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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #995367 it is the complementary color #66AC98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #995367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #995367 shade: #9E5362, #AF6575, #C07788, #D1899B and #E29BAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #995367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #995367 shade: #995367, #884154, #772F41, #661D2E and #550B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #995367 shade: #985266, #985253 and #985252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #995367 shade: #985266, #985279, #98528C, #925298 and #7F5298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #995367 shade matches the following richer shades: #985266, #AB3F5E, #BE2C56, #D1194E and #E40646

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #995367 shade: #985266, #86656E, #737876, #608B7F and #4D9E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #995367 shade: #98528D, #98527A, #985267, #985254 and #986352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #995367 shade: #633542, #7E4454, #985266, #AD677B and #BB8292

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #995367 shade: #995367, #989152 and #528398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #995367 shade: #995367, #679852 and #526798

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #995367 shade: #995367, #989152, #529883 and #525998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #995367 shade: #995367, #8A9852, #529883 and #605298

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 33 / 40

HEX #995367

RGB 153 83 103

HSL 342.86, 0.3%, 0.46%

LAB 44.14, 31.45, 1.47

 

Complementary color

CMYK 41 / 0 / 12 / 33

HEX #66AC98

RGB 102 172 152

HSL 162.86, 0.3%, 0.54%

LAB 65.43, -26.85, 3.37

 

CMYK 0 / 47 / 38 / 38

HEX #9E5362

RGB 158 83 98

HSL 348, 0.31%, 0.47%

LAB 44.71, 32.69, 5.44

 

CMYK 0 / 42 / 33 / 31

HEX #AF6575

RGB 175 101 117

HSL 347.03, 0.32%, 0.54%

LAB 51.5, 31.7, 4.06

 

CMYK 0 / 38 / 29 / 25

HEX #C07788

RGB 192 119 136

HSL 346.03, 0.37%, 0.61%

LAB 58.21, 30.78, 2.89

 

CMYK 0 / 34 / 26 / 18

HEX #D1899B

RGB 209 137 155

HSL 345, 0.44%, 0.68%

LAB 64.81, 29.94, 1.85

 

CMYK 0 / 31 / 23 / 11

HEX #E29BAE

RGB 226 155 174

HSL 343.94, 0.55%, 0.75%

LAB 71.33, 29.15, 0.93

 

CMYK 0 / 46 / 33 / 40

HEX #995367

RGB 153 83 103

HSL 342.86, 0.3%, 0.46%

LAB 44.14, 31.45, 1.47

 

CMYK 0 / 52 / 38 / 47

HEX #884154

RGB 136 65 84

HSL 343.94, 0.35%, 0.39%

LAB 37.22, 32.42, 2.95

 

CMYK 0 / 61 / 45 / 53

HEX #772F41

RGB 119 47 65

HSL 345, 0.43%, 0.33%

LAB 30.25, 33.34, 4.83

 

CMYK 0 / 72 / 55 / 60

HEX #661D2E

RGB 102 29 46

HSL 346.03, 0.56%, 0.26%

LAB 23.34, 33.97, 7.42

 

CMYK 0 / 87 / 68 / 67

HEX #550B1B

RGB 85 11 27

HSL 347.03, 0.77%, 0.19%

LAB 16.75, 33.69, 11.26

 

CMYK 0 / 46 / 33 / 40

HEX #985266

RGB 152 82 102

HSL 342.86, 0.3%, 0.46%

LAB 43.75, 31.49, 1.5

 

CMYK 0 / 46 / 45 / 40

HEX #985253

RGB 152 82 83

HSL 359.14, 0.3%, 0.46%

LAB 43.26, 29.15, 12.45

 

CMYK 0 / 46 / 46 / 40

HEX #985252

RGB 152 82 82

HSL 0, 0.3%, 0.46%

LAB 43.24, 29.04, 13.02

 

CMYK 0 / 46 / 33 / 40

HEX #985266

RGB 152 82 102

HSL 342.86, 0.3%, 0.46%

LAB 43.75, 31.49, 1.5

 

CMYK 0 / 46 / 20 / 40

HEX #985279

RGB 152 82 121

HSL 326.57, 0.3%, 0.46%

LAB 44.36, 34.3, -9.21

 

CMYK 0 / 46 / 8 / 40

HEX #98528C

RGB 152 82 140

HSL 310.29, 0.3%, 0.46%

LAB 45.09, 37.52, -19.61

 

CMYK 4 / 46 / 0 / 40

HEX #925298

RGB 146 82 152

HSL 294.86, 0.3%, 0.46%

LAB 44.82, 37.89, -27.28

 

CMYK 16 / 46 / 0 / 40

HEX #7F5298

RGB 127 82 152

HSL 278.57, 0.3%, 0.46%

LAB 42.48, 32.03, -31.11

 

CMYK 0 / 46 / 33 / 40

HEX #985266

RGB 152 82 102

HSL 342.86, 0.3%, 0.46%

LAB 43.75, 31.49, 1.5

 

CMYK 0 / 63 / 45 / 33

HEX #AB3F5E

RGB 171 63 94

HSL 342.78, 0.46%, 0.46%

LAB 42.8, 46.88, 5.43

 

CMYK 0 / 77 / 55 / 25

HEX #BE2C56

RGB 190 44 86

HSL 342.74, 0.62%, 0.46%

LAB 43.39, 59.23, 11.74

 

CMYK 0 / 88 / 63 / 18

HEX #D1194E

RGB 209 25 78

HSL 342.72, 0.79%, 0.46%

LAB 45.36, 68.28, 20.02

 

CMYK 0 / 97 / 69 / 11

HEX #E40646

RGB 228 6 70

HSL 342.7, 0.95%, 0.46%

LAB 48.34, 74.67, 29.54

 

CMYK 0 / 46 / 33 / 40

HEX #985266

RGB 152 82 102

HSL 342.86, 0.3%, 0.46%

LAB 43.75, 31.49, 1.5

 

CMYK 0 / 25 / 18 / 47

HEX #86656E

RGB 134 101 110

HSL 343.64, 0.14%, 0.46%

LAB 46.31, 14.77, 0.1

 

CMYK 4 / 0 / 2 / 53

HEX #737876

RGB 115 120 118

HSL 156, 0.02%, 0.46%

LAB 49.96, -2.29, 0.44

 

CMYK 31 / 0 / 9 / 45

HEX #608B7F

RGB 96 139 127

HSL 163.26, 0.18%, 0.46%

LAB 54.54, -17.51, 1.69

 

CMYK 51 / 0 / 15 / 38

HEX #4D9E87

RGB 77 158 135

HSL 162.96, 0.34%, 0.46%

LAB 59.69, -30.55, 4.47

 

CMYK 0 / 46 / 7 / 40

HEX #98528D

RGB 152 82 141

HSL 309.43, 0.3%, 0.46%

LAB 45.13, 37.7, -20.15

 

CMYK 0 / 46 / 20 / 40

HEX #98527A

RGB 152 82 122

HSL 325.71, 0.3%, 0.46%

LAB 44.4, 34.46, -9.76

 

CMYK 0 / 46 / 32 / 40

HEX #985267

RGB 152 82 103

HSL 342, 0.3%, 0.46%

LAB 43.78, 31.63, 0.93

 

CMYK 0 / 46 / 45 / 40

HEX #985254

RGB 152 82 84

HSL 358.29, 0.3%, 0.46%

LAB 43.29, 29.26, 11.87

 

CMYK 0 / 35 / 46 / 40

HEX #986352

RGB 152 99 82

HSL 14.57, 0.3%, 0.46%

LAB 47.25, 19.4, 18.47

 

CMYK 0 / 46 / 33 / 61

HEX #633542

RGB 99 53 66

HSL 343.04, 0.3%, 0.3%

LAB 28.36, 22.32, 1.04

 

CMYK 0 / 46 / 33 / 51

HEX #7E4454

RGB 126 68 84

HSL 343.45, 0.3%, 0.38%

LAB 36.39, 26.91, 1.56

 

CMYK 0 / 46 / 33 / 40

HEX #985266

RGB 152 82 102

HSL 342.86, 0.3%, 0.46%

LAB 43.75, 31.49, 1.5

 

CMYK 0 / 40 / 29 / 32

HEX #AD677B

RGB 173 103 123

HSL 342.86, 0.3%, 0.54%

LAB 51.85, 30.68, 0.98

 

CMYK 0 / 30 / 22 / 27

HEX #BB8292

RGB 187 130 146

HSL 343.16, 0.3%, 0.62%

LAB 60.43, 24.32, 0.29

 

CMYK 0 / 46 / 33 / 40

HEX #995367

RGB 153 83 103

HSL 342.86, 0.3%, 0.46%

LAB 44.14, 31.45, 1.47

 

CMYK 0 / 5 / 46 / 40

HEX #989152

RGB 152 145 82

HSL 54, 0.3%, 0.46%

LAB 59.47, -6.66, 34.22

 

CMYK 46 / 14 / 0 / 40

HEX #528398

RGB 82 131 152

HSL 198, 0.3%, 0.46%

LAB 52.17, -10.66, -16.42

 

CMYK 0 / 46 / 33 / 40

HEX #995367

RGB 153 83 103

HSL 342.86, 0.3%, 0.46%

LAB 44.14, 31.45, 1.47

 

CMYK 32 / 0 / 46 / 40

HEX #679852

RGB 103 152 82

HSL 102, 0.3%, 0.46%

LAB 57.99, -29.96, 31.61

 

CMYK 46 / 32 / 0 / 40

HEX #526798

RGB 82 103 152

HSL 222, 0.3%, 0.46%

LAB 43.89, 5.9, -29.19

 

CMYK 0 / 46 / 33 / 40

HEX #995367

RGB 153 83 103

HSL 342.86, 0.3%, 0.46%

LAB 44.14, 31.45, 1.47

 

CMYK 0 / 5 / 46 / 40

HEX #989152

RGB 152 145 82

HSL 54, 0.3%, 0.46%

LAB 59.47, -6.66, 34.22

 

CMYK 46 / 0 / 14 / 40

HEX #529883

RGB 82 152 131

HSL 162, 0.3%, 0.46%

LAB 57.93, -27.32, 4.22

 

CMYK 46 / 41 / 0 / 40

HEX #525998

RGB 82 89 152

HSL 234, 0.3%, 0.46%

LAB 39.92, 14.69, -35.43

 

CMYK 0 / 46 / 33 / 40

HEX #995367

RGB 153 83 103

HSL 342.86, 0.3%, 0.46%

LAB 44.14, 31.45, 1.47

 

CMYK 9 / 0 / 46 / 40

HEX #8A9852

RGB 138 152 82

HSL 72, 0.3%, 0.46%

LAB 60.31, -16.3, 35.01

 

CMYK 46 / 0 / 14 / 40

HEX #529883

RGB 82 152 131

HSL 162, 0.3%, 0.46%

LAB 57.93, -27.32, 4.22

 

CMYK 37 / 46 / 0 / 40

HEX #605298

RGB 96 82 152

HSL 252, 0.3%, 0.46%

LAB 39.22, 22.91, -36.47

 

Description

Color code: HEX #995367 | qconv.com Color code: HEX #995367 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 83 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 83 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 33 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 33% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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