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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9968D4 it is the complementary color #66972B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9968D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9968D4 shade: #9E68CF, #AF7AE2, #C08CF5, #D19EFF and #E2B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9968D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9968D4 shade: #9968D4, #8856C1, #7744AE, #66329B and #552088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9968D4 shade: #9968D4, #B668D4, #D468D4, #D468B8 and #D4689B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9968D4 shade: #9968D4, #7C68D4 and #6868D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9968D4 shade matches the following richer shades: #9968D4, #9858E4 and #9648F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9968D4 shade: #9968D4, #9B78C5, #9C87B5, #9D97A5 and #9FA796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9968D4 shade: #6871D4, #7C68D4, #9968D4, #B668D4 and #D368D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9968D4 shade: #6F33B6, #8348CB, #9968D4, #AF88DD and #C4A8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9968D4 shade: #9968D4, #D4688E and #68D46D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9968D4 shade: #9968D4, #D49968 and #68D499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9968D4 shade: #9968D4, #D4688E, #A4D468 and #68D4AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9968D4 shade: #9968D4, #D4686D, #A4D468 and #68D4CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

Complementary color

CMYK 32 / 0 / 72 / 41

HEX #66972B

RGB 102 151 43

HSL 87.22, 0.56%, 0.38%

LAB 57.2, -33.92, 49.1

 

CMYK 24 / 50 / 0 / 19

HEX #9E68CF

RGB 158 104 207

HSL 271.46, 0.52%, 0.61%

LAB 53.68, 41.27, -45.29

 

CMYK 23 / 46 / 0 / 11

HEX #AF7AE2

RGB 175 122 226

HSL 270.58, 0.64%, 0.68%

LAB 60.36, 40.39, -45.32

 

CMYK 22 / 43 / 0 / 4

HEX #C08CF5

RGB 192 140 245

HSL 269.71, 0.84%, 0.75%

LAB 66.94, 39.55, -45.34

 

CMYK 18 / 38 / 0 / 0

HEX #D19EFF

RGB 209 158 255

HSL 271.55, 1%, 0.81%

LAB 73.04, 36.78, -41.12

 

CMYK 11 / 31 / 0 / 0

HEX #E2B0FF

RGB 226 176 255

HSL 277.97, 1%, 0.85%

LAB 78.72, 32.11, -32.19

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 30 / 55 / 0 / 24

HEX #8856C1

RGB 136 86 193

HSL 268.04, 0.46%, 0.55%

LAB 46.63, 42.1, -48.62

 

CMYK 32 / 61 / 0 / 32

HEX #7744AE

RGB 119 68 174

HSL 268.87, 0.44%, 0.47%

LAB 39.77, 43.06, -48.59

 

CMYK 34 / 68 / 0 / 39

HEX #66329B

RGB 102 50 155

HSL 269.71, 0.51%, 0.4%

LAB 32.86, 43.92, -48.44

 

CMYK 38 / 76 / 0 / 47

HEX #552088

RGB 85 32 136

HSL 270.58, 0.62%, 0.33%

LAB 25.99, 44.42, -48

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 14 / 51 / 0 / 17

HEX #B668D4

RGB 182 104 212

HSL 283.33, 0.56%, 0.62%

LAB 56.68, 48.9, -43.2

 

CMYK 0 / 51 / 0 / 17

HEX #D468D4

RGB 212 104 212

HSL 300, 0.56%, 0.62%

LAB 60.47, 57.12, -36.98

 

CMYK 0 / 51 / 13 / 17

HEX #D468B8

RGB 212 104 184

HSL 315.56, 0.56%, 0.62%

LAB 59.3, 52.44, -22.89

 

CMYK 0 / 51 / 27 / 17

HEX #D4689B

RGB 212 104 155

HSL 331.67, 0.56%, 0.62%

LAB 58.29, 48.2, -7.71

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 42 / 51 / 0 / 17

HEX #7C68D4

RGB 124 104 212

HSL 251.11, 0.56%, 0.62%

LAB 50.62, 33.84, -53.22

 

CMYK 51 / 51 / 0 / 17

HEX #6868D4

RGB 104 104 212

HSL 240, 0.56%, 0.62%

LAB 49, 29.31, -55.89

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 33 / 61 / 0 / 11

HEX #9858E4

RGB 152 88 228

HSL 267.43, 0.72%, 0.62%

LAB 50.99, 53.37, -61.54

 

CMYK 39 / 70 / 0 / 4

HEX #9648F4

RGB 150 72 244

HSL 267.21, 0.89%, 0.62%

LAB 49.07, 64.53, -73.65

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 21 / 39 / 0 / 23

HEX #9B78C5

RGB 155 120 197

HSL 267.27, 0.4%, 0.62%

LAB 56.52, 29.03, -35.15

 

CMYK 14 / 25 / 0 / 29

HEX #9C87B5

RGB 156 135 181

HSL 267.39, 0.24%, 0.62%

LAB 59.65, 17.06, -21.21

 

CMYK 5 / 8 / 0 / 35

HEX #9D97A5

RGB 157 151 165

HSL 265.71, 0.07%, 0.62%

LAB 63.36, 4.91, -6.54

 

CMYK 5 / 0 / 10 / 35

HEX #9FA796

RGB 159 167 150

HSL 88.24, 0.09%, 0.62%

LAB 67.43, -6.02, 7.82

 

CMYK 51 / 47 / 0 / 17

HEX #6871D4

RGB 104 113 212

HSL 235, 0.56%, 0.62%

LAB 51.27, 23.83, -52.25

 

CMYK 42 / 51 / 0 / 17

HEX #7C68D4

RGB 124 104 212

HSL 251.11, 0.56%, 0.62%

LAB 50.62, 33.84, -53.22

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 14 / 51 / 0 / 17

HEX #B668D4

RGB 182 104 212

HSL 283.33, 0.56%, 0.62%

LAB 56.68, 48.9, -43.2

 

CMYK 0 / 51 / 0 / 17

HEX #D368D4

RGB 211 104 212

HSL 299.44, 0.56%, 0.62%

LAB 60.34, 56.85, -37.2

 

CMYK 39 / 72 / 0 / 29

HEX #6F33B6

RGB 111 51 182

HSL 267.48, 0.56%, 0.46%

LAB 36.22, 52.03, -59.12

 

CMYK 35 / 65 / 0 / 20

HEX #8348CB

RGB 131 72 203

HSL 267.02, 0.56%, 0.54%

LAB 43.9, 50.9, -58.82

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 21 / 38 / 0 / 13

HEX #AF88DD

RGB 175 136 221

HSL 267.53, 0.56%, 0.7%

LAB 63.3, 31.44, -37.92

 

CMYK 15 / 27 / 0 / 9

HEX #C4A8E7

RGB 196 168 231

HSL 266.67, 0.57%, 0.78%

LAB 73.23, 22.21, -27.89

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 0 / 51 / 33 / 17

HEX #D4688E

RGB 212 104 142

HSL 338.89, 0.56%, 0.62%

LAB 57.9, 46.52, -0.73

 

CMYK 51 / 0 / 49 / 17

HEX #68D46D

RGB 104 212 109

HSL 122.78, 0.56%, 0.62%

LAB 76.76, -51.95, 41.43

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 0 / 28 / 51 / 17

HEX #D49968

RGB 212 153 104

HSL 27.22, 0.56%, 0.62%

LAB 67.86, 16.46, 34.36

 

CMYK 51 / 0 / 28 / 17

HEX #68D499

RGB 104 212 153

HSL 147.22, 0.56%, 0.62%

LAB 77.48, -44.53, 19.87

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 0 / 51 / 33 / 17

HEX #D4688E

RGB 212 104 142

HSL 338.89, 0.56%, 0.62%

LAB 57.9, 46.52, -0.73

 

CMYK 23 / 0 / 51 / 17

HEX #A4D468

RGB 164 212 104

HSL 86.67, 0.56%, 0.62%

LAB 79.6, -33.21, 47.97

 

CMYK 51 / 0 / 18 / 17

HEX #68D4AE

RGB 104 212 174

HSL 158.89, 0.56%, 0.62%

LAB 77.93, -40.12, 9.36

 

CMYK 28 / 51 / 0 / 17

HEX #9968D4

RGB 153 104 212

HSL 267.22, 0.56%, 0.62%

LAB 53.41, 41.13, -48.59

 

CMYK 0 / 51 / 49 / 17

HEX #D4686D

RGB 212 104 109

HSL 357.22, 0.56%, 0.62%

LAB 57.08, 42.92, 17.35

 

CMYK 23 / 0 / 51 / 17

HEX #A4D468

RGB 164 212 104

HSL 86.67, 0.56%, 0.62%

LAB 79.6, -33.21, 47.97

 

CMYK 51 / 0 / 2 / 17

HEX #68D4CF

RGB 104 212 207

HSL 177.22, 0.56%, 0.62%

LAB 78.77, -32.21, -7.07

 

Description

Color code: HEX #9968D4 | qconv.com Color code: HEX #9968D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 104 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 104 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 51 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 51% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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