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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #996F0DCE it is the complementary color #6690F2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #996F0DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #996F0DCE shade: #9E6F08CE, #AF811BCE, #C0932ECE, #D1A541CE and #E2B754CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #996F0DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #996F0DCE shade: #996F0DCE, #885D00CE, #774B00CE, #663900CE and #552700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #996F0DCE shade: #9B700D, #9B4A0D, #9B240D and #9B0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #996F0DCE shade: #9B700D, #9B970D, #799B0D, #539B0D and #2D9B0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #996F0DCE shade matches the following richer shades: #9B700D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #996F0DCE shade: #9B700D, #8D6B1B, #806629, #726036 and #645B44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #996F0DCE shade: #9B250D, #9B4B0D, #9B700D, #9B960D and #7A9B0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #996F0DCE shade: #4F3907, #75550A, #9B700D, #C18C11 and #E7A814

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #996F0DCE shade: #996F0D, #1C9B0D and #380D9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #996F0DCE shade: #996F0D, #0D9B70 and #700D9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #996F0DCE shade: #996F0D, #1C9B0D, #0D389B and #8D0D9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #996F0DCE shade: #996F0D, #0D9B2A, #0D389B and #9B0D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 74 / 32

HEX #996F0DCE

RGBA 153 111 13 0.81

HSLA 42, 0.84%, 0.33%, 0.81

LABA 49.7, 8.61, 53.61, 0.81

 

Complementary color

CMYK 47 / 33 / 0 / 4

HEX #6690F2CE

RGBA 102 144 242 0.81

HSLA 222, 0.84%, 0.67%, 0.81

LABA 60.94, 14.29, -53.62, 0.81

 

CMYK 0 / 24 / 77 / 31

HEX #9E6F08CE

RGBA 158 111 8 0.81

HSLA 41.2, 0.9%, 0.33%, 0.81

LABA 50.28, 10.85, 55.35, 0.81

 

CMYK 0 / 21 / 69 / 25

HEX #AF811BCE

RGBA 175 129 27 0.81

HSLA 41.35, 0.73%, 0.4%, 0.81

LABA 56.97, 8.9, 56.74, 0.81

 

CMYK 0 / 19 / 62 / 20

HEX #C0932ECE

RGBA 192 147 46 0.81

HSLA 41.51, 0.61%, 0.47%, 0.81

LABA 63.57, 7.27, 56.71, 0.81

 

CMYK 0 / 17 / 56 / 15

HEX #D1A541CE

RGBA 209 165 65 0.81

HSLA 41.67, 0.61%, 0.54%, 0.81

LABA 70.07, 5.89, 55.99, 0.81

 

CMYK 0 / 15 / 51 / 9

HEX #E2B754CE

RGBA 226 183 84 0.81

HSLA 41.83, 0.71%, 0.61%, 0.81

LABA 76.48, 4.72, 54.94, 0.81

 

CMYK 0 / 22 / 74 / 32

HEX #996F0DCE

RGBA 153 111 13 0.81

HSLA 42, 0.84%, 0.33%, 0.81

LABA 49.7, 8.61, 53.61, 0.81

 

CMYK 0 / 26 / 81 / 38

HEX #885D00CE

RGBA 136 93 0 0.81

HSLA 41.03, 1%, 0.27%, 0.81

LABA 42.86, 10.79, 50.72, 0.81

 

CMYK 0 / 30 / 81 / 43

HEX #774B00CE

RGBA 119 75 0 0.81

HSLA 37.82, 1%, 0.23%, 0.81

LABA 35.9, 13.32, 45.03, 0.81

 

CMYK 0 / 36 / 81 / 49

HEX #663900CE

RGBA 102 57 0 0.81

HSLA 33.53, 1%, 0.2%, 0.81

LABA 28.78, 16.01, 38.97, 0.81

 

CMYK 0 / 44 / 81 / 54

HEX #552700CE

RGBA 85 39 0 0.81

HSLA 27.53, 1%, 0.17%, 0.81

LABA 21.51, 18.8, 31.13, 0.81

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 52 / 92 / 39

HEX #9B4A0D

RGB 155 74 13

HSL 25.77, 0.85%, 0.33%

LAB 41.05, 30.4, 47.12

 

CMYK 0 / 77 / 92 / 39

HEX #9B240D

RGB 155 36 13

HSL 9.72, 0.85%, 0.33%

LAB 34.52, 47.69, 42.28

 

CMYK 0 / 92 / 92 / 39

HEX #9B0D0D

RGB 155 13 13

HSL 0, 0.85%, 0.33%

LAB 32.45, 53.55, 40.78

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 3 / 92 / 39

HEX #9B970D

RGB 155 151 13

HSL 58.31, 0.85%, 0.33%

LAB 60.9, -12.57, 62.4

 

CMYK 22 / 0 / 92 / 39

HEX #799B0D

RGB 121 155 13

HSL 74.37, 0.85%, 0.33%

LAB 59.47, -29.5, 60.17

 

CMYK 46 / 0 / 92 / 39

HEX #539B0D

RGB 83 155 13

HSL 90.42, 0.85%, 0.33%

LAB 57.38, -43.93, 57.59

 

CMYK 71 / 0 / 92 / 39

HEX #2D9B0D

RGB 45 155 13

HSL 106.48, 0.85%, 0.33%

LAB 56.12, -54.06, 56.02

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 24 / 81 / 45

HEX #8D6B1B

RGB 141 107 27

HSL 42.11, 0.68%, 0.33%

LAB 47.31, 5.7, 46.75

 

CMYK 0 / 20 / 68 / 50

HEX #806629

RGB 128 102 41

HSL 42.07, 0.51%, 0.33%

LAB 44.59, 3.22, 37.39

 

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

CMYK 0 / 9 / 32 / 61

HEX #645B44

RGB 100 91 68

HSL 43.13, 0.19%, 0.33%

LAB 38.91, -0.34, 14.61

 

CMYK 0 / 76 / 92 / 39

HEX #9B250D

RGB 155 37 13

HSL 10.14, 0.85%, 0.33%

LAB 34.64, 47.35, 42.37

 

CMYK 0 / 52 / 92 / 39

HEX #9B4B0D

RGB 155 75 13

HSL 26.2, 0.85%, 0.33%

LAB 41.26, 29.86, 47.28

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 3 / 92 / 39

HEX #9B960D

RGB 155 150 13

HSL 57.89, 0.85%, 0.33%

LAB 60.61, -12.04, 62.18

 

CMYK 21 / 0 / 92 / 39

HEX #7A9B0D

RGB 122 155 13

HSL 73.94, 0.85%, 0.33%

LAB 59.53, -29.08, 60.25

 

CMYK 0 / 28 / 91 / 69

HEX #4F3907

RGB 79 57 7

HSL 41.67, 0.84%, 0.17%

LAB 25.57, 4.66, 32.07

 

CMYK 0 / 27 / 91 / 54

HEX #75550A

RGB 117 85 10

HSL 42.06, 0.84%, 0.25%

LAB 38.38, 6.59, 43.62

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 27 / 91 / 24

HEX #C18C11

RGB 193 140 17

HSL 41.93, 0.84%, 0.41%

LAB 61.77, 10.7, 63.99

 

CMYK 0 / 27 / 91 / 9

HEX #E7A814

RGB 231 168 20

HSL 42.09, 0.84%, 0.49%

LAB 72.92, 12.34, 73.67

 

CMYK 0 / 27 / 92 / 40

HEX #996F0D

RGB 153 111 13

HSL 42, 0.84%, 0.33%

LAB 49.7, 8.61, 53.61

 

CMYK 82 / 0 / 92 / 39

HEX #1C9B0D

RGB 28 155 13

HSL 113.66, 0.85%, 0.33%

LAB 55.8, -56.78, 55.63

 

CMYK 64 / 92 / 0 / 39

HEX #380D9B

RGB 56 13 155

HSL 258.17, 0.85%, 0.33%

LAB 21.93, 52.79, -66.58

 

CMYK 0 / 27 / 92 / 40

HEX #996F0D

RGB 153 111 13

HSL 42, 0.84%, 0.33%

LAB 49.7, 8.61, 53.61

 

CMYK 92 / 0 / 28 / 39

HEX #0D9B70

RGB 13 155 112

HSL 161.83, 0.85%, 0.33%

LAB 56.78, -44.64, 13.11

 

CMYK 28 / 92 / 0 / 39

HEX #700D9B

RGB 112 13 155

HSL 281.83, 0.85%, 0.33%

LAB 29.66, 59.09, -53.57

 

CMYK 0 / 27 / 92 / 40

HEX #996F0D

RGB 153 111 13

HSL 42, 0.84%, 0.33%

LAB 49.7, 8.61, 53.61

 

CMYK 82 / 0 / 92 / 39

HEX #1C9B0D

RGB 28 155 13

HSL 113.66, 0.85%, 0.33%

LAB 55.8, -56.78, 55.63

 

CMYK 92 / 64 / 0 / 39

HEX #0D389B

RGB 13 56 155

HSL 221.83, 0.85%, 0.33%

LAB 27.52, 26.84, -57.43

 

CMYK 9 / 92 / 0 / 39

HEX #8D0D9B

RGB 141 13 155

HSL 294.08, 0.85%, 0.33%

LAB 34.63, 63.71, -45.28

 

CMYK 0 / 27 / 92 / 40

HEX #996F0D

RGB 153 111 13

HSL 42, 0.84%, 0.33%

LAB 49.7, 8.61, 53.61

 

CMYK 92 / 0 / 73 / 39

HEX #0D9B2A

RGB 13 155 42

HSL 132.25, 0.85%, 0.33%

LAB 55.78, -56.46, 47.17

 

CMYK 92 / 64 / 0 / 39

HEX #0D389B

RGB 13 56 155

HSL 221.83, 0.85%, 0.33%

LAB 27.52, 26.84, -57.43

 

CMYK 0 / 92 / 18 / 39

HEX #9B0D7F

RGB 155 13 127

HSL 311.83, 0.85%, 0.33%

LAB 35.57, 62.1, -26.36

 

Description

Color code: HEX #996F0DCE | qconv.com Color code: HEX #996F0DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 111 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 111 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 74 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 74% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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