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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B9DD it is the complementary color #664622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B9DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B9DD shade: #9EB9D8, #AFCBEB, #C0DDFE, #D1EFFF and #E2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B9DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B9DD shade: #99B9DD, #88A7CA, #7795B7, #6683A4 and #557191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B9DD shade: #98B8DD, #98A6DD, #9C98DD, #AF98DD and #C298DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B9DD shade: #98B8DD, #98A6DD and #9898DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B9DD shade matches the following richer shades: #98B8DD, #8DB7E8, #81B7F3 and #76B6FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B9DD shade: #98B8DD, #A3B9D1, #AEB9C6, #B9BABB and #C4BBB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B9DD shade: #98DDDB, #98CBDD, #98B9DD, #98A7DD and #9B98DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B9DD shade: #5A8EC8, #79A3D2, #98B8DD, #B7CDE7 and #D6E3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B9DD shade: #99B9DD, #C998DD and #D5DD98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B9DD shade: #99B9DD, #DD98B9 and #B9DD98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B9DD shade: #99B9DD, #C998DD, #DDBB98 and #ABDD98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B9DD shade: #99B9DD, #DD98DB, #DDBB98 and #98DD99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 16 / 0 / 13

HEX #99B9DD

RGB 153 185 221

HSL 211.76, 0.5%, 0.73%

LAB 73.99, -2.47, -21.57

 

Complementary color

CMYK 0 / 31 / 67 / 60

HEX #664622

RGB 102 70 34

HSL 31.76, 0.5%, 0.27%

LAB 32.53, 9.58, 26.77

 

CMYK 27 / 14 / 0 / 15

HEX #9EB9D8

RGB 158 185 216

HSL 212.07, 0.43%, 0.73%

LAB 74.14, -2.21, -18.59

 

CMYK 26 / 14 / 0 / 8

HEX #AFCBEB

RGB 175 203 235

HSL 212, 0.6%, 0.8%

LAB 80.64, -2.36, -18.9

 

CMYK 24 / 13 / 0 / 0

HEX #C0DDFE

RGB 192 221 254

HSL 211.94, 0.97%, 0.87%

LAB 87.03, -2.5, -19.22

 

CMYK 18 / 6 / 0 / 0

HEX #D1EFFF

RGB 209 239 255

HSL 200.87, 1%, 0.91%

LAB 92.8, -6.49, -10.99

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 31 / 16 / 0 / 13

HEX #99B9DD

RGB 153 185 221

HSL 211.76, 0.5%, 0.73%

LAB 73.99, -2.47, -21.57

 

CMYK 33 / 17 / 0 / 21

HEX #88A7CA

RGB 136 167 202

HSL 211.82, 0.38%, 0.66%

LAB 67.38, -2.27, -21.32

 

CMYK 35 / 19 / 0 / 28

HEX #7795B7

RGB 119 149 183

HSL 211.88, 0.31%, 0.59%

LAB 60.64, -2.04, -21.08

 

CMYK 38 / 20 / 0 / 36

HEX #6683A4

RGB 102 131 164

HSL 211.94, 0.25%, 0.52%

LAB 53.75, -1.78, -20.86

 

CMYK 41 / 22 / 0 / 43

HEX #557191

RGB 85 113 145

HSL 212, 0.26%, 0.45%

LAB 46.69, -1.46, -20.67

 

CMYK 31 / 17 / 0 / 13

HEX #98B8DD

RGB 152 184 221

HSL 212.17, 0.5%, 0.73%

LAB 73.66, -2.21, -22.08

 

CMYK 31 / 25 / 0 / 13

HEX #98A6DD

RGB 152 166 221

HSL 227.83, 0.5%, 0.73%

LAB 68.87, 7.72, -29.41

 

CMYK 29 / 31 / 0 / 13

HEX #9C98DD

RGB 156 152 221

HSL 243.48, 0.5%, 0.73%

LAB 65.55, 16.8, -34.53

 

CMYK 21 / 31 / 0 / 13

HEX #AF98DD

RGB 175 152 221

HSL 260, 0.5%, 0.73%

LAB 67.12, 22.44, -31.97

 

CMYK 12 / 31 / 0 / 13

HEX #C298DD

RGB 194 152 221

HSL 276.52, 0.5%, 0.73%

LAB 68.86, 28.3, -29.15

 

CMYK 31 / 17 / 0 / 13

HEX #98B8DD

RGB 152 184 221

HSL 212.17, 0.5%, 0.73%

LAB 73.66, -2.21, -22.08

 

CMYK 31 / 25 / 0 / 13

HEX #98A6DD

RGB 152 166 221

HSL 227.83, 0.5%, 0.73%

LAB 68.87, 7.72, -29.41

 

CMYK 31 / 31 / 0 / 13

HEX #9898DD

RGB 152 152 221

HSL 240, 0.5%, 0.73%

LAB 65.24, 15.65, -35.03

 

CMYK 31 / 17 / 0 / 13

HEX #98B8DD

RGB 152 184 221

HSL 212.17, 0.5%, 0.73%

LAB 73.66, -2.21, -22.08

 

CMYK 39 / 21 / 0 / 9

HEX #8DB7E8

RGB 141 183 232

HSL 212.31, 0.66%, 0.73%

LAB 73.13, -1.87, -28.93

 

CMYK 47 / 25 / 0 / 5

HEX #81B7F3

RGB 129 183 243

HSL 211.58, 0.83%, 0.73%

LAB 72.9, -1.84, -35.3

 

CMYK 54 / 28 / 0 / 0

HEX #76B6FE

RGB 118 182 254

HSL 211.76, 0.99%, 0.73%

LAB 72.54, -0.52, -41.84

 

CMYK 31 / 17 / 0 / 13

HEX #98B8DD

RGB 152 184 221

HSL 212.17, 0.5%, 0.73%

LAB 73.66, -2.21, -22.08

 

CMYK 22 / 11 / 0 / 18

HEX #A3B9D1

RGB 163 185 209

HSL 211.3, 0.33%, 0.73%

LAB 74.25, -2.31, -14.59

 

CMYK 12 / 7 / 0 / 22

HEX #AEB9C6

RGB 174 185 198

HSL 212.5, 0.17%, 0.73%

LAB 74.68, -1.18, -7.87

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 0 / 5 / 10 / 23

HEX #C4BBB0

RGB 196 187 176

HSL 33, 0.14%, 0.73%

LAB 76.32, 1.26, 6.69

 

CMYK 31 / 0 / 1 / 13

HEX #98DDDB

RGB 152 221 219

HSL 178.26, 0.5%, 0.73%

LAB 83.71, -21.9, -5.94

 

CMYK 31 / 8 / 0 / 13

HEX #98CBDD

RGB 152 203 221

HSL 195.65, 0.5%, 0.73%

LAB 78.81, -12.3, -14.29

 

CMYK 31 / 16 / 0 / 13

HEX #98B9DD

RGB 152 185 221

HSL 211.3, 0.5%, 0.73%

LAB 73.93, -2.75, -21.67

 

CMYK 31 / 24 / 0 / 13

HEX #98A7DD

RGB 152 167 221

HSL 226.96, 0.5%, 0.73%

LAB 69.14, 7.16, -29.01

 

CMYK 30 / 31 / 0 / 13

HEX #9B98DD

RGB 155 152 221

HSL 242.61, 0.5%, 0.73%

LAB 65.47, 16.51, -34.66

 

CMYK 55 / 29 / 0 / 22

HEX #5A8EC8

RGB 90 142 200

HSL 211.64, 0.5%, 0.57%

LAB 57.74, -0.45, -35.28

 

CMYK 42 / 22 / 0 / 18

HEX #79A3D2

RGB 121 163 210

HSL 211.69, 0.5%, 0.65%

LAB 65.68, -2.02, -28.43

 

CMYK 31 / 17 / 0 / 13

HEX #98B8DD

RGB 152 184 221

HSL 212.17, 0.5%, 0.73%

LAB 73.66, -2.21, -22.08

 

CMYK 21 / 11 / 0 / 9

HEX #B7CDE7

RGB 183 205 231

HSL 212.5, 0.5%, 0.81%

LAB 81.57, -1.91, -15.32

 

CMYK 11 / 6 / 0 / 5

HEX #D6E3F1

RGB 214 227 241

HSL 211.11, 0.49%, 0.89%

LAB 89.67, -1.62, -8.3

 

CMYK 31 / 16 / 0 / 13

HEX #99B9DD

RGB 153 185 221

HSL 211.76, 0.5%, 0.73%

LAB 73.99, -2.47, -21.57

 

CMYK 9 / 31 / 0 / 13

HEX #C998DD

RGB 201 152 221

HSL 282.61, 0.5%, 0.73%

LAB 69.54, 30.49, -28.04

 

CMYK 4 / 0 / 31 / 13

HEX #D5DD98

RGB 213 221 152

HSL 66.96, 0.5%, 0.73%

LAB 86.07, -13.52, 33.04

 

CMYK 31 / 16 / 0 / 13

HEX #99B9DD

RGB 153 185 221

HSL 211.76, 0.5%, 0.73%

LAB 73.99, -2.47, -21.57

 

CMYK 0 / 31 / 16 / 13

HEX #DD98B9

RGB 221 152 185

HSL 331.3, 0.5%, 0.73%

LAB 70.41, 30.65, -6.6

 

CMYK 16 / 0 / 31 / 13

HEX #B9DD98

RGB 185 221 152

HSL 91.3, 0.5%, 0.73%

LAB 84.12, -23.84, 30.1

 

CMYK 31 / 16 / 0 / 13

HEX #99B9DD

RGB 153 185 221

HSL 211.76, 0.5%, 0.73%

LAB 73.99, -2.47, -21.57

 

CMYK 9 / 31 / 0 / 13

HEX #C998DD

RGB 201 152 221

HSL 282.61, 0.5%, 0.73%

LAB 69.54, 30.49, -28.04

 

CMYK 0 / 15 / 31 / 13

HEX #DDBB98

RGB 221 187 152

HSL 30.43, 0.5%, 0.73%

LAB 77.98, 7.12, 22.27

 

CMYK 23 / 0 / 31 / 13

HEX #ABDD98

RGB 171 221 152

HSL 103.48, 0.5%, 0.73%

LAB 83.25, -28.76, 28.79

 

CMYK 31 / 16 / 0 / 13

HEX #99B9DD

RGB 153 185 221

HSL 211.76, 0.5%, 0.73%

LAB 73.99, -2.47, -21.57

 

CMYK 0 / 31 / 1 / 13

HEX #DD98DB

RGB 221 152 219

HSL 301.74, 0.5%, 0.73%

LAB 71.52, 36.46, -23.73

 

CMYK 0 / 15 / 31 / 13

HEX #DDBB98

RGB 221 187 152

HSL 30.43, 0.5%, 0.73%

LAB 77.98, 7.12, 22.27

 

CMYK 31 / 0 / 31 / 13

HEX #98DD99

RGB 152 221 153

HSL 120.87, 0.5%, 0.73%

LAB 82.21, -34.91, 26.69

 

Description

Color code: HEX #99B9DD | qconv.com Color code: HEX #99B9DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 185 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 185 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 16 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 16% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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