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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9969D9 it is the complementary color #669626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9969D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9969D9 shade: #9E69D4, #AF7BE7, #C08DFA, #D19FFF and #E2B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9969D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9969D9 shade: #9969D9, #8857C6, #7745B3, #6633A0 and #55218D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9969D9 shade: #9868D9, #B768D9, #D568D9, #D968BE and #D9689F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9969D9 shade: #9868D9, #7A68D9 and #6868D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9969D9 shade matches the following richer shades: #9868D9, #9658E8 and #9449F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9969D9 shade: #9868D9, #9A77C9, #9C86BA, #9F95AB and #A1A59C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9969D9 shade: #6875D9, #7968D9, #9768D9, #B568D9 and #D368D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9969D9 shade: #6D2FBF, #8247D1, #9868D9, #AE89E1 and #C5AAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9969D9 shade: #9969D9, #D96893 and #68D969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9969D9 shade: #9969D9, #D99768 and #68D997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9969D9 shade: #9969D9, #D96893, #AAD968 and #68D9AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9969D9 shade: #9969D9, #D96871, #AAD968 and #68D9CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 52 / 0 / 15

HEX #9969D9

RGB 153 105 217

HSL 265.71, 0.6%, 0.63%

LAB 53.9, 41.79, -50.64

 

Complementary color

CMYK 32 / 0 / 75 / 41

HEX #669626

RGB 102 150 38

HSL 85.71, 0.6%, 0.37%

LAB 56.86, -33.8, 50.65

 

CMYK 25 / 50 / 0 / 17

HEX #9E69D4

RGB 158 105 212

HSL 269.72, 0.55%, 0.62%

LAB 54.16, 41.89, -47.37

 

CMYK 24 / 47 / 0 / 9

HEX #AF7BE7

RGB 175 123 231

HSL 268.89, 0.69%, 0.69%

LAB 60.83, 40.99, -47.37

 

CMYK 23 / 44 / 0 / 2

HEX #C08DFA

RGB 192 141 250

HSL 268.07, 0.92%, 0.77%

LAB 67.4, 40.14, -47.36

 

CMYK 18 / 38 / 0 / 0

HEX #D19FFF

RGB 209 159 255

HSL 271.25, 1%, 0.81%

LAB 73.27, 36.24, -40.77

 

CMYK 11 / 31 / 0 / 0

HEX #E2B1FF

RGB 226 177 255

HSL 277.69, 1%, 0.85%

LAB 78.94, 31.58, -31.84

 

CMYK 29 / 52 / 0 / 15

HEX #9969D9

RGB 153 105 217

HSL 265.71, 0.6%, 0.63%

LAB 53.9, 41.79, -50.64

 

CMYK 31 / 56 / 0 / 22

HEX #8857C6

RGB 136 87 198

HSL 266.49, 0.49%, 0.56%

LAB 47.14, 42.79, -50.69

 

CMYK 34 / 61 / 0 / 30

HEX #7745B3

RGB 119 69 179

HSL 267.27, 0.44%, 0.49%

LAB 40.3, 43.78, -50.7

 

CMYK 36 / 68 / 0 / 37

HEX #6633A0

RGB 102 51 160

HSL 268.07, 0.52%, 0.41%

LAB 33.42, 44.67, -50.57

 

CMYK 40 / 77 / 0 / 45

HEX #55218D

RGB 85 33 141

HSL 268.89, 0.62%, 0.34%

LAB 26.57, 45.23, -50.16

 

CMYK 30 / 52 / 0 / 15

HEX #9868D9

RGB 152 104 217

HSL 265.49, 0.6%, 0.63%

LAB 53.58, 42.09, -51.16

 

CMYK 16 / 52 / 0 / 15

HEX #B768D9

RGB 183 104 217

HSL 281.95, 0.6%, 0.63%

LAB 57.05, 50.21, -45.43

 

CMYK 2 / 52 / 0 / 15

HEX #D568D9

RGB 213 104 217

HSL 297.88, 0.6%, 0.63%

LAB 60.83, 58.28, -39.23

 

CMYK 0 / 52 / 12 / 15

HEX #D968BE

RGB 217 104 190

HSL 314.34, 0.6%, 0.63%

LAB 60.22, 54.88, -24.85

 

CMYK 0 / 52 / 27 / 15

HEX #D9689F

RGB 217 104 159

HSL 330.8, 0.6%, 0.63%

LAB 59.12, 50.36, -8.71

 

CMYK 30 / 52 / 0 / 15

HEX #9868D9

RGB 152 104 217

HSL 265.49, 0.6%, 0.63%

LAB 53.58, 42.09, -51.16

 

CMYK 44 / 52 / 0 / 15

HEX #7A68D9

RGB 122 104 217

HSL 249.56, 0.6%, 0.63%

LAB 50.74, 34.8, -55.86

 

CMYK 52 / 52 / 0 / 15

HEX #6868D9

RGB 104 104 217

HSL 240, 0.6%, 0.63%

LAB 49.32, 30.86, -58.23

 

CMYK 30 / 52 / 0 / 15

HEX #9868D9

RGB 152 104 217

HSL 265.49, 0.6%, 0.63%

LAB 53.58, 42.09, -51.16

 

CMYK 35 / 62 / 0 / 9

HEX #9658E8

RGB 150 88 232

HSL 265.83, 0.76%, 0.63%

LAB 51.02, 53.91, -63.74

 

CMYK 40 / 70 / 0 / 3

HEX #9449F7

RGB 148 73 247

HSL 265.86, 0.92%, 0.63%

LAB 49.22, 64.45, -75.08

 

CMYK 30 / 52 / 0 / 15

HEX #9868D9

RGB 152 104 217

HSL 265.49, 0.6%, 0.63%

LAB 53.58, 42.09, -51.16

 

CMYK 23 / 41 / 0 / 21

HEX #9A77C9

RGB 154 119 201

HSL 265.61, 0.43%, 0.63%

LAB 56.37, 30.26, -37.67

 

CMYK 16 / 28 / 0 / 27

HEX #9C86BA

RGB 156 134 186

HSL 265.38, 0.27%, 0.63%

LAB 59.58, 18.75, -24.14

 

CMYK 7 / 13 / 0 / 33

HEX #9F95AB

RGB 159 149 171

HSL 267.27, 0.12%, 0.63%

LAB 63.18, 7.96, -10.17

 

CMYK 2 / 0 / 5 / 35

HEX #A1A59C

RGB 161 165 156

HSL 86.67, 0.05%, 0.63%

LAB 67.19, -3.12, 4.16

 

CMYK 52 / 46 / 0 / 15

HEX #6875D9

RGB 104 117 217

HSL 233.1, 0.6%, 0.63%

LAB 52.59, 22.96, -52.98

 

CMYK 44 / 52 / 0 / 15

HEX #7968D9

RGB 121 104 217

HSL 249.03, 0.6%, 0.63%

LAB 50.66, 34.57, -56

 

CMYK 30 / 52 / 0 / 15

HEX #9768D9

RGB 151 104 217

HSL 264.96, 0.6%, 0.63%

LAB 53.48, 41.84, -51.33

 

CMYK 17 / 52 / 0 / 15

HEX #B568D9

RGB 181 104 217

HSL 280.88, 0.6%, 0.63%

LAB 56.82, 49.67, -45.82

 

CMYK 3 / 52 / 0 / 15

HEX #D368D9

RGB 211 104 217

HSL 296.81, 0.6%, 0.63%

LAB 60.57, 57.74, -39.66

 

CMYK 43 / 75 / 0 / 25

HEX #6D2FBF

RGB 109 47 191

HSL 265.83, 0.61%, 0.47%

LAB 36.07, 55.75, -64.68

 

CMYK 38 / 66 / 0 / 18

HEX #8247D1

RGB 130 71 209

HSL 265.65, 0.6%, 0.55%

LAB 44.03, 52.7, -62.09

 

CMYK 30 / 52 / 0 / 15

HEX #9868D9

RGB 152 104 217

HSL 265.49, 0.6%, 0.63%

LAB 53.58, 42.09, -51.16

 

CMYK 23 / 39 / 0 / 12

HEX #AE89E1

RGB 174 137 225

HSL 265.23, 0.59%, 0.71%

LAB 63.61, 31.52, -39.66

 

CMYK 15 / 27 / 0 / 9

HEX #C5AAE9

RGB 197 170 233

HSL 265.71, 0.59%, 0.79%

LAB 73.87, 21.85, -27.98

 

CMYK 29 / 52 / 0 / 15

HEX #9969D9

RGB 153 105 217

HSL 265.71, 0.6%, 0.63%

LAB 53.9, 41.79, -50.64

 

CMYK 0 / 52 / 32 / 15

HEX #D96893

RGB 217 104 147

HSL 337.17, 0.6%, 0.63%

LAB 58.75, 48.81, -2.3

 

CMYK 52 / 0 / 52 / 15

HEX #68D969

RGB 104 217 105

HSL 120.53, 0.6%, 0.63%

LAB 78.22, -54.45, 45.15

 

CMYK 29 / 52 / 0 / 15

HEX #9969D9

RGB 153 105 217

HSL 265.71, 0.6%, 0.63%

LAB 53.9, 41.79, -50.64

 

CMYK 0 / 30 / 52 / 15

HEX #D99768

RGB 217 151 104

HSL 24.96, 0.6%, 0.63%

LAB 67.94, 19.59, 34.57

 

CMYK 52 / 0 / 30 / 15

HEX #68D997

RGB 104 217 151

HSL 144.96, 0.6%, 0.63%

LAB 78.93, -47.05, 22.91

 

CMYK 29 / 52 / 0 / 15

HEX #9969D9

RGB 153 105 217

HSL 265.71, 0.6%, 0.63%

LAB 53.9, 41.79, -50.64

 

CMYK 0 / 52 / 32 / 15

HEX #D96893

RGB 217 104 147

HSL 337.17, 0.6%, 0.63%

LAB 58.75, 48.81, -2.3

 

CMYK 22 / 0 / 52 / 15

HEX #AAD968

RGB 170 217 104

HSL 84.96, 0.6%, 0.63%

LAB 81.39, -33.3, 50.18

 

CMYK 52 / 0 / 20 / 15

HEX #68D9AD

RGB 104 217 173

HSL 156.64, 0.6%, 0.63%

LAB 79.38, -42.56, 11.96

 

CMYK 29 / 52 / 0 / 15

HEX #9969D9

RGB 153 105 217

HSL 265.71, 0.6%, 0.63%

LAB 53.9, 41.79, -50.64

 

CMYK 0 / 52 / 48 / 15

HEX #D96871

RGB 217 104 113

HSL 355.22, 0.6%, 0.63%

LAB 57.89, 45.1, 16.25

 

CMYK 22 / 0 / 52 / 15

HEX #AAD968

RGB 170 217 104

HSL 84.96, 0.6%, 0.63%

LAB 81.39, -33.3, 50.18

 

CMYK 52 / 0 / 5 / 15

HEX #68D9CF

RGB 104 217 207

HSL 174.69, 0.6%, 0.63%

LAB 80.22, -34.56, -4.93

 

Description

Color code: HEX #9969D9 | qconv.com Color code: HEX #9969D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 105 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 105 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 52 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 52% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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