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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99AB47 it is the complementary color #6654B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99AB47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #99AB47: #9EAB42, #AFBD55, #C0CF68, #D1E17B and #E2F38E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99AB47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #99AB47: #99AB47, #889934, #778721, #66750E and #556300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

Complementary color

CMYK 45 / 54 / 0 / 28

HEX #6654B8

RGB 102 84 184

HSL 250.8, 0.41%, 0.53%

LAB 42.19, 32.53, -50.68

 

CMYK 8 / 0 / 61 / 33

HEX #9EAB42

RGB 158 171 66

HSL 67.43, 0.44%, 0.46%

LAB 67.12, -19.18, 51.03

 

CMYK 7 / 0 / 55 / 26

HEX #AFBD55

RGB 175 189 85

HSL 68.08, 0.44%, 0.54%

LAB 73.65, -19.66, 50.08

 

CMYK 7 / 0 / 50 / 19

HEX #C0CF68

RGB 192 207 104

HSL 68.74, 0.52%, 0.61%

LAB 80.08, -20.04, 49

 

CMYK 7 / 0 / 45 / 12

HEX #D1E17B

RGB 209 225 123

HSL 69.41, 0.63%, 0.68%

LAB 86.42, -20.34, 47.86

 

CMYK 7 / 0 / 42 / 5

HEX #E2F38E

RGB 226 243 142

HSL 70.1, 0.81%, 0.75%

LAB 92.67, -20.58, 46.73

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 11 / 0 / 66 / 40

HEX #889934

RGB 136 153 52

HSL 70.1, 0.49%, 0.4%

LAB 60.13, -20.38, 49.14

 

CMYK 12 / 0 / 76 / 47

HEX #778721

RGB 119 135 33

HSL 69.41, 0.61%, 0.33%

LAB 53.34, -19.7, 49.45

 

CMYK 13 / 0 / 88 / 54

HEX #66750E

RGB 102 117 14

HSL 68.74, 0.79%, 0.26%

LAB 46.42, -18.77, 48.62

 

CMYK 14 / 0 / 100 / 61

HEX #556300

RGB 85 99 0

HSL 68.48, 1%, 0.19%

LAB 39.34, -17.51, 45.79

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 19 / 0 / 58 / 34

HEX #88A846

RGB 136 168 70

HSL 79.59, 0.41%, 0.47%

LAB 64.71, -26.41, 46.11

 

CMYK 29 / 0 / 58 / 34

HEX #77A846

RGB 119 168 70

HSL 90, 0.41%, 0.47%

LAB 63.65, -33.02, 44.61

 

CMYK 39 / 0 / 58 / 34

HEX #67A846

RGB 103 168 70

HSL 99.8, 0.41%, 0.47%

LAB 62.79, -38.76, 43.4

 

CMYK 48 / 0 / 58 / 34

HEX #57A846

RGB 87 168 70

HSL 109.59, 0.41%, 0.47%

LAB 62.06, -43.92, 42.37

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 10 / 0 / 59 / 13

HEX #C7DE5C

RGB 199 222 92

HSL 70.62, 0.66%, 0.62%

LAB 84.56, -25.56, 59.73

 

CMYK 11 / 0 / 61 / 93

HEX #101207

RGB 16 18 7

HSL 70.91, 0.44%, 0.05%

LAB 5.04, -2.54, 4.63

 

CMYK 10 / 0 / 58 / 73

HEX #3E451D

RGB 62 69 29

HSL 70.5, 0.41%, 0.19%

LAB 27.76, -9.96, 22.94

NCS® S7020-G50Y

CMYK 11 / 0 / 58 / 53

HEX #6B7832

RGB 107 120 50

HSL 71.14, 0.41%, 0.33%

LAB 47.99, -15.89, 36.16

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 0 / 37 / 34

HEX #46A86A

RGB 70 168 106

HSL 142.04, 0.41%, 0.47%

LAB 61.95, -42.99, 23.66

 

CMYK 13 / 58 / 0 / 34

HEX #9246A8

RGB 146 70 168

HSL 286.53, 0.41%, 0.47%

LAB 43.24, 47.47, -39.29

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 10 / 0 / 34

HEX #4698A8

RGB 70 152 168

HSL 189.8, 0.41%, 0.47%

LAB 58.59, -20.09, -15.92

 

CMYK 0 / 58 / 10 / 34

HEX #A84698

RGB 168 70 152

HSL 309.8, 0.41%, 0.47%

LAB 45.6, 50.56, -25.84

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 0 / 37 / 34

HEX #46A86A

RGB 70 168 106

HSL 142.04, 0.41%, 0.47%

LAB 61.95, -42.99, 23.66

 

CMYK 48 / 58 / 0 / 34

HEX #5746A8

RGB 87 70 168

HSL 250.41, 0.41%, 0.47%

LAB 36.43, 32.86, -50.58

 

CMYK 0 / 58 / 21 / 34

HEX #A84684

RGB 168 70 132

HSL 322.04, 0.41%, 0.47%

LAB 44.76, 47.42, -15.07

 

CMYK 11 / 0 / 58 / 33

HEX #99AB47

RGB 153 171 71

HSL 70.8, 0.41%, 0.47%

LAB 66.79, -20.87, 48.32

 

CMYK 58 / 0 / 19 / 34

HEX #46A888

RGB 70 168 136

HSL 160.41, 0.41%, 0.47%

LAB 62.58, -36.57, 8.02

 

CMYK 48 / 58 / 0 / 34

HEX #5746A8

RGB 87 70 168

HSL 250.41, 0.41%, 0.47%

LAB 36.43, 32.86, -50.58

 

CMYK 0 / 58 / 39 / 34

HEX #A84667

RGB 168 70 103

HSL 339.8, 0.41%, 0.47%

LAB 43.78, 43.59, 1.22

 

Description

Color code: HEX #99AB47 | qconv.com Color code: HEX #99AB47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 171 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 171 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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