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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998AFD3F it is the complementary color #6675023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998AFD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998AFD3F shade: #9E8AF83F, #AF9CFF3F, #C0AEFF3F, #D1C0FF3F and #E2D2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998AFD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998AFD3F shade: #998AFD3F, #8878EA3F, #7766D73F, #6654C43F and #5542B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998AFD3F shade: #9A8BFD, #B98BFD, #D88BFD, #F68BFD and #FD8BE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998AFD3F shade: #9A8BFD and #8B8BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998AFD3F shade matches the following richer shades: #9A8BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998AFD3F shade: #9A8BFD, #A195F4, #A89EEA, #AFA8E1 and #B6B1D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998AFD3F shade: #8BBBFD, #8B9DFD, #998BFD, #B78BFD and #D58BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998AFD3F shade: #533AFC, #7763FD, #9A8BFD, #BEB4FE and #E1DDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998AFD3F shade: #998AFD, #FD8BD9 and #ACFD8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998AFD3F shade: #998AFD, #FD998B and #8BFD99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998AFD3F shade: #998AFD, #FD8BD9, #F0FD8B and #8BFDAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998AFD3F shade: #998AFD, #FD8BB7, #F0FD8B and #8BFDD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 11 / 0 / 0

HEX #998AFD3F

RGBA 153 138 253 0.25

HSLA 247.83, 0.97%, 0.77%, 0.25

LABA 63.38, 32.41, -55.59, 0.25

 

Complementary color

CMYK 3 / 0 / 25 / 14

HEX #6675023F

RGBA 102 117 2 0.25

HSLA 67.83, 0.97%, 0.23%, 0.25

LABA 46.38, -19.09, 51.21, 0.25

 

CMYK 9 / 11 / 0 / 1

HEX #9E8AF83F

RGBA 158 138 248 0.25

HSLA 250.91, 0.89%, 0.76%, 0.25

LABA 63.53, 32.32, -52.58, 0.25

 

CMYK 8 / 10 / 0 / 0

HEX #AF9CFF3F

RGBA 175 156 255 0.25

HSLA 251.52, 1%, 0.81%, 0.25

LABA 69.55, 28.37, -46.81, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #C0AEFF3F

RGBA 192 174 255 0.25

HSLA 253.33, 1%, 0.84%, 0.25

LABA 75.26, 23.09, -37.77, 0.25

 

CMYK 5 / 6 / 0 / 0

HEX #D1C0FF3F

RGBA 209 192 255 0.25

HSLA 256.19, 1%, 0.88%, 0.25

LABA 81, 18.29, -28.81, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #E2D2FF3F

RGBA 226 210 255 0.25

HSLA 261.33, 1%, 0.91%, 0.25

LABA 86.74, 13.91, -19.95, 0.25

 

CMYK 10 / 11 / 0 / 0

HEX #998AFD3F

RGBA 153 138 253 0.25

HSLA 247.83, 0.97%, 0.77%, 0.25

LABA 63.38, 32.41, -55.59, 0.25

 

CMYK 10 / 12 / 0 / 2

HEX #8878EA3F

RGBA 136 120 234 0.25

HSLA 248.42, 0.73%, 0.69%, 0.25

LABA 56.69, 33.5, -55.83, 0.25

 

CMYK 11 / 13 / 0 / 4

HEX #7766D73F

RGBA 119 102 215 0.25

HSLA 249.03, 0.59%, 0.62%, 0.25

LABA 49.9, 34.72, -56.1, 0.25

 

CMYK 12 / 14 / 0 / 6

HEX #6654C43F

RGBA 102 84 196 0.25

HSLA 249.64, 0.49%, 0.55%, 0.25

LABA 42.99, 36.09, -56.39, 0.25

 

CMYK 13 / 16 / 0 / 8

HEX #5542B13F

RGBA 85 66 177 0.25

HSLA 250.27, 0.46%, 0.48%, 0.25

LABA 35.99, 37.63, -56.66, 0.25

 

CMYK 39 / 45 / 0 / 1

HEX #9A8BFD

RGB 154 139 253

HSL 247.89, 0.97%, 0.77%

LAB 63.69, 32.08, -55.08

 

CMYK 27 / 45 / 0 / 1

HEX #B98BFD

RGB 185 139 253

HSL 264.21, 0.97%, 0.77%

LAB 66.42, 40.04, -50.59

 

CMYK 15 / 45 / 0 / 1

HEX #D88BFD

RGB 216 139 253

HSL 280.53, 0.97%, 0.77%

LAB 69.58, 48.48, -45.39

 

CMYK 3 / 45 / 0 / 1

HEX #F68BFD

RGB 246 139 253

HSL 296.32, 0.97%, 0.77%

LAB 72.99, 56.86, -39.81

 

CMYK 0 / 45 / 9 / 1

HEX #FD8BE5

RGB 253 139 229

HSL 312.63, 0.97%, 0.77%

LAB 72.9, 54.81, -26.79

 

CMYK 39 / 45 / 0 / 1

HEX #9A8BFD

RGB 154 139 253

HSL 247.89, 0.97%, 0.77%

LAB 63.69, 32.08, -55.08

 

CMYK 45 / 45 / 0 / 1

HEX #8B8BFD

RGB 139 139 253

HSL 240, 0.97%, 0.77%

LAB 62.55, 28.51, -56.98

 

CMYK 39 / 45 / 0 / 1

HEX #9A8BFD

RGB 154 139 253

HSL 247.89, 0.97%, 0.77%

LAB 63.69, 32.08, -55.08

 

CMYK 39 / 45 / 0 / 1

HEX #9A8BFD

RGB 154 139 253

HSL 247.89, 0.97%, 0.77%

LAB 63.69, 32.08, -55.08

 

CMYK 34 / 39 / 0 / 4

HEX #A195F4

RGB 161 149 244

HSL 247.58, 0.81%, 0.77%

LAB 66.22, 25.78, -46.12

 

CMYK 28 / 32 / 0 / 8

HEX #A89EEA

RGB 168 158 234

HSL 247.89, 0.64%, 0.77%

LAB 68.55, 20.08, -36.96

 

CMYK 22 / 25 / 0 / 12

HEX #AFA8E1

RGB 175 168 225

HSL 247.37, 0.49%, 0.77%

LAB 71.25, 14.4, -27.8

 

CMYK 15 / 18 / 0 / 16

HEX #B6B1D7

RGB 182 177 215

HSL 247.89, 0.32%, 0.77%

LAB 73.74, 9.37, -18.5

 

CMYK 45 / 26 / 0 / 1

HEX #8BBBFD

RGB 139 187 253

HSL 214.74, 0.97%, 0.77%

LAB 74.9, 1.17, -37.54

 

CMYK 45 / 38 / 0 / 1

HEX #8B9DFD

RGB 139 157 253

HSL 230.53, 0.97%, 0.77%

LAB 67.05, 18.08, -49.84

 

CMYK 40 / 45 / 0 / 1

HEX #998BFD

RGB 153 139 253

HSL 247.37, 0.97%, 0.77%

LAB 63.61, 31.84, -55.21

 

CMYK 28 / 45 / 0 / 1

HEX #B78BFD

RGB 183 139 253

HSL 263.16, 0.97%, 0.77%

LAB 66.23, 39.51, -50.9

 

CMYK 16 / 45 / 0 / 1

HEX #D58BFD

RGB 213 139 253

HSL 278.95, 0.97%, 0.77%

LAB 69.26, 47.65, -45.92

 

CMYK 67 / 77 / 0 / 1

HEX #533AFC

RGB 83 58 252

HSL 247.73, 0.97%, 0.61%

LAB 41.05, 64.11, -91.54

 

CMYK 53 / 61 / 0 / 1

HEX #7763FD

RGB 119 99 253

HSL 247.79, 0.97%, 0.69%

LAB 51.77, 47.57, -74.41

 

CMYK 39 / 45 / 0 / 1

HEX #9A8BFD

RGB 154 139 253

HSL 247.89, 0.97%, 0.77%

LAB 63.69, 32.08, -55.08

 

CMYK 25 / 29 / 0 / 0

HEX #BEB4FE

RGB 190 180 254

HSL 248.11, 0.97%, 0.85%

LAB 76.52, 18.97, -35.29

 

CMYK 11 / 13 / 0 / 0

HEX #E1DDFE

RGB 225 221 254

HSL 247.27, 0.94%, 0.93%

LAB 89.33, 7.59, -15.53

 

CMYK 40 / 45 / 0 / 1

HEX #998AFD

RGB 153 138 253

HSL 247.83, 0.97%, 0.77%

LAB 63.38, 32.41, -55.59

 

CMYK 0 / 45 / 14 / 1

HEX #FD8BD9

RGB 253 139 217

HSL 318.95, 0.97%, 0.77%

LAB 72.47, 52.93, -20.84

 

CMYK 32 / 0 / 45 / 1

HEX #ACFD8B

RGB 172 253 139

HSL 102.63, 0.97%, 0.77%

LAB 92.08, -44.71, 46.72

 

CMYK 40 / 45 / 0 / 1

HEX #998AFD

RGB 153 138 253

HSL 247.83, 0.97%, 0.77%

LAB 63.38, 32.41, -55.59

 

CMYK 0 / 40 / 45 / 1

HEX #FD998B

RGB 253 153 139

HSL 7.37, 0.97%, 0.77%

LAB 73.24, 35.91, 23.38

 

CMYK 45 / 0 / 40 / 1

HEX #8BFD99

RGB 139 253 153

HSL 127.37, 0.97%, 0.77%

LAB 90.8, -52.65, 37.99

 

CMYK 40 / 45 / 0 / 1

HEX #998AFD

RGB 153 138 253

HSL 247.83, 0.97%, 0.77%

LAB 63.38, 32.41, -55.59

 

CMYK 0 / 45 / 14 / 1

HEX #FD8BD9

RGB 253 139 217

HSL 318.95, 0.97%, 0.77%

LAB 72.47, 52.93, -20.84

 

CMYK 5 / 0 / 45 / 1

HEX #F0FD8B

RGB 240 253 139

HSL 66.84, 0.97%, 0.77%

LAB 96.26, -20.37, 52.83

 

CMYK 45 / 0 / 31 / 1

HEX #8BFDAF

RGB 139 253 175

HSL 138.95, 0.97%, 0.77%

LAB 91.16, -49.03, 27.48

 

CMYK 40 / 45 / 0 / 1

HEX #998AFD

RGB 153 138 253

HSL 247.83, 0.97%, 0.77%

LAB 63.38, 32.41, -55.59

 

CMYK 0 / 45 / 28 / 1

HEX #FD8BB7

RGB 253 139 183

HSL 336.84, 0.97%, 0.77%

LAB 71.4, 48.09, -3.6

 

CMYK 5 / 0 / 45 / 1

HEX #F0FD8B

RGB 240 253 139

HSL 66.84, 0.97%, 0.77%

LAB 96.26, -20.37, 52.83

 

CMYK 45 / 0 / 17 / 1

HEX #8BFDD2

RGB 139 253 210

HSL 157.37, 0.97%, 0.77%

LAB 91.86, -42.27, 10.55

 

Description

Color code: HEX #998AFD3F | qconv.com Color code: HEX #998AFD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 138 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 138 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 11 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 11% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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