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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B833 it is the complementary color #6647CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B833 shade: #9EB82E, #AFCA41, #C0DC54, #D1EE67 and #E2FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B833 shade: #99B833, #88A620, #77940D, #668200 and #557000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B833 shade: #99B832, #B8B332, #B88F32, #B86B32 and #B84732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B833 shade: #99B832, #75B832, #51B832, #32B838 and #32B85C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B833 shade matches the following richer shades: #99B832, #A3CB1F and #ADDE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B833 shade: #99B832, #8FA545, #859258, #7B7F6B and #706C7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B833 shade: #B88E32, #B8B132, #9BB832, #78B832 and #54B832

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B833 shade: #637721, #7E982A, #99B832, #AECD47 and #BCD668

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B833 shade: #99B833, #32B86A and #A032B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B833 shade: #99B833, #329BB8 and #B8329B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B833 shade: #99B833, #32B86A, #4F32B8 and #B83280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B833 shade: #99B833, #32B892, #4F32B8 and #B83258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 72 / 28

HEX #99B833

RGB 153 184 51

HSL 73.98, 0.57%, 0.46%

LAB 70.38, -28.62, 60.3

 

Complementary color

CMYK 50 / 65 / 0 / 20

HEX #6647CC

RGB 102 71 204

HSL 253.98, 0.57%, 0.54%

LAB 40.72, 45.97, -64.7

 

CMYK 14 / 0 / 75 / 28

HEX #9EB82E

RGB 158 184 46

HSL 71.3, 0.6%, 0.45%

LAB 70.7, -26.82, 62.45

 

CMYK 13 / 0 / 68 / 21

HEX #AFCA41

RGB 175 202 65

HSL 71.82, 0.56%, 0.52%

LAB 77.12, -27.47, 62.35

 

CMYK 13 / 0 / 62 / 14

HEX #C0DC54

RGB 192 220 84

HSL 72.35, 0.66%, 0.6%

LAB 83.46, -27.97, 61.77

 

CMYK 12 / 0 / 57 / 7

HEX #D1EE67

RGB 209 238 103

HSL 72.89, 0.8%, 0.67%

LAB 89.71, -28.37, 60.92

 

CMYK 11 / 0 / 52 / 0

HEX #E2FF7A

RGB 226 255 122

HSL 73.08, 1%, 0.74%

LAB 95.62, -28.22, 59.63

 

CMYK 17 / 0 / 72 / 28

HEX #99B833

RGB 153 184 51

HSL 73.98, 0.57%, 0.46%

LAB 70.38, -28.62, 60.3

 

CMYK 18 / 0 / 81 / 35

HEX #88A620

RGB 136 166 32

HSL 73.43, 0.68%, 0.39%

LAB 63.84, -27.91, 59.93

 

CMYK 20 / 0 / 91 / 42

HEX #77940D

RGB 119 148 13

HSL 72.89, 0.84%, 0.32%

LAB 57.2, -26.97, 58.27

 

CMYK 22 / 0 / 100 / 49

HEX #668200

RGB 102 130 0

HSL 72.92, 1%, 0.25%

LAB 50.44, -25.75, 54.71

 

CMYK 24 / 0 / 100 / 56

HEX #557000

RGB 85 112 0

HSL 74.46, 1%, 0.22%

LAB 43.54, -24.25, 48.96

 

CMYK 17 / 0 / 73 / 28

HEX #99B832

RGB 153 184 50

HSL 73.88, 0.57%, 0.46%

LAB 70.37, -28.67, 60.65

 

CMYK 0 / 3 / 73 / 28

HEX #B8B332

RGB 184 179 50

HSL 57.76, 0.57%, 0.46%

LAB 71.32, -13.09, 62.39

 

CMYK 0 / 22 / 73 / 28

HEX #B88F32

RGB 184 143 50

HSL 41.64, 0.57%, 0.46%

LAB 61.71, 6.1, 52.99

 

CMYK 0 / 42 / 73 / 28

HEX #B86B32

RGB 184 107 50

HSL 25.52, 0.57%, 0.46%

LAB 52.88, 26.01, 43.9

 

CMYK 0 / 61 / 73 / 28

HEX #B84732

RGB 184 71 50

HSL 9.4, 0.57%, 0.46%

LAB 45.53, 44.51, 35.9

 

CMYK 17 / 0 / 73 / 28

HEX #99B832

RGB 153 184 50

HSL 73.88, 0.57%, 0.46%

LAB 70.37, -28.67, 60.65

 

CMYK 36 / 0 / 73 / 28

HEX #75B832

RGB 117 184 50

HSL 90, 0.57%, 0.46%

LAB 68.24, -42.5, 57.83

 

CMYK 56 / 0 / 73 / 28

HEX #51B832

RGB 81 184 50

HSL 106.12, 0.57%, 0.46%

LAB 66.72, -53.75, 55.81

 

CMYK 73 / 0 / 70 / 28

HEX #32B838

RGB 50 184 56

HSL 122.69, 0.57%, 0.46%

LAB 65.94, -59.96, 52.46

 

CMYK 73 / 0 / 50 / 28

HEX #32B85C

RGB 50 184 92

HSL 138.81, 0.57%, 0.46%

LAB 66.31, -55.5, 36.5

 

CMYK 17 / 0 / 73 / 28

HEX #99B832

RGB 153 184 50

HSL 73.88, 0.57%, 0.46%

LAB 70.37, -28.67, 60.65

 

CMYK 20 / 0 / 85 / 20

HEX #A3CB1F

RGB 163 203 31

HSL 73.95, 0.74%, 0.46%

LAB 76.43, -34.31, 71.84

 

CMYK 22 / 0 / 95 / 13

HEX #ADDE0C

RGB 173 222 12

HSL 74, 0.9%, 0.46%

LAB 82.46, -39.32, 79.94

 

CMYK 17 / 0 / 73 / 28

HEX #99B832

RGB 153 184 50

HSL 73.88, 0.57%, 0.46%

LAB 70.37, -28.67, 60.65

 

CMYK 13 / 0 / 58 / 35

HEX #8FA545

RGB 143 165 69

HSL 73.75, 0.41%, 0.46%

LAB 64.31, -22.17, 46.25

 

CMYK 9 / 0 / 40 / 43

HEX #859258

RGB 133 146 88

HSL 73.45, 0.25%, 0.46%

LAB 58.27, -14.49, 29.18

 

CMYK 3 / 0 / 16 / 50

HEX #7B7F6B

RGB 123 127 107

HSL 72, 0.09%, 0.46%

LAB 52.34, -5.28, 10.38

 

CMYK 11 / 14 / 0 / 51

HEX #706C7E

RGB 112 108 126

HSL 253.33, 0.08%, 0.46%

LAB 46.55, 5.38, -9.4

 

CMYK 0 / 23 / 73 / 28

HEX #B88E32

RGB 184 142 50

HSL 41.19, 0.57%, 0.46%

LAB 61.45, 6.65, 52.73

 

CMYK 0 / 4 / 73 / 28

HEX #B8B132

RGB 184 177 50

HSL 56.87, 0.57%, 0.46%

LAB 70.78, -12.06, 61.86

 

CMYK 16 / 0 / 73 / 28

HEX #9BB832

RGB 155 184 50

HSL 72.99, 0.57%, 0.46%

LAB 70.51, -27.85, 60.83

 

CMYK 35 / 0 / 73 / 28

HEX #78B832

RGB 120 184 50

HSL 88.66, 0.57%, 0.46%

LAB 68.39, -41.43, 58.03

 

CMYK 54 / 0 / 73 / 28

HEX #54B832

RGB 84 184 50

HSL 104.78, 0.57%, 0.46%

LAB 66.82, -52.94, 55.95

 

CMYK 17 / 0 / 72 / 53

HEX #637721

RGB 99 119 33

HSL 73.95, 0.57%, 0.3%

LAB 46.92, -20.24, 42.63

 

CMYK 17 / 0 / 72 / 40

HEX #7E982A

RGB 126 152 42

HSL 74.18, 0.57%, 0.38%

LAB 59.03, -24.77, 51.82

 

CMYK 17 / 0 / 73 / 28

HEX #99B832

RGB 153 184 50

HSL 73.88, 0.57%, 0.46%

LAB 70.37, -28.67, 60.65

 

CMYK 15 / 0 / 65 / 20

HEX #AECD47

RGB 174 205 71

HSL 73.88, 0.57%, 0.54%

LAB 77.94, -28.91, 60.83

 

CMYK 12 / 0 / 51 / 16

HEX #BCD668

RGB 188 214 104

HSL 74.18, 0.57%, 0.62%

LAB 81.72, -25.03, 50.87

 

CMYK 17 / 0 / 72 / 28

HEX #99B833

RGB 153 184 51

HSL 73.98, 0.57%, 0.46%

LAB 70.38, -28.62, 60.3

 

CMYK 73 / 0 / 42 / 28

HEX #32B86A

RGB 50 184 106

HSL 145.07, 0.57%, 0.46%

LAB 66.52, -53.14, 29.59

 

CMYK 13 / 73 / 0 / 28

HEX #A032B8

RGB 160 50 184

HSL 289.25, 0.57%, 0.46%

LAB 43.09, 62.61, -48.87

 

CMYK 17 / 0 / 72 / 28

HEX #99B833

RGB 153 184 51

HSL 73.98, 0.57%, 0.46%

LAB 70.38, -28.62, 60.3

 

CMYK 73 / 16 / 0 / 28

HEX #329BB8

RGB 50 155 184

HSL 192.99, 0.57%, 0.46%

LAB 59.51, -19.93, -23.63

 

CMYK 0 / 73 / 16 / 28

HEX #B8329B

RGB 184 50 155

HSL 312.99, 0.57%, 0.46%

LAB 45.41, 63.26, -27.72

 

CMYK 17 / 0 / 72 / 28

HEX #99B833

RGB 153 184 51

HSL 73.98, 0.57%, 0.46%

LAB 70.38, -28.62, 60.3

 

CMYK 73 / 0 / 42 / 28

HEX #32B86A

RGB 50 184 106

HSL 145.07, 0.57%, 0.46%

LAB 66.52, -53.14, 29.59

 

CMYK 57 / 73 / 0 / 28

HEX #4F32B8

RGB 79 50 184

HSL 252.99, 0.57%, 0.46%

LAB 32.71, 47.77, -66.19

 

CMYK 0 / 73 / 30 / 28

HEX #B83280

RGB 184 50 128

HSL 325.07, 0.57%, 0.46%

LAB 44.28, 59.71, -13.12

 

CMYK 17 / 0 / 72 / 28

HEX #99B833

RGB 153 184 51

HSL 73.98, 0.57%, 0.46%

LAB 70.38, -28.62, 60.3

 

CMYK 73 / 0 / 21 / 28

HEX #32B892

RGB 50 184 146

HSL 162.99, 0.57%, 0.46%

LAB 67.3, -44.6, 9.15

 

CMYK 57 / 73 / 0 / 28

HEX #4F32B8

RGB 79 50 184

HSL 252.99, 0.57%, 0.46%

LAB 32.71, 47.77, -66.19

 

CMYK 0 / 73 / 52 / 28

HEX #B83258

RGB 184 50 88

HSL 342.99, 0.57%, 0.46%

LAB 43.03, 55.65, 9.82

 

Description

Color code: HEX #99B833 | qconv.com Color code: HEX #99B833 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 184 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 184 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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