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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99C146 it is the complementary color #663EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99C146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99C146 shade: #9EC141, #AFD354, #C0E567, #D1F77A and #E2FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99C146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99C146 shade: #99C146, #88AF33, #779D20, #668B0D and #557900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99C146 shade: #9AC247, #BBC247, #C2A847, #C28747 and #C26647

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99C146 shade: #9AC247, #79C247, #58C247, #47C258 and #47C279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99C146 shade matches the following richer shades: #9AC247, #A1D634, #A8E920 and #AFFD0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99C146 shade: #9AC247, #93AE5B, #8C9A6F, #858683 and #7E7397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99C146 shade: #C2A747, #BCC247, #9BC247, #7AC247 and #5AC247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99C146 shade: #6B892E, #84A838, #9AC247, #ABCC66 and #BCD685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99C146 shade: #99C146, #47C287 and #B847C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99C146 shade: #99C146, #479BC2 and #C2479B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99C146 shade: #99C146, #47C287, #6E47C2 and #C24783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99C146 shade: #99C146, #47C2AB, #6E47C2 and #C2475E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 64 / 24

HEX #99C146

RGB 153 193 70

HSL 79.51, 0.5%, 0.52%

LAB 73.12, -31.63, 55.71

 

Complementary color

CMYK 45 / 66 / 0 / 27

HEX #663EB9

RGB 102 62 185

HSL 259.51, 0.5%, 0.48%

LAB 37.43, 45.53, -58.97

 

CMYK 18 / 0 / 66 / 24

HEX #9EC141

RGB 158 193 65

HSL 76.41, 0.51%, 0.51%

LAB 73.41, -30.02, 58.16

 

CMYK 17 / 0 / 60 / 17

HEX #AFD354

RGB 175 211 84

HSL 77.01, 0.59%, 0.58%

LAB 79.81, -30.4, 57.45

 

CMYK 16 / 0 / 55 / 10

HEX #C0E567

RGB 192 229 103

HSL 77.62, 0.71%, 0.65%

LAB 86.12, -30.69, 56.53

 

CMYK 15 / 0 / 51 / 3

HEX #D1F77A

RGB 209 247 122

HSL 78.24, 0.89%, 0.72%

LAB 92.35, -30.9, 55.49

 

CMYK 11 / 0 / 45 / 0

HEX #E2FF8D

RGB 226 255 141

HSL 75.26, 1%, 0.78%

LAB 95.84, -26.4, 51.14

 

CMYK 21 / 0 / 64 / 24

HEX #99C146

RGB 153 193 70

HSL 79.51, 0.5%, 0.52%

LAB 73.12, -31.63, 55.71

 

CMYK 22 / 0 / 71 / 31

HEX #88AF33

RGB 136 175 51

HSL 78.87, 0.55%, 0.44%

LAB 66.62, -31.22, 56.2

 

CMYK 24 / 0 / 80 / 38

HEX #779D20

RGB 119 157 32

HSL 78.24, 0.66%, 0.37%

LAB 60.02, -30.63, 56.03

 

CMYK 27 / 0 / 91 / 45

HEX #668B0D

RGB 102 139 13

HSL 77.62, 0.83%, 0.3%

LAB 53.3, -29.79, 54.6

 

CMYK 30 / 0 / 100 / 53

HEX #557900

RGB 85 121 0

HSL 77.85, 1%, 0.24%

LAB 46.45, -28.65, 51.18

 

CMYK 21 / 0 / 63 / 24

HEX #9AC247

RGB 154 194 71

HSL 79.51, 0.5%, 0.52%

LAB 73.49, -31.63, 55.69

 

CMYK 4 / 0 / 63 / 24

HEX #BBC247

RGB 187 194 71

HSL 63.41, 0.5%, 0.52%

LAB 75.83, -18.24, 58.89

 

CMYK 0 / 13 / 63 / 24

HEX #C2A847

RGB 194 168 71

HSL 47.32, 0.5%, 0.52%

LAB 69.42, -1.83, 52.2

 

CMYK 0 / 30 / 63 / 24

HEX #C28747

RGB 194 135 71

HSL 31.22, 0.5%, 0.52%

LAB 61, 16.1, 42.78

 

CMYK 0 / 47 / 63 / 24

HEX #C26647

RGB 194 102 71

HSL 15.12, 0.5%, 0.52%

LAB 53.41, 34.04, 33.82

 

CMYK 21 / 0 / 63 / 24

HEX #9AC247

RGB 154 194 71

HSL 79.51, 0.5%, 0.52%

LAB 73.49, -31.63, 55.69

 

CMYK 38 / 0 / 63 / 24

HEX #79C247

RGB 121 194 71

HSL 95.61, 0.5%, 0.52%

LAB 71.63, -43.76, 53.13

 

CMYK 55 / 0 / 63 / 24

HEX #58C247

RGB 88 194 71

HSL 111.71, 0.5%, 0.52%

LAB 70.26, -53.78, 51.23

 

CMYK 63 / 0 / 55 / 24

HEX #47C258

RGB 71 194 88

HSL 128.29, 0.5%, 0.52%

LAB 69.91, -55.83, 42.97

 

CMYK 63 / 0 / 38 / 24

HEX #47C279

RGB 71 194 121

HSL 144.39, 0.5%, 0.52%

LAB 70.39, -50.55, 26.93

 

CMYK 21 / 0 / 63 / 24

HEX #9AC247

RGB 154 194 71

HSL 79.51, 0.5%, 0.52%

LAB 73.49, -31.63, 55.69

 

CMYK 25 / 0 / 76 / 16

HEX #A1D634

RGB 161 214 52

HSL 79.63, 0.66%, 0.52%

LAB 79.57, -39.23, 68.97

 

CMYK 28 / 0 / 86 / 9

HEX #A8E920

RGB 168 233 32

HSL 79.4, 0.82%, 0.52%

LAB 85.36, -45.6, 79.29

 

CMYK 31 / 0 / 95 / 1

HEX #AFFD0C

RGB 175 253 12

HSL 79.42, 0.98%, 0.52%

LAB 91.41, -51.77, 87

 

CMYK 21 / 0 / 63 / 24

HEX #9AC247

RGB 154 194 71

HSL 79.51, 0.5%, 0.52%

LAB 73.49, -31.63, 55.69

 

CMYK 16 / 0 / 48 / 32

HEX #93AE5B

RGB 147 174 91

HSL 79.52, 0.34%, 0.52%

LAB 67.45, -22.87, 39.33

 

CMYK 9 / 0 / 28 / 40

HEX #8C9A6F

RGB 140 154 111

HSL 79.53, 0.18%, 0.52%

LAB 61.51, -12.72, 20.97

 

CMYK 1 / 0 / 2 / 47

HEX #858683

RGB 133 134 131

HSL 80, 0.01%, 0.52%

LAB 55.76, -0.96, 1.48

 

CMYK 17 / 24 / 0 / 41

HEX #7E7397

RGB 126 115 151

HSL 258.33, 0.15%, 0.52%

LAB 50.61, 11.88, -17.94

 

CMYK 0 / 14 / 63 / 24

HEX #C2A747

RGB 194 167 71

HSL 46.83, 0.5%, 0.52%

LAB 69.16, -1.3, 51.91

 

CMYK 3 / 0 / 63 / 24

HEX #BCC247

RGB 188 194 71

HSL 62.93, 0.5%, 0.52%

LAB 75.9, -17.83, 59

 

CMYK 20 / 0 / 63 / 24

HEX #9BC247

RGB 155 194 71

HSL 79.02, 0.5%, 0.52%

LAB 73.55, -31.24, 55.78

 

CMYK 37 / 0 / 63 / 24

HEX #7AC247

RGB 122 194 71

HSL 95.12, 0.5%, 0.52%

LAB 71.67, -43.42, 53.2

 

CMYK 54 / 0 / 63 / 24

HEX #5AC247

RGB 90 194 71

HSL 110.73, 0.5%, 0.52%

LAB 70.32, -53.25, 51.33

 

CMYK 22 / 0 / 66 / 46

HEX #6B892E

RGB 107 137 46

HSL 79.78, 0.5%, 0.36%

LAB 53.18, -25.02, 43.76

 

CMYK 21 / 0 / 67 / 34

HEX #84A838

RGB 132 168 56

HSL 79.29, 0.5%, 0.44%

LAB 64.32, -29.16, 51.78

 

CMYK 21 / 0 / 63 / 24

HEX #9AC247

RGB 154 194 71

HSL 79.51, 0.5%, 0.52%

LAB 73.49, -31.63, 55.69

 

CMYK 16 / 0 / 50 / 20

HEX #ABCC66

RGB 171 204 102

HSL 79.41, 0.5%, 0.6%

LAB 77.76, -27, 46.81

 

CMYK 12 / 0 / 38 / 16

HEX #BCD685

RGB 188 214 133

HSL 79.26, 0.5%, 0.68%

LAB 82.1, -21.86, 37.17

 

CMYK 21 / 0 / 64 / 24

HEX #99C146

RGB 153 193 70

HSL 79.51, 0.5%, 0.52%

LAB 73.12, -31.63, 55.71

 

CMYK 63 / 0 / 30 / 24

HEX #47C287

RGB 71 194 135

HSL 151.22, 0.5%, 0.52%

LAB 70.64, -47.8, 19.85

 

CMYK 5 / 63 / 0 / 24

HEX #B847C2

RGB 184 71 194

HSL 295.12, 0.5%, 0.52%

LAB 50.21, 61.58, -43.13

 

CMYK 21 / 0 / 64 / 24

HEX #99C146

RGB 153 193 70

HSL 79.51, 0.5%, 0.52%

LAB 73.12, -31.63, 55.71

 

CMYK 63 / 20 / 0 / 24

HEX #479BC2

RGB 71 155 194

HSL 199.02, 0.5%, 0.52%

LAB 60.5, -13.44, -27.69

 

CMYK 0 / 63 / 20 / 24

HEX #C2479B

RGB 194 71 155

HSL 319.02, 0.5%, 0.52%

LAB 49.91, 57.92, -20.64

 

CMYK 21 / 0 / 64 / 24

HEX #99C146

RGB 153 193 70

HSL 79.51, 0.5%, 0.52%

LAB 73.12, -31.63, 55.71

 

CMYK 63 / 0 / 30 / 24

HEX #47C287

RGB 71 194 135

HSL 151.22, 0.5%, 0.52%

LAB 70.64, -47.8, 19.85

 

CMYK 43 / 63 / 0 / 24

HEX #6E47C2

RGB 110 71 194

HSL 259.02, 0.5%, 0.52%

LAB 40.76, 44.69, -58.79

 

CMYK 0 / 63 / 32 / 24

HEX #C24783

RGB 194 71 131

HSL 330.73, 0.5%, 0.52%

LAB 49.03, 54.76, -7.63

 

CMYK 21 / 0 / 64 / 24

HEX #99C146

RGB 153 193 70

HSL 79.51, 0.5%, 0.52%

LAB 73.12, -31.63, 55.71

 

CMYK 63 / 0 / 12 / 24

HEX #47C2AB

RGB 71 194 171

HSL 168.78, 0.5%, 0.52%

LAB 71.46, -39.46, 1.53

 

CMYK 43 / 63 / 0 / 24

HEX #6E47C2

RGB 110 71 194

HSL 259.02, 0.5%, 0.52%

LAB 40.76, 44.69, -58.79

 

CMYK 0 / 63 / 52 / 24

HEX #C2475E

RGB 194 71 94

HSL 348.78, 0.5%, 0.52%

LAB 47.99, 50.93, 13.3

 

Description

Color code: HEX #99C146 | qconv.com Color code: HEX #99C146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 193 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 193 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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