33 / 0 / 39 / 3

HEX #A6F797

RGB 166 247 151

HSL 110.63, 0.86%, 0.78%

LAB 90.26, -42.44, 38.5

 

Description

Color code: HEX #99D6F74C | qconv.com Color code: HEX #99D6F74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 214 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 214 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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