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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99BDF43F it is the complementary color #66420B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99BDF43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99BDF43F shade: #9EBDEF3F, #AFCFFF3F, #C0E1FF3F, #D1F3FF3F and #E2FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99BDF43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99BDF43F shade: #99BDF43F, #88ABE13F, #7799CE3F, #6687BB3F and #5575A83F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99BDF43F shade: #99BDF4, #99A5F4, #A799F4, #BF99F4 and #D899F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99BDF43F shade: #99BDF4, #99A5F4 and #9999F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99BDF43F shade matches the following richer shades: #99BDF4 and #90BCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99BDF43F shade: #99BDF4, #A3BFEB, #ACC1E2, #B5C3D9 and #BEC5D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99BDF43F shade: #99EEF4, #99D6F4, #99BEF4, #99A6F4 and #A699F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99BDF43F shade: #4F8DED, #74A5F0, #99BDF4, #BFD6F8 and #E4EEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99BDF43F shade: #99BDF4, #E299F4 and #E2F499

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99BDF43F shade: #99BDF4, #F499BE and #BEF499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99BDF43F shade: #99BDF4, #E299F4, #F4D099 and #ACF499

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99BDF43F shade: #99BDF4, #F499EB, #F4D099 and #99F4A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 6 / 0 / 1

HEX #99BDF43F

RGBA 153 189 244 0.25

HSLA 216.26, 0.81%, 0.78%, 0.25

LABA 75.88, 1.19, -31.11, 0.25

 

Complementary color

CMYK 0 / 9 / 22 / 15

HEX #66420B3F

RGBA 102 66 11 0.25

HSLA 36.26, 0.81%, 0.22%, 0.25

LABA 31.22, 10.81, 36.61, 0.25

 

CMYK 8 / 5 / 0 / 2

HEX #9EBDEF3F

RGBA 158 189 239 0.25

HSLA 217.04, 0.72%, 0.78%, 0.25

LABA 76.01, 1.26, -28.21, 0.25

 

CMYK 8 / 5 / 0 / 0

HEX #AFCFFF3F

RGBA 175 207 255 0.25

HSLA 216, 1%, 0.84%, 0.25

LABA 82.36, 0.25, -26.95, 0.25

 

CMYK 6 / 3 / 0 / 0

HEX #C0E1FF3F

RGBA 192 225 255 0.25

HSLA 208.57, 1%, 0.88%, 0.25

LABA 88.1, -4.36, -18.13, 0.25

 

CMYK 5 / 1 / 0 / 0

HEX #D1F3FF3F

RGBA 209 243 255 0.25

HSLA 195.65, 1%, 0.91%, 0.25

LABA 93.83, -8.52, -9.46, 0.25

 

CMYK 3 / 0 / 0 / 0

HEX #E2FFFF3F

RGBA 226 255 255 0.25

HSLA 180, 1%, 0.94%, 0.25

LABA 98, -9.32, -3.18, 0.25

 

CMYK 9 / 6 / 0 / 1

HEX #99BDF43F

RGBA 153 189 244 0.25

HSLA 216.26, 0.81%, 0.78%, 0.25

LABA 75.88, 1.19, -31.11, 0.25

 

CMYK 10 / 6 / 0 / 3

HEX #88ABE13F

RGBA 136 171 225 0.25

HSLA 216.4, 0.6%, 0.71%, 0.25

LABA 69.32, 1.55, -31, 0.25

 

CMYK 11 / 6 / 0 / 5

HEX #7799CE3F

RGBA 119 153 206 0.25

HSLA 216.55, 0.47%, 0.64%, 0.25

LABA 62.64, 1.98, -30.91, 0.25

 

CMYK 11 / 7 / 0 / 7

HEX #6687BB3F

RGBA 102 135 187 0.25

HSLA 216.71, 0.38%, 0.57%, 0.25

LABA 55.83, 2.49, -30.85, 0.25

 

CMYK 12 / 8 / 0 / 9

HEX #5575A83F

RGBA 85 117 168 0.25

HSLA 216.87, 0.33%, 0.5%, 0.25

LABA 48.86, 3.11, -30.83, 0.25

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 37 / 32 / 0 / 4

HEX #99A5F4

RGB 153 165 244

HSL 232.09, 0.81%, 0.78%

LAB 69.62, 14.54, -40.83

 

CMYK 32 / 37 / 0 / 4

HEX #A799F4

RGB 167 153 244

HSL 249.23, 0.81%, 0.78%

LAB 67.67, 25.12, -43.8

 

CMYK 22 / 37 / 0 / 4

HEX #BF99F4

RGB 191 153 244

HSL 265.05, 0.81%, 0.78%

LAB 69.75, 31.88, -40.41

 

CMYK 11 / 37 / 0 / 4

HEX #D899F4

RGB 216 153 244

HSL 281.54, 0.81%, 0.78%

LAB 72.17, 39.22, -36.45

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 37 / 32 / 0 / 4

HEX #99A5F4

RGB 153 165 244

HSL 232.09, 0.81%, 0.78%

LAB 69.62, 14.54, -40.83

 

CMYK 37 / 37 / 0 / 4

HEX #9999F4

RGB 153 153 244

HSL 240, 0.81%, 0.78%

LAB 66.59, 21.38, -45.59

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 43 / 26 / 0 / 1

HEX #90BCFD

RGB 144 188 253

HSL 215.78, 0.96%, 0.78%

LAB 75.44, 1.83, -36.68

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 31 / 19 / 0 / 8

HEX #A3BFEB

RGB 163 191 235

HSL 216.67, 0.64%, 0.78%

LAB 76.71, 0.58, -24.95

 

CMYK 24 / 15 / 0 / 11

HEX #ACC1E2

RGB 172 193 226

HSL 216.67, 0.48%, 0.78%

LAB 77.52, 0.01, -18.81

 

CMYK 17 / 10 / 0 / 15

HEX #B5C3D9

RGB 181 195 217

HSL 216.67, 0.32%, 0.78%

LAB 78.38, -0.27, -12.6

 

CMYK 9 / 5 / 0 / 18

HEX #BEC5D0

RGB 190 197 208

HSL 216.67, 0.16%, 0.78%

LAB 79.29, -0.26, -6.33

 

CMYK 37 / 2 / 0 / 4

HEX #99EEF4

RGB 153 238 244

HSL 183.96, 0.81%, 0.78%

LAB 89.14, -24.16, -11.04

 

CMYK 37 / 12 / 0 / 4

HEX #99D6F4

RGB 153 214 244

HSL 199.78, 0.81%, 0.78%

LAB 82.59, -12.1, -20.87

 

CMYK 37 / 22 / 0 / 4

HEX #99BEF4

RGB 153 190 244

HSL 215.6, 0.81%, 0.78%

LAB 76.15, 0.64, -30.7

 

CMYK 37 / 32 / 0 / 4

HEX #99A6F4

RGB 153 166 244

HSL 231.43, 0.81%, 0.78%

LAB 69.88, 13.98, -40.43

 

CMYK 32 / 37 / 0 / 4

HEX #A699F4

RGB 166 153 244

HSL 248.57, 0.81%, 0.78%

LAB 67.59, 24.85, -43.93

 

CMYK 67 / 41 / 0 / 7

HEX #4F8DED

RGB 79 141 237

HSL 216.46, 0.81%, 0.62%

LAB 58.81, 10.36, -54.31

 

CMYK 52 / 31 / 0 / 6

HEX #74A5F0

RGB 116 165 240

HSL 216.29, 0.81%, 0.7%

LAB 67.21, 4.37, -42.58

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 23 / 14 / 0 / 3

HEX #BFD6F8

RGB 191 214 248

HSL 215.79, 0.8%, 0.86%

LAB 84.97, -0.47, -19.18

 

CMYK 10 / 6 / 0 / 1

HEX #E4EEFC

RGB 228 238 252

HSL 215, 0.8%, 0.94%

LAB 93.74, -0.66, -7.89

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 7 / 37 / 0 / 4

HEX #E299F4

RGB 226 153 244

HSL 288.13, 0.81%, 0.78%

LAB 73.21, 42.2, -34.76

 

CMYK 7 / 0 / 37 / 4

HEX #E2F499

RGB 226 244 153

HSL 71.87, 0.81%, 0.78%

LAB 93.09, -19.83, 41.89

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 0 / 37 / 22 / 4

HEX #F499BE

RGB 244 153 190

HSL 335.6, 0.81%, 0.78%

LAB 73.37, 38.86, -4.69

 

CMYK 22 / 0 / 37 / 4

HEX #BEF499

RGB 190 244 153

HSL 95.6, 0.81%, 0.78%

LAB 90.76, -32.83, 38.41

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 7 / 37 / 0 / 4

HEX #E299F4

RGB 226 153 244

HSL 288.13, 0.81%, 0.78%

LAB 73.21, 42.2, -34.76

 

CMYK 0 / 15 / 37 / 4

HEX #F4D099

RGB 244 208 153

HSL 36.26, 0.81%, 0.78%

LAB 85.32, 5.16, 32.01

 

CMYK 30 / 0 / 37 / 4

HEX #ACF499

RGB 172 244 153

HSL 107.47, 0.81%, 0.78%

LAB 89.75, -38.89, 36.91

 

CMYK 37 / 23 / 0 / 4

HEX #99BDF4

RGB 153 189 244

HSL 216.26, 0.81%, 0.78%

LAB 75.88, 1.19, -31.11

 

CMYK 0 / 37 / 4 / 4

HEX #F499EB

RGB 244 153 235

HSL 305.93, 0.81%, 0.78%

LAB 74.83, 46.02, -27.19

 

CMYK 0 / 15 / 37 / 4

HEX #F4D099

RGB 244 208 153

HSL 36.26, 0.81%, 0.78%

LAB 85.32, 5.16, 32.01

 

CMYK 37 / 0 / 33 / 4

HEX #99F4A3

RGB 153 244 163

HSL 126.59, 0.81%, 0.78%

LAB 88.98, -43.3, 30.7

 

Description

Color code: HEX #99BDF43F | qconv.com Color code: HEX #99BDF43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 189 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 189 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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