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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #999EB5 it is the complementary color #66614A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #999EB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #999EB5 shade: #9E9EB0, #AFB0C3, #C0C2D6, #D1D4E9 and #E2E6FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #999EB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #999EB5 shade: #999EB5, #888CA2, #777A8F, #66687C and #555669

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #999EB5 shade: #979DB4, #9A97B4, #A297B4, #A997B4 and #B197B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #999EB5 shade: #979DB4 and #9797B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #999EB5 shade matches the following richer shades: #979DB4, #8993C2, #7B8AD1, #6C81DF and #5E77EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #999EB5 shade: #979DB4, #A6A6A6, #B4AF97, #C3B889 and #D1C27A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #999EB5 shade: #97ACB4, #97A4B4, #979DB4, #9A97B4 and #A197B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #999EB5 shade: #697090, #8086A3, #979DB4, #AFB3C5 and #C7CAD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #999EB5 shade: #999EB5, #B497B4 and #A8B497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #999EB5 shade: #999EB5, #B4979D and #9DB497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #999EB5 shade: #999EB5, #B497B4, #B4AF97 and #97B498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #999EB5 shade: #999EB5, #B497AB, #B4AF97 and #97B4A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 13 / 0 / 29

HEX #999EB5

RGB 153 158 181

HSL 229.29, 0.16%, 0.65%

LAB 65.41, 3.01, -12.5

 

Complementary color

CMYK 0 / 5 / 27 / 60

HEX #66614A

RGB 102 97 74

HSL 49.29, 0.16%, 0.35%

LAB 41.01, -2.13, 13.86

 

CMYK 10 / 10 / 0 / 31

HEX #9E9EB0

RGB 158 158 176

HSL 240, 0.1%, 0.65%

LAB 65.64, 3.62, -9.32

 

CMYK 10 / 10 / 0 / 24

HEX #AFB0C3

RGB 175 176 195

HSL 237, 0.14%, 0.73%

LAB 72.3, 3.4, -9.77

 

CMYK 10 / 9 / 0 / 16

HEX #C0C2D6

RGB 192 194 214

HSL 234.55, 0.21%, 0.8%

LAB 78.84, 3.2, -10.22

 

CMYK 10 / 9 / 0 / 9

HEX #D1D4E9

RGB 209 212 233

HSL 232.5, 0.35%, 0.87%

LAB 85.26, 3.01, -10.66

 

CMYK 10 / 9 / 0 / 1

HEX #E2E6FC

RGB 226 230 252

HSL 230.77, 0.81%, 0.94%

LAB 91.59, 2.82, -11.1

 

CMYK 15 / 13 / 0 / 29

HEX #999EB5

RGB 153 158 181

HSL 229.29, 0.16%, 0.65%

LAB 65.41, 3.01, -12.5

 

CMYK 16 / 14 / 0 / 36

HEX #888CA2

RGB 136 140 162

HSL 230.77, 0.12%, 0.58%

LAB 58.6, 3.24, -12.12

 

CMYK 17 / 15 / 0 / 44

HEX #777A8F

RGB 119 122 143

HSL 232.5, 0.1%, 0.51%

LAB 51.64, 3.48, -11.74

 

CMYK 18 / 16 / 0 / 51

HEX #66687C

RGB 102 104 124

HSL 234.55, 0.1%, 0.44%

LAB 44.49, 3.75, -11.38

 

CMYK 19 / 18 / 0 / 59

HEX #555669

RGB 85 86 105

HSL 237, 0.11%, 0.37%

LAB 37.13, 4.05, -11.03

 

CMYK 16 / 13 / 0 / 29

HEX #979DB4

RGB 151 157 180

HSL 227.59, 0.16%, 0.65%

LAB 64.95, 2.69, -12.64

 

CMYK 14 / 16 / 0 / 29

HEX #9A97B4

RGB 154 151 180

HSL 246.21, 0.16%, 0.65%

LAB 63.59, 7.05, -14.67

 

CMYK 10 / 16 / 0 / 29

HEX #A297B4

RGB 162 151 180

HSL 262.76, 0.16%, 0.65%

LAB 64.25, 9.74, -13.61

 

CMYK 6 / 16 / 0 / 29

HEX #A997B4

RGB 169 151 180

HSL 277.24, 0.16%, 0.65%

LAB 64.85, 12.14, -12.64

 

CMYK 2 / 16 / 0 / 29

HEX #B197B4

RGB 177 151 180

HSL 293.79, 0.16%, 0.65%

LAB 65.57, 14.9, -11.49

 

CMYK 16 / 13 / 0 / 29

HEX #979DB4

RGB 151 157 180

HSL 227.59, 0.16%, 0.65%

LAB 64.95, 2.69, -12.64

 

CMYK 16 / 16 / 0 / 29

HEX #9797B4

RGB 151 151 180

HSL 240, 0.16%, 0.65%

LAB 63.35, 6.06, -15.05

 

CMYK 16 / 13 / 0 / 29

HEX #979DB4

RGB 151 157 180

HSL 227.59, 0.16%, 0.65%

LAB 64.95, 2.69, -12.64

 

CMYK 29 / 24 / 0 / 24

HEX #8993C2

RGB 137 147 194

HSL 229.47, 0.32%, 0.65%

LAB 61.72, 7.25, -25.5

 

CMYK 41 / 34 / 0 / 18

HEX #7B8AD1

RGB 123 138 209

HSL 229.53, 0.48%, 0.65%

LAB 58.97, 12.57, -38.3

 

CMYK 52 / 42 / 0 / 13

HEX #6C81DF

RGB 108 129 223

HSL 229.04, 0.64%, 0.65%

LAB 56.3, 18.46, -50.42

 

CMYK 61 / 50 / 0 / 7

HEX #5E77EE

RGB 94 119 238

HSL 229.58, 0.81%, 0.65%

LAB 53.76, 26.56, -62.93

 

CMYK 16 / 13 / 0 / 29

HEX #979DB4

RGB 151 157 180

HSL 227.59, 0.16%, 0.65%

LAB 64.95, 2.69, -12.64

 

CMYK 0 / 0 / 0 / 35

HEX #A6A6A6

RGB 166 166 166

HSL 0, 0%, 0.65%

LAB 68.12, 0, -0.01

 

CMYK 0 / 3 / 16 / 29

HEX #B4AF97

RGB 180 175 151

HSL 49.66, 0.16%, 0.65%

LAB 71.28, -2.34, 12.95

 

CMYK 0 / 6 / 30 / 24

HEX #C3B889

RGB 195 184 137

HSL 48.62, 0.33%, 0.65%

LAB 74.63, -3.38, 25.33

 

CMYK 0 / 7 / 42 / 18

HEX #D1C27A

RGB 209 194 122

HSL 49.66, 0.49%, 0.65%

LAB 78.2, -4.82, 38.07

 

CMYK 16 / 4 / 0 / 29

HEX #97ACB4

RGB 151 172 180

HSL 196.55, 0.16%, 0.65%

LAB 69.03, -5.55, -6.56

 

CMYK 16 / 9 / 0 / 29

HEX #97A4B4

RGB 151 164 180

HSL 213.1, 0.16%, 0.65%

LAB 66.84, -1.19, -9.81

 

CMYK 16 / 13 / 0 / 29

HEX #979DB4

RGB 151 157 180

HSL 227.59, 0.16%, 0.65%

LAB 64.95, 2.69, -12.64

 

CMYK 14 / 16 / 0 / 29

HEX #9A97B4

RGB 154 151 180

HSL 246.21, 0.16%, 0.65%

LAB 63.59, 7.05, -14.67

 

CMYK 11 / 16 / 0 / 29

HEX #A197B4

RGB 161 151 180

HSL 260.69, 0.16%, 0.65%

LAB 64.17, 9.41, -13.74

 

CMYK 27 / 22 / 0 / 44

HEX #697090

RGB 105 112 144

HSL 229.23, 0.16%, 0.49%

LAB 47.76, 4.97, -18.32

 

CMYK 21 / 18 / 0 / 36

HEX #8086A3

RGB 128 134 163

HSL 229.71, 0.16%, 0.57%

LAB 56.37, 4.25, -16.12

 

CMYK 16 / 13 / 0 / 29

HEX #979DB4

RGB 151 157 180

HSL 227.59, 0.16%, 0.65%

LAB 64.95, 2.69, -12.64

 

CMYK 11 / 9 / 0 / 23

HEX #AFB3C5

RGB 175 179 197

HSL 229.09, 0.16%, 0.73%

LAB 73.14, 2.18, -9.6

 

CMYK 7 / 6 / 0 / 16

HEX #C7CAD7

RGB 199 202 215

HSL 228.75, 0.17%, 0.81%

LAB 81.45, 1.45, -6.81

 

CMYK 15 / 13 / 0 / 29

HEX #999EB5

RGB 153 158 181

HSL 229.29, 0.16%, 0.65%

LAB 65.41, 3.01, -12.5

 

CMYK 0 / 16 / 0 / 29

HEX #B497B4

RGB 180 151 180

HSL 300, 0.16%, 0.65%

LAB 65.85, 15.95, -11.04

 

CMYK 7 / 0 / 16 / 29

HEX #A8B497

RGB 168 180 151

HSL 84.83, 0.16%, 0.65%

LAB 71.69, -9.46, 13.4

 

CMYK 15 / 13 / 0 / 29

HEX #999EB5

RGB 153 158 181

HSL 229.29, 0.16%, 0.65%

LAB 65.41, 3.01, -12.5

 

CMYK 0 / 16 / 13 / 29

HEX #B4979D

RGB 180 151 157

HSL 347.59, 0.16%, 0.65%

LAB 65.18, 11.78, 0.88

 

CMYK 13 / 0 / 16 / 29

HEX #9DB497

RGB 157 180 151

HSL 107.59, 0.16%, 0.65%

LAB 70.9, -13.45, 12.17

 

CMYK 15 / 13 / 0 / 29

HEX #999EB5

RGB 153 158 181

HSL 229.29, 0.16%, 0.65%

LAB 65.41, 3.01, -12.5

 

CMYK 0 / 16 / 0 / 29

HEX #B497B4

RGB 180 151 180

HSL 300, 0.16%, 0.65%

LAB 65.85, 15.95, -11.04

 

CMYK 0 / 3 / 16 / 29

HEX #B4AF97

RGB 180 175 151

HSL 49.66, 0.16%, 0.65%

LAB 71.28, -2.34, 12.95

 

CMYK 16 / 0 / 16 / 29

HEX #97B498

RGB 151 180 152

HSL 122.07, 0.16%, 0.65%

LAB 70.52, -15.39, 11.02

 

CMYK 15 / 13 / 0 / 29

HEX #999EB5

RGB 153 158 181

HSL 229.29, 0.16%, 0.65%

LAB 65.41, 3.01, -12.5

 

CMYK 0 / 16 / 5 / 29

HEX #B497AB

RGB 180 151 171

HSL 318.62, 0.16%, 0.65%

LAB 65.57, 14.25, -6.4

 

CMYK 0 / 3 / 16 / 29

HEX #B4AF97

RGB 180 175 151

HSL 49.66, 0.16%, 0.65%

LAB 71.28, -2.34, 12.95

 

CMYK 16 / 0 / 11 / 29

HEX #97B4A1

RGB 151 180 161

HSL 140.69, 0.16%, 0.65%

LAB 70.73, -13.7, 6.4

 

Description

Color code: HEX #999EB5 | qconv.com Color code: HEX #999EB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 158 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 158 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 13 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 13% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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