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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995F6D it is the complementary color #66A092. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995F6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995F6D shade: #9E5F68, #AF717B, #C0838E, #D195A1 and #E2A7B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995F6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995F6D shade: #995F6D, #884D5A, #773B47, #662934 and #551721

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995F6D shade: #9A606E and #9A6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995F6D shade: #9A606E, #9A607E, #9A608D, #97609A and #87609A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995F6D shade matches the following richer shades: #9A606E, #AE4C64, #C23859, #D6244F and #EB0F44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995F6D shade: #9A606E, #857479, #718983, #5D9D8D and #49B198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995F6D shade: #9A608D, #9A607E, #9A606F, #9A6160 and #9A7060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995F6D shade: #67404A, #80505C, #9A606E, #AB7885 and #BB929C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995F6D shade: #995F6D, #9A9760 and #60869A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995F6D shade: #995F6D, #6F9A60 and #606F9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995F6D shade: #995F6D, #9A9760, #609A8B and #60639A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995F6D shade: #995F6D, #8B9A60, #609A8B and #6F609A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 29 / 40

HEX #995F6D

RGB 153 95 109

HSL 345.52, 0.23%, 0.49%

LAB 47.05, 25.56, 2.05

 

Complementary color

CMYK 36 / 0 / 9 / 37

HEX #66A092

RGB 102 160 146

HSL 165.52, 0.23%, 0.51%

LAB 61.69, -22.22, 1.3

 

CMYK 0 / 40 / 34 / 38

HEX #9E5F68

RGB 158 95 104

HSL 351.43, 0.25%, 0.5%

LAB 47.56, 26.8, 5.88

 

CMYK 0 / 35 / 30 / 31

HEX #AF717B

RGB 175 113 123

HSL 350.32, 0.28%, 0.56%

LAB 54.4, 25.88, 4.7

 

CMYK 0 / 32 / 26 / 25

HEX #C0838E

RGB 192 131 142

HSL 349.18, 0.33%, 0.63%

LAB 61.13, 25.04, 3.66

 

CMYK 0 / 29 / 23 / 18

HEX #D195A1

RGB 209 149 161

HSL 348, 0.39%, 0.7%

LAB 67.74, 24.29, 2.73

 

CMYK 0 / 26 / 20 / 11

HEX #E2A7B4

RGB 226 167 180

HSL 346.78, 0.5%, 0.77%

LAB 74.25, 23.6, 1.87

 

CMYK 0 / 38 / 29 / 40

HEX #995F6D

RGB 153 95 109

HSL 345.52, 0.23%, 0.49%

LAB 47.05, 25.56, 2.05

 

CMYK 0 / 43 / 34 / 47

HEX #884D5A

RGB 136 77 90

HSL 346.78, 0.28%, 0.42%

LAB 40.05, 26.51, 3.27

 

CMYK 0 / 50 / 40 / 53

HEX #773B47

RGB 119 59 71

HSL 348, 0.34%, 0.35%

LAB 32.93, 27.55, 4.75

 

CMYK 0 / 60 / 49 / 60

HEX #662934

RGB 102 41 52

HSL 349.18, 0.43%, 0.28%

LAB 25.74, 28.59, 6.69

 

CMYK 0 / 73 / 61 / 67

HEX #551721

RGB 85 23 33

HSL 350.32, 0.57%, 0.21%

LAB 18.6, 29.4, 9.44

 

CMYK 0 / 38 / 29 / 40

HEX #9A606E

RGB 154 96 110

HSL 345.52, 0.23%, 0.49%

LAB 47.45, 25.52, 2.04

 

CMYK 0 / 38 / 38 / 40

HEX #9A6060

RGB 154 96 96

HSL 0, 0.23%, 0.49%

LAB 47.08, 23.61, 9.93

 

CMYK 0 / 38 / 29 / 40

HEX #9A606E

RGB 154 96 110

HSL 345.52, 0.23%, 0.49%

LAB 47.45, 25.52, 2.04

 

CMYK 0 / 38 / 18 / 40

HEX #9A607E

RGB 154 96 126

HSL 328.97, 0.23%, 0.49%

LAB 47.93, 28.01, -6.86

 

CMYK 0 / 38 / 8 / 40

HEX #9A608D

RGB 154 96 141

HSL 313.45, 0.23%, 0.49%

LAB 48.46, 30.62, -15.03

 

CMYK 2 / 38 / 0 / 40

HEX #97609A

RGB 151 96 154

HSL 296.9, 0.23%, 0.49%

LAB 48.61, 32.09, -22.55

 

CMYK 12 / 38 / 0 / 40

HEX #87609A

RGB 135 96 154

HSL 280.34, 0.23%, 0.49%

LAB 46.78, 26.84, -25.53

 

CMYK 0 / 38 / 29 / 40

HEX #9A606E

RGB 154 96 110

HSL 345.52, 0.23%, 0.49%

LAB 47.45, 25.52, 2.04

 

CMYK 0 / 56 / 43 / 32

HEX #AE4C64

RGB 174 76 100

HSL 345.31, 0.39%, 0.49%

LAB 45.75, 42.39, 6.03

 

CMYK 0 / 71 / 54 / 24

HEX #C23859

RGB 194 56 89

HSL 345.65, 0.55%, 0.49%

LAB 45.66, 56.56, 13.14

 

CMYK 0 / 83 / 63 / 16

HEX #D6244F

RGB 214 36 79

HSL 345.51, 0.71%, 0.49%

LAB 47.13, 67.44, 21.93

 

CMYK 0 / 94 / 71 / 8

HEX #EB0F44

RGB 235 15 68

HSL 345.55, 0.88%, 0.49%

LAB 50, 75.5, 33.09

 

CMYK 0 / 38 / 29 / 40

HEX #9A606E

RGB 154 96 110

HSL 345.52, 0.23%, 0.49%

LAB 47.45, 25.52, 2.04

 

CMYK 0 / 13 / 9 / 48

HEX #857479

RGB 133 116 121

HSL 342.35, 0.07%, 0.49%

LAB 50.52, 7.51, -0.33

 

CMYK 18 / 0 / 4 / 46

HEX #718983

RGB 113 137 131

HSL 165, 0.1%, 0.49%

LAB 55.11, -9.87, 0.35

 

CMYK 41 / 0 / 10 / 38

HEX #5D9D8D

RGB 93 157 141

HSL 165, 0.26%, 0.49%

LAB 60.22, -24.44, 1.92

 

CMYK 59 / 0 / 14 / 31

HEX #49B198

RGB 73 177 152

HSL 165.58, 0.42%, 0.49%

LAB 65.85, -36.16, 3.83

 

CMYK 0 / 38 / 8 / 40

HEX #9A608D

RGB 154 96 141

HSL 313.45, 0.23%, 0.49%

LAB 48.46, 30.62, -15.03

 

CMYK 0 / 38 / 18 / 40

HEX #9A607E

RGB 154 96 126

HSL 328.97, 0.23%, 0.49%

LAB 47.93, 28.01, -6.86

 

CMYK 0 / 38 / 28 / 40

HEX #9A606F

RGB 154 96 111

HSL 344.48, 0.23%, 0.49%

LAB 47.47, 25.67, 1.48

 

CMYK 0 / 37 / 38 / 40

HEX #9A6160

RGB 154 97 96

HSL 1.03, 0.23%, 0.49%

LAB 47.32, 23.04, 10.27

 

CMYK 0 / 27 / 38 / 40

HEX #9A7060

RGB 154 112 96

HSL 16.55, 0.23%, 0.49%

LAB 51.04, 14.42, 15.43

 

CMYK 0 / 38 / 28 / 60

HEX #67404A

RGB 103 64 74

HSL 344.62, 0.23%, 0.33%

LAB 31.91, 18.51, 1.05

 

CMYK 0 / 38 / 28 / 50

HEX #80505C

RGB 128 80 92

HSL 345, 0.23%, 0.41%

LAB 39.75, 21.89, 1.45

 

CMYK 0 / 38 / 29 / 40

HEX #9A606E

RGB 154 96 110

HSL 345.52, 0.23%, 0.49%

LAB 47.45, 25.52, 2.04

 

CMYK 0 / 30 / 22 / 33

HEX #AB7885

RGB 171 120 133

HSL 344.71, 0.23%, 0.57%

LAB 55.87, 21.89, 0.93

 

CMYK 0 / 22 / 17 / 27

HEX #BB929C

RGB 187 146 156

HSL 345.37, 0.23%, 0.65%

LAB 64.58, 17, 0.66

 

CMYK 0 / 38 / 29 / 40

HEX #995F6D

RGB 153 95 109

HSL 345.52, 0.23%, 0.49%

LAB 47.05, 25.56, 2.05

 

CMYK 0 / 2 / 38 / 40

HEX #9A9760

RGB 154 151 96

HSL 56.9, 0.23%, 0.49%

LAB 61.52, -7.49, 29.39

 

CMYK 38 / 13 / 0 / 40

HEX #60869A

RGB 96 134 154

HSL 200.69, 0.23%, 0.49%

LAB 53.89, -7.96, -14.9

 

CMYK 0 / 38 / 29 / 40

HEX #995F6D

RGB 153 95 109

HSL 345.52, 0.23%, 0.49%

LAB 47.05, 25.56, 2.05

 

CMYK 28 / 0 / 38 / 40

HEX #6F9A60

RGB 111 154 96

HSL 104.48, 0.23%, 0.49%

LAB 59.28, -26, 25.87

 

CMYK 38 / 28 / 0 / 40

HEX #606F9A

RGB 96 111 154

HSL 224.48, 0.23%, 0.49%

LAB 47.22, 5.52, -25.12

 

CMYK 0 / 38 / 29 / 40

HEX #995F6D

RGB 153 95 109

HSL 345.52, 0.23%, 0.49%

LAB 47.05, 25.56, 2.05

 

CMYK 0 / 2 / 38 / 40

HEX #9A9760

RGB 154 151 96

HSL 56.9, 0.23%, 0.49%

LAB 61.52, -7.49, 29.39

 

CMYK 38 / 0 / 10 / 40

HEX #609A8B

RGB 96 154 139

HSL 164.48, 0.23%, 0.49%

LAB 59.4, -22.54, 1.89

 

CMYK 38 / 36 / 0 / 40

HEX #60639A

RGB 96 99 154

HSL 236.9, 0.23%, 0.49%

LAB 43.86, 12.88, -30.35

 

CMYK 0 / 38 / 29 / 40

HEX #995F6D

RGB 153 95 109

HSL 345.52, 0.23%, 0.49%

LAB 47.05, 25.56, 2.05

 

CMYK 10 / 0 / 38 / 40

HEX #8B9A60

RGB 139 154 96

HSL 75.52, 0.23%, 0.49%

LAB 61.17, -15.23, 28.7

 

CMYK 38 / 0 / 10 / 40

HEX #609A8B

RGB 96 154 139

HSL 164.48, 0.23%, 0.49%

LAB 59.4, -22.54, 1.89

 

CMYK 28 / 38 / 0 / 40

HEX #6F609A

RGB 111 96 154

HSL 255.52, 0.23%, 0.49%

LAB 44.35, 19.22, -29.5

 

Description

Color code: HEX #995F6D | qconv.com Color code: HEX #995F6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 95 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 95 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 29 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 29% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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