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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9990D43F it is the complementary color #666F2B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9990D43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9990D43F shade: #9E90CF3F, #AFA2E23F, #C0B4F53F, #D1C6FF3F and #E2D8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9990D43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9990D43F shade: #9990D43F, #887EC13F, #776CAE3F, #665A9B3F and #5548883F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9990D43F shade: #9A91D4, #AC91D4, #BE91D4, #D091D4 and #D491C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9990D43F shade: #9A91D4 and #9191D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9990D43F shade matches the following richer shades: #9A91D4, #9184E1, #8878ED and #7E6CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9990D43F shade: #9A91D4, #A39DC8, #ACAABB, #B5B6AF and #BEC2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9990D43F shade: #91ADD4, #919BD4, #9991D4, #AB91D4 and #BD91D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9990D43F shade: #6355BD, #7E73C9, #9A91D4, #B5AFE0 and #D0CCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9990D43F shade: #9990D4, #D491BF and #A4D491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9990D43F shade: #9990D4, #D49991 and #91D499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9990D43F shade: #9990D4, #D491BF, #CCD491 and #91D4A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9990D43F shade: #9990D4, #D491AB, #CCD491 and #91D4BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 8 / 0 / 4

HEX #9990D43F

RGBA 153 144 212 0.25

HSLA 247.94, 0.44%, 0.7%, 0.25

LABA 62.9, 18.26, -33.66, 0.25

 

Complementary color

CMYK 2 / 0 / 15 / 14

HEX #666F2B3F

RGBA 102 111 43 0.25

HSLA 67.94, 0.44%, 0.3%, 0.25

LABA 44.76, -13.87, 35.87, 0.25

 

CMYK 6 / 8 / 0 / 5

HEX #9E90CF3F

RGBA 158 144 207 0.25

HSLA 253.33, 0.4%, 0.69%, 0.25

LABA 63.11, 18.53, -30.52, 0.25

 

CMYK 6 / 7 / 0 / 3

HEX #AFA2E23F

RGBA 175 162 226 0.25

HSLA 252.19, 0.52%, 0.76%, 0.25

LABA 69.79, 17.98, -30.6, 0.25

 

CMYK 5 / 7 / 0 / 1

HEX #C0B4F53F

RGBA 192 180 245 0.25

HSLA 251.08, 0.76%, 0.83%, 0.25

LABA 76.34, 17.48, -30.72, 0.25

 

CMYK 5 / 6 / 0 / 0

HEX #D1C6FF3F

RGBA 209 198 255 0.25

HSLA 251.58, 1%, 0.89%, 0.25

LABA 82.47, 15.05, -26.57, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #E2D8FF3F

RGBA 226 216 255 0.25

HSLA 255.38, 1%, 0.92%, 0.25

LABA 88.21, 10.74, -17.74, 0.25

 

CMYK 7 / 8 / 0 / 4

HEX #9990D43F

RGBA 153 144 212 0.25

HSLA 247.94, 0.44%, 0.7%, 0.25

LABA 62.9, 18.26, -33.66, 0.25

 

CMYK 7 / 9 / 0 / 6

HEX #887EC13F

RGBA 136 126 193 0.25

HSLA 248.96, 0.35%, 0.63%, 0.25

LABA 56.09, 18.9, -33.67, 0.25

 

CMYK 8 / 9 / 0 / 8

HEX #776CAE3F

RGBA 119 108 174 0.25

HSLA 250, 0.29%, 0.55%, 0.25

LABA 49.13, 19.64, -33.72, 0.25

 

CMYK 9 / 10 / 0 / 10

HEX #665A9B3F

RGBA 102 90 155 0.25

HSLA 251.08, 0.27%, 0.48%, 0.25

LABA 42.01, 20.49, -33.83, 0.25

 

CMYK 9 / 12 / 0 / 12

HEX #5548883F

RGBA 85 72 136 0.25

HSLA 252.19, 0.31%, 0.41%, 0.25

LABA 34.69, 21.49, -34, 0.25

 

CMYK 27 / 32 / 0 / 17

HEX #9A91D4

RGB 154 145 212

HSL 248.06, 0.44%, 0.7%

LAB 63.24, 17.98, -33.13

 

CMYK 19 / 32 / 0 / 17

HEX #AC91D4

RGB 172 145 212

HSL 264.18, 0.44%, 0.7%

LAB 64.78, 23.41, -30.62

 

CMYK 10 / 32 / 0 / 17

HEX #BE91D4

RGB 190 145 212

HSL 280.3, 0.44%, 0.7%

LAB 66.48, 29.03, -27.86

 

CMYK 2 / 32 / 0 / 17

HEX #D091D4

RGB 208 145 212

HSL 296.42, 0.44%, 0.7%

LAB 68.32, 34.76, -24.87

 

CMYK 0 / 32 / 7 / 17

HEX #D491C6

RGB 212 145 198

HSL 312.54, 0.44%, 0.7%

LAB 68.26, 33.51, -17.15

 

CMYK 27 / 32 / 0 / 17

HEX #9A91D4

RGB 154 145 212

HSL 248.06, 0.44%, 0.7%

LAB 63.24, 17.98, -33.13

 

CMYK 32 / 32 / 0 / 17

HEX #9191D4

RGB 145 145 212

HSL 240, 0.44%, 0.7%

LAB 62.53, 15.36, -34.29

 

CMYK 27 / 32 / 0 / 17

HEX #9A91D4

RGB 154 145 212

HSL 248.06, 0.44%, 0.7%

LAB 63.24, 17.98, -33.13

 

CMYK 36 / 41 / 0 / 12

HEX #9184E1

RGB 145 132 225

HSL 248.39, 0.61%, 0.7%

LAB 59.85, 26.31, -45.74

 

CMYK 43 / 49 / 0 / 7

HEX #8878ED

RGB 136 120 237

HSL 248.21, 0.76%, 0.7%

LAB 56.86, 34.34, -57.23

 

CMYK 49 / 57 / 0 / 2

HEX #7E6CF9

RGB 126 108 249

HSL 247.66, 0.92%, 0.7%

LAB 54.03, 42.57, -68.5

 

CMYK 27 / 32 / 0 / 17

HEX #9A91D4

RGB 154 145 212

HSL 248.06, 0.44%, 0.7%

LAB 63.24, 17.98, -33.13

 

CMYK 19 / 22 / 0 / 22

HEX #A39DC8

RGB 163 157 200

HSL 248.37, 0.28%, 0.7%

LAB 66.57, 11.08, -21.26

 

CMYK 8 / 9 / 0 / 27

HEX #ACAABB

RGB 172 170 187

HSL 247.06, 0.11%, 0.7%

LAB 70.25, 4.03, -8.44

 

CMYK 1 / 0 / 4 / 29

HEX #B5B6AF

RGB 181 182 175

HSL 68.57, 0.05%, 0.7%

LAB 73.79, -1.63, 3.43

 

CMYK 2 / 0 / 16 / 24

HEX #BEC2A3

RGB 190 194 163

HSL 67.74, 0.2%, 0.7%

LAB 77.39, -6.75, 15.15

 

CMYK 32 / 18 / 0 / 17

HEX #91ADD4

RGB 145 173 212

HSL 214.93, 0.44%, 0.7%

LAB 69.94, -0.45, -22.88

 

CMYK 32 / 27 / 0 / 17

HEX #919BD4

RGB 145 155 212

HSL 231.04, 0.44%, 0.7%

LAB 65.13, 9.63, -30.25

 

CMYK 28 / 32 / 0 / 17

HEX #9991D4

RGB 153 145 212

HSL 247.16, 0.44%, 0.7%

LAB 63.16, 17.68, -33.27

 

CMYK 19 / 32 / 0 / 17

HEX #AB91D4

RGB 171 145 212

HSL 263.28, 0.44%, 0.7%

LAB 64.69, 23.1, -30.76

 

CMYK 11 / 32 / 0 / 17

HEX #BD91D4

RGB 189 145 212

HSL 279.4, 0.44%, 0.7%

LAB 66.38, 28.72, -28.02

 

CMYK 48 / 55 / 0 / 26

HEX #6355BD

RGB 99 85 189

HSL 248.08, 0.44%, 0.54%

LAB 42.5, 32.74, -53.13

 

CMYK 37 / 43 / 0 / 21

HEX #7E73C9

RGB 126 115 201

HSL 247.67, 0.44%, 0.62%

LAB 52.86, 24.75, -43.38

 

CMYK 27 / 32 / 0 / 17

HEX #9A91D4

RGB 154 145 212

HSL 248.06, 0.44%, 0.7%

LAB 63.24, 17.98, -33.13

 

CMYK 19 / 22 / 0 / 12

HEX #B5AFE0

RGB 181 175 224

HSL 247.35, 0.44%, 0.78%

LAB 73.46, 12.14, -23.83

 

CMYK 11 / 13 / 0 / 8

HEX #D0CCEB

RGB 208 204 235

HSL 247.74, 0.44%, 0.86%

LAB 83.23, 7.32, -14.77

 

CMYK 28 / 32 / 0 / 17

HEX #9990D4

RGB 153 144 212

HSL 247.94, 0.44%, 0.7%

LAB 62.9, 18.26, -33.66

 

CMYK 0 / 32 / 10 / 17

HEX #D491BF

RGB 212 145 191

HSL 318.81, 0.44%, 0.7%

LAB 68.03, 32.3, -13.6

 

CMYK 23 / 0 / 32 / 17

HEX #A4D491

RGB 164 212 145

HSL 102.99, 0.44%, 0.7%

LAB 80.19, -27.94, 28.23

 

CMYK 28 / 32 / 0 / 17

HEX #9990D4

RGB 153 144 212

HSL 247.94, 0.44%, 0.7%

LAB 62.9, 18.26, -33.66

 

CMYK 0 / 28 / 32 / 17

HEX #D49991

RGB 212 153 145

HSL 7.16, 0.44%, 0.7%

LAB 68.62, 21.02, 12.96

 

CMYK 32 / 0 / 28 / 17

HEX #91D499

RGB 145 212 153

HSL 127.16, 0.44%, 0.7%

LAB 79.27, -32.97, 22.63

 

CMYK 28 / 32 / 0 / 17

HEX #9990D4

RGB 153 144 212

HSL 247.94, 0.44%, 0.7%

LAB 62.9, 18.26, -33.66

 

CMYK 0 / 32 / 10 / 17

HEX #D491BF

RGB 212 145 191

HSL 318.81, 0.44%, 0.7%

LAB 68.03, 32.3, -13.6

 

CMYK 4 / 0 / 32 / 17

HEX #CCD491

RGB 204 212 145

HSL 67.16, 0.44%, 0.7%

LAB 82.9, -13.3, 32.31

 

CMYK 32 / 0 / 22 / 17

HEX #91D4A6

RGB 145 212 166

HSL 138.81, 0.44%, 0.7%

LAB 79.53, -30.63, 16.14

 

CMYK 28 / 32 / 0 / 17

HEX #9990D4

RGB 153 144 212

HSL 247.94, 0.44%, 0.7%

LAB 62.9, 18.26, -33.66

 

CMYK 0 / 32 / 19 / 17

HEX #D491AB

RGB 212 145 171

HSL 336.72, 0.44%, 0.7%

LAB 67.42, 29.06, -3.31

 

CMYK 4 / 0 / 32 / 17

HEX #CCD491

RGB 204 212 145

HSL 67.16, 0.44%, 0.7%

LAB 82.9, -13.3, 32.31

 

CMYK 32 / 0 / 12 / 17

HEX #91D4BA

RGB 145 212 186

HSL 156.72, 0.44%, 0.7%

LAB 79.98, -26.69, 6.14

 

Description

Color code: HEX #9990D43F | qconv.com Color code: HEX #9990D43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 144 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 144 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 8 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 8% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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