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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99D361 it is the complementary color #662C9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99D361. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99D361 shade: #9ED35C, #AFE56F, #C0F782, #D1FF95 and #E2FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99D361. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99D361 shade: #99D361, #88C14E, #77AF3B, #669D28 and #558B15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99D361 shade: #98D260, #B7D260, #D2CF60, #D2B060 and #D29160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99D361 shade: #98D260, #79D260, #60D265, #60D284 and #60D2A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99D361 shade matches the following richer shades: #98D260, #98E34F and #97F33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99D361 shade: #98D260, #98C270, #99B181, #99A191 and #9990A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99D361 shade: #D2CE60, #B7D260, #99D260, #7BD260 and #60D264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99D361 shade: #6FAE31, #83C940, #98D260, #ADDB80 and #C2E4A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99D361 shade: #99D361, #60D2B0 and #D260C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99D361 shade: #99D361, #6099D2 and #D26099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99D361 shade: #99D361, #60D2B0, #9960D2 and #D26082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99D361 shade: #99D361, #60D2D2, #9960D2 and #D26060

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 17

HEX #99D361

RGB 153 211 97

HSL 90.53, 0.56%, 0.6%

LAB 78.59, -37.49, 49.89

 

Complementary color

CMYK 35 / 72 / 0 / 38

HEX #662C9E

RGB 102 44 158

HSL 270.53, 0.56%, 0.4%

LAB 32.02, 47.63, -51.62

 

CMYK 25 / 0 / 56 / 17

HEX #9ED35C

RGB 158 211 92

HSL 86.72, 0.57%, 0.59%

LAB 78.83, -36.16, 52.53

 

CMYK 24 / 0 / 52 / 10

HEX #AFE56F

RGB 175 229 111

HSL 87.46, 0.69%, 0.67%

LAB 85.15, -36.25, 51.48

 

CMYK 22 / 0 / 47 / 3

HEX #C0F782

RGB 192 247 130

HSL 88.21, 0.88%, 0.74%

LAB 91.39, -36.29, 50.37

 

CMYK 18 / 0 / 42 / 0

HEX #D1FF95

RGB 209 255 149

HSL 86.04, 1%, 0.79%

LAB 94.84, -31.72, 45.85

 

CMYK 11 / 0 / 34 / 0

HEX #E2FFA8

RGB 226 255 168

HSL 80, 1%, 0.83%

LAB 96.21, -23.29, 38.54

 

CMYK 27 / 0 / 54 / 17

HEX #99D361

RGB 153 211 97

HSL 90.53, 0.56%, 0.6%

LAB 78.59, -37.49, 49.89

 

CMYK 30 / 0 / 60 / 24

HEX #88C14E

RGB 136 193 78

HSL 89.74, 0.48%, 0.53%

LAB 72.18, -37.4, 50.91

 

CMYK 32 / 0 / 66 / 31

HEX #77AF3B

RGB 119 175 59

HSL 88.97, 0.5%, 0.46%

LAB 65.67, -37.19, 51.72

 

CMYK 35 / 0 / 75 / 38

HEX #669D28

RGB 102 157 40

HSL 88.21, 0.59%, 0.39%

LAB 59.06, -36.83, 52.09

 

CMYK 39 / 0 / 85 / 45

HEX #558B15

RGB 85 139 21

HSL 87.46, 0.74%, 0.31%

LAB 52.34, -36.21, 51.54

 

CMYK 28 / 0 / 54 / 18

HEX #98D260

RGB 152 210 96

HSL 90.53, 0.56%, 0.6%

LAB 78.24, -37.5, 49.92

 

CMYK 13 / 0 / 54 / 18

HEX #B7D260

RGB 183 210 96

HSL 74.21, 0.56%, 0.6%

LAB 80.18, -25.79, 52.69

 

CMYK 0 / 1 / 54 / 18

HEX #D2CF60

RGB 210 207 96

HSL 58.42, 0.56%, 0.6%

LAB 81.39, -13.46, 54.6

 

CMYK 0 / 16 / 54 / 18

HEX #D2B060

RGB 210 176 96

HSL 42.11, 0.56%, 0.6%

LAB 73.28, 2.58, 45.12

 

CMYK 0 / 31 / 54 / 18

HEX #D29160

RGB 210 145 96

HSL 25.79, 0.56%, 0.6%

LAB 65.59, 19.28, 35.71

 

CMYK 28 / 0 / 54 / 18

HEX #98D260

RGB 152 210 96

HSL 90.53, 0.56%, 0.6%

LAB 78.24, -37.5, 49.92

 

CMYK 42 / 0 / 54 / 18

HEX #79D260

RGB 121 210 96

HSL 106.84, 0.56%, 0.6%

LAB 76.68, -47.91, 47.7

 

CMYK 54 / 0 / 52 / 18

HEX #60D265

RGB 96 210 101

HSL 122.63, 0.56%, 0.6%

LAB 75.77, -54.31, 44.02

 

CMYK 54 / 0 / 37 / 18

HEX #60D284

RGB 96 210 132

HSL 138.95, 0.56%, 0.6%

LAB 76.22, -49.54, 29.09

 

CMYK 54 / 0 / 22 / 18

HEX #60D2A3

RGB 96 210 163

HSL 155.26, 0.56%, 0.6%

LAB 76.81, -43.46, 13.61

 

CMYK 28 / 0 / 54 / 18

HEX #98D260

RGB 152 210 96

HSL 90.53, 0.56%, 0.6%

LAB 78.24, -37.5, 49.92

 

CMYK 33 / 0 / 65 / 11

HEX #98E34F

RGB 152 227 79

HSL 90.41, 0.73%, 0.6%

LAB 83.01, -46.44, 62.6

 

CMYK 38 / 0 / 74 / 5

HEX #97F33F

RGB 151 243 63

HSL 90.67, 0.88%, 0.6%

LAB 87.5, -54.4, 72.9

 

CMYK 28 / 0 / 54 / 18

HEX #98D260

RGB 152 210 96

HSL 90.53, 0.56%, 0.6%

LAB 78.24, -37.5, 49.92

 

CMYK 22 / 0 / 42 / 24

HEX #98C270

RGB 152 194 112

HSL 90.73, 0.4%, 0.6%

LAB 73.82, -28.22, 36.73

 

CMYK 14 / 0 / 27 / 31

HEX #99B181

RGB 153 177 129

HSL 90, 0.24%, 0.6%

LAB 69.33, -17.01, 21.9

 

CMYK 5 / 0 / 10 / 37

HEX #99A191

RGB 153 161 145

HSL 90, 0.08%, 0.6%

LAB 65.21, -5.88, 7.35

 

CMYK 6 / 11 / 0 / 36

HEX #9990A2

RGB 153 144 162

HSL 270, 0.09%, 0.6%

LAB 61.07, 6.84, -8.28

 

CMYK 0 / 2 / 54 / 18

HEX #D2CE60

RGB 210 206 96

HSL 57.89, 0.56%, 0.6%

LAB 81.12, -12.96, 54.29

 

CMYK 13 / 0 / 54 / 18

HEX #B7D260

RGB 183 210 96

HSL 74.21, 0.56%, 0.6%

LAB 80.18, -25.79, 52.69

 

CMYK 27 / 0 / 54 / 18

HEX #99D260

RGB 153 210 96

HSL 90, 0.56%, 0.6%

LAB 78.29, -37.14, 50

 

CMYK 41 / 0 / 54 / 18

HEX #7BD260

RGB 123 210 96

HSL 105.79, 0.56%, 0.6%

LAB 76.77, -47.29, 47.83

 

CMYK 54 / 0 / 52 / 18

HEX #60D264

RGB 96 210 100

HSL 122.11, 0.56%, 0.6%

LAB 75.76, -54.45, 44.48

 

CMYK 36 / 0 / 72 / 32

HEX #6FAE31

RGB 111 174 49

HSL 90.24, 0.56%, 0.44%

LAB 64.86, -40.41, 54.71

 

CMYK 35 / 0 / 68 / 21

HEX #83C940

RGB 131 201 64

HSL 90.66, 0.56%, 0.52%

LAB 74.17, -43.85, 58.85

 

CMYK 28 / 0 / 54 / 18

HEX #98D260

RGB 152 210 96

HSL 90.53, 0.56%, 0.6%

LAB 78.24, -37.5, 49.92

 

CMYK 21 / 0 / 42 / 14

HEX #ADDB80

RGB 173 219 128

HSL 90.33, 0.56%, 0.68%

LAB 82.44, -30.42, 39.91

 

CMYK 15 / 0 / 30 / 11

HEX #C2E4A0

RGB 194 228 160

HSL 90, 0.56%, 0.76%

LAB 86.75, -22.88, 29.62

 

CMYK 27 / 0 / 54 / 17

HEX #99D361

RGB 153 211 97

HSL 90.53, 0.56%, 0.6%

LAB 78.59, -37.49, 49.89

 

CMYK 54 / 0 / 16 / 18

HEX #60D2B0

RGB 96 210 176

HSL 162.11, 0.56%, 0.6%

LAB 77.11, -40.56, 7.09

 

CMYK 0 / 54 / 5 / 18

HEX #D260C7

RGB 210 96 199

HSL 305.79, 0.56%, 0.6%

LAB 58.22, 58.1, -33.15

 

CMYK 27 / 0 / 54 / 17

HEX #99D361

RGB 153 211 97

HSL 90.53, 0.56%, 0.6%

LAB 78.59, -37.49, 49.89

 

CMYK 54 / 27 / 0 / 18

HEX #6099D2

RGB 96 153 210

HSL 210, 0.56%, 0.6%

LAB 61.59, -2.34, -34.87

 

CMYK 0 / 54 / 27 / 18

HEX #D26099

RGB 210 96 153

HSL 330, 0.56%, 0.6%

LAB 56.45, 51.17, -9.31

 

CMYK 27 / 0 / 54 / 17

HEX #99D361

RGB 153 211 97

HSL 90.53, 0.56%, 0.6%

LAB 78.59, -37.49, 49.89

 

CMYK 54 / 0 / 16 / 18

HEX #60D2B0

RGB 96 210 176

HSL 162.11, 0.56%, 0.6%

LAB 77.11, -40.56, 7.09

 

CMYK 27 / 54 / 0 / 18

HEX #9960D2

RGB 153 96 210

HSL 270, 0.56%, 0.6%

LAB 51.6, 45.04, -50.34

 

CMYK 0 / 54 / 38 / 18

HEX #D26082

RGB 210 96 130

HSL 342.11, 0.56%, 0.6%

LAB 55.77, 48.33, 3.16

 

CMYK 27 / 0 / 54 / 17

HEX #99D361

RGB 153 211 97

HSL 90.53, 0.56%, 0.6%

LAB 78.59, -37.49, 49.89

 

CMYK 54 / 0 / 0 / 18

HEX #60D2D2

RGB 96 210 210

HSL 180, 0.56%, 0.6%

LAB 78.01, -32.09, -9.84

 

CMYK 27 / 54 / 0 / 18

HEX #9960D2

RGB 153 96 210

HSL 270, 0.56%, 0.6%

LAB 51.6, 45.04, -50.34

 

CMYK 0 / 54 / 54 / 18

HEX #D26060

RGB 210 96 96

HSL 0, 0.56%, 0.6%

LAB 54.98, 45.01, 22.03

 

Description

Color code: HEX #99D361 | qconv.com Color code: HEX #99D361 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 211 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 211 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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