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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99B81B it is the complementary color #6647E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99B81B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99B81B shade: #9EB816, #AFCA29, #C0DC3C, #D1EE4F and #E2FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99B81B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99B81B shade: #99B81B, #88A608, #779400, #668200 and #557000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99B81B shade: #97B61B, #B6AB1B, #B6811B, #B6571B and #B62E1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99B81B shade: #97B61B, #6EB61B, #44B61B, #1BB61C and #1BB646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99B81B shade matches the following richer shades: #97B61B and #A2C70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99B81B shade: #97B61B, #8DA52C, #83943D, #79834E and #6E725F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99B81B shade: #B6801B, #B6A91B, #9AB61B, #70B61B and #47B61B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99B81B shade: #5C6E10, #799216, #97B61B, #B5DA21 and #C3E341

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99B81B shade: #99B81B, #1BB656 and #941BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99B81B shade: #99B81B, #1B9AB6 and #B61B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99B81B shade: #99B81B, #1BB656, #381BB6 and #B61B7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99B81B shade: #99B81B, #1BB685, #381BB6 and #B61B4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 85 / 28

HEX #99B81B

RGB 153 184 27

HSL 71.85, 0.74%, 0.41%

LAB 70.27, -29.63, 67.23

 

Complementary color

CMYK 55 / 69 / 0 / 11

HEX #6647E4

RGB 102 71 228

HSL 251.85, 0.74%, 0.59%

LAB 42.66, 52.91, -75.29

 

CMYK 14 / 0 / 88 / 28

HEX #9EB816

RGB 158 184 22

HSL 69.63, 0.79%, 0.4%

LAB 70.6, -27.68, 68.67

 

CMYK 13 / 0 / 80 / 21

HEX #AFCA29

RGB 175 202 41

HSL 70.06, 0.66%, 0.48%

LAB 76.99, -28.64, 70.17

 

CMYK 13 / 0 / 73 / 14

HEX #C0DC3C

RGB 192 220 60

HSL 70.5, 0.7%, 0.55%

LAB 83.29, -29.41, 70.63

 

CMYK 12 / 0 / 67 / 7

HEX #D1EE4F

RGB 209 238 79

HSL 70.94, 0.82%, 0.62%

LAB 89.52, -30.04, 70.45

 

CMYK 11 / 0 / 62 / 0

HEX #E2FF62

RGB 226 255 98

HSL 71.08, 1%, 0.69%

LAB 95.4, -30.09, 69.61

 

CMYK 17 / 0 / 85 / 28

HEX #99B81B

RGB 153 184 27

HSL 71.85, 0.74%, 0.41%

LAB 70.27, -29.63, 67.23

 

CMYK 18 / 0 / 95 / 35

HEX #88A608

RGB 136 166 8

HSL 71.39, 0.91%, 0.34%

LAB 63.77, -28.56, 64.74

 

CMYK 20 / 0 / 100 / 42

HEX #779400

RGB 119 148 0

HSL 71.76, 1%, 0.29%

LAB 57.17, -27.23, 60.31

 

CMYK 22 / 0 / 100 / 49

HEX #668200

RGB 102 130 0

HSL 72.92, 1%, 0.25%

LAB 50.44, -25.75, 54.71

 

CMYK 24 / 0 / 100 / 56

HEX #557000

RGB 85 112 0

HSL 74.46, 1%, 0.22%

LAB 43.54, -24.25, 48.96

 

CMYK 17 / 0 / 85 / 29

HEX #97B61B

RGB 151 182 27

HSL 72, 0.74%, 0.41%

LAB 69.55, -29.5, 66.57

 

CMYK 0 / 6 / 85 / 29

HEX #B6AB1B

RGB 182 171 27

HSL 55.74, 0.74%, 0.41%

LAB 68.86, -10.66, 66.96

 

CMYK 0 / 29 / 85 / 29

HEX #B6811B

RGB 182 129 27

HSL 39.48, 0.74%, 0.41%

LAB 57.77, 12.06, 57.74

 

CMYK 0 / 52 / 85 / 29

HEX #B6571B

RGB 182 87 27

HSL 23.23, 0.74%, 0.41%

LAB 48.06, 35, 49.5

 

CMYK 0 / 75 / 85 / 29

HEX #B62E1B

RGB 182 46 27

HSL 7.35, 0.74%, 0.41%

LAB 41.18, 53.22, 43.54

 

CMYK 17 / 0 / 85 / 29

HEX #97B61B

RGB 151 182 27

HSL 72, 0.74%, 0.41%

LAB 69.55, -29.5, 66.57

 

CMYK 40 / 0 / 85 / 29

HEX #6EB61B

RGB 110 182 27

HSL 87.87, 0.74%, 0.41%

LAB 67.16, -45.29, 63.58

 

CMYK 63 / 0 / 85 / 29

HEX #44B61B

RGB 68 182 27

HSL 104.13, 0.74%, 0.41%

LAB 65.56, -57.64, 61.55

 

CMYK 85 / 0 / 85 / 29

HEX #1BB61C

RGB 27 182 28

HSL 120.39, 0.74%, 0.41%

LAB 64.78, -64.35, 60.32

 

CMYK 85 / 0 / 62 / 29

HEX #1BB646

RGB 27 182 70

HSL 136.65, 0.74%, 0.41%

LAB 65.07, -60.78, 45.45

 

CMYK 17 / 0 / 85 / 29

HEX #97B61B

RGB 151 182 27

HSL 72, 0.74%, 0.41%

LAB 69.55, -29.5, 66.57

 

CMYK 19 / 0 / 95 / 22

HEX #A2C70A

RGB 162 199 10

HSL 71.75, 0.9%, 0.41%

LAB 75.17, -33.31, 74.15

 

CMYK 17 / 0 / 85 / 29

HEX #97B61B

RGB 151 182 27

HSL 72, 0.74%, 0.41%

LAB 69.55, -29.5, 66.57

 

CMYK 15 / 0 / 73 / 35

HEX #8DA52C

RGB 141 165 44

HSL 71.9, 0.58%, 0.41%

LAB 63.96, -24.76, 56.27

 

CMYK 11 / 0 / 59 / 42

HEX #83943D

RGB 131 148 61

HSL 71.72, 0.42%, 0.41%

LAB 58.36, -19.25, 43.05

 

CMYK 8 / 0 / 40 / 49

HEX #79834E

RGB 121 131 78

HSL 71.32, 0.25%, 0.41%

LAB 52.78, -12.7, 27.41

 

CMYK 4 / 0 / 17 / 55

HEX #6E725F

RGB 110 114 95

HSL 72.63, 0.09%, 0.41%

LAB 47.2, -5.19, 10.03

 

CMYK 0 / 30 / 85 / 29

HEX #B6801B

RGB 182 128 27

HSL 39.1, 0.74%, 0.41%

LAB 57.52, 12.62, 57.53

 

CMYK 0 / 7 / 85 / 29

HEX #B6A91B

RGB 182 169 27

HSL 54.97, 0.74%, 0.41%

LAB 68.31, -9.62, 66.51

 

CMYK 15 / 0 / 85 / 29

HEX #9AB61B

RGB 154 182 27

HSL 70.84, 0.74%, 0.41%

LAB 69.76, -28.26, 66.83

 

CMYK 38 / 0 / 85 / 29

HEX #70B61B

RGB 112 182 27

HSL 87.1, 0.74%, 0.41%

LAB 67.26, -44.59, 63.7

 

CMYK 61 / 0 / 85 / 29

HEX #47B61B

RGB 71 182 27

HSL 102.97, 0.74%, 0.41%

LAB 65.65, -56.93, 61.66

 

CMYK 16 / 0 / 85 / 57

HEX #5C6E10

RGB 92 110 16

HSL 71.49, 0.75%, 0.25%

LAB 43.46, -19.58, 45.23

 

CMYK 17 / 0 / 85 / 43

HEX #799216

RGB 121 146 22

HSL 72.1, 0.74%, 0.33%

LAB 56.76, -24.87, 56.01

 

CMYK 17 / 0 / 85 / 29

HEX #97B61B

RGB 151 182 27

HSL 72, 0.74%, 0.41%

LAB 69.55, -29.5, 66.57

 

CMYK 17 / 0 / 85 / 15

HEX #B5DA21

RGB 181 218 33

HSL 72, 0.74%, 0.49%

LAB 81.88, -33.93, 76.48

 

CMYK 14 / 0 / 71 / 11

HEX #C3E341

RGB 195 227 65

HSL 71.85, 0.74%, 0.57%

LAB 85.46, -31.24, 71.11

 

CMYK 17 / 0 / 85 / 28

HEX #99B81B

RGB 153 184 27

HSL 71.85, 0.74%, 0.41%

LAB 70.27, -29.63, 67.23

 

CMYK 85 / 0 / 53 / 29

HEX #1BB656

RGB 27 182 86

HSL 142.84, 0.74%, 0.41%

LAB 65.25, -58.57, 38.09

 

CMYK 19 / 85 / 0 / 29

HEX #941BB6

RGB 148 27 182

HSL 286.84, 0.74%, 0.41%

LAB 38.65, 66.94, -54.93

 

CMYK 17 / 0 / 85 / 28

HEX #99B81B

RGB 153 184 27

HSL 71.85, 0.74%, 0.41%

LAB 70.27, -29.63, 67.23

 

CMYK 85 / 15 / 0 / 29

HEX #1B9AB6

RGB 27 154 182

HSL 190.84, 0.74%, 0.41%

LAB 58.72, -22.44, -23.75

 

CMYK 0 / 85 / 15 / 29

HEX #B61B9A

RGB 182 27 154

HSL 310.84, 0.74%, 0.41%

LAB 42.86, 68.86, -31.15

 

CMYK 17 / 0 / 85 / 28

HEX #99B81B

RGB 153 184 27

HSL 71.85, 0.74%, 0.41%

LAB 70.27, -29.63, 67.23

 

CMYK 85 / 0 / 53 / 29

HEX #1BB656

RGB 27 182 86

HSL 142.84, 0.74%, 0.41%

LAB 65.25, -58.57, 38.09

 

CMYK 69 / 85 / 0 / 29

HEX #381BB6

RGB 56 27 182

HSL 251.23, 0.74%, 0.41%

LAB 26.74, 55.43, -74.92

 

CMYK 0 / 85 / 32 / 29

HEX #B61B7B

RGB 182 27 123

HSL 322.84, 0.74%, 0.41%

LAB 41.47, 65.03, -14.34

 

CMYK 17 / 0 / 85 / 28

HEX #99B81B

RGB 153 184 27

HSL 71.85, 0.74%, 0.41%

LAB 70.27, -29.63, 67.23

 

CMYK 85 / 0 / 27 / 29

HEX #1BB685

RGB 27 182 133

HSL 161.03, 0.74%, 0.41%

LAB 66.05, -49.4, 14.44

 

CMYK 69 / 85 / 0 / 29

HEX #381BB6

RGB 56 27 182

HSL 251.23, 0.74%, 0.41%

LAB 26.74, 55.43, -74.92

 

CMYK 0 / 85 / 58 / 29

HEX #B61B4C

RGB 182 27 76

HSL 341.03, 0.74%, 0.41%

LAB 40, 60.84, 13.12

 

Description

Color code: HEX #99B81B | qconv.com Color code: HEX #99B81B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 184 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 184 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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