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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9963D7 it is the complementary color #669C28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9963D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9963D7 shade: #9E63D2, #AF75E5, #C087F8, #D199FF and #E2ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9963D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9963D7 shade: #9963D7, #8851C4, #773FB1, #662D9E and #551B8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9963D7 shade: #9A65D7, #B965D7, #D765D7, #D765B8 and #D76599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9963D7 shade: #9A65D7, #7B65D7 and #6565D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9963D7 shade matches the following richer shades: #9A65D7, #9955E7 and #9846F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9963D7 shade: #9A65D7, #9B75C8, #9C84B8, #9D94A8 and #9EA499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9963D7 shade: #656ED7, #7A65D7, #9865D7, #B765D7 and #D565D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9963D7 shade: #7030BA, #8544CF, #9A65D7, #B086E0 and #C5A7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9963D7 shade: #9963D7, #D7658D and #65D76B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9963D7 shade: #9963D7, #D79865 and #65D798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9963D7 shade: #9963D7, #D7658D, #A4D765 and #65D7AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9963D7 shade: #9963D7, #D7656B, #A4D765 and #65D7D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 54 / 0 / 16

HEX #9963D7

RGB 153 99 215

HSL 267.93, 0.59%, 0.62%

LAB 52.51, 44.61, -51.73

 

Complementary color

CMYK 35 / 0 / 74 / 39

HEX #669C28

RGB 102 156 40

HSL 87.93, 0.59%, 0.38%

LAB 58.75, -36.38, 51.78

 

CMYK 25 / 53 / 0 / 18

HEX #9E63D2

RGB 158 99 210

HSL 271.89, 0.55%, 0.61%

LAB 52.78, 44.7, -48.43

 

CMYK 24 / 49 / 0 / 10

HEX #AF75E5

RGB 175 117 229

HSL 271.07, 0.68%, 0.68%

LAB 59.43, 43.81, -48.46

 

CMYK 23 / 46 / 0 / 3

HEX #C087F8

RGB 192 135 248

HSL 270.27, 0.89%, 0.75%

LAB 65.99, 42.95, -48.48

 

CMYK 18 / 40 / 0 / 0

HEX #D199FF

RGB 209 153 255

HSL 272.94, 1%, 0.8%

LAB 71.93, 39.49, -42.85

 

CMYK 11 / 33 / 0 / 0

HEX #E2ABFF

RGB 226 171 255

HSL 279.29, 1%, 0.84%

LAB 77.59, 34.8, -33.93

 

CMYK 29 / 54 / 0 / 16

HEX #9963D7

RGB 153 99 215

HSL 267.93, 0.59%, 0.62%

LAB 52.51, 44.61, -51.73

 

CMYK 31 / 59 / 0 / 23

HEX #8851C4

RGB 136 81 196

HSL 268.7, 0.49%, 0.54%

LAB 45.78, 45.57, -51.72

 

CMYK 33 / 64 / 0 / 31

HEX #773FB1

RGB 119 63 177

HSL 269.47, 0.48%, 0.47%

LAB 38.99, 46.46, -51.63

 

CMYK 35 / 72 / 0 / 38

HEX #662D9E

RGB 102 45 158

HSL 270.27, 0.56%, 0.4%

LAB 32.19, 47.15, -51.35

 

CMYK 39 / 81 / 0 / 45

HEX #551B8B

RGB 85 27 139

HSL 271.07, 0.67%, 0.33%

LAB 25.5, 47.3, -50.66

 

CMYK 28 / 53 / 0 / 16

HEX #9A65D7

RGB 154 101 215

HSL 267.89, 0.59%, 0.62%

LAB 53.04, 43.77, -50.88

 

CMYK 14 / 53 / 0 / 16

HEX #B965D7

RGB 185 101 215

HSL 284.21, 0.59%, 0.62%

LAB 56.61, 51.86, -44.98

 

CMYK 0 / 53 / 0 / 16

HEX #D765D7

RGB 215 101 215

HSL 300, 0.59%, 0.62%

LAB 60.48, 59.88, -38.63

 

CMYK 0 / 53 / 14 / 16

HEX #D765B8

RGB 215 101 184

HSL 316.32, 0.59%, 0.62%

LAB 59.17, 54.78, -23.05

 

CMYK 0 / 53 / 29 / 16

HEX #D76599

RGB 215 101 153

HSL 332.63, 0.59%, 0.62%

LAB 58.09, 50.37, -6.79

 

CMYK 28 / 53 / 0 / 16

HEX #9A65D7

RGB 154 101 215

HSL 267.89, 0.59%, 0.62%

LAB 53.04, 43.77, -50.88

 

CMYK 43 / 53 / 0 / 16

HEX #7B65D7

RGB 123 101 215

HSL 251.58, 0.59%, 0.62%

LAB 50.01, 36.22, -55.9

 

CMYK 53 / 53 / 0 / 16

HEX #6565D7

RGB 101 101 215

HSL 240, 0.59%, 0.62%

LAB 48.24, 31.44, -58.85

 

CMYK 28 / 53 / 0 / 16

HEX #9A65D7

RGB 154 101 215

HSL 267.89, 0.59%, 0.62%

LAB 53.04, 43.77, -50.88

 

CMYK 34 / 63 / 0 / 9

HEX #9955E7

RGB 153 85 231

HSL 267.95, 0.75%, 0.62%

LAB 50.73, 55.83, -63.63

 

CMYK 38 / 72 / 0 / 3

HEX #9846F7

RGB 152 70 247

HSL 267.8, 0.92%, 0.62%

LAB 49.22, 66.46, -75.07

 

CMYK 28 / 53 / 0 / 16

HEX #9A65D7

RGB 154 101 215

HSL 267.89, 0.59%, 0.62%

LAB 53.04, 43.77, -50.88

 

CMYK 23 / 42 / 0 / 22

HEX #9B75C8

RGB 155 117 200

HSL 267.47, 0.43%, 0.62%

LAB 55.95, 31.46, -37.75

 

CMYK 15 / 28 / 0 / 28

HEX #9C84B8

RGB 156 132 184

HSL 267.69, 0.27%, 0.62%

LAB 59, 19.45, -23.9

 

CMYK 7 / 12 / 0 / 34

HEX #9D94A8

RGB 157 148 168

HSL 267, 0.1%, 0.62%

LAB 62.66, 7.21, -9.28

 

CMYK 4 / 0 / 7 / 36

HEX #9EA499

RGB 158 164 153

HSL 92.73, 0.06%, 0.62%

LAB 66.61, -4.22, 4.96

 

CMYK 53 / 49 / 0 / 16

HEX #656ED7

RGB 101 110 215

HSL 235.26, 0.59%, 0.62%

LAB 50.48, 25.96, -55.23

 

CMYK 43 / 53 / 0 / 16

HEX #7A65D7

RGB 122 101 215

HSL 251.05, 0.59%, 0.62%

LAB 49.92, 35.99, -56.05

 

CMYK 29 / 53 / 0 / 16

HEX #9865D7

RGB 152 101 215

HSL 266.84, 0.59%, 0.62%

LAB 52.83, 43.26, -51.23

 

CMYK 15 / 53 / 0 / 16

HEX #B765D7

RGB 183 101 215

HSL 283.16, 0.59%, 0.62%

LAB 56.37, 51.33, -45.39

 

CMYK 1 / 53 / 0 / 16

HEX #D565D7

RGB 213 101 215

HSL 298.95, 0.59%, 0.62%

LAB 60.21, 59.34, -39.07

 

CMYK 40 / 74 / 0 / 27

HEX #7030BA

RGB 112 48 186

HSL 267.83, 0.59%, 0.46%

LAB 36.18, 54.57, -61.54

 

CMYK 36 / 67 / 0 / 19

HEX #8544CF

RGB 133 68 207

HSL 268.06, 0.59%, 0.54%

LAB 43.69, 54.3, -61.46

 

CMYK 28 / 53 / 0 / 16

HEX #9A65D7

RGB 154 101 215

HSL 267.89, 0.59%, 0.62%

LAB 53.04, 43.77, -50.88

 

CMYK 21 / 40 / 0 / 12

HEX #B086E0

RGB 176 134 224

HSL 268, 0.59%, 0.7%

LAB 63.06, 33.55, -39.95

 

CMYK 15 / 28 / 0 / 9

HEX #C5A7E8

RGB 197 167 232

HSL 267.69, 0.59%, 0.78%

LAB 73.11, 23.29, -28.61

 

CMYK 29 / 54 / 0 / 16

HEX #9963D7

RGB 153 99 215

HSL 267.93, 0.59%, 0.62%

LAB 52.51, 44.61, -51.73

 

CMYK 0 / 53 / 34 / 16

HEX #D7658D

RGB 215 101 141

HSL 338.95, 0.59%, 0.62%

LAB 57.73, 48.87, -0.33

 

CMYK 53 / 0 / 50 / 16

HEX #65D76B

RGB 101 215 107

HSL 123.16, 0.59%, 0.62%

LAB 77.54, -54.18, 43.33

 

CMYK 29 / 54 / 0 / 16

HEX #9963D7

RGB 153 99 215

HSL 267.93, 0.59%, 0.62%

LAB 52.51, 44.61, -51.73

 

CMYK 0 / 29 / 53 / 16

HEX #D79865

RGB 215 152 101

HSL 26.84, 0.59%, 0.62%

LAB 67.9, 17.97, 36.08

 

CMYK 53 / 0 / 29 / 16

HEX #65D798

RGB 101 215 152

HSL 146.84, 0.59%, 0.62%

LAB 78.25, -46.72, 21.44

 

CMYK 29 / 54 / 0 / 16

HEX #9963D7

RGB 153 99 215

HSL 267.93, 0.59%, 0.62%

LAB 52.51, 44.61, -51.73

 

CMYK 0 / 53 / 34 / 16

HEX #D7658D

RGB 215 101 141

HSL 338.95, 0.59%, 0.62%

LAB 57.73, 48.87, -0.33

 

CMYK 24 / 0 / 53 / 16

HEX #A4D765

RGB 164 215 101

HSL 86.84, 0.59%, 0.62%

LAB 80.42, -34.9, 50.35

 

CMYK 53 / 0 / 19 / 16

HEX #65D7AF

RGB 101 215 175

HSL 158.95, 0.59%, 0.62%

LAB 78.73, -41.91, 9.96

 

CMYK 29 / 54 / 0 / 16

HEX #9963D7

RGB 153 99 215

HSL 267.93, 0.59%, 0.62%

LAB 52.51, 44.61, -51.73

 

CMYK 0 / 53 / 50 / 16

HEX #D7656B

RGB 215 101 107

HSL 356.84, 0.59%, 0.62%

LAB 56.9, 45.31, 18.33

 

CMYK 24 / 0 / 53 / 16

HEX #A4D765

RGB 164 215 101

HSL 86.84, 0.59%, 0.62%

LAB 80.42, -34.9, 50.35

 

CMYK 53 / 0 / 2 / 16

HEX #65D7D2

RGB 101 215 210

HSL 177.37, 0.59%, 0.62%

LAB 79.63, -33.47, -7.42

 

Description

Color code: HEX #9963D7 | qconv.com Color code: HEX #9963D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 99 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 99 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 54 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 54% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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