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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99BE32 it is the complementary color #6641CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99BE32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99BE32 shade: #9EBE2D, #AFD040, #C0E253, #D1F466 and #E2FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99BE32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99BE32 shade: #99BE32, #88AC1F, #779A0C, #668800 and #557600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99BE32 shade: #99BD32, #BDBD32, #BD9732, #BD7232 and #BD4C32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99BE32 shade: #99BD32, #73BD32, #4EBD32, #32BD3D and #32BD62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99BE32 shade matches the following richer shades: #99BD32, #A2D11F and #ABE40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99BE32 shade: #99BD32, #8FAA46, #869759, #7D836D and #747080

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99BE32 shade: #BD9632, #BDBB32, #9BBD32, #76BD32 and #50BD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99BE32 shade: #647C21, #7E9D2A, #99BD32, #ACCF4A and #BBD86B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99BE32 shade: #99BE32, #32BD71 and #A932BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99BE32 shade: #99BE32, #329BBD and #BD329B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99BE32 shade: #99BE32, #32BD71, #5532BD and #BD327F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99BE32 shade: #99BE32, #32BD9B, #5532BD and #BD3255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 74 / 25

HEX #99BE32

RGB 153 190 50

HSL 75.86, 0.58%, 0.47%

LAB 72.11, -31.51, 62.34

 

Complementary color

CMYK 50 / 68 / 0 / 20

HEX #6641CD

RGB 102 65 205

HSL 255.86, 0.58%, 0.53%

LAB 39.6, 49.52, -67.11

 

CMYK 17 / 0 / 76 / 25

HEX #9EBE2D

RGB 158 190 45

HSL 73.24, 0.62%, 0.46%

LAB 72.42, -29.74, 64.39

 

CMYK 16 / 0 / 69 / 18

HEX #AFD040

RGB 175 208 64

HSL 73.75, 0.61%, 0.53%

LAB 78.81, -30.37, 64.43

 

CMYK 15 / 0 / 63 / 11

HEX #C0E253

RGB 192 226 83

HSL 74.27, 0.71%, 0.61%

LAB 85.11, -30.86, 63.95

 

CMYK 14 / 0 / 58 / 4

HEX #D1F466

RGB 209 244 102

HSL 74.79, 0.87%, 0.68%

LAB 91.33, -31.25, 63.17

 

CMYK 11 / 0 / 53 / 0

HEX #E2FF79

RGB 226 255 121

HSL 72.99, 1%, 0.74%

LAB 95.61, -28.31, 60.07

 

CMYK 19 / 0 / 74 / 25

HEX #99BE32

RGB 153 190 50

HSL 75.86, 0.58%, 0.47%

LAB 72.11, -31.51, 62.34

 

CMYK 21 / 0 / 82 / 33

HEX #88AC1F

RGB 136 172 31

HSL 75.32, 0.69%, 0.4%

LAB 65.62, -30.81, 61.79

 

CMYK 23 / 0 / 92 / 40

HEX #779A0C

RGB 119 154 12

HSL 74.79, 0.86%, 0.33%

LAB 59.03, -29.88, 59.92

 

CMYK 25 / 0 / 100 / 47

HEX #668800

RGB 102 136 0

HSL 75, 1%, 0.27%

LAB 52.32, -28.67, 56.14

 

CMYK 28 / 0 / 100 / 54

HEX #557600

RGB 85 118 0

HSL 76.78, 1%, 0.23%

LAB 45.48, -27.2, 50.44

 

CMYK 19 / 0 / 74 / 26

HEX #99BD32

RGB 153 189 50

HSL 75.54, 0.58%, 0.47%

LAB 71.82, -31.04, 62.06

 

CMYK 0 / 0 / 74 / 26

HEX #BDBD32

RGB 189 189 50

HSL 60, 0.58%, 0.47%

LAB 74.47, -16.03, 65.51

 

CMYK 0 / 20 / 74 / 26

HEX #BD9732

RGB 189 151 50

HSL 43.6, 0.58%, 0.47%

LAB 64.31, 3.94, 55.75

 

CMYK 0 / 40 / 74 / 26

HEX #BD7232

RGB 189 114 50

HSL 27.63, 0.58%, 0.47%

LAB 55.16, 24.3, 46.5

 

CMYK 0 / 60 / 74 / 26

HEX #BD4C32

RGB 189 76 50

HSL 11.22, 0.58%, 0.47%

LAB 47.26, 44, 38.05

 

CMYK 19 / 0 / 74 / 26

HEX #99BD32

RGB 153 189 50

HSL 75.54, 0.58%, 0.47%

LAB 71.82, -31.04, 62.06

 

CMYK 39 / 0 / 74 / 26

HEX #73BD32

RGB 115 189 50

HSL 91.94, 0.58%, 0.47%

LAB 69.66, -45.31, 59.21

 

CMYK 59 / 0 / 74 / 26

HEX #4EBD32

RGB 78 189 50

HSL 107.91, 0.58%, 0.47%

LAB 68.2, -56.33, 57.27

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 74 / 0 / 48 / 26

HEX #32BD62

RGB 50 189 98

HSL 140.72, 0.58%, 0.47%

LAB 67.99, -56.34, 35.58

 

CMYK 19 / 0 / 74 / 26

HEX #99BD32

RGB 153 189 50

HSL 75.54, 0.58%, 0.47%

LAB 71.82, -31.04, 62.06

 

CMYK 22 / 0 / 85 / 18

HEX #A2D11F

RGB 162 209 31

HSL 75.84, 0.74%, 0.47%

LAB 78.1, -37.43, 73.23

 

CMYK 25 / 0 / 95 / 11

HEX #ABE40C

RGB 171 228 12

HSL 75.83, 0.9%, 0.47%

LAB 84.05, -42.72, 81.13

 

CMYK 19 / 0 / 74 / 26

HEX #99BD32

RGB 153 189 50

HSL 75.54, 0.58%, 0.47%

LAB 71.82, -31.04, 62.06

 

CMYK 16 / 0 / 59 / 33

HEX #8FAA46

RGB 143 170 70

HSL 76.2, 0.42%, 0.47%

LAB 65.77, -24.57, 47.44

 

CMYK 11 / 0 / 41 / 41

HEX #869759

RGB 134 151 89

HSL 76.45, 0.26%, 0.47%

LAB 59.82, -16.58, 30.64

 

CMYK 5 / 0 / 17 / 49

HEX #7D836D

RGB 125 131 109

HSL 76.36, 0.09%, 0.47%

LAB 53.7, -6.39, 11.16

 

CMYK 9 / 13 / 0 / 50

HEX #747080

RGB 116 112 128

HSL 255, 0.07%, 0.47%

LAB 48.08, 4.9, -8.25

 

CMYK 0 / 21 / 74 / 26

HEX #BD9632

RGB 189 150 50

HSL 43.17, 0.58%, 0.47%

LAB 64.05, 4.49, 55.49

 

CMYK 0 / 1 / 74 / 26

HEX #BDBB32

RGB 189 187 50

HSL 59.14, 0.58%, 0.47%

LAB 73.93, -15.02, 65

 

CMYK 18 / 0 / 74 / 26

HEX #9BBD32

RGB 155 189 50

HSL 74.68, 0.58%, 0.47%

LAB 71.96, -30.24, 62.23

 

CMYK 38 / 0 / 74 / 26

HEX #76BD32

RGB 118 189 50

HSL 90.65, 0.58%, 0.47%

LAB 69.81, -44.27, 59.4

 

CMYK 58 / 0 / 74 / 26

HEX #50BD32

RGB 80 189 50

HSL 107.05, 0.58%, 0.47%

LAB 68.26, -55.83, 57.35

 

CMYK 19 / 0 / 73 / 51

HEX #647C21

RGB 100 124 33

HSL 75.82, 0.58%, 0.31%

LAB 48.55, -22.38, 44.3

 

CMYK 20 / 0 / 73 / 38

HEX #7E9D2A

RGB 126 157 42

HSL 76.17, 0.58%, 0.39%

LAB 60.53, -27.22, 53.3

 

CMYK 19 / 0 / 74 / 26

HEX #99BD32

RGB 153 189 50

HSL 75.54, 0.58%, 0.47%

LAB 71.82, -31.04, 62.06

 

CMYK 17 / 0 / 64 / 19

HEX #ACCF4A

RGB 172 207 74

HSL 75.79, 0.58%, 0.55%

LAB 78.4, -30.45, 60.06

 

CMYK 13 / 0 / 50 / 15

HEX #BBD86B

RGB 187 216 107

HSL 75.96, 0.58%, 0.63%

LAB 82.24, -26.09, 50.06

 

CMYK 19 / 0 / 74 / 25

HEX #99BE32

RGB 153 190 50

HSL 75.86, 0.58%, 0.47%

LAB 72.11, -31.51, 62.34

 

CMYK 74 / 0 / 40 / 26

HEX #32BD71

RGB 50 189 113

HSL 147.19, 0.58%, 0.47%

LAB 68.22, -53.73, 28.16

 

CMYK 11 / 74 / 0 / 26

HEX #A932BD

RGB 169 50 189

HSL 291.37, 0.58%, 0.47%

LAB 44.79, 65.4, -48.99

 

CMYK 19 / 0 / 74 / 25

HEX #99BE32

RGB 153 190 50

HSL 75.86, 0.58%, 0.47%

LAB 72.11, -31.51, 62.34

 

CMYK 74 / 18 / 0 / 26

HEX #329BBD

RGB 50 155 189

HSL 194.68, 0.58%, 0.47%

LAB 59.7, -18.28, -26.15

 

CMYK 0 / 74 / 18 / 26

HEX #BD329B

RGB 189 50 155

HSL 314.68, 0.58%, 0.47%

LAB 46.27, 64.47, -26.33

 

CMYK 19 / 0 / 74 / 25

HEX #99BE32

RGB 153 190 50

HSL 75.86, 0.58%, 0.47%

LAB 72.11, -31.51, 62.34

 

CMYK 74 / 0 / 40 / 26

HEX #32BD71

RGB 50 189 113

HSL 147.19, 0.58%, 0.47%

LAB 68.22, -53.73, 28.16

 

CMYK 55 / 74 / 0 / 26

HEX #5532BD

RGB 85 50 189

HSL 255.11, 0.58%, 0.47%

LAB 33.75, 50.09, -67.42

 

CMYK 0 / 74 / 33 / 26

HEX #BD327F

RGB 189 50 127

HSL 326.76, 0.58%, 0.47%

LAB 45.13, 60.92, -11.14

 

CMYK 19 / 0 / 74 / 25

HEX #99BE32

RGB 153 190 50

HSL 75.86, 0.58%, 0.47%

LAB 72.11, -31.51, 62.34

 

CMYK 74 / 0 / 18 / 26

HEX #32BD9B

RGB 50 189 155

HSL 165.32, 0.58%, 0.47%

LAB 69.07, -44.49, 6.75

 

CMYK 55 / 74 / 0 / 26

HEX #5532BD

RGB 85 50 189

HSL 255.11, 0.58%, 0.47%

LAB 33.75, 50.09, -67.42

 

CMYK 0 / 74 / 55 / 26

HEX #BD3255

RGB 189 50 85

HSL 344.89, 0.58%, 0.47%

LAB 43.88, 56.89, 13.02

 

Description

Color code: HEX #99BE32 | qconv.com Color code: HEX #99BE32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 190 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 190 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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