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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99702D it is the complementary color #668FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99702D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99702D shade: #9E7028, #AF823B, #C0944E, #D1A661 and #E2B874

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99702D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99702D shade: #99702D, #885E1A, #774C07, #663A00 and #552800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99702D shade: #9A712D, #9A532D, #9A362D and #9A2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99702D shade: #9A712D, #9A8E2D, #899A2D, #6B9A2D and #4E9A2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99702D shade matches the following richer shades: #9A712D, #AA741D and #BA780D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99702D shade: #9A712D, #8A6D3D, #7A694D, #6A655D and #5A616D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99702D shade: #9A362D, #9A532D, #9A702D, #9A8D2D and #8A9A2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99702D shade: #5A421A, #7A5923, #9A712D, #BA8836 and #CC9C4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99702D shade: #99702D, #419A2D and #442D9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99702D shade: #99702D, #2D9A70 and #702D9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99702D shade: #99702D, #419A2D, #2D579A and #862D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99702D shade: #99702D, #2D9A3A, #2D579A and #9A2D8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 71 / 40

HEX #99702D

RGB 153 112 45

HSL 37.22, 0.55%, 0.39%

LAB 50.16, 9.26, 42.25

 

Complementary color

CMYK 51 / 32 / 0 / 18

HEX #668FD2

RGB 102 143 210

HSL 217.22, 0.55%, 0.61%

LAB 59.09, 4.76, -38.76

 

CMYK 0 / 29 / 75 / 38

HEX #9E7028

RGB 158 112 40

HSL 36.61, 0.6%, 0.39%

LAB 50.7, 11.27, 45.3

 

CMYK 0 / 26 / 66 / 31

HEX #AF823B

RGB 175 130 59

HSL 36.72, 0.5%, 0.46%

LAB 57.46, 9.81, 44.14

 

CMYK 0 / 23 / 59 / 25

HEX #C0944E

RGB 192 148 78

HSL 36.84, 0.48%, 0.53%

LAB 64.11, 8.6, 42.8

 

CMYK 0 / 21 / 54 / 18

HEX #D1A661

RGB 209 166 97

HSL 36.96, 0.55%, 0.6%

LAB 70.66, 7.58, 41.42

 

CMYK 0 / 19 / 49 / 11

HEX #E2B874

RGB 226 184 116

HSL 37.09, 0.65%, 0.67%

LAB 77.11, 6.71, 40.08

 

CMYK 0 / 27 / 71 / 40

HEX #99702D

RGB 153 112 45

HSL 37.22, 0.55%, 0.39%

LAB 50.16, 9.26, 42.25

 

CMYK 0 / 31 / 81 / 47

HEX #885E1A

RGB 136 94 26

HSL 37.09, 0.68%, 0.32%

LAB 43.23, 10.88, 43.15

 

CMYK 0 / 36 / 94 / 53

HEX #774C07

RGB 119 76 7

HSL 36.96, 0.89%, 0.25%

LAB 36.19, 12.9, 42.91

 

CMYK 0 / 43 / 100 / 60

HEX #663A00

RGB 102 58 0

HSL 34.12, 1%, 0.2%

LAB 29.03, 15.4, 39.18

 

CMYK 0 / 53 / 100 / 67

HEX #552800

RGB 85 40 0

HSL 28.24, 1%, 0.17%

LAB 21.76, 18.2, 31.39

 

CMYK 0 / 27 / 71 / 40

HEX #9A712D

RGB 154 113 45

HSL 37.43, 0.55%, 0.39%

LAB 50.53, 9.14, 42.69

 

CMYK 0 / 46 / 71 / 40

HEX #9A532D

RGB 154 83 45

HSL 20.92, 0.55%, 0.39%

LAB 43.13, 26.24, 34.65

 

CMYK 0 / 65 / 71 / 40

HEX #9A362D

RGB 154 54 45

HSL 4.95, 0.55%, 0.39%

LAB 37.29, 41.2, 27.95

 

CMYK 0 / 71 / 71 / 40

HEX #9A2D2D

RGB 154 45 45

HSL 0, 0.55%, 0.39%

LAB 35.86, 45.08, 26.25

 

CMYK 0 / 27 / 71 / 40

HEX #9A712D

RGB 154 113 45

HSL 37.43, 0.55%, 0.39%

LAB 50.53, 9.14, 42.69

 

CMYK 0 / 8 / 71 / 40

HEX #9A8E2D

RGB 154 142 45

HSL 53.39, 0.55%, 0.39%

LAB 58.42, -7.08, 50.78

 

CMYK 11 / 0 / 71 / 40

HEX #899A2D

RGB 137 154 45

HSL 69.36, 0.55%, 0.39%

LAB 60.44, -20.9, 52.34

 

CMYK 31 / 0 / 71 / 40

HEX #6B9A2D

RGB 107 154 45

HSL 85.87, 0.55%, 0.39%

LAB 58.44, -33.24, 49.66

 

CMYK 49 / 0 / 71 / 40

HEX #4E9A2D

RGB 78 154 45

HSL 101.83, 0.55%, 0.39%

LAB 57, -43.42, 47.72

 

CMYK 0 / 27 / 71 / 40

HEX #9A712D

RGB 154 113 45

HSL 37.43, 0.55%, 0.39%

LAB 50.53, 9.14, 42.69

 

CMYK 0 / 32 / 83 / 33

HEX #AA741D

RGB 170 116 29

HSL 37.02, 0.71%, 0.39%

LAB 53.09, 13.99, 52.49

 

CMYK 0 / 35 / 93 / 27

HEX #BA780D

RGB 186 120 13

HSL 37.11, 0.87%, 0.39%

LAB 55.99, 18.55, 60.11

 

CMYK 0 / 27 / 71 / 40

HEX #9A712D

RGB 154 113 45

HSL 37.43, 0.55%, 0.39%

LAB 50.53, 9.14, 42.69

 

CMYK 0 / 21 / 56 / 46

HEX #8A6D3D

RGB 138 109 61

HSL 37.4, 0.39%, 0.39%

LAB 47.85, 5.34, 30.94

 

CMYK 0 / 14 / 37 / 52

HEX #7A694D

RGB 122 105 77

HSL 37.33, 0.23%, 0.39%

LAB 45.33, 2.32, 18.25

 

CMYK 0 / 5 / 12 / 58

HEX #6A655D

RGB 106 101 93

HSL 36.92, 0.07%, 0.39%

LAB 43.01, 0.43, 5.23

 

CMYK 17 / 11 / 0 / 57

HEX #5A616D

RGB 90 97 109

HSL 217.89, 0.1%, 0.39%

LAB 40.94, 0.07, -7.71

 

CMYK 0 / 65 / 71 / 40

HEX #9A362D

RGB 154 54 45

HSL 4.95, 0.55%, 0.39%

LAB 37.29, 41.2, 27.95

 

CMYK 0 / 46 / 71 / 40

HEX #9A532D

RGB 154 83 45

HSL 20.92, 0.55%, 0.39%

LAB 43.13, 26.24, 34.65

 

CMYK 0 / 27 / 71 / 40

HEX #9A702D

RGB 154 112 45

HSL 36.88, 0.55%, 0.39%

LAB 50.27, 9.71, 42.41

 

CMYK 0 / 8 / 71 / 40

HEX #9A8D2D

RGB 154 141 45

HSL 52.84, 0.55%, 0.39%

LAB 58.14, -6.53, 50.5

 

CMYK 10 / 0 / 71 / 40

HEX #8A9A2D

RGB 138 154 45

HSL 68.81, 0.55%, 0.39%

LAB 60.52, -20.47, 52.44

 

CMYK 0 / 27 / 71 / 65

HEX #5A421A

RGB 90 66 26

HSL 37.5, 0.55%, 0.23%

LAB 29.77, 5.59, 27.7

 

CMYK 0 / 27 / 71 / 52

HEX #7A5923

RGB 122 89 35

HSL 37.24, 0.55%, 0.31%

LAB 40.25, 7.68, 35.5

 

CMYK 0 / 27 / 71 / 40

HEX #9A712D

RGB 154 113 45

HSL 37.43, 0.55%, 0.39%

LAB 50.53, 9.14, 42.69

 

CMYK 0 / 27 / 71 / 27

HEX #BA8836

RGB 186 136 54

HSL 37.27, 0.55%, 0.47%

LAB 60.17, 11.04, 49.75

 

CMYK 0 / 24 / 62 / 20

HEX #CC9C4E

RGB 204 156 78

HSL 37.14, 0.55%, 0.55%

LAB 67.4, 9.39, 46.93

 

CMYK 0 / 27 / 71 / 40

HEX #99702D

RGB 153 112 45

HSL 37.22, 0.55%, 0.39%

LAB 50.16, 9.26, 42.25

 

CMYK 58 / 0 / 71 / 40

HEX #419A2D

RGB 65 154 45

HSL 108.99, 0.55%, 0.39%

LAB 56.51, -47.18, 47.06

 

CMYK 56 / 71 / 0 / 40

HEX #442D9A

RGB 68 45 154

HSL 252.66, 0.55%, 0.39%

LAB 27.95, 39.76, -55.99

 

CMYK 0 / 27 / 71 / 40

HEX #99702D

RGB 153 112 45

HSL 37.22, 0.55%, 0.39%

LAB 50.16, 9.26, 42.25

 

CMYK 71 / 0 / 27 / 40

HEX #2D9A70

RGB 45 154 112

HSL 156.88, 0.55%, 0.39%

LAB 56.92, -40.77, 13.37

 

CMYK 27 / 71 / 0 / 40

HEX #702D9A

RGB 112 45 154

HSL 276.88, 0.55%, 0.39%

LAB 33.25, 48.28, -47.13

 

CMYK 0 / 27 / 71 / 40

HEX #99702D

RGB 153 112 45

HSL 37.22, 0.55%, 0.39%

LAB 50.16, 9.26, 42.25

 

CMYK 58 / 0 / 71 / 40

HEX #419A2D

RGB 65 154 45

HSL 108.99, 0.55%, 0.39%

LAB 56.51, -47.18, 47.06

 

CMYK 71 / 44 / 0 / 40

HEX #2D579A

RGB 45 87 154

HSL 216.88, 0.55%, 0.39%

LAB 37.31, 8.76, -40.92

 

CMYK 13 / 71 / 0 / 40

HEX #862D9A

RGB 134 45 154

HSL 288.99, 0.55%, 0.39%

LAB 36.51, 53.15, -41.72

 

CMYK 0 / 27 / 71 / 40

HEX #99702D

RGB 153 112 45

HSL 37.22, 0.55%, 0.39%

LAB 50.16, 9.26, 42.25

 

CMYK 71 / 0 / 62 / 40

HEX #2D9A3A

RGB 45 154 58

HSL 127.16, 0.55%, 0.39%

LAB 56.06, -50.37, 40.74

 

CMYK 71 / 44 / 0 / 40

HEX #2D579A

RGB 45 87 154

HSL 216.88, 0.55%, 0.39%

LAB 37.31, 8.76, -40.92

 

CMYK 0 / 71 / 8 / 40

HEX #9A2D8D

RGB 154 45 141

HSL 307.16, 0.55%, 0.39%

LAB 39.02, 55.58, -29.62

 

Description

Color code: HEX #99702D | qconv.com Color code: HEX #99702D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 112 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 112 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 71 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 71% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Hotel California Pal...
Link: http://www.hotelescaliforniasalou.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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