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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995D1DCE it is the complementary color #66A2E2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995D1DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995D1DCE shade: #9E5D18CE, #AF6F2BCE, #C0813ECE, #D19351CE and #E2A564CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995D1DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995D1DCE shade: #995D1DCE, #884B0ACE, #773900CE, #662700CE and #551500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995D1DCE shade: #9A5E1D, #9A3C1D and #9A1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995D1DCE shade: #9A5E1D, #9A7F1D, #939A1D, #729A1D and #509A1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995D1DCE shade matches the following richer shades: #9A5E1D and #A95E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995D1DCE shade: #9A5E1D, #8B5D2C, #7D5D3B, #6E5C4A and #5F5C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995D1DCE shade: #9A1D22, #9A3B1D, #9A5C1D, #9A7D1D and #969A1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995D1DCE shade: #553410, #784917, #9A5E1D, #BD7324 and #D88832

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995D1DCE shade: #995D1D, #439A1D and #2A1D9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995D1DCE shade: #995D1D, #1D9A5C and #5C1D9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995D1DCE shade: #995D1D, #439A1D, #1D5C9A and #751D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995D1DCE shade: #995D1D, #1D9A1D, #1D5C9A and #9A1D9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 66 / 32

HEX #995D1DCE

RGBA 153 93 29 0.81

HSLA 30.97, 0.68%, 0.36%, 0.81

LABA 45.21, 19.39, 44.54, 0.81

 

Complementary color

CMYK 44 / 23 / 0 / 9

HEX #66A2E2CE

RGBA 102 162 226 0.81

HSLA 210.97, 0.68%, 0.64%, 0.81

LABA 65.09, -1.21, -38.27, 0.81

 

CMYK 0 / 33 / 69 / 31

HEX #9E5D18CE

RGBA 158 93 24 0.81

HSLA 30.9, 0.74%, 0.36%, 0.81

LABA 45.86, 21.46, 47.39, 0.81

 

CMYK 0 / 30 / 61 / 25

HEX #AF6F2BCE

RGBA 175 111 43 0.81

HSLA 30.91, 0.61%, 0.43%, 0.81

LABA 52.57, 19.58, 46.52, 0.81

 

CMYK 0 / 27 / 55 / 20

HEX #C0813ECE

RGBA 192 129 62 0.81

HSLA 30.92, 0.51%, 0.5%, 0.81

LABA 59.21, 17.98, 45.17, 0.81

 

CMYK 0 / 24 / 50 / 15

HEX #D19351CE

RGBA 209 147 81 0.81

HSLA 30.94, 0.58%, 0.57%, 0.81

LABA 65.76, 16.61, 43.69, 0.81

 

CMYK 0 / 22 / 45 / 9

HEX #E2A564CE

RGBA 226 165 100 0.81

HSLA 30.95, 0.68%, 0.64%, 0.81

LABA 72.23, 15.43, 42.22, 0.81

 

CMYK 0 / 32 / 66 / 32

HEX #995D1DCE

RGBA 153 93 29 0.81

HSLA 30.97, 0.68%, 0.36%, 0.81

LABA 45.21, 19.39, 44.54, 0.81

 

CMYK 0 / 36 / 75 / 38

HEX #884B0ACE

RGBA 136 75 10 0.81

HSLA 30.95, 0.86%, 0.29%, 0.81

LABA 38.35, 21.49, 44.7, 0.81

 

CMYK 0 / 42 / 81 / 43

HEX #773900CE

RGBA 119 57 0 0.81

HSLA 28.74, 1%, 0.23%, 0.81

LABA 31.46, 23.93, 42.17, 0.81

 

CMYK 0 / 50 / 81 / 49

HEX #662700CE

RGBA 102 39 0 0.81

HSLA 22.94, 1%, 0.2%, 0.81

LABA 24.56, 26.49, 35.22, 0.81

 

CMYK 0 / 61 / 81 / 54

HEX #551500CE

RGBA 85 21 0 0.81

HSLA 14.82, 1%, 0.17%, 0.81

LABA 17.77, 28.56, 26.85, 0.81

 

CMYK 0 / 39 / 81 / 40

HEX #9A5E1D

RGB 154 94 29

HSL 31.2, 0.68%, 0.36%

LAB 45.59, 19.27, 44.94

 

CMYK 0 / 61 / 81 / 40

HEX #9A3C1D

RGB 154 60 29

HSL 14.88, 0.68%, 0.36%

LAB 38.18, 37.64, 37.89

 

CMYK 0 / 81 / 81 / 40

HEX #9A1D1D

RGB 154 29 29

HSL 0, 0.68%, 0.36%

LAB 33.64, 50.01, 33.37

 

CMYK 0 / 39 / 81 / 40

HEX #9A5E1D

RGB 154 94 29

HSL 31.2, 0.68%, 0.36%

LAB 45.59, 19.27, 44.94

 

CMYK 0 / 18 / 81 / 40

HEX #9A7F1D

RGB 154 127 29

HSL 47.04, 0.68%, 0.36%

LAB 54.17, 0.46, 52.77

 

CMYK 5 / 0 / 81 / 40

HEX #939A1D

RGB 147 154 29

HSL 63.36, 0.68%, 0.36%

LAB 61.14, -17.29, 58.69

 

CMYK 26 / 0 / 81 / 40

HEX #729A1D

RGB 114 154 29

HSL 79.2, 0.68%, 0.36%

LAB 58.77, -31.38, 55.68

 

CMYK 48 / 0 / 81 / 40

HEX #509A1D

RGB 80 154 29

HSL 95.52, 0.68%, 0.36%

LAB 56.98, -43.87, 53.39

 

CMYK 0 / 39 / 81 / 40

HEX #9A5E1D

RGB 154 94 29

HSL 31.2, 0.68%, 0.36%

LAB 45.59, 19.27, 44.94

 

CMYK 0 / 44 / 91 / 34

HEX #A95E0F

RGB 169 94 15

HSL 30.78, 0.84%, 0.36%

LAB 47.59, 25.51, 52.39

 

CMYK 0 / 39 / 81 / 40

HEX #9A5E1D

RGB 154 94 29

HSL 31.2, 0.68%, 0.36%

LAB 45.59, 19.27, 44.94

 

CMYK 0 / 33 / 68 / 45

HEX #8B5D2C

RGB 139 93 44

HSL 30.95, 0.52%, 0.36%

LAB 43.51, 13.81, 35.04

 

CMYK 0 / 26 / 53 / 51

HEX #7D5D3B

RGB 125 93 59

HSL 30.91, 0.36%, 0.36%

LAB 42.01, 8.65, 24.51

 

CMYK 0 / 16 / 33 / 57

HEX #6E5C4A

RGB 110 92 74

HSL 30, 0.2%, 0.36%

LAB 40.35, 4.36, 13.09

 

CMYK 0 / 3 / 6 / 63

HEX #5F5C59

RGB 95 92 89

HSL 30, 0.03%, 0.36%

LAB 39.26, 0.59, 2.14

 

CMYK 0 / 81 / 78 / 40

HEX #9A1D22

RGB 154 29 34

HSL 357.6, 0.68%, 0.36%

LAB 33.7, 50.18, 30.48

 

CMYK 0 / 62 / 81 / 40

HEX #9A3B1D

RGB 154 59 29

HSL 14.4, 0.68%, 0.36%

LAB 38, 38.13, 37.71

 

CMYK 0 / 40 / 81 / 40

HEX #9A5C1D

RGB 154 92 29

HSL 30.24, 0.68%, 0.36%

LAB 45.1, 20.41, 44.49

 

CMYK 0 / 19 / 81 / 40

HEX #9A7D1D

RGB 154 125 29

HSL 46.08, 0.68%, 0.36%

LAB 53.63, 1.58, 52.28

 

CMYK 3 / 0 / 81 / 40

HEX #969A1D

RGB 150 154 29

HSL 61.92, 0.68%, 0.36%

LAB 61.38, -15.96, 59

 

CMYK 0 / 39 / 81 / 67

HEX #553410

RGB 85 52 16

HSL 31.3, 0.68%, 0.2%

LAB 25.03, 11.34, 27.8

 

CMYK 0 / 39 / 81 / 53

HEX #784917

RGB 120 73 23

HSL 30.93, 0.68%, 0.28%

LAB 35.64, 15.68, 36.51

 

CMYK 0 / 39 / 81 / 40

HEX #9A5E1D

RGB 154 94 29

HSL 31.2, 0.68%, 0.36%

LAB 45.59, 19.27, 44.94

 

CMYK 0 / 39 / 81 / 26

HEX #BD7324

RGB 189 115 36

HSL 30.98, 0.68%, 0.44%

LAB 55.29, 23.18, 52.74

 

CMYK 0 / 37 / 77 / 15

HEX #D88832

RGB 216 136 50

HSL 31.08, 0.68%, 0.52%

LAB 63.7, 23.82, 56.2

 

CMYK 0 / 39 / 81 / 40

HEX #995D1D

RGB 153 93 29

HSL 30.97, 0.68%, 0.36%

LAB 45.21, 19.39, 44.54

 

CMYK 56 / 0 / 81 / 40

HEX #439A1D

RGB 67 154 29

HSL 101.76, 0.68%, 0.36%

LAB 56.48, -47.77, 52.74

 

CMYK 73 / 81 / 0 / 40

HEX #2A1D9A

RGB 42 29 154

HSL 246.24, 0.68%, 0.36%

LAB 22.67, 45.15, -64.77

 

CMYK 0 / 39 / 81 / 40

HEX #995D1D

RGB 153 93 29

HSL 30.97, 0.68%, 0.36%

LAB 45.21, 19.39, 44.54

 

CMYK 81 / 0 / 40 / 40

HEX #1D9A5C

RGB 29 154 92

HSL 150.24, 0.68%, 0.36%

LAB 56.23, -47.33, 23.48

 

CMYK 40 / 81 / 0 / 40

HEX #5C1D9A

RGB 92 29 154

HSL 270.24, 0.68%, 0.36%

LAB 28.08, 51.32, -55.67

 

CMYK 0 / 39 / 81 / 40

HEX #995D1D

RGB 153 93 29

HSL 30.97, 0.68%, 0.36%

LAB 45.21, 19.39, 44.54

 

CMYK 56 / 0 / 81 / 40

HEX #439A1D

RGB 67 154 29

HSL 101.76, 0.68%, 0.36%

LAB 56.48, -47.77, 52.74

 

CMYK 81 / 40 / 0 / 40

HEX #1D5C9A

RGB 29 92 154

HSL 209.76, 0.68%, 0.36%

LAB 38.28, 3.36, -39.4

 

CMYK 24 / 81 / 0 / 40

HEX #751D9A

RGB 117 29 154

HSL 282.24, 0.68%, 0.36%

LAB 31.79, 55.57, -49.46

 

CMYK 0 / 39 / 81 / 40

HEX #995D1D

RGB 153 93 29

HSL 30.97, 0.68%, 0.36%

LAB 45.21, 19.39, 44.54

 

CMYK 81 / 0 / 81 / 40

HEX #1D9A1D

RGB 29 154 29

HSL 120, 0.68%, 0.36%

LAB 55.54, -55.58, 51.53

 

CMYK 81 / 40 / 0 / 40

HEX #1D5C9A

RGB 29 92 154

HSL 209.76, 0.68%, 0.36%

LAB 38.28, 3.36, -39.4

 

CMYK 0 / 81 / 0 / 40

HEX #9A1D9A

RGB 154 29 154

HSL 300, 0.68%, 0.36%

LAB 37.99, 62.68, -39.17

 

Description

Color code: HEX #995D1DCE | qconv.com Color code: HEX #995D1DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 93 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 93 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 66 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 66% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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