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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998CFF it is the complementary color #667300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998CFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #998CFF: #9E8CFA, #AF9EFF, #C0B0FF, #D1C2FF and #E2D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998CFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #998CFF: #998CFF, #887AEC, #7768D9, #6656C6 and #5544B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

Complementary color

CMYK 11 / 0 / 100 / 55

HEX #667300

RGB 102 115 0

HSL 66.78, 1%, 0.23%

LAB 45.75, -18.09, 51.18

 

CMYK 37 / 44 / 0 / 2

HEX #9E8CFA

RGB 158 140 250

HSL 249.82, 0.92%, 0.76%

LAB 64.1, 31.7, -52.77

 

CMYK 31 / 38 / 0 / 0

HEX #AF9EFF

RGB 175 158 255

HSL 250.52, 1%, 0.81%

LAB 70.03, 27.25, -46.05

 

CMYK 25 / 31 / 0 / 0

HEX #C0B0FF

RGB 192 176 255

HSL 252.15, 1%, 0.85%

LAB 75.75, 21.98, -37.02

 

CMYK 18 / 24 / 0 / 0

HEX #D1C2FF

RGB 209 194 255

HSL 254.75, 1%, 0.88%

LAB 81.49, 17.2, -28.06

 

CMYK 11 / 17 / 0 / 0

HEX #E2D4FF

RGB 226 212 255

HSL 259.53, 1%, 0.92%

LAB 87.23, 12.85, -19.21

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 42 / 48 / 0 / 7

HEX #887AEC

RGB 136 122 236

HSL 247.37, 0.75%, 0.7%

LAB 57.28, 32.89, -56.01

 

CMYK 45 / 52 / 0 / 15

HEX #7768D9

RGB 119 104 217

HSL 247.96, 0.6%, 0.63%

LAB 50.49, 34.11, -56.28

 

CMYK 48 / 57 / 0 / 22

HEX #6656C6

RGB 102 86 198

HSL 248.57, 0.5%, 0.56%

LAB 43.59, 35.49, -56.58

 

CMYK 53 / 62 / 0 / 30

HEX #5544B3

RGB 85 68 179

HSL 249.19, 0.45%, 0.48%

LAB 36.59, 37.05, -56.86

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 34 / 46 / 0 / 0

HEX #A889FF

RGB 168 137 255

HSL 255.76, 1%, 0.77%

LAB 64.51, 37.23, -54.8

 

CMYK 26 / 46 / 0 / 0

HEX #BC89FF

RGB 188 137 255

HSL 265.93, 1%, 0.77%

LAB 66.37, 42.4, -51.74

 

CMYK 18 / 46 / 0 / 0

HEX #D089FF

RGB 208 137 255

HSL 276.1, 1%, 0.77%

LAB 68.4, 47.76, -48.4

 

CMYK 11 / 46 / 0 / 0

HEX #E389FF

RGB 227 137 255

HSL 285.76, 1%, 0.77%

LAB 70.48, 52.96, -44.98

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 39 / 45 / 0 / 80

HEX #1F1C33

RGB 31 28 51

HSL 247.83, 0.29%, 0.15%

LAB 11.69, 8.18, -14.68

 

CMYK 40 / 45 / 0 / 60

HEX #3D3866

RGB 61 56 102

HSL 246.52, 0.29%, 0.31%

LAB 26.1, 14.68, -26.38

 

CMYK 40 / 45 / 0 / 40

HEX #5C5499

RGB 92 84 153

HSL 246.96, 0.29%, 0.46%

LAB 39.44, 20.84, -36.75

 

CMYK 40 / 45 / 0 / 20

HEX #7A70CC

RGB 122 112 204

HSL 246.52, 0.47%, 0.62%

LAB 51.93, 26.34, -46.57

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 0 / 46 / 14 / 0

HEX #FF89DB

RGB 255 137 219

HSL 318.31, 1%, 0.77%

LAB 72.41, 54.83, -22.01

 

CMYK 33 / 0 / 46 / 0

HEX #ACFF89

RGB 172 255 137

HSL 102.2, 1%, 0.77%

LAB 92.62, -45.82, 48.35

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 0 / 42 / 46 / 0

HEX #FF9589

RGB 255 149 137

HSL 6.1, 1%, 0.77%

LAB 72.6, 38.51, 23.65

 

CMYK 46 / 0 / 42 / 0

HEX #89FF95

RGB 137 255 149

HSL 126.1, 1%, 0.77%

LAB 91.24, -54.61, 40.51

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 0 / 46 / 14 / 0

HEX #FF89DB

RGB 255 137 219

HSL 318.31, 1%, 0.77%

LAB 72.41, 54.83, -22.01

 

CMYK 5 / 0 / 46 / 0

HEX #F3FF89

RGB 243 255 137

HSL 66.1, 1%, 0.77%

LAB 96.98, -20.38, 54.69

 

CMYK 46 / 0 / 33 / 0

HEX #89FFAC

RGB 137 255 172

HSL 137.8, 1%, 0.77%

LAB 91.6, -50.91, 29.58

 

CMYK 40 / 45 / 0 / 0

HEX #998CFF

RGB 153 140 255

HSL 246.78, 1%, 0.77%

LAB 63.96, 31.81, -55.76

 

CMYK 0 / 46 / 28 / 0

HEX #FF89B8

RGB 255 137 184

HSL 336.1, 1%, 0.77%

LAB 71.29, 49.88, -4.28

 

CMYK 5 / 0 / 46 / 0

HEX #F3FF89

RGB 243 255 137

HSL 66.1, 1%, 0.77%

LAB 96.98, -20.38, 54.69

 

CMYK 46 / 0 / 18 / 0

HEX #89FFD0

RGB 137 255 208

HSL 156.1, 1%, 0.77%

LAB 92.31, -44.05, 12.21

 

Description

Color code: HEX #998CFF | qconv.com Color code: HEX #998CFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 140 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 140 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 45 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 45% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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