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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9968B6 it is the complementary color #669749. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9968B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9968B6: #9E68B1, #AF7AC4, #C08CD7, #D19EEA and #E2B0FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9968B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9968B6: #9968B6, #8856A3, #774490, #66327D and #55206A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

Complementary color

CMYK 32 / 0 / 52 / 41

HEX #669749

RGB 102 151 73

HSL 97.69, 0.35%, 0.44%

LAB 57.5, -31.02, 35.66

 

CMYK 11 / 41 / 0 / 31

HEX #9E68B1

RGB 158 104 177

HSL 284.38, 0.32%, 0.55%

LAB 52.22, 34.56, -30.35

 

CMYK 11 / 38 / 0 / 23

HEX #AF7AC4

RGB 175 122 196

HSL 282.97, 0.39%, 0.62%

LAB 58.99, 33.78, -30.58

 

CMYK 11 / 35 / 0 / 16

HEX #C08CD7

RGB 192 140 215

HSL 281.6, 0.48%, 0.7%

LAB 65.65, 33.05, -30.8

 

CMYK 11 / 32 / 0 / 8

HEX #D19EEA

RGB 209 158 234

HSL 280.26, 0.64%, 0.77%

LAB 72.19, 32.36, -31.01

 

CMYK 11 / 30 / 0 / 1

HEX #E2B0FD

RGB 226 176 253

HSL 278.96, 0.95%, 0.84%

LAB 78.64, 31.71, -31.23

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 17 / 47 / 0 / 36

HEX #8856A3

RGB 136 86 163

HSL 278.96, 0.31%, 0.49%

LAB 44.99, 34.96, -33.65

 

CMYK 17 / 53 / 0 / 44

HEX #774490

RGB 119 68 144

HSL 280.26, 0.36%, 0.42%

LAB 37.97, 35.82, -33.46

 

CMYK 18 / 60 / 0 / 51

HEX #66327D

RGB 102 50 125

HSL 281.6, 0.43%, 0.34%

LAB 30.85, 36.62, -33.16

 

CMYK 20 / 70 / 0 / 58

HEX #55206A

RGB 85 32 106

HSL 282.97, 0.54%, 0.27%

LAB 23.69, 37.15, -32.63

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 9 / 43 / 0 / 29

HEX #A567B6

RGB 165 103 182

HSL 287.09, 0.35%, 0.56%

LAB 53.03, 38.31, -31.92

 

CMYK 2 / 43 / 0 / 29

HEX #B267B6

RGB 178 103 182

HSL 296.96, 0.35%, 0.56%

LAB 54.6, 42.27, -29.36

 

CMYK 0 / 43 / 5 / 29

HEX #B667AC

RGB 182 103 172

HSL 307.59, 0.35%, 0.56%

LAB 54.68, 41.67, -23.41

 

CMYK 0 / 43 / 13 / 29

HEX #B6679F

RGB 182 103 159

HSL 317.47, 0.35%, 0.56%

LAB 54.18, 39.42, -16.61

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 16 / 43 / 0 / 9

HEX #C485E9

RGB 196 133 233

HSL 277.8, 0.69%, 0.72%

LAB 65.27, 41.85, -41.32

 

CMYK 17 / 41 / 0 / 89

HEX #18111D

RGB 24 17 29

HSL 275, 0.26%, 0.09%

LAB 6.18, 6.1, -6.91

 

CMYK 16 / 43 / 0 / 69

HEX #432E50

RGB 67 46 80

HSL 277.06, 0.27%, 0.25%

LAB 22.75, 17.03, -17.17

 

CMYK 16 / 43 / 0 / 49

HEX #6E4B83

RGB 110 75 131

HSL 277.5, 0.27%, 0.4%

LAB 37.82, 25.93, -25.83

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 0 / 43 / 36 / 29

HEX #B66775

RGB 182 103 117

HSL 349.37, 0.35%, 0.56%

LAB 52.87, 33.24, 6.15

 

CMYK 43 / 0 / 34 / 29

HEX #67B678

RGB 103 182 120

HSL 132.91, 0.35%, 0.56%

LAB 67.8, -37.82, 24.18

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 0 / 17 / 43 / 29

HEX #B69767

RGB 182 151 103

HSL 36.46, 0.35%, 0.56%

LAB 64.21, 5.01, 29.58

 

CMYK 43 / 0 / 17 / 29

HEX #67B697

RGB 103 182 151

HSL 156.46, 0.35%, 0.56%

LAB 68.44, -31.65, 8.26

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 0 / 43 / 36 / 29

HEX #B66775

RGB 182 103 117

HSL 349.37, 0.35%, 0.56%

LAB 52.87, 33.24, 6.15

 

CMYK 27 / 0 / 43 / 29

HEX #85B667

RGB 133 182 103

HSL 97.22, 0.35%, 0.56%

LAB 69.06, -30.6, 35.04

 

CMYK 43 / 0 / 8 / 29

HEX #67B6A7

RGB 103 182 167

HSL 168.61, 0.35%, 0.56%

LAB 68.84, -27.96, 0.04

 

CMYK 16 / 43 / 0 / 29

HEX #9968B6

RGB 153 104 182

HSL 277.69, 0.35%, 0.56%

LAB 51.89, 34.12, -33.8

 

CMYK 0 / 38 / 43 / 29

HEX #B67067

RGB 182 112 103

HSL 6.84, 0.35%, 0.56%

LAB 54.57, 26.67, 16.73

 

CMYK 27 / 0 / 43 / 29

HEX #85B667

RGB 133 182 103

HSL 97.22, 0.35%, 0.56%

LAB 69.06, -30.6, 35.04

 

CMYK 43 / 5 / 0 / 29

HEX #67ACB6

RGB 103 172 182

HSL 187.59, 0.35%, 0.56%

LAB 66.34, -19.13, -11.96

 

Description

Color code: HEX #9968B6 | qconv.com Color code: HEX #9968B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 104 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 104 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 43 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 43% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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