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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99AB33 it is the complementary color #6654CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99AB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99AB33 shade: #9EAB2E, #AFBD41, #C0CF54, #D1E167 and #E2F37A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99AB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99AB33 shade: #99AB33, #889920, #77870D, #667500 and #556300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99AB33 shade: #9BAD34, #AD9E34, #AD7E34, #AD5D34 and #AD3C34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99AB33 shade: #9BAD34, #7AAD34, #59AD34, #39AD34 and #34AD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99AB33 shade matches the following richer shades: #9BAD34, #A7BF21 and #B4D10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99AB33 shade: #9BAD34, #8E9B46, #818858, #74766A and #68647C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99AB33 shade: #AD7E34, #AD9F34, #9BAD34, #7AAD34 and #5AAD34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99AB33 shade: #626D21, #7E8D2A, #9BAD34, #B3C743 and #C0D063

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99AB33 shade: #99AB33, #34AD5E and #8E34AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99AB33 shade: #99AB33, #349BAD and #AD349B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99AB33 shade: #99AB33, #34AD5E, #4634AD and #AD3482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99AB33 shade: #99AB33, #34AD82, #4634AD and #AD345E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 70 / 33

HEX #99AB33

RGB 153 171 51

HSL 69, 0.54%, 0.44%

LAB 66.62, -22.27, 56.59

 

Complementary color

CMYK 50 / 59 / 0 / 20

HEX #6654CC

RGB 102 84 204

HSL 249, 0.54%, 0.56%

LAB 43.54, 38.49, -60.12

 

CMYK 8 / 0 / 73 / 33

HEX #9EAB2E

RGB 158 171 46

HSL 66.24, 0.58%, 0.43%

LAB 66.97, -20.42, 58.9

 

CMYK 7 / 0 / 66 / 26

HEX #AFBD41

RGB 175 189 65

HSL 66.77, 0.49%, 0.5%

LAB 73.47, -21.14, 58.6

 

CMYK 7 / 0 / 59 / 19

HEX #C0CF54

RGB 192 207 84

HSL 67.32, 0.56%, 0.57%

LAB 79.88, -21.71, 57.87

 

CMYK 7 / 0 / 54 / 12

HEX #D1E167

RGB 209 225 103

HSL 67.87, 0.67%, 0.64%

LAB 86.2, -22.18, 56.93

 

CMYK 7 / 0 / 50 / 5

HEX #E2F37A

RGB 226 243 122

HSL 68.43, 0.83%, 0.72%

LAB 92.43, -22.55, 55.88

 

CMYK 11 / 0 / 70 / 33

HEX #99AB33

RGB 153 171 51

HSL 69, 0.54%, 0.44%

LAB 66.62, -22.27, 56.59

 

CMYK 11 / 0 / 79 / 40

HEX #889920

RGB 136 153 32

HSL 68.43, 0.65%, 0.36%

LAB 60, -21.49, 56.45

 

CMYK 12 / 0 / 90 / 47

HEX #77870D

RGB 119 135 13

HSL 67.87, 0.82%, 0.29%

LAB 53.25, -20.46, 55.05

 

CMYK 13 / 0 / 100 / 54

HEX #667500

RGB 102 117 0

HSL 67.69, 1%, 0.23%

LAB 46.37, -19.14, 51.65

 

CMYK 14 / 0 / 100 / 61

HEX #556300

RGB 85 99 0

HSL 68.48, 1%, 0.19%

LAB 39.34, -17.51, 45.79

 

CMYK 10 / 0 / 70 / 32

HEX #9BAD34

RGB 155 173 52

HSL 68.93, 0.54%, 0.44%

LAB 67.35, -22.37, 56.99

 

CMYK 0 / 9 / 70 / 32

HEX #AD9E34

RGB 173 158 52

HSL 52.56, 0.54%, 0.44%

LAB 64.63, -6.82, 54.75

 

CMYK 0 / 27 / 70 / 32

HEX #AD7E34

RGB 173 126 52

HSL 36.69, 0.54%, 0.44%

LAB 56.14, 10.74, 45.99

 

CMYK 0 / 46 / 70 / 32

HEX #AD5D34

RGB 173 93 52

HSL 20.33, 0.54%, 0.44%

LAB 48.21, 29.14, 37.34

 

CMYK 0 / 65 / 70 / 32

HEX #AD3C34

RGB 173 60 52

HSL 3.97, 0.54%, 0.44%

LAB 41.79, 45.65, 29.93

 

CMYK 10 / 0 / 70 / 32

HEX #9BAD34

RGB 155 173 52

HSL 68.93, 0.54%, 0.44%

LAB 67.35, -22.37, 56.99

 

CMYK 29 / 0 / 70 / 32

HEX #7AAD34

RGB 122 173 52

HSL 85.29, 0.54%, 0.44%

LAB 65.18, -35.69, 54.08

 

CMYK 49 / 0 / 70 / 32

HEX #59AD34

RGB 89 173 52

HSL 101.65, 0.54%, 0.44%

LAB 63.56, -47.1, 51.9

 

CMYK 67 / 0 / 70 / 32

HEX #39AD34

RGB 57 173 52

HSL 117.52, 0.54%, 0.44%

LAB 62.51, -55.32, 50.48

 

CMYK 70 / 0 / 54 / 32

HEX #34AD4F

RGB 52 173 79

HSL 133.39, 0.54%, 0.44%

LAB 62.66, -53.15, 38.47

 

CMYK 10 / 0 / 70 / 32

HEX #9BAD34

RGB 155 173 52

HSL 68.93, 0.54%, 0.44%

LAB 67.35, -22.37, 56.99

 

CMYK 13 / 0 / 83 / 25

HEX #A7BF21

RGB 167 191 33

HSL 69.11, 0.71%, 0.44%

LAB 73.28, -26.97, 68.78

 

CMYK 14 / 0 / 93 / 18

HEX #B4D10F

RGB 180 209 15

HSL 68.97, 0.87%, 0.44%

LAB 79.24, -30.54, 77.29

 

CMYK 10 / 0 / 70 / 32

HEX #9BAD34

RGB 155 173 52

HSL 68.93, 0.54%, 0.44%

LAB 67.35, -22.37, 56.99

 

CMYK 8 / 0 / 55 / 39

HEX #8E9B46

RGB 142 155 70

HSL 69.18, 0.38%, 0.44%

LAB 61.34, -17.4, 42.36

 

CMYK 5 / 0 / 35 / 47

HEX #818858

RGB 129 136 88

HSL 68.75, 0.21%, 0.44%

LAB 55.05, -10.76, 24.95

 

CMYK 2 / 0 / 10 / 54

HEX #74766A

RGB 116 118 106

HSL 70, 0.05%, 0.44%

LAB 49.14, -3.1, 6.35

 

CMYK 16 / 19 / 0 / 51

HEX #68647C

RGB 104 100 124

HSL 250, 0.11%, 0.44%

LAB 43.53, 6.88, -12.82

 

CMYK 0 / 27 / 70 / 32

HEX #AD7E34

RGB 173 126 52

HSL 36.69, 0.54%, 0.44%

LAB 56.14, 10.74, 45.99

 

CMYK 0 / 8 / 70 / 32

HEX #AD9F34

RGB 173 159 52

HSL 53.06, 0.54%, 0.44%

LAB 64.91, -7.35, 55.02

 

CMYK 10 / 0 / 70 / 32

HEX #9BAD34

RGB 155 173 52

HSL 68.93, 0.54%, 0.44%

LAB 67.35, -22.37, 56.99

 

CMYK 29 / 0 / 70 / 32

HEX #7AAD34

RGB 122 173 52

HSL 85.29, 0.54%, 0.44%

LAB 65.18, -35.69, 54.08

 

CMYK 48 / 0 / 70 / 32

HEX #5AAD34

RGB 90 173 52

HSL 101.16, 0.54%, 0.44%

LAB 63.6, -46.79, 51.95

 

CMYK 10 / 0 / 70 / 57

HEX #626D21

RGB 98 109 33

HSL 68.68, 0.54%, 0.28%

LAB 43.72, -15.38, 39.34

 

CMYK 11 / 0 / 70 / 45

HEX #7E8D2A

RGB 126 141 42

HSL 69.09, 0.54%, 0.36%

LAB 55.74, -19.21, 48.53

 

CMYK 10 / 0 / 70 / 32

HEX #9BAD34

RGB 155 173 52

HSL 68.93, 0.54%, 0.44%

LAB 67.35, -22.37, 56.99

 

CMYK 10 / 0 / 66 / 22

HEX #B3C743

RGB 179 199 67

HSL 69.09, 0.54%, 0.52%

LAB 76.58, -24.27, 61.11

 

CMYK 8 / 0 / 52 / 18

HEX #C0D063

RGB 192 208 99

HSL 68.81, 0.54%, 0.6%

LAB 80.3, -20.99, 51.61

 

CMYK 11 / 0 / 70 / 33

HEX #99AB33

RGB 153 171 51

HSL 69, 0.54%, 0.44%

LAB 66.62, -22.27, 56.59

 

CMYK 70 / 0 / 46 / 32

HEX #34AD5E

RGB 52 173 94

HSL 140.83, 0.54%, 0.44%

LAB 62.87, -50.8, 31.13

 

CMYK 18 / 70 / 0 / 32

HEX #8E34AD

RGB 142 52 173

HSL 284.63, 0.54%, 0.44%

LAB 39.96, 55.84, -47.54

 

CMYK 11 / 0 / 70 / 33

HEX #99AB33

RGB 153 171 51

HSL 69, 0.54%, 0.44%

LAB 66.62, -22.27, 56.59

 

CMYK 70 / 10 / 0 / 32

HEX #349BAD

RGB 52 155 173

HSL 188.93, 0.54%, 0.44%

LAB 59.15, -23.19, -17.95

 

CMYK 0 / 70 / 10 / 32

HEX #AD349B

RGB 173 52 155

HSL 308.93, 0.54%, 0.44%

LAB 43.81, 59.88, -30.36

 

CMYK 11 / 0 / 70 / 33

HEX #99AB33

RGB 153 171 51

HSL 69, 0.54%, 0.44%

LAB 66.62, -22.27, 56.59

 

CMYK 70 / 0 / 46 / 32

HEX #34AD5E

RGB 52 173 94

HSL 140.83, 0.54%, 0.44%

LAB 62.87, -50.8, 31.13

 

CMYK 60 / 70 / 0 / 32

HEX #4634AD

RGB 70 52 173

HSL 248.93, 0.54%, 0.44%

LAB 31.29, 42, -62

 

CMYK 0 / 70 / 25 / 32

HEX #AD3482

RGB 173 52 130

HSL 321.32, 0.54%, 0.44%

LAB 42.69, 56.28, -16.93

 

CMYK 11 / 0 / 70 / 33

HEX #99AB33

RGB 153 171 51

HSL 69, 0.54%, 0.44%

LAB 66.62, -22.27, 56.59

 

CMYK 70 / 0 / 25 / 32

HEX #34AD82

RGB 52 173 130

HSL 158.68, 0.54%, 0.44%

LAB 63.53, -43.5, 12.62

 

CMYK 60 / 70 / 0 / 32

HEX #4634AD

RGB 70 52 173

HSL 248.93, 0.54%, 0.44%

LAB 31.29, 42, -62

 

CMYK 0 / 70 / 46 / 32

HEX #AD345E

RGB 173 52 94

HSL 339.17, 0.54%, 0.44%

LAB 41.45, 52.13, 3.55

 

Description

Color code: HEX #99AB33 | qconv.com Color code: HEX #99AB33 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 171 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 171 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 70% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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