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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99BAED it is the complementary color #664512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99BAED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99BAED shade: #9EBAE8, #AFCCFB, #C0DEFF, #D1F0FF and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99BAED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99BAED shade: #99BAED, #88A8DA, #7796C7, #6684B4 and #5572A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99BAED shade: #97B9ED, #97A2ED, #A497ED, #BB97ED and #D297ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99BAED shade: #97B9ED, #97A2ED and #9797ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99BAED shade matches the following richer shades: #97B9ED and #8DB6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99BAED shade: #97B9ED, #A1BBE3, #ABBDD9, #B5BFCF and #BFC1C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99BAED shade: #97E7ED, #97D0ED, #97B9ED, #97A2ED and #A297ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99BAED shade: #5189E0, #74A1E6, #97B9ED, #BAD0F3 and #DDE8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99BAED shade: #99BAED, #DC97ED and #DCED97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99BAED shade: #99BAED, #ED97B9 and #B9ED97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99BAED shade: #99BAED, #DC97ED, #EDCA97 and #A8ED97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99BAED shade: #99BAED, #ED97E4, #EDCA97 and #97EDA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 22 / 0 / 7

HEX #99BAED

RGB 153 186 237

HSL 216.43, 0.7%, 0.76%

LAB 74.83, 1.01, -28.96

 

Complementary color

CMYK 0 / 32 / 82 / 60

HEX #664512

RGB 102 69 18

HSL 36.43, 0.7%, 0.24%

LAB 32.09, 9.23, 34.54

 

CMYK 32 / 20 / 0 / 9

HEX #9EBAE8

RGB 158 186 232

HSL 217.3, 0.62%, 0.76%

LAB 74.96, 1.14, -26.03

 

CMYK 30 / 19 / 0 / 2

HEX #AFCCFB

RGB 175 204 251

HSL 217.11, 0.9%, 0.84%

LAB 81.44, 0.88, -26.23

 

CMYK 25 / 13 / 0 / 0

HEX #C0DEFF

RGB 192 222 255

HSL 211.43, 1%, 0.88%

LAB 87.32, -2.8, -19.31

 

CMYK 18 / 6 / 0 / 0

HEX #D1F0FF

RGB 209 240 255

HSL 199.57, 1%, 0.91%

LAB 93.06, -7, -10.61

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 35 / 22 / 0 / 7

HEX #99BAED

RGB 153 186 237

HSL 216.43, 0.7%, 0.76%

LAB 74.83, 1.01, -28.96

 

CMYK 38 / 23 / 0 / 15

HEX #88A8DA

RGB 136 168 218

HSL 216.59, 0.53%, 0.69%

LAB 68.24, 1.35, -28.82

 

CMYK 40 / 25 / 0 / 22

HEX #7796C7

RGB 119 150 199

HSL 216.75, 0.42%, 0.62%

LAB 61.53, 1.73, -28.71

 

CMYK 43 / 27 / 0 / 29

HEX #6684B4

RGB 102 132 180

HSL 216.92, 0.34%, 0.55%

LAB 54.68, 2.19, -28.63

 

CMYK 47 / 29 / 0 / 37

HEX #5572A1

RGB 85 114 161

HSL 217.11, 0.31%, 0.48%

LAB 47.67, 2.75, -28.59

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 36 / 32 / 0 / 7

HEX #97A2ED

RGB 151 162 237

HSL 232.33, 0.7%, 0.76%

LAB 68.41, 13.85, -38.9

 

CMYK 31 / 36 / 0 / 7

HEX #A497ED

RGB 164 151 237

HSL 249.07, 0.7%, 0.76%

LAB 66.63, 23.66, -41.62

 

CMYK 21 / 36 / 0 / 7

HEX #BB97ED

RGB 187 151 237

HSL 265.12, 0.7%, 0.76%

LAB 68.62, 30.24, -38.37

 

CMYK 11 / 36 / 0 / 7

HEX #D297ED

RGB 210 151 237

HSL 281.16, 0.7%, 0.76%

LAB 70.84, 37.07, -34.75

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 36 / 32 / 0 / 7

HEX #97A2ED

RGB 151 162 237

HSL 232.33, 0.7%, 0.76%

LAB 68.41, 13.85, -38.9

 

CMYK 36 / 36 / 0 / 7

HEX #9797ED

RGB 151 151 237

HSL 240, 0.7%, 0.76%

LAB 65.61, 20.13, -43.28

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 43 / 26 / 0 / 3

HEX #8DB6F7

RGB 141 182 247

HSL 216.79, 0.87%, 0.76%

LAB 73.44, 2.74, -36.57

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 29 / 18 / 0 / 11

HEX #A1BBE3

RGB 161 187 227

HSL 216.36, 0.54%, 0.76%

LAB 75.24, 0.23, -22.87

 

CMYK 21 / 13 / 0 / 15

HEX #ABBDD9

RGB 171 189 217

HSL 216.52, 0.38%, 0.76%

LAB 76.11, -0.19, -16.08

 

CMYK 13 / 8 / 0 / 19

HEX #B5BFCF

RGB 181 191 207

HSL 216.92, 0.21%, 0.76%

LAB 77.04, -0.23, -9.21

 

CMYK 3 / 2 / 0 / 23

HEX #BFC1C5

RGB 191 193 197

HSL 220, 0.05%, 0.76%

LAB 78.02, 0.06, -2.26

 

CMYK 36 / 3 / 0 / 7

HEX #97E7ED

RGB 151 231 237

HSL 184.19, 0.7%, 0.76%

LAB 86.92, -22.91, -10.68

 

CMYK 36 / 12 / 0 / 7

HEX #97D0ED

RGB 151 208 237

HSL 200.23, 0.7%, 0.76%

LAB 80.63, -11.26, -20.12

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 36 / 32 / 0 / 7

HEX #97A2ED

RGB 151 162 237

HSL 232.33, 0.7%, 0.76%

LAB 68.41, 13.85, -38.9

 

CMYK 32 / 36 / 0 / 7

HEX #A297ED

RGB 162 151 237

HSL 247.67, 0.7%, 0.76%

LAB 66.47, 23.11, -41.89

 

CMYK 64 / 39 / 0 / 12

HEX #5189E0

RGB 81 137 224

HSL 216.5, 0.7%, 0.6%

LAB 57.1, 8.64, -49.8

 

CMYK 50 / 30 / 0 / 10

HEX #74A1E6

RGB 116 161 230

HSL 216.32, 0.7%, 0.68%

LAB 65.68, 3.65, -39.49

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 23 / 14 / 0 / 5

HEX #BAD0F3

RGB 186 208 243

HSL 216.84, 0.7%, 0.84%

LAB 82.93, 0.08, -19.64

 

CMYK 11 / 7 / 0 / 2

HEX #DDE8F9

RGB 221 232 249

HSL 216.43, 0.7%, 0.92%

LAB 91.65, -0.39, -9.48

 

CMYK 35 / 22 / 0 / 7

HEX #99BAED

RGB 153 186 237

HSL 216.43, 0.7%, 0.76%

LAB 74.83, 1.01, -28.96

 

CMYK 7 / 36 / 0 / 7

HEX #DC97ED

RGB 220 151 237

HSL 288.14, 0.7%, 0.76%

LAB 71.87, 40.09, -33.07

 

CMYK 7 / 0 / 36 / 7

HEX #DCED97

RGB 220 237 151

HSL 71.86, 0.7%, 0.76%

LAB 90.79, -18.91, 39.82

 

CMYK 35 / 22 / 0 / 7

HEX #99BAED

RGB 153 186 237

HSL 216.43, 0.7%, 0.76%

LAB 74.83, 1.01, -28.96

 

CMYK 0 / 36 / 22 / 7

HEX #ED97B9

RGB 237 151 185

HSL 336.28, 0.7%, 0.76%

LAB 71.99, 36.76, -4.06

 

CMYK 22 / 0 / 36 / 7

HEX #B9ED97

RGB 185 237 151

HSL 96.28, 0.7%, 0.76%

LAB 88.5, -31.59, 36.41

 

CMYK 35 / 22 / 0 / 7

HEX #99BAED

RGB 153 186 237

HSL 216.43, 0.7%, 0.76%

LAB 74.83, 1.01, -28.96

 

CMYK 7 / 36 / 0 / 7

HEX #DC97ED

RGB 220 151 237

HSL 288.14, 0.7%, 0.76%

LAB 71.87, 40.09, -33.07

 

CMYK 0 / 15 / 36 / 7

HEX #EDCA97

RGB 237 202 151

HSL 35.58, 0.7%, 0.76%

LAB 83.17, 5.32, 30.06

 

CMYK 29 / 0 / 36 / 7

HEX #A8ED97

RGB 168 237 151

HSL 108.14, 0.7%, 0.76%

LAB 87.55, -37.34, 34.97

 

CMYK 35 / 22 / 0 / 7

HEX #99BAED

RGB 153 186 237

HSL 216.43, 0.7%, 0.76%

LAB 74.83, 1.01, -28.96

 

CMYK 0 / 36 / 4 / 7

HEX #ED97E4

RGB 237 151 228

HSL 306.28, 0.7%, 0.76%

LAB 73.38, 43.67, -25.67

 

CMYK 0 / 15 / 36 / 7

HEX #EDCA97

RGB 237 202 151

HSL 35.58, 0.7%, 0.76%

LAB 83.17, 5.32, 30.06

 

CMYK 36 / 0 / 32 / 7

HEX #97EDA0

RGB 151 237 160

HSL 126.28, 0.7%, 0.76%

LAB 86.84, -41.3, 29.33

 

Description

Color code: HEX #99BAED | qconv.com Color code: HEX #99BAED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 186 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 186 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 22 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 22% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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