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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #997907 it is the complementary color #6686F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #997907. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #997907 shade: #9E7902, #AF8B15, #C09D28, #D1AF3B and #E2C14E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #997907. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #997907 shade: #997907, #886700, #775500, #664300 and #553100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #997907 shade: #977707, #975107, #972A07 and #970707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #997907 shade: #977707, #909707, #699707, #429707 and #1B9707

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #997907 shade matches the following richer shades: #977707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #997907 shade: #977707, #8A7014, #7D6921, #71622D and #645B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #997907 shade: #972907, #974F07, #977507, #929707 and #6C9707

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #997907 shade: #483903, #705805, #977707, #BE9709 and #E6B60B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #997907 shade: #997907, #0C9707 and #3C0797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #997907 shade: #997907, #079775 and #750797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #997907 shade: #997907, #0C9707, #072997 and #920797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #997907 shade: #997907, #07972D, #072997 and #970771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 95 / 40

HEX #997907

RGB 153 121 7

HSL 46.85, 0.91%, 0.31%

LAB 52.36, 2.82, 56.81

 

Complementary color

CMYK 59 / 46 / 0 / 3

HEX #6686F8

RGB 102 134 248

HSL 226.85, 0.91%, 0.69%

LAB 58.65, 22.21, -60.59

 

CMYK 0 / 23 / 99 / 38

HEX #9E7902

RGB 158 121 2

HSL 45.77, 0.98%, 0.31%

LAB 52.89, 5.07, 58.4

 

CMYK 0 / 21 / 88 / 31

HEX #AF8B15

RGB 175 139 21

HSL 45.97, 0.79%, 0.38%

LAB 59.56, 3.2, 60.52

 

CMYK 0 / 18 / 79 / 25

HEX #C09D28

RGB 192 157 40

HSL 46.18, 0.66%, 0.45%

LAB 66.12, 1.61, 61.26

 

CMYK 0 / 16 / 72 / 18

HEX #D1AF3B

RGB 209 175 59

HSL 46.4, 0.62%, 0.53%

LAB 72.58, 0.27, 61.02

 

CMYK 0 / 15 / 65 / 11

HEX #E2C14E

RGB 226 193 78

HSL 46.62, 0.72%, 0.6%

LAB 78.96, -0.87, 60.28

 

CMYK 0 / 21 / 95 / 40

HEX #997907

RGB 153 121 7

HSL 46.85, 0.91%, 0.31%

LAB 52.36, 2.82, 56.81

 

CMYK 0 / 24 / 100 / 47

HEX #886700

RGB 136 103 0

HSL 45.44, 1%, 0.27%

LAB 45.54, 4.94, 52.55

 

CMYK 0 / 29 / 100 / 53

HEX #775500

RGB 119 85 0

HSL 42.86, 1%, 0.23%

LAB 38.58, 7.32, 46.83

 

CMYK 0 / 34 / 100 / 60

HEX #664300

RGB 102 67 0

HSL 39.41, 1%, 0.2%

LAB 31.44, 9.86, 40.97

 

CMYK 0 / 42 / 100 / 67

HEX #553100

RGB 85 49 0

HSL 34.59, 1%, 0.17%

LAB 24.09, 12.58, 33.79

 

CMYK 0 / 21 / 95 / 41

HEX #977707

RGB 151 119 7

HSL 46.67, 0.91%, 0.31%

LAB 51.6, 3.01, 56.15

 

CMYK 0 / 46 / 95 / 41

HEX #975107

RGB 151 81 7

HSL 30.83, 0.91%, 0.31%

LAB 41.97, 24.73, 49.19

 

CMYK 0 / 72 / 95 / 41

HEX #972A07

RGB 151 42 7

HSL 14.58, 0.91%, 0.31%

LAB 34.5, 44.03, 44.16

 

CMYK 0 / 95 / 95 / 41

HEX #970707

RGB 151 7 7

HSL 0, 0.91%, 0.31%

LAB 31.22, 53.25, 42.04

 

CMYK 0 / 21 / 95 / 41

HEX #977707

RGB 151 119 7

HSL 46.67, 0.91%, 0.31%

LAB 51.6, 3.01, 56.15

 

CMYK 5 / 0 / 95 / 41

HEX #909707

RGB 144 151 7

HSL 62.92, 0.91%, 0.31%

LAB 59.96, -17.62, 62.18

 

CMYK 30 / 0 / 95 / 41

HEX #699707

RGB 105 151 7

HSL 79.17, 0.91%, 0.31%

LAB 57.22, -34.29, 58.87

 

CMYK 56 / 0 / 95 / 41

HEX #429707

RGB 66 151 7

HSL 95.42, 0.91%, 0.31%

LAB 55.39, -47.78, 56.62

 

CMYK 82 / 0 / 95 / 41

HEX #1B9707

RGB 27 151 7

HSL 111.67, 0.91%, 0.31%

LAB 54.43, -55.87, 55.44

 

CMYK 0 / 21 / 95 / 41

HEX #977707

RGB 151 119 7

HSL 46.67, 0.91%, 0.31%

LAB 51.6, 3.01, 56.15

 

CMYK 0 / 21 / 95 / 41

HEX #977707

RGB 151 119 7

HSL 46.67, 0.91%, 0.31%

LAB 51.6, 3.01, 56.15

 

CMYK 0 / 19 / 86 / 46

HEX #8A7014

RGB 138 112 20

HSL 46.78, 0.75%, 0.31%

LAB 48.31, 1.16, 49.9

 

CMYK 0 / 16 / 74 / 51

HEX #7D6921

RGB 125 105 33

HSL 46.96, 0.58%, 0.31%

LAB 45.04, -0.43, 41.5

 

CMYK 0 / 13 / 60 / 56

HEX #71622D

RGB 113 98 45

HSL 46.76, 0.43%, 0.31%

LAB 41.9, -1.19, 31.88

 

CMYK 0 / 9 / 42 / 61

HEX #645B3A

RGB 100 91 58

HSL 47.14, 0.27%, 0.31%

LAB 38.72, -1.72, 20.35

 

CMYK 0 / 73 / 95 / 41

HEX #972907

RGB 151 41 7

HSL 14.17, 0.91%, 0.31%

LAB 34.36, 44.43, 44.07

 

CMYK 0 / 48 / 95 / 41

HEX #974F07

RGB 151 79 7

HSL 30, 0.91%, 0.31%

LAB 41.51, 25.85, 48.87

 

CMYK 0 / 23 / 95 / 41

HEX #977507

RGB 151 117 7

HSL 45.83, 0.91%, 0.31%

LAB 51.06, 4.15, 55.75

 

CMYK 3 / 0 / 95 / 41

HEX #929707

RGB 146 151 7

HSL 62.08, 0.91%, 0.31%

LAB 60.12, -16.72, 62.38

 

CMYK 28 / 0 / 95 / 41

HEX #6C9707

RGB 108 151 7

HSL 77.92, 0.91%, 0.31%

LAB 57.4, -33.09, 59.09

 

CMYK 0 / 21 / 96 / 72

HEX #483903

RGB 72 57 3

HSL 46.96, 0.92%, 0.15%

LAB 24.67, 0.78, 32.54

 

CMYK 0 / 21 / 96 / 56

HEX #705805

RGB 112 88 5

HSL 46.54, 0.91%, 0.23%

LAB 38.61, 2.2, 44.97

 

CMYK 0 / 21 / 95 / 41

HEX #977707

RGB 151 119 7

HSL 46.67, 0.91%, 0.31%

LAB 51.6, 3.01, 56.15

 

CMYK 0 / 21 / 95 / 25

HEX #BE9709

RGB 190 151 9

HSL 47.07, 0.91%, 0.39%

LAB 64.24, 3.23, 67

 

CMYK 0 / 21 / 95 / 10

HEX #E6B60B

RGB 230 182 11

HSL 46.85, 0.91%, 0.47%

LAB 76.25, 4.41, 77.36

 

CMYK 0 / 21 / 95 / 40

HEX #997907

RGB 153 121 7

HSL 46.85, 0.91%, 0.31%

LAB 52.36, 2.82, 56.81

 

CMYK 92 / 0 / 95 / 41

HEX #0C9707

RGB 12 151 7

HSL 117.92, 0.91%, 0.31%

LAB 54.27, -57.33, 55.23

 

CMYK 60 / 95 / 0 / 41

HEX #3C0797

RGB 60 7 151

HSL 262.08, 0.91%, 0.31%

LAB 21.38, 53.57, -65

 

CMYK 0 / 21 / 95 / 40

HEX #997907

RGB 153 121 7

HSL 46.85, 0.91%, 0.31%

LAB 52.36, 2.82, 56.81

 

CMYK 95 / 0 / 23 / 41

HEX #079775

RGB 7 151 117

HSL 165.83, 0.91%, 0.31%

LAB 55.55, -42.05, 8.54

 

CMYK 23 / 95 / 0 / 41

HEX #750797

RGB 117 7 151

HSL 285.83, 0.91%, 0.31%

LAB 29.83, 60.05, -50.81

 

CMYK 0 / 21 / 95 / 40

HEX #997907

RGB 153 121 7

HSL 46.85, 0.91%, 0.31%

LAB 52.36, 2.82, 56.81

 

CMYK 92 / 0 / 95 / 41

HEX #0C9707

RGB 12 151 7

HSL 117.92, 0.91%, 0.31%

LAB 54.27, -57.33, 55.23

 

CMYK 95 / 73 / 0 / 41

HEX #072997

RGB 7 41 151

HSL 225.83, 0.91%, 0.31%

LAB 23.22, 35.06, -62.06

 

CMYK 3 / 95 / 0 / 41

HEX #920797

RGB 146 7 151

HSL 297.92, 0.91%, 0.31%

LAB 35, 64.72, -42.21

 

CMYK 0 / 21 / 95 / 40

HEX #997907

RGB 153 121 7

HSL 46.85, 0.91%, 0.31%

LAB 52.36, 2.82, 56.81

 

CMYK 95 / 0 / 70 / 41

HEX #07972D

RGB 7 151 45

HSL 135.83, 0.91%, 0.31%

LAB 54.42, -55.3, 44.51

 

CMYK 95 / 73 / 0 / 41

HEX #072997

RGB 7 41 151

HSL 225.83, 0.91%, 0.31%

LAB 23.22, 35.06, -62.06

 

CMYK 0 / 95 / 25 / 41

HEX #970771

RGB 151 7 113

HSL 315.83, 0.91%, 0.31%

LAB 33.82, 60.28, -20.33

 

Description

Color code: HEX #997907 | qconv.com Color code: HEX #997907 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 121 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 121 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 95 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 95% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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