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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99CEF3 it is the complementary color #66310C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99CEF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99CEF3 shade: #9ECEEE, #AFE0FF, #C0F2FF, #D1FFFF and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99CEF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99CEF3 shade: #99CEF3, #88BCE0, #77AACD, #6698BA and #5586A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99CEF3 shade: #9BCFF3, #9BB7F3, #9B9FF3, #AE9BF3 and #C69BF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99CEF3 shade: #9BCFF3, #9BB7F3, #9B9FF3 and #9B9BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99CEF3 shade matches the following richer shades: #9BCFF3 and #92D0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99CEF3 shade: #9BCFF3, #A4CDEA, #ADCCE1, #B6CAD8 and #BFC8CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99CEF3 shade: #9BF3E7, #9BE7F3, #9BD0F3, #9BB8F3 and #9BA0F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99CEF3 shade: #51ABEB, #76BDEF, #9BCFF3, #C0E1F8 and #E4F2FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99CEF3 shade: #99CEF3, #D09BF3 and #F3F39B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99CEF3 shade: #99CEF3, #F39BD0 and #D0F39B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99CEF3 shade: #99CEF3, #D09BF3, #F3BE9B and #BEF39B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99CEF3 shade: #99CEF3, #EA9BF3, #F3BE9B and #A3F39B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 15 / 0 / 5

HEX #99CEF3

RGB 153 206 243

HSL 204.67, 0.79%, 0.78%

LAB 80.4, -8.18, -23.67

 

Complementary color

CMYK 0 / 52 / 88 / 60

HEX #66310C

RGB 102 49 12

HSL 24.67, 0.79%, 0.22%

LAB 26.87, 21.18, 32.43

 

CMYK 34 / 13 / 0 / 7

HEX #9ECEEE

RGB 158 206 238

HSL 204, 0.7%, 0.78%

LAB 80.51, -8.08, -20.81

 

CMYK 31 / 12 / 0 / 0

HEX #AFE0FF

RGB 175 224 255

HSL 203.25, 1%, 0.84%

LAB 86.82, -8.67, -20.16

 

CMYK 25 / 5 / 0 / 0

HEX #C0F2FF

RGB 192 242 255

HSL 192.38, 1%, 0.88%

LAB 92.54, -13.04, -11.48

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 37 / 15 / 0 / 5

HEX #99CEF3

RGB 153 206 243

HSL 204.67, 0.79%, 0.78%

LAB 80.4, -8.18, -23.67

 

CMYK 39 / 16 / 0 / 12

HEX #88BCE0

RGB 136 188 224

HSL 204.55, 0.59%, 0.71%

LAB 73.92, -8, -23.39

 

CMYK 42 / 17 / 0 / 20

HEX #77AACD

RGB 119 170 205

HSL 204.42, 0.46%, 0.64%

LAB 67.34, -7.78, -23.13

 

CMYK 45 / 18 / 0 / 27

HEX #6698BA

RGB 102 152 186

HSL 204.29, 0.38%, 0.56%

LAB 60.63, -7.52, -22.87

 

CMYK 49 / 20 / 0 / 35

HEX #5586A7

RGB 85 134 167

HSL 204.15, 0.33%, 0.49%

LAB 53.78, -7.18, -22.62

 

CMYK 36 / 15 / 0 / 5

HEX #9BCFF3

RGB 155 207 243

HSL 204.55, 0.79%, 0.78%

LAB 80.78, -8.17, -23.08

 

CMYK 36 / 25 / 0 / 5

HEX #9BB7F3

RGB 155 183 243

HSL 220.91, 0.79%, 0.78%

LAB 74.39, 4.75, -32.87

 

CMYK 36 / 35 / 0 / 5

HEX #9B9FF3

RGB 155 159 243

HSL 237.27, 0.79%, 0.78%

LAB 68.19, 18.21, -42.5

 

CMYK 28 / 36 / 0 / 5

HEX #AE9BF3

RGB 174 155 243

HSL 252.95, 0.79%, 0.78%

LAB 68.69, 25.69, -41.62

 

CMYK 19 / 36 / 0 / 5

HEX #C69BF3

RGB 198 155 243

HSL 269.32, 0.79%, 0.78%

LAB 70.82, 32.59, -38.15

 

CMYK 36 / 15 / 0 / 5

HEX #9BCFF3

RGB 155 207 243

HSL 204.55, 0.79%, 0.78%

LAB 80.78, -8.17, -23.08

 

CMYK 36 / 25 / 0 / 5

HEX #9BB7F3

RGB 155 183 243

HSL 220.91, 0.79%, 0.78%

LAB 74.39, 4.75, -32.87

 

CMYK 36 / 35 / 0 / 5

HEX #9B9FF3

RGB 155 159 243

HSL 237.27, 0.79%, 0.78%

LAB 68.19, 18.21, -42.5

 

CMYK 36 / 36 / 0 / 5

HEX #9B9BF3

RGB 155 155 243

HSL 240, 0.79%, 0.78%

LAB 67.19, 20.49, -44.08

 

CMYK 36 / 15 / 0 / 5

HEX #9BCFF3

RGB 155 207 243

HSL 204.55, 0.79%, 0.78%

LAB 80.78, -8.17, -23.08

 

CMYK 42 / 17 / 0 / 1

HEX #92D0FC

RGB 146 208 252

HSL 204.91, 0.95%, 0.78%

LAB 80.88, -8.69, -27.76

 

CMYK 36 / 15 / 0 / 5

HEX #9BCFF3

RGB 155 207 243

HSL 204.55, 0.79%, 0.78%

LAB 80.78, -8.17, -23.08

 

CMYK 30 / 12 / 0 / 8

HEX #A4CDEA

RGB 164 205 234

HSL 204.86, 0.63%, 0.78%

LAB 80.46, -6.85, -18.71

 

CMYK 23 / 9 / 0 / 12

HEX #ADCCE1

RGB 173 204 225

HSL 204.23, 0.46%, 0.78%

LAB 80.46, -5.76, -13.83

 

CMYK 16 / 6 / 0 / 15

HEX #B6CAD8

RGB 182 202 216

HSL 204.71, 0.3%, 0.78%

LAB 80.26, -3.87, -9.25

 

CMYK 8 / 3 / 0 / 19

HEX #BFC8CF

RGB 191 200 207

HSL 206.25, 0.14%, 0.78%

LAB 80.12, -1.72, -4.56

 

CMYK 36 / 0 / 5 / 5

HEX #9BF3E7

RGB 155 243 231

HSL 171.82, 0.79%, 0.78%

LAB 90.25, -29.06, -2.59

 

CMYK 36 / 5 / 0 / 5

HEX #9BE7F3

RGB 155 231 243

HSL 188.18, 0.79%, 0.78%

LAB 87.29, -20.44, -13.26

 

CMYK 36 / 14 / 0 / 5

HEX #9BD0F3

RGB 155 208 243

HSL 203.86, 0.79%, 0.78%

LAB 81.04, -8.7, -22.67

 

CMYK 36 / 24 / 0 / 5

HEX #9BB8F3

RGB 155 184 243

HSL 220.23, 0.79%, 0.78%

LAB 74.65, 4.2, -32.47

 

CMYK 36 / 34 / 0 / 5

HEX #9BA0F3

RGB 155 160 243

HSL 236.59, 0.79%, 0.78%

LAB 68.45, 17.65, -42.11

 

CMYK 66 / 27 / 0 / 8

HEX #51ABEB

RGB 81 171 235

HSL 204.94, 0.79%, 0.62%

LAB 67.18, -7.29, -40

 

CMYK 51 / 21 / 0 / 6

HEX #76BDEF

RGB 118 189 239

HSL 204.79, 0.79%, 0.7%

LAB 73.86, -8.75, -31.7

 

CMYK 36 / 15 / 0 / 5

HEX #9BCFF3

RGB 155 207 243

HSL 204.55, 0.79%, 0.78%

LAB 80.78, -8.17, -23.08

 

CMYK 23 / 9 / 0 / 3

HEX #C0E1F8

RGB 192 225 248

HSL 204.64, 0.8%, 0.86%

LAB 87.89, -5.91, -14.78

 

CMYK 10 / 4 / 0 / 1

HEX #E4F2FC

RGB 228 242 252

HSL 205, 0.8%, 0.94%

LAB 94.75, -2.71, -6.4

 

CMYK 37 / 15 / 0 / 5

HEX #99CEF3

RGB 153 206 243

HSL 204.67, 0.79%, 0.78%

LAB 80.4, -8.18, -23.67

 

CMYK 14 / 36 / 0 / 5

HEX #D09BF3

RGB 208 155 243

HSL 276.14, 0.79%, 0.78%

LAB 71.77, 35.55, -36.58

 

CMYK 0 / 0 / 36 / 5

HEX #F3F39B

RGB 243 243 155

HSL 60, 0.79%, 0.78%

LAB 94.11, -12.71, 42.46

 

CMYK 37 / 15 / 0 / 5

HEX #99CEF3

RGB 153 206 243

HSL 204.67, 0.79%, 0.78%

LAB 80.4, -8.18, -23.67

 

CMYK 0 / 36 / 14 / 5

HEX #F39BD0

RGB 243 155 208

HSL 323.86, 0.79%, 0.78%

LAB 74.22, 40.19, -13.35

 

CMYK 14 / 0 / 36 / 5

HEX #D0F39B

RGB 208 243 155

HSL 83.86, 0.79%, 0.78%

LAB 91.63, -25.72, 38.77

 

CMYK 37 / 15 / 0 / 5

HEX #99CEF3

RGB 153 206 243

HSL 204.67, 0.79%, 0.78%

LAB 80.4, -8.18, -23.67

 

CMYK 14 / 36 / 0 / 5

HEX #D09BF3

RGB 208 155 243

HSL 276.14, 0.79%, 0.78%

LAB 71.77, 35.55, -36.58

 

CMYK 0 / 22 / 36 / 5

HEX #F3BE9B

RGB 243 190 155

HSL 23.86, 0.79%, 0.78%

LAB 80.88, 14.4, 24.96

 

CMYK 22 / 0 / 36 / 5

HEX #BEF39B

RGB 190 243 155

HSL 96.14, 0.79%, 0.78%

LAB 90.51, -32.1, 37.1

 

CMYK 37 / 15 / 0 / 5

HEX #99CEF3

RGB 153 206 243

HSL 204.67, 0.79%, 0.78%

LAB 80.4, -8.18, -23.67

 

CMYK 4 / 36 / 0 / 5

HEX #EA9BF3

RGB 234 155 243

HSL 293.86, 0.79%, 0.78%

LAB 74.45, 43.37, -32.23

 

CMYK 0 / 22 / 36 / 5

HEX #F3BE9B

RGB 243 190 155

HSL 23.86, 0.79%, 0.78%

LAB 80.88, 14.4, 24.96

 

CMYK 33 / 0 / 36 / 5

HEX #A3F39B

RGB 163 243 155

HSL 114.55, 0.79%, 0.78%

LAB 89.04, -41.04, 34.89

 

Description

Color code: HEX #99CEF3 | qconv.com Color code: HEX #99CEF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 206 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 206 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 15 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 15% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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