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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998E35 it is the complementary color #6671CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998E35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998E35 shade: #9E8E30, #AFA043, #C0B256, #D1C469 and #E2D67C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998E35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998E35 shade: #998E35, #887C22, #776A0F, #665800 and #554600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998E35 shade: #988D34, #987234, #985734, #983C34 and #983434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998E35 shade: #988D34, #889834, #6D9834, #529834 and #379834

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998E35 shade matches the following richer shades: #988D34, #A89A24, #B9A713 and #C9B403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998E35 shade: #988D34, #878045, #777355, #666666 and #565976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998E35 shade: #985734, #987234, #988C34, #899834 and #6E9834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998E35 shade: #5B541F, #797029, #988D34, #B7A93F and #C6BA59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998E35 shade: #998E35, #34983C and #643498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998E35 shade: #998E35, #34988C and #8C3498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998E35 shade: #998E35, #34983C, #344098 and #983490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998E35 shade: #998E35, #34985A, #344098 and #983472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 65 / 40

HEX #998E35

RGB 153 142 53

HSL 53.4, 0.49%, 0.4%

LAB 58.39, -7.05, 47.3

 

Complementary color

CMYK 50 / 44 / 0 / 21

HEX #6671CA

RGB 102 113 202

HSL 233.4, 0.49%, 0.6%

LAB 50.57, 20.27, -47.69

 

CMYK 0 / 10 / 70 / 38

HEX #9E8E30

RGB 158 142 48

HSL 51.27, 0.53%, 0.4%

LAB 58.82, -5.11, 50.06

 

CMYK 0 / 9 / 62 / 31

HEX #AFA043

RGB 175 160 67

HSL 51.67, 0.45%, 0.47%

LAB 65.48, -6.08, 49.21

 

CMYK 0 / 7 / 55 / 25

HEX #C0B256

RGB 192 178 86

HSL 52.08, 0.46%, 0.55%

LAB 72.04, -6.87, 48.11

 

CMYK 0 / 6 / 50 / 18

HEX #D1C469

RGB 209 196 105

HSL 52.5, 0.53%, 0.62%

LAB 78.49, -7.52, 46.93

 

CMYK 0 / 5 / 45 / 11

HEX #E2D67C

RGB 226 214 124

HSL 52.94, 0.64%, 0.69%

LAB 84.85, -8.07, 45.74

 

CMYK 0 / 7 / 65 / 40

HEX #998E35

RGB 153 142 53

HSL 53.4, 0.49%, 0.4%

LAB 58.39, -7.05, 47.3

 

CMYK 0 / 9 / 75 / 47

HEX #887C22

RGB 136 124 34

HSL 52.94, 0.6%, 0.33%

LAB 51.57, -6, 47.88

 

CMYK 0 / 11 / 87 / 53

HEX #776A0F

RGB 119 106 15

HSL 52.5, 0.78%, 0.26%

LAB 44.61, -4.64, 47.44

 

CMYK 0 / 14 / 100 / 60

HEX #665800

RGB 102 88 0

HSL 51.76, 1%, 0.2%

LAB 37.49, -2.92, 45.15

 

CMYK 0 / 18 / 100 / 67

HEX #554600

RGB 85 70 0

HSL 49.41, 1%, 0.17%

LAB 30.19, -0.69, 39.09

 

CMYK 0 / 7 / 66 / 40

HEX #988D34

RGB 152 141 52

HSL 53.4, 0.49%, 0.4%

LAB 58.01, -7.02, 47.31

 

CMYK 0 / 25 / 66 / 40

HEX #987234

RGB 152 114 52

HSL 37.2, 0.49%, 0.4%

LAB 50.64, 8.1, 39.31

 

CMYK 0 / 43 / 66 / 40

HEX #985734

RGB 152 87 52

HSL 21, 0.49%, 0.4%

LAB 43.86, 23.58, 31.55

 

CMYK 0 / 61 / 66 / 40

HEX #983C34

RGB 152 60 52

HSL 4.8, 0.49%, 0.4%

LAB 38.12, 38.03, 24.63

 

CMYK 0 / 66 / 66 / 40

HEX #983434

RGB 152 52 52

HSL 0, 0.49%, 0.4%

LAB 36.7, 41.8, 22.87

 

CMYK 0 / 7 / 66 / 40

HEX #988D34

RGB 152 141 52

HSL 53.4, 0.49%, 0.4%

LAB 58.01, -7.02, 47.31

 

CMYK 11 / 0 / 66 / 40

HEX #889834

RGB 136 152 52

HSL 69.6, 0.49%, 0.4%

LAB 59.83, -19.87, 48.83

 

CMYK 28 / 0 / 66 / 40

HEX #6D9834

RGB 109 152 52

HSL 85.8, 0.49%, 0.4%

LAB 57.99, -30.99, 46.32

 

CMYK 46 / 0 / 66 / 40

HEX #529834

RGB 82 152 52

HSL 102, 0.49%, 0.4%

LAB 56.58, -40.7, 44.38

 

CMYK 64 / 0 / 66 / 40

HEX #379834

RGB 55 152 52

HSL 118.2, 0.49%, 0.4%

LAB 55.6, -48.24, 43.02

 

CMYK 0 / 7 / 66 / 40

HEX #988D34

RGB 152 141 52

HSL 53.4, 0.49%, 0.4%

LAB 58.01, -7.02, 47.31

 

CMYK 0 / 8 / 79 / 34

HEX #A89A24

RGB 168 154 36

HSL 53.64, 0.65%, 0.4%

LAB 62.98, -7.65, 58.88

 

CMYK 0 / 10 / 90 / 27

HEX #B9A713

RGB 185 167 19

HSL 53.49, 0.81%, 0.4%

LAB 68.02, -7.41, 68.08

 

CMYK 0 / 10 / 99 / 21

HEX #C9B403

RGB 201 180 3

HSL 53.64, 0.97%, 0.4%

LAB 72.94, -7.33, 74.56

 

CMYK 0 / 7 / 66 / 40

HEX #988D34

RGB 152 141 52

HSL 53.4, 0.49%, 0.4%

LAB 58.01, -7.02, 47.31

 

CMYK 0 / 5 / 49 / 47

HEX #878045

RGB 135 128 69

HSL 53.64, 0.32%, 0.4%

LAB 52.97, -6.04, 32.78

 

CMYK 0 / 3 / 29 / 53

HEX #777355

RGB 119 115 85

HSL 52.94, 0.17%, 0.4%

LAB 48.06, -3.65, 17.2

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 27 / 25 / 0 / 54

HEX #565976

RGB 86 89 118

HSL 234.38, 0.16%, 0.4%

LAB 38.61, 5.91, -16.81

 

CMYK 0 / 43 / 66 / 40

HEX #985734

RGB 152 87 52

HSL 21, 0.49%, 0.4%

LAB 43.86, 23.58, 31.55

 

CMYK 0 / 25 / 66 / 40

HEX #987234

RGB 152 114 52

HSL 37.2, 0.49%, 0.4%

LAB 50.64, 8.1, 39.31

 

CMYK 0 / 8 / 66 / 40

HEX #988C34

RGB 152 140 52

HSL 52.8, 0.49%, 0.4%

LAB 57.73, -6.47, 47.02

 

CMYK 10 / 0 / 66 / 40

HEX #899834

RGB 137 152 52

HSL 69, 0.49%, 0.4%

LAB 59.91, -19.44, 48.93

 

CMYK 28 / 0 / 66 / 40

HEX #6E9834

RGB 110 152 52

HSL 85.2, 0.49%, 0.4%

LAB 58.06, -30.6, 46.4

 

CMYK 0 / 8 / 66 / 64

HEX #5B541F

RGB 91 84 31

HSL 53, 0.49%, 0.24%

LAB 35.33, -4.6, 31.19

 

CMYK 0 / 7 / 66 / 53

HEX #797029

RGB 121 112 41

HSL 53.25, 0.49%, 0.32%

LAB 46.73, -5.82, 39.48

 

CMYK 0 / 7 / 66 / 40

HEX #988D34

RGB 152 141 52

HSL 53.4, 0.49%, 0.4%

LAB 58.01, -7.02, 47.31

 

CMYK 0 / 8 / 66 / 28

HEX #B7A93F

RGB 183 169 63

HSL 53, 0.49%, 0.48%

LAB 68.61, -7.63, 54.55

 

CMYK 0 / 6 / 55 / 22

HEX #C6BA59

RGB 198 186 89

HSL 53.39, 0.49%, 0.56%

LAB 74.73, -8.27, 49.93

 

CMYK 0 / 7 / 65 / 40

HEX #998E35

RGB 153 142 53

HSL 53.4, 0.49%, 0.4%

LAB 58.39, -7.05, 47.3

 

CMYK 66 / 0 / 61 / 40

HEX #34983C

RGB 52 152 60

HSL 124.8, 0.49%, 0.4%

LAB 55.6, -47.99, 39.31

 

CMYK 34 / 66 / 0 / 40

HEX #643498

RGB 100 52 152

HSL 268.8, 0.49%, 0.4%

LAB 32.77, 41.66, -46.77

 

CMYK 0 / 7 / 65 / 40

HEX #998E35

RGB 153 142 53

HSL 53.4, 0.49%, 0.4%

LAB 58.39, -7.05, 47.3

 

CMYK 66 / 0 / 8 / 40

HEX #34988C

RGB 52 152 140

HSL 172.8, 0.49%, 0.4%

LAB 57.15, -31.53, -2.16

 

CMYK 8 / 66 / 0 / 40

HEX #8C3498

RGB 140 52 152

HSL 292.8, 0.49%, 0.4%

LAB 38.37, 51.22, -37.49

 

CMYK 0 / 7 / 65 / 40

HEX #998E35

RGB 153 142 53

HSL 53.4, 0.49%, 0.4%

LAB 58.39, -7.05, 47.3

 

CMYK 66 / 0 / 61 / 40

HEX #34983C

RGB 52 152 60

HSL 124.8, 0.49%, 0.4%

LAB 55.6, -47.99, 39.31

 

CMYK 66 / 58 / 0 / 40

HEX #344098

RGB 52 64 152

HSL 232.8, 0.49%, 0.4%

LAB 31.03, 24.48, -49.81

 

CMYK 0 / 66 / 5 / 40

HEX #983490

RGB 152 52 144

HSL 304.8, 0.49%, 0.4%

LAB 39.82, 52.81, -30.21

 

CMYK 0 / 7 / 65 / 40

HEX #998E35

RGB 153 142 53

HSL 53.4, 0.49%, 0.4%

LAB 58.39, -7.05, 47.3

 

CMYK 66 / 0 / 41 / 40

HEX #34985A

RGB 52 152 90

HSL 142.8, 0.49%, 0.4%

LAB 56.01, -43.3, 24.36

 

CMYK 66 / 58 / 0 / 40

HEX #344098

RGB 52 64 152

HSL 232.8, 0.49%, 0.4%

LAB 31.03, 24.48, -49.81

 

CMYK 0 / 66 / 25 / 40

HEX #983472

RGB 152 52 114

HSL 322.8, 0.49%, 0.4%

LAB 38.46, 48.16, -13.82

 

Description

Color code: HEX #998E35 | qconv.com Color code: HEX #998E35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 142 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 142 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 65 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 65% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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