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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995AD100 it is the complementary color #66A52E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995AD100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995AD100 shade: #9E5ACC00, #AF6CDF00, #C07EF200, #D190FF00 and #E2A2FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995AD100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995AD100 shade: #995AD100, #8848BE00, #7736AB00, #66249800 and #55128500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995AD100 shade: #9A5CD1, #B95CD1, #D15CC9, #D15CA9 and #D15C8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995AD100 shade: #9A5CD1, #7A5CD1 and #5C5CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995AD100 shade matches the following richer shades: #9A5CD1, #9B4BE2 and #9C3AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995AD100 shade: #9A5CD1, #996DC0, #987EAF, #978F9E and #96A08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995AD100 shade: #5C5ED1, #795CD1, #985CD1, #B85CD1 and #D15CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995AD100 shade: #7130AA, #863CC8, #9A5CD1, #AE7CDA and #C29CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995AD100 shade: #995AD1, #D15C7D and #5CD16A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995AD100 shade: #995AD1, #D1985C and #5CD198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995AD100 shade: #995AD1, #D15C7D, #94D15C and #5CD1B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995AD100 shade: #995AD1, #D15E5C, #94D15C and #5CCFD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #995AD100

RGBA 153 90 209 0

HSLA 271.76, 0.56%, 0.59%, 0

LABA 50.32, 48.02, -51.81, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #66A52E00

RGBA 102 165 46 0

HSLA 91.76, 0.56%, 0.41%, 0

LABA 61.6, -39.93, 52.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E5ACC00

RGBA 158 90 204 0

HSLA 275.79, 0.53%, 0.58%, 0

LABA 50.62, 48.12, -48.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF6CDF00

RGBA 175 108 223 0

HSLA 274.96, 0.64%, 0.65%, 0

LABA 57.24, 47.29, -48.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C07EF200

RGBA 192 126 242 0

HSLA 274.14, 0.82%, 0.72%, 0

LABA 63.79, 46.44, -48.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D190FF00

RGBA 209 144 255 0

HSLA 275.14, 1%, 0.78%, 0

LABA 69.98, 44.32, -45.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2A2FF00

RGBA 226 162 255 0

HSLA 281.29, 1%, 0.82%, 0

LABA 75.59, 39.61, -37.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #995AD100

RGBA 153 90 209 0

HSLA 271.76, 0.56%, 0.59%, 0

LABA 50.32, 48.02, -51.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8848BE00

RGBA 136 72 190 0

HSLA 272.54, 0.48%, 0.51%, 0

LABA 43.63, 48.85, -51.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7736AB00

RGBA 119 54 171 0

HSLA 273.33, 0.52%, 0.44%, 0

LABA 36.93, 49.52, -51.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #66249800

RGBA 102 36 152 0

HSLA 274.14, 0.62%, 0.37%, 0

LABA 30.29, 49.76, -50.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #55128500

RGBA 85 18 133 0

HSLA 274.96, 0.76%, 0.3%, 0

LABA 23.86, 49.09, -49.59, 0

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 11 / 56 / 0 / 18

HEX #B95CD1

RGB 185 92 209

HSL 287.69, 0.56%, 0.59%

LAB 54.63, 55.12, -44.72

 

CMYK 0 / 56 / 4 / 18

HEX #D15CC9

RGB 209 92 201

HSL 304.1, 0.56%, 0.59%

LAB 57.49, 60, -35.44

 

CMYK 0 / 56 / 19 / 18

HEX #D15CA9

RGB 209 92 169

HSL 320.51, 0.56%, 0.59%

LAB 56.16, 54.97, -19.08

 

CMYK 0 / 56 / 34 / 18

HEX #D15C8A

RGB 209 92 138

HSL 336.41, 0.56%, 0.59%

LAB 55.12, 50.84, -2.51

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 42 / 56 / 0 / 18

HEX #7A5CD1

RGB 122 92 209

HSL 255.38, 0.56%, 0.59%

LAB 47.49, 39.54, -56.53

 

CMYK 56 / 56 / 0 / 18

HEX #5C5CD1

RGB 92 92 209

HSL 240, 0.56%, 0.59%

LAB 44.99, 33.27, -60.7

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 31 / 67 / 0 / 11

HEX #9B4BE2

RGB 155 75 226

HSL 271.79, 0.72%, 0.59%

LAB 48.87, 59.9, -63.8

 

CMYK 36 / 76 / 0 / 5

HEX #9C3AF3

RGB 156 58 243

HSL 271.78, 0.89%, 0.59%

LAB 47.71, 71.05, -75.27

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 20 / 43 / 0 / 25

HEX #996DC0

RGB 153 109 192

HSL 271.81, 0.4%, 0.59%

LAB 53.51, 33.56, -37.03

 

CMYK 13 / 28 / 0 / 31

HEX #987EAF

RGB 152 126 175

HSL 271.84, 0.23%, 0.59%

LAB 56.77, 19.59, -22.21

 

CMYK 4 / 9 / 0 / 38

HEX #978F9E

RGB 151 143 158

HSL 272, 0.07%, 0.59%

LAB 60.51, 5.88, -6.86

 

CMYK 6 / 0 / 12 / 37

HEX #96A08D

RGB 150 160 141

HSL 91.58, 0.09%, 0.59%

LAB 64.6, -7.16, 8.69

 

CMYK 56 / 55 / 0 / 18

HEX #5C5ED1

RGB 92 94 209

HSL 238.97, 0.56%, 0.59%

LAB 45.48, 32.04, -59.91

 

CMYK 42 / 56 / 0 / 18

HEX #795CD1

RGB 121 92 209

HSL 254.87, 0.56%, 0.59%

LAB 47.4, 39.32, -56.69

 

CMYK 27 / 56 / 0 / 18

HEX #985CD1

RGB 152 92 209

HSL 270.77, 0.56%, 0.59%

LAB 50.61, 46.71, -51.36

 

CMYK 12 / 56 / 0 / 18

HEX #B85CD1

RGB 184 92 209

HSL 287.18, 0.56%, 0.59%

LAB 54.5, 54.86, -44.93

 

CMYK 0 / 56 / 3 / 18

HEX #D15CCB

RGB 209 92 203

HSL 303.08, 0.56%, 0.59%

LAB 57.58, 60.33, -36.44

 

CMYK 34 / 72 / 0 / 33

HEX #7130AA

RGB 113 48 170

HSL 271.97, 0.56%, 0.43%

LAB 35.06, 50.86, -53.86

 

CMYK 33 / 70 / 0 / 22

HEX #863CC8

RGB 134 60 200

HSL 271.71, 0.56%, 0.51%

LAB 41.95, 56.6, -60.22

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 20 / 43 / 0 / 15

HEX #AE7CDA

RGB 174 124 218

HSL 271.91, 0.56%, 0.67%

LAB 60.32, 37.18, -40.92

 

CMYK 15 / 31 / 0 / 11

HEX #C29CE3

RGB 194 156 227

HSL 272.11, 0.56%, 0.75%

LAB 70.03, 27.36, -30.64

 

CMYK 27 / 57 / 0 / 18

HEX #995AD1

RGB 153 90 209

HSL 271.76, 0.56%, 0.59%

LAB 50.32, 48.02, -51.81

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7D

RGB 209 92 125

HSL 343.08, 0.56%, 0.59%

LAB 54.75, 49.36, 4.63

 

CMYK 56 / 0 / 49 / 18

HEX #5CD16A

RGB 92 209 106

HSL 127.18, 0.56%, 0.59%

LAB 75.4, -54.23, 41.11

 

CMYK 27 / 57 / 0 / 18

HEX #995AD1

RGB 153 90 209

HSL 271.76, 0.56%, 0.59%

LAB 50.32, 48.02, -51.81

 

CMYK 0 / 27 / 56 / 18

HEX #D1985C

RGB 209 152 92

HSL 30.77, 0.56%, 0.59%

LAB 67.12, 14.73, 39.67

 

CMYK 56 / 0 / 27 / 18

HEX #5CD198

RGB 92 209 152

HSL 150.77, 0.56%, 0.59%

LAB 76.16, -46.23, 18.51

 

CMYK 27 / 57 / 0 / 18

HEX #995AD1

RGB 153 90 209

HSL 271.76, 0.56%, 0.59%

LAB 50.32, 48.02, -51.81

 

CMYK 0 / 56 / 40 / 18

HEX #D15C7D

RGB 209 92 125

HSL 343.08, 0.56%, 0.59%

LAB 54.75, 49.36, 4.63

 

CMYK 29 / 0 / 56 / 18

HEX #94D15C

RGB 148 209 92

HSL 91.28, 0.56%, 0.59%

LAB 77.68, -38.89, 51.06

 

CMYK 56 / 0 / 16 / 18

HEX #5CD1B0

RGB 92 209 176

HSL 163.08, 0.56%, 0.59%

LAB 76.69, -40.95, 6.46

 

CMYK 27 / 57 / 0 / 18

HEX #995AD1

RGB 153 90 209

HSL 271.76, 0.56%, 0.59%

LAB 50.32, 48.02, -51.81

 

CMYK 0 / 55 / 56 / 18

HEX #D15E5C

RGB 209 94 92

HSL 1.03, 0.56%, 0.59%

LAB 54.38, 45.31, 23.53

 

CMYK 29 / 0 / 56 / 18

HEX #94D15C

RGB 148 209 92

HSL 91.28, 0.56%, 0.59%

LAB 77.68, -38.89, 51.06

 

CMYK 56 / 1 / 0 / 18

HEX #5CCFD1

RGB 92 207 209

HSL 181.03, 0.56%, 0.59%

LAB 76.98, -31.69, -10.85

 

Description

Color code: HEX #995AD100 | qconv.com Color code: HEX #995AD100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 90 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 90 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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