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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995F024C it is the complementary color #66A0FD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995F024C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995F024C shade: #9E5F004C, #AF71104C, #C083234C, #D195364C and #E2A7494C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995F024C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995F024C shade: #995F024C, #884D004C, #773B004C, #6629004C and #5517004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995F024C shade: #975E02, #973602, #970E02 and #970202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995F024C shade: #975E02, #978602, #809702, #589702 and #309702

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995F024C shade matches the following richer shades: #975E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995F024C shade: #975E02, #8A5B0F, #7E581B, #725527 and #655234

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995F024C shade: #970C02, #973402, #975B02, #978302 and #839702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995F024C shade: #452B01, #6E4402, #975E02, #BF7703 and #E89004

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995F024C shade: #995F02, #209702 and #200297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995F024C shade: #995F02, #02975B and #5B0297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995F024C shade: #995F02, #209702, #023E97 and #790297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995F024C shade: #995F02, #029711, #023E97 and #970288

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 30 / 12

HEX #995F024C

RGBA 153 95 2 0.3

HSLA 36.95, 0.97%, 0.3%, 0.3

LABA 45.58, 17.6, 53.08, 0.3

 

Complementary color

CMYK 18 / 11 / 0 / 0

HEX #66A0FD4C

RGBA 102 160 253 0.3

HSLA 216.95, 0.97%, 0.7%, 0.3

LABA 65.79, 8.46, -51.95, 0.3

 

CMYK 0 / 12 / 30 / 11

HEX #9E5F004C

RGBA 158 95 0 0.3

HSLA 36.08, 1%, 0.31%, 0.3

LABA 46.25, 19.84, 54.35, 0.3

 

CMYK 0 / 11 / 27 / 9

HEX #AF71104C

RGBA 175 113 16 0.3

HSLA 36.6, 0.83%, 0.37%, 0.3

LABA 52.91, 17.59, 56.52, 0.3

 

CMYK 0 / 10 / 25 / 7

HEX #C083234C

RGBA 192 131 35 0.3

HSLA 36.69, 0.69%, 0.45%, 0.3

LABA 59.49, 15.64, 57.04, 0.3

 

CMYK 0 / 9 / 22 / 5

HEX #D195364C

RGBA 209 149 54 0.3

HSLA 36.77, 0.63%, 0.52%, 0.3

LABA 65.99, 13.97, 56.5, 0.3

 

CMYK 0 / 8 / 20 / 3

HEX #E2A7494C

RGBA 226 167 73 0.3

HSLA 36.86, 0.73%, 0.59%, 0.3

LABA 72.42, 12.54, 55.49, 0.3

 

CMYK 0 / 11 / 30 / 12

HEX #995F024C

RGBA 153 95 2 0.3

HSLA 36.95, 0.97%, 0.3%, 0.3

LABA 45.58, 17.6, 53.08, 0.3

 

CMYK 0 / 13 / 30 / 14

HEX #884D004C

RGBA 136 77 0 0.3

HSLA 33.97, 1%, 0.27%, 0.3

LABA 38.8, 20.14, 48.08, 0.3

 

CMYK 0 / 15 / 30 / 16

HEX #773B004C

RGBA 119 59 0 0.3

HSLA 29.75, 1%, 0.23%, 0.3

LABA 31.92, 22.78, 42.49, 0.3

 

CMYK 0 / 18 / 30 / 18

HEX #6629004C

RGBA 102 41 0 0.3

HSLA 24.12, 1%, 0.2%, 0.3

LABA 24.99, 25.39, 35.63, 0.3

 

CMYK 0 / 22 / 30 / 20

HEX #5517004C

RGBA 85 23 0 0.3

HSLA 16.24, 1%, 0.17%, 0.3

LABA 18.12, 27.62, 27.27, 0.3

 

CMYK 0 / 38 / 99 / 41

HEX #975E02

RGB 151 94 2

HSL 37.05, 0.97%, 0.3%

LAB 45.07, 17.25, 52.61

 

CMYK 0 / 64 / 99 / 41

HEX #973602

RGB 151 54 2

HSL 20.94, 0.97%, 0.3%

LAB 36.41, 38.74, 47.19

 

CMYK 0 / 91 / 99 / 41

HEX #970E02

RGB 151 14 2

HSL 4.83, 0.97%, 0.3%

LAB 31.57, 52.1, 44.32

 

CMYK 0 / 99 / 99 / 41

HEX #970202

RGB 151 2 2

HSL 0, 0.97%, 0.3%

LAB 30.94, 53.92, 43.88

 

CMYK 0 / 38 / 99 / 41

HEX #975E02

RGB 151 94 2

HSL 37.05, 0.97%, 0.3%

LAB 45.07, 17.25, 52.61

 

CMYK 0 / 11 / 99 / 41

HEX #978602

RGB 151 134 2

HSL 53.15, 0.97%, 0.3%

LAB 55.72, -5.44, 60.08

 

CMYK 15 / 0 / 99 / 41

HEX #809702

RGB 128 151 2

HSL 69.26, 0.97%, 0.3%

LAB 58.72, -24.78, 61.45

 

CMYK 42 / 0 / 99 / 41

HEX #589702

RGB 88 151 2

HSL 85.37, 0.97%, 0.3%

LAB 56.3, -40.82, 58.53

 

CMYK 68 / 0 / 99 / 41

HEX #309702

RGB 48 151 2

HSL 101.48, 0.97%, 0.3%

LAB 54.83, -52.42, 56.74

 

CMYK 0 / 38 / 99 / 41

HEX #975E02

RGB 151 94 2

HSL 37.05, 0.97%, 0.3%

LAB 45.07, 17.25, 52.61

 

CMYK 0 / 38 / 99 / 41

HEX #975E02

RGB 151 94 2

HSL 37.05, 0.97%, 0.3%

LAB 45.07, 17.25, 52.61

 

CMYK 0 / 34 / 89 / 46

HEX #8A5B0F

RGB 138 91 15

HSL 37.07, 0.8%, 0.3%

LAB 42.64, 13.22, 46.7

 

CMYK 0 / 30 / 79 / 51

HEX #7E581B

RGB 126 88 27

HSL 36.97, 0.65%, 0.3%

LAB 40.4, 9.74, 39.59

 

CMYK 0 / 25 / 66 / 55

HEX #725527

RGB 114 85 39

HSL 36.8, 0.49%, 0.3%

LAB 38.24, 6.55, 30.93

 

CMYK 0 / 19 / 49 / 60

HEX #655234

RGB 101 82 52

HSL 36.73, 0.32%, 0.3%

LAB 36.08, 3.45, 20.54

 

CMYK 0 / 92 / 99 / 41

HEX #970C02

RGB 151 12 2

HSL 4.03, 0.97%, 0.3%

LAB 31.46, 52.44, 44.24

 

CMYK 0 / 66 / 99 / 41

HEX #973402

RGB 151 52 2

HSL 20.13, 0.97%, 0.3%

LAB 36.06, 39.67, 47

 

CMYK 0 / 40 / 99 / 41

HEX #975B02

RGB 151 91 2

HSL 35.84, 0.97%, 0.3%

LAB 44.33, 18.97, 52.12

 

CMYK 0 / 13 / 99 / 41

HEX #978302

RGB 151 131 2

HSL 51.95, 0.97%, 0.3%

LAB 54.88, -3.79, 59.48

 

CMYK 13 / 0 / 99 / 41

HEX #839702

RGB 131 151 2

HSL 68.05, 0.97%, 0.3%

LAB 58.94, -23.47, 61.71

 

CMYK 0 / 38 / 99 / 73

HEX #452B01

RGB 69 43 1

HSL 37.06, 0.97%, 0.14%

LAB 20.02, 8.23, 28.35

 

CMYK 0 / 38 / 98 / 57

HEX #6E4402

RGB 110 68 2

HSL 36.67, 0.96%, 0.22%

LAB 32.82, 13.25, 41.63

 

CMYK 0 / 38 / 99 / 41

HEX #975E02

RGB 151 94 2

HSL 37.05, 0.97%, 0.3%

LAB 45.07, 17.25, 52.61

 

CMYK 0 / 38 / 98 / 25

HEX #BF7703

RGB 191 119 3

HSL 37.02, 0.97%, 0.38%

LAB 56.36, 21.17, 62.47

 

CMYK 0 / 38 / 98 / 9

HEX #E89004

RGB 232 144 4

HSL 36.84, 0.97%, 0.46%

LAB 67.36, 25.34, 72.12

 

CMYK 0 / 38 / 99 / 40

HEX #995F02

RGB 153 95 2

HSL 36.95, 0.97%, 0.3%

LAB 45.58, 17.6, 53.08

 

CMYK 79 / 0 / 99 / 41

HEX #209702

RGB 32 151 2

HSL 107.92, 0.97%, 0.3%

LAB 54.5, -55.33, 56.33

 

CMYK 79 / 99 / 0 / 41

HEX #200297

RGB 32 2 151

HSL 252.08, 0.97%, 0.3%

LAB 18.3, 53.47, -70.21

 

CMYK 0 / 38 / 99 / 40

HEX #995F02

RGB 153 95 2

HSL 36.95, 0.97%, 0.3%

LAB 45.58, 17.6, 53.08

 

CMYK 99 / 0 / 40 / 41

HEX #02975B

RGB 2 151 91

HSL 155.84, 0.97%, 0.3%

LAB 54.97, -48.43, 22.31

 

CMYK 40 / 99 / 0 / 41

HEX #5B0297

RGB 91 2 151

HSL 275.84, 0.97%, 0.3%

LAB 25.27, 57.56, -58.45

 

CMYK 0 / 38 / 99 / 40

HEX #995F02

RGB 153 95 2

HSL 36.95, 0.97%, 0.3%

LAB 45.58, 17.6, 53.08

 

CMYK 79 / 0 / 99 / 41

HEX #209702

RGB 32 151 2

HSL 107.92, 0.97%, 0.3%

LAB 54.5, -55.33, 56.33

 

CMYK 99 / 59 / 0 / 41

HEX #023E97

RGB 2 62 151

HSL 215.84, 0.97%, 0.3%

LAB 28.62, 20.52, -53.19

 

CMYK 20 / 99 / 0 / 41

HEX #790297

RGB 121 2 151

HSL 287.92, 0.97%, 0.3%

LAB 30.26, 61.43, -50.08

 

CMYK 0 / 38 / 99 / 40

HEX #995F02

RGB 153 95 2

HSL 36.95, 0.97%, 0.3%

LAB 45.58, 17.6, 53.08

 

CMYK 99 / 0 / 89 / 41

HEX #029711

RGB 2 151 17

HSL 126.04, 0.97%, 0.3%

LAB 54.22, -57.61, 53.38

 

CMYK 99 / 59 / 0 / 41

HEX #023E97

RGB 2 62 151

HSL 215.84, 0.97%, 0.3%

LAB 28.62, 20.52, -53.19

 

CMYK 0 / 99 / 10 / 41

HEX #970288

RGB 151 2 136

HSL 306.04, 0.97%, 0.3%

LAB 34.8, 63.99, -33.23

 

Description

Color code: HEX #995F024C | qconv.com Color code: HEX #995F024C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 95 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 95 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 30% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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