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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995F284C it is the complementary color #66A0D74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995F284C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995F284C shade: #9E5F234C, #AF71364C, #C083494C, #D1955C4C and #E2A76F4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995F284C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995F284C shade: #995F284C, #884D154C, #773B024C, #6629004C and #5517004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995F284C shade: #9A5F28, #9A4128 and #9A2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995F284C shade: #9A5F28, #9A7E28, #979A28, #789A28 and #599A28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995F284C shade matches the following richer shades: #9A5F28, #AA5F18 and #B95F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995F284C shade: #9A5F28, #8A6037, #7B6047, #6B6157 and #5B6166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995F284C shade: #9A282D, #9A4128, #9A5F28, #9A7D28 and #989A28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995F284C shade: #583717, #794B1F, #9A5F28, #BB7430 and #CF8845

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995F284C shade: #995F28, #4C9A28 and #31289A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995F284C shade: #995F28, #289A5F and #5F289A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995F284C shade: #995F28, #4C9A28, #28639A and #76289A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995F284C shade: #995F28, #2A9A28, #28639A and #98289A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 22 / 12

HEX #995F284C

RGBA 153 95 40 0.3

HSLA 29.2, 0.59%, 0.38%, 0.3

LABA 45.78, 18.74, 40.06, 0.3

 

Complementary color

CMYK 16 / 8 / 0 / 5

HEX #66A0D74C

RGBA 102 160 215 0.3

HSLA 209.2, 0.59%, 0.62%, 0.3

LABA 64.06, -3.45, -33.79, 0.3

 

CMYK 0 / 12 / 23 / 11

HEX #9E5F234C

RGBA 158 95 35 0.3

HSLA 29.27, 0.64%, 0.38%, 0.3

LABA 46.41, 20.73, 43.29, 0.3

 

CMYK 0 / 11 / 21 / 9

HEX #AF71364C

RGBA 175 113 54 0.3

HSLA 29.26, 0.53%, 0.45%, 0.3

LABA 53.16, 19.03, 41.87, 0.3

 

CMYK 0 / 10 / 19 / 7

HEX #C083494C

RGBA 192 131 73 0.3

HSLA 29.24, 0.49%, 0.52%, 0.3

LABA 59.82, 17.59, 40.32, 0.3

 

CMYK 0 / 9 / 17 / 5

HEX #D1955C4C

RGBA 209 149 92 0.3

HSLA 29.23, 0.56%, 0.59%, 0.3

LABA 66.38, 16.36, 38.78, 0.3

 

CMYK 0 / 8 / 15 / 3

HEX #E2A76F4C

RGBA 226 167 111 0.3

HSLA 29.22, 0.66%, 0.66%, 0.3

LABA 72.86, 15.29, 37.32, 0.3

 

CMYK 0 / 11 / 22 / 12

HEX #995F284C

RGBA 153 95 40 0.3

HSLA 29.2, 0.59%, 0.38%, 0.3

LABA 45.78, 18.74, 40.06, 0.3

 

CMYK 0 / 13 / 25 / 14

HEX #884D154C

RGBA 136 77 21 0.3

HSLA 29.22, 0.73%, 0.31%, 0.3

LABA 38.89, 20.63, 41.24, 0.3

 

CMYK 0 / 15 / 29 / 16

HEX #773B024C

RGBA 119 59 2 0.3

HSLA 29.23, 0.97%, 0.24%, 0.3

LABA 31.93, 22.83, 41.68, 0.3

 

CMYK 0 / 18 / 30 / 18

HEX #6629004C

RGBA 102 41 0 0.3

HSLA 24.12, 1%, 0.2%, 0.3

LABA 24.99, 25.39, 35.63, 0.3

 

CMYK 0 / 22 / 30 / 20

HEX #5517004C

RGBA 85 23 0 0.3

HSLA 16.24, 1%, 0.17%, 0.3

LABA 18.12, 27.62, 27.27, 0.3

 

CMYK 0 / 38 / 74 / 40

HEX #9A5F28

RGB 154 95 40

HSL 28.95, 0.59%, 0.38%

LAB 45.92, 19.19, 40.24

 

CMYK 0 / 58 / 74 / 40

HEX #9A4128

RGB 154 65 40

HSL 13.16, 0.59%, 0.38%

LAB 39.25, 35.62, 33.08

 

CMYK 0 / 74 / 74 / 40

HEX #9A2828

RGB 154 40 40

HSL 0, 0.59%, 0.38%

LAB 35.08, 46.78, 28.39

 

CMYK 0 / 38 / 74 / 40

HEX #9A5F28

RGB 154 95 40

HSL 28.95, 0.59%, 0.38%

LAB 45.92, 19.19, 40.24

 

CMYK 0 / 18 / 74 / 40

HEX #9A7E28

RGB 154 126 40

HSL 45.26, 0.59%, 0.38%

LAB 53.97, 1.5, 48.41

 

CMYK 2 / 0 / 74 / 40

HEX #979A28

RGB 151 154 40

HSL 61.58, 0.59%, 0.38%

LAB 61.52, -15.06, 55.62

 

CMYK 22 / 0 / 74 / 40

HEX #789A28

RGB 120 154 40

HSL 77.89, 0.59%, 0.38%

LAB 59.21, -28.37, 52.6

 

CMYK 42 / 0 / 74 / 40

HEX #599A28

RGB 89 154 40

HSL 94.21, 0.59%, 0.38%

LAB 57.45, -40.19, 50.27

 

CMYK 0 / 38 / 74 / 40

HEX #9A5F28

RGB 154 95 40

HSL 28.95, 0.59%, 0.38%

LAB 45.92, 19.19, 40.24

 

CMYK 0 / 44 / 86 / 33

HEX #AA5F18

RGB 170 95 24

HSL 29.18, 0.75%, 0.38%

LAB 48, 25.6, 49.89

 

CMYK 0 / 49 / 96 / 27

HEX #B95F08

RGB 185 95 8

HSL 29.49, 0.92%, 0.38%

LAB 50.12, 31.67, 56.91

 

CMYK 0 / 38 / 74 / 40

HEX #9A5F28

RGB 154 95 40

HSL 28.95, 0.59%, 0.38%

LAB 45.92, 19.19, 40.24

 

CMYK 0 / 30 / 60 / 46

HEX #8A6037

RGB 138 96 55

HSL 29.64, 0.43%, 0.38%

LAB 44.3, 12.41, 29.96

 

CMYK 0 / 22 / 42 / 52

HEX #7B6047

RGB 123 96 71

HSL 28.85, 0.27%, 0.38%

LAB 42.81, 7.31, 18.46

 

CMYK 0 / 9 / 19 / 58

HEX #6B6157

RGB 107 97 87

HSL 30, 0.1%, 0.38%

LAB 41.79, 2.15, 7.15

 

CMYK 11 / 5 / 0 / 60

HEX #5B6166

RGB 91 97 102

HSL 207.27, 0.06%, 0.38%

LAB 40.79, -1.21, -3.65

 

CMYK 0 / 74 / 71 / 40

HEX #9A282D

RGB 154 40 45

HSL 357.37, 0.59%, 0.38%

LAB 35.16, 47.02, 25.4

 

CMYK 0 / 58 / 74 / 40

HEX #9A4128

RGB 154 65 40

HSL 13.16, 0.59%, 0.38%

LAB 39.25, 35.62, 33.08

 

CMYK 0 / 38 / 74 / 40

HEX #9A5F28

RGB 154 95 40

HSL 28.95, 0.59%, 0.38%

LAB 45.92, 19.19, 40.24

 

CMYK 0 / 19 / 74 / 40

HEX #9A7D28

RGB 154 125 40

HSL 44.74, 0.59%, 0.38%

LAB 53.7, 2.06, 48.14

 

CMYK 1 / 0 / 74 / 40

HEX #989A28

RGB 152 154 40

HSL 61.05, 0.59%, 0.38%

LAB 61.6, -14.61, 55.73

 

CMYK 0 / 38 / 74 / 65

HEX #583717

RGB 88 55 23

HSL 29.54, 0.59%, 0.22%

LAB 26.36, 11.35, 25.54

 

CMYK 0 / 38 / 74 / 53

HEX #794B1F

RGB 121 75 31

HSL 29.33, 0.59%, 0.3%

LAB 36.36, 15.35, 33.35

 

CMYK 0 / 38 / 74 / 40

HEX #9A5F28

RGB 154 95 40

HSL 28.95, 0.59%, 0.38%

LAB 45.92, 19.19, 40.24

 

CMYK 0 / 38 / 74 / 27

HEX #BB7430

RGB 187 116 48

HSL 29.35, 0.59%, 0.46%

LAB 55.35, 22.25, 47.55

 

CMYK 0 / 34 / 67 / 19

HEX #CF8845

RGB 207 136 69

HSL 29.13, 0.59%, 0.54%

LAB 62.76, 20.96, 46.18

 

CMYK 0 / 38 / 74 / 40

HEX #995F28

RGB 153 95 40

HSL 29.2, 0.59%, 0.38%

LAB 45.78, 18.74, 40.06

 

CMYK 51 / 0 / 74 / 40

HEX #4C9A28

RGB 76 154 40

HSL 101.05, 0.59%, 0.38%

LAB 56.88, -44.43, 49.51

 

CMYK 68 / 74 / 0 / 40

HEX #31289A

RGB 49 40 154

HSL 244.74, 0.59%, 0.38%

LAB 25.27, 39.93, -60.45

 

CMYK 0 / 38 / 74 / 40

HEX #995F28

RGB 153 95 40

HSL 29.2, 0.59%, 0.38%

LAB 45.78, 18.74, 40.06

 

CMYK 74 / 0 / 38 / 40

HEX #289A5F

RGB 40 154 95

HSL 148.95, 0.59%, 0.38%

LAB 56.47, -45.25, 22.19

 

CMYK 38 / 74 / 0 / 40

HEX #5F289A

RGB 95 40 154

HSL 268.95, 0.59%, 0.38%

LAB 30.12, 47.16, -52.33

 

CMYK 0 / 38 / 74 / 40

HEX #995F28

RGB 153 95 40

HSL 29.2, 0.59%, 0.38%

LAB 45.78, 18.74, 40.06

 

CMYK 51 / 0 / 74 / 40

HEX #4C9A28

RGB 76 154 40

HSL 101.05, 0.59%, 0.38%

LAB 56.88, -44.43, 49.51

 

CMYK 74 / 36 / 0 / 40

HEX #28639A

RGB 40 99 154

HSL 208.95, 0.59%, 0.38%

LAB 40.75, 0.3, -35.47

 

CMYK 23 / 74 / 0 / 40

HEX #76289A

RGB 118 40 154

HSL 281.05, 0.59%, 0.38%

LAB 33.35, 51.72, -46.92

 

CMYK 0 / 38 / 74 / 40

HEX #995F28

RGB 153 95 40

HSL 29.2, 0.59%, 0.38%

LAB 45.78, 18.74, 40.06

 

CMYK 73 / 0 / 74 / 40

HEX #2A9A28

RGB 42 154 40

HSL 118.95, 0.59%, 0.38%

LAB 55.84, -52.76, 48.13

 

CMYK 74 / 36 / 0 / 40

HEX #28639A

RGB 40 99 154

HSL 208.95, 0.59%, 0.38%

LAB 40.75, 0.3, -35.47

 

CMYK 1 / 74 / 0 / 40

HEX #98289A

RGB 152 40 154

HSL 298.95, 0.59%, 0.38%

LAB 38.77, 59.02, -37.95

 

Description

Color code: HEX #995F284C | qconv.com Color code: HEX #995F284C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 95 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 95 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 22 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 22% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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