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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #998634 it is the complementary color #6679CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #998634. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #998634 shade: #9E862F, #AF9842, #C0AA55, #D1BC68 and #E2CE7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #998634. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #998634 shade: #998634, #887421, #77620E, #665000 and #553E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #998634 shade: #988534, #986A34, #984F34 and #983434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #998634 shade: #988534, #909834, #759834, #5A9834 and #3F9834

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #998634 shade matches the following richer shades: #988534, #A88F24, #B99A13 and #C9A403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #998634 shade: #988534, #877B45, #777155, #666666 and #565C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #998634 shade: #984F34, #986934, #988434, #919834 and #779834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #998634 shade: #5B4F1F, #796A29, #988534, #B7A03F and #C6B159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #998634 shade: #998634, #349834 and #5C3498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #998634 shade: #998634, #349884 and #843498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #998634 shade: #998634, #349834, #344898 and #983498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #998634 shade: #998634, #349852, #344898 and #98347A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 66 / 40

HEX #998634

RGB 153 134 52

HSL 48.71, 0.49%, 0.4%

LAB 56.16, -2.73, 45.37

 

Complementary color

CMYK 50 / 40 / 0 / 20

HEX #6679CB

RGB 102 121 203

HSL 228.71, 0.49%, 0.6%

LAB 52.74, 15.71, -44.81

 

CMYK 0 / 15 / 70 / 38

HEX #9E862F

RGB 158 134 47

HSL 47.03, 0.54%, 0.4%

LAB 56.61, -0.77, 48.23

 

CMYK 0 / 13 / 62 / 31

HEX #AF9842

RGB 175 152 66

HSL 47.34, 0.45%, 0.47%

LAB 63.31, -1.85, 47.27

 

CMYK 0 / 11 / 56 / 25

HEX #C0AA55

RGB 192 170 85

HSL 47.66, 0.46%, 0.54%

LAB 69.9, -2.73, 46.11

 

CMYK 0 / 10 / 50 / 18

HEX #D1BC68

RGB 209 188 104

HSL 48, 0.53%, 0.61%

LAB 76.39, -3.46, 44.88

 

CMYK 0 / 9 / 46 / 11

HEX #E2CE7B

RGB 226 206 123

HSL 48.35, 0.64%, 0.68%

LAB 82.78, -4.08, 43.65

 

CMYK 0 / 12 / 66 / 40

HEX #998634

RGB 153 134 52

HSL 48.71, 0.49%, 0.4%

LAB 56.16, -2.73, 45.37

 

CMYK 0 / 15 / 76 / 47

HEX #887421

RGB 136 116 33

HSL 48.35, 0.61%, 0.33%

LAB 49.3, -1.55, 46.08

 

CMYK 0 / 18 / 88 / 53

HEX #77620E

RGB 119 98 14

HSL 48, 0.79%, 0.26%

LAB 42.29, -0.04, 45.79

 

CMYK 0 / 22 / 100 / 60

HEX #665000

RGB 102 80 0

HSL 47.06, 1%, 0.2%

LAB 35.13, 1.88, 43.49

 

CMYK 0 / 27 / 100 / 67

HEX #553E00

RGB 85 62 0

HSL 43.76, 1%, 0.17%

LAB 27.78, 4.32, 37.18

 

CMYK 0 / 13 / 66 / 40

HEX #988534

RGB 152 133 52

HSL 48.6, 0.49%, 0.4%

LAB 55.78, -2.62, 44.94

 

CMYK 0 / 30 / 66 / 40

HEX #986A34

RGB 152 106 52

HSL 32.4, 0.49%, 0.4%

LAB 48.55, 12.69, 36.97

 

CMYK 0 / 48 / 66 / 40

HEX #984F34

RGB 152 79 52

HSL 16.2, 0.49%, 0.4%

LAB 42.02, 28.06, 29.38

 

CMYK 0 / 66 / 66 / 40

HEX #983434

RGB 152 52 52

HSL 0, 0.49%, 0.4%

LAB 36.7, 41.8, 22.87

 

CMYK 0 / 13 / 66 / 40

HEX #988534

RGB 152 133 52

HSL 48.6, 0.49%, 0.4%

LAB 55.78, -2.62, 44.94

 

CMYK 5 / 0 / 66 / 40

HEX #909834

RGB 144 152 52

HSL 64.8, 0.49%, 0.4%

LAB 60.46, -16.41, 49.67

 

CMYK 23 / 0 / 66 / 40

HEX #759834

RGB 117 152 52

HSL 81, 0.49%, 0.4%

LAB 58.5, -27.81, 47.01

 

CMYK 41 / 0 / 66 / 40

HEX #5A9834

RGB 90 152 52

HSL 97.2, 0.49%, 0.4%

LAB 56.96, -38.02, 44.9

 

CMYK 59 / 0 / 66 / 40

HEX #3F9834

RGB 63 152 52

HSL 113.4, 0.49%, 0.4%

LAB 55.85, -46.27, 43.37

 

CMYK 0 / 13 / 66 / 40

HEX #988534

RGB 152 133 52

HSL 48.6, 0.49%, 0.4%

LAB 55.78, -2.62, 44.94

 

CMYK 0 / 15 / 79 / 34

HEX #A88F24

RGB 168 143 36

HSL 48.64, 0.65%, 0.4%

LAB 59.98, -1.71, 56.15

 

CMYK 0 / 17 / 90 / 27

HEX #B99A13

RGB 185 154 19

HSL 48.8, 0.81%, 0.4%

LAB 64.54, -0.49, 65.35

 

CMYK 0 / 18 / 99 / 21

HEX #C9A403

RGB 201 164 3

HSL 48.79, 0.97%, 0.4%

LAB 68.73, 1.1, 71.54

 

CMYK 0 / 13 / 66 / 40

HEX #988534

RGB 152 133 52

HSL 48.6, 0.49%, 0.4%

LAB 55.78, -2.62, 44.94

 

CMYK 0 / 9 / 49 / 47

HEX #877B45

RGB 135 123 69

HSL 49.09, 0.32%, 0.4%

LAB 51.55, -3.24, 31.04

 

CMYK 0 / 5 / 29 / 53

HEX #777155

RGB 119 113 85

HSL 49.41, 0.17%, 0.4%

LAB 47.48, -2.5, 16.42

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 27 / 22 / 0 / 54

HEX #565C76

RGB 86 92 118

HSL 228.75, 0.16%, 0.4%

LAB 39.48, 4.04, -15.47

 

CMYK 0 / 48 / 66 / 40

HEX #984F34

RGB 152 79 52

HSL 16.2, 0.49%, 0.4%

LAB 42.02, 28.06, 29.38

 

CMYK 0 / 31 / 66 / 40

HEX #986934

RGB 152 105 52

HSL 31.8, 0.49%, 0.4%

LAB 48.29, 13.27, 36.68

 

CMYK 0 / 13 / 66 / 40

HEX #988434

RGB 152 132 52

HSL 48, 0.49%, 0.4%

LAB 55.51, -2.07, 44.65

 

CMYK 5 / 0 / 66 / 40

HEX #919834

RGB 145 152 52

HSL 64.2, 0.49%, 0.4%

LAB 60.54, -15.97, 49.78

 

CMYK 22 / 0 / 66 / 40

HEX #779834

RGB 119 152 52

HSL 79.8, 0.49%, 0.4%

LAB 58.63, -26.99, 47.19

 

CMYK 0 / 13 / 66 / 64

HEX #5B4F1F

RGB 91 79 31

HSL 48, 0.49%, 0.24%

LAB 33.81, -1.58, 29.51

 

CMYK 0 / 12 / 66 / 53

HEX #796A29

RGB 121 106 41

HSL 48.75, 0.49%, 0.32%

LAB 44.99, -2.39, 37.6

 

CMYK 0 / 13 / 66 / 40

HEX #988534

RGB 152 133 52

HSL 48.6, 0.49%, 0.4%

LAB 55.78, -2.62, 44.94

 

CMYK 0 / 13 / 66 / 28

HEX #B7A03F

RGB 183 160 63

HSL 48.5, 0.49%, 0.48%

LAB 66.19, -2.85, 51.99

 

CMYK 0 / 11 / 55 / 22

HEX #C6B159

RGB 198 177 89

HSL 48.44, 0.49%, 0.56%

LAB 72.34, -3.57, 47.16

 

CMYK 0 / 12 / 66 / 40

HEX #998634

RGB 153 134 52

HSL 48.71, 0.49%, 0.4%

LAB 56.16, -2.73, 45.37

 

CMYK 66 / 0 / 66 / 40

HEX #349834

RGB 52 152 52

HSL 120, 0.49%, 0.4%

LAB 55.52, -48.91, 42.91

 

CMYK 39 / 66 / 0 / 40

HEX #5C3498

RGB 92 52 152

HSL 264, 0.49%, 0.4%

LAB 31.8, 39.88, -48.39

 

CMYK 0 / 12 / 66 / 40

HEX #998634

RGB 153 134 52

HSL 48.71, 0.49%, 0.4%

LAB 56.16, -2.73, 45.37

 

CMYK 66 / 0 / 13 / 40

HEX #349884

RGB 52 152 132

HSL 168, 0.49%, 0.4%

LAB 56.93, -33.7, 2.08

 

CMYK 13 / 66 / 0 / 40

HEX #843498

RGB 132 52 152

HSL 288, 0.49%, 0.4%

LAB 37.17, 49.25, -39.48

 

CMYK 0 / 12 / 66 / 40

HEX #998634

RGB 153 134 52

HSL 48.71, 0.49%, 0.4%

LAB 56.16, -2.73, 45.37

 

CMYK 66 / 0 / 66 / 40

HEX #349834

RGB 52 152 52

HSL 120, 0.49%, 0.4%

LAB 55.52, -48.91, 42.91

 

CMYK 66 / 53 / 0 / 40

HEX #344898

RGB 52 72 152

HSL 228, 0.49%, 0.4%

LAB 33.2, 19.15, -46.29

 

CMYK 0 / 66 / 0 / 40

HEX #983498

RGB 152 52 152

HSL 300, 0.49%, 0.4%

LAB 40.24, 54.19, -34.4

 

CMYK 0 / 12 / 66 / 40

HEX #998634

RGB 153 134 52

HSL 48.71, 0.49%, 0.4%

LAB 56.16, -2.73, 45.37

 

CMYK 66 / 0 / 46 / 40

HEX #349852

RGB 52 152 82

HSL 138, 0.49%, 0.4%

LAB 55.88, -44.73, 28.5

 

CMYK 66 / 53 / 0 / 40

HEX #344898

RGB 52 72 152

HSL 228, 0.49%, 0.4%

LAB 33.2, 19.15, -46.29

 

CMYK 0 / 66 / 20 / 40

HEX #98347A

RGB 152 52 122

HSL 318, 0.49%, 0.4%

LAB 38.79, 49.31, -18.3

 

Description

Color code: HEX #998634 | qconv.com Color code: HEX #998634 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 134 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 134 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 66 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 66% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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